The Australian Jazz Quintet +1 (limited edition, remastered, mono)

~ Veröffentlichung von The Australian Jazz Quintet With Osie Johnson (alle Versionen dieser Veröffentlichung ansehen, 2 vorhanden)

Anmerkung

Recorded March, 1957 in New York City.
Comes with Obi and Japanese liner notes

Track 7: Erroneously credited to 'Regent', which was a part of the publishing company name of the song ([l=Regent Music]).

Rights Society: JASRAC
Price Code: ¥952+Tax

Anmerkung zuletzt geändert am 2024-01-20 23:45 UTC.

Titelliste

1▼CD
Nr.TitelBewertungLänge
1Part I: Medium
recorded in:
New York, New York, Vereinigte Staaten (in 1957-03)
Bass:
Jack Lander (in 1957-03)
Blasinstrumente [tenor sax, bassoon]:
Erroll Buddle (in 1957-03)
Holzblasinstrumente [alto sax, flute]:
Dick Healey (in 1957-03)
Klavier:
Bryce Rohde (in 1957-03)
Schlagzeug:
Osie Johnson (in 1957-03)
Vibraphon:
Jack Brokensha (in 1957-03)
recording of:
Part I: Medium
Verfasser(in):
Bill Holman
7:32
2Part II: Slow
recorded in:
New York, New York, Vereinigte Staaten (in 1957-03)
Bass:
Jack Lander (in 1957-03)
Blasinstrumente [tenor sax, bassoon]:
Erroll Buddle (in 1957-03)
Holzblasinstrumente [alto sax, flute]:
Dick Healey (in 1957-03)
Klavier:
Bryce Rohde (in 1957-03)
Schlagzeug:
Osie Johnson (in 1957-03)
Vibraphon:
Jack Brokensha (in 1957-03)
recording of:
Part II: Slow
Verfasser(in):
Bill Holman
7:15
3Part III: Medium
recorded in:
New York, New York, Vereinigte Staaten (in 1957-03)
Bass:
Jack Lander (in 1957-03)
Blasinstrumente [tenor sax, bassoon]:
Erroll Buddle (in 1957-03)
Holzblasinstrumente [alto sax, flute]:
Dick Healey (in 1957-03)
Klavier:
Bryce Rohde (in 1957-03)
Schlagzeug:
Osie Johnson (in 1957-03)
Vibraphon:
Jack Brokensha (in 1957-03)
recording of:
Part III: Medium
Verfasser(in):
Bill Holman
7:15
4Cubano Chant
recorded in:
New York, New York, Vereinigte Staaten (in 1957-03)
Bass:
Jack Lander (in 1957-03)
Blasinstrumente [tenor sax, bassoon]:
Erroll Buddle (in 1957-03)
Holzblasinstrumente [alto sax, flute]:
Dick Healey (in 1957-03)
Klavier:
Bryce Rohde (in 1957-03)
Schlagzeug:
Osie Johnson (in 1957-03)
Vibraphon:
Jack Brokensha (in 1957-03)
recording of:
Cubano Chant
Komponist(in):
Ray Bryant (US jazz pianist, composer, and arranger)
4:40
5In a Sentimental Mood
recorded in:
New York, New York, Vereinigte Staaten (in 1957-03)
Bass:
Jack Lander (in 1957-03)
Blasinstrumente [tenor sax, bassoon]:
Erroll Buddle (in 1957-03)
Holzblasinstrumente [alto sax, flute]:
Dick Healey (in 1957-03)
Klavier:
Bryce Rohde (in 1957-03)
Schlagzeug:
Osie Johnson (in 1957-03)
Vibraphon:
Jack Brokensha (in 1957-03)
recording of:
In a Sentimental Mood
Texter:
Manny Kurtz und Irving Mills
Komponist(in):
Duke Ellington (US composer, pianist & jazz bandleader) (in 1935)
publisher:
American Academy of Music, Inc., Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody), J. R. Lafleur & Son Ltd., Lafleur Music Ltd., Mills Music und Sony/ATV Harmony
3:51
6Star Eyes
recorded in:
New York, New York, Vereinigte Staaten (in 1957-03)
Bass:
Jack Lander (in 1957-03)
Blasinstrumente [tenor sax, bassoon]:
Erroll Buddle (in 1957-03)
Holzblasinstrumente [alto sax, flute]:
Dick Healey (in 1957-03)
Klavier:
Bryce Rohde (in 1957-03)
Schlagzeug:
Osie Johnson (in 1957-03)
Vibraphon:
Jack Brokensha (in 1957-03)
recording of:
Star Eyes
Komponist(in):
Gene de Paul und Don Raye
publisher:
EMI Feist Catalog Inc. und Red Cape Songs
Teil von:
I Dood It (1943)
3:41
7I'll Be Around
recorded in:
New York, New York, Vereinigte Staaten (in 1957-03)
Bass:
Jack Lander (in 1957-03)
Blasinstrumente [tenor sax, bassoon]:
Erroll Buddle (in 1957-03)
Holzblasinstrumente [alto sax, flute]:
Dick Healey (in 1957-03)
Klavier:
Bryce Rohde (in 1957-03)
Schlagzeug:
Osie Johnson (in 1957-03)
Vibraphon:
Jack Brokensha (in 1957-03)
recording of:
I’ll Be Around
Texter und Komponist(in):
Alec Wilder (American composer)
publisher:
Ludlow Music, Inc., Primary Wave 3 Songs (BMI) und TRO-Ludlow Music, Inc.
3:39
8You'd Be So Nice to Come Home To
recorded in:
New York, New York, Vereinigte Staaten (in 1957-03)
Bass:
Jack Lander (in 1957-03)
Blasinstrumente [tenor sax, bassoon]:
Erroll Buddle (in 1957-03)
Holzblasinstrumente [alto sax, flute]:
Dick Healey (in 1957-03)
Klavier:
Bryce Rohde (in 1957-03)
Schlagzeug:
Osie Johnson (in 1957-03)
Vibraphon:
Jack Brokensha (in 1957-03)
recording of:
You’d Be So Nice to Come Home To
Texter und Komponist(in):
Cole Porter (composer) (in 1943)
publisher:
Chappell & Co., Chappell & Co., Inc. (USA), Warner Chappell Music Ltd. (no slash; used 1988–1996) und Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09)
Teil von:
The 16th Academy Award for Best Original Song (Nummer: 2)
3:58

Nennungen

Veröffentlichung

liner notes:原田和典 (music critic)
alto saxophone und flute:Dick Healey (Richard James Healey; American jazz saxophonist, flutist, clarinetist, bassist and composer)
Fagott und Tenorsaxophon:Erroll Buddle
hergestellt von und vertrieben von:ULTRA‐VYBE, INC. (Japanese record company)
Teil von:Bethlehem Album Collection 1000 (Catalog reissue of Bethlehem, a prestigious NY jazz label that has been popular in Japan for a long time) (Nummer: 144) (Reihenfolge: 3)
Discogs:https://www.discogs.com/release/11455131 [Info]

Veröffentlichungsgruppe

Discogs:https://www.discogs.com/master/955661 [Info]