Say It Loud! A Celebration of Black Music in America

~ Pubblicazione di Various Artists (visualizza tutte le versioni di questa pubblicazione: 1 disponibile)

Annotazione

TODO:
Identify disc 2 #6. Initially indicates a quartet formation.

Annotazione modificata l'ultima volta il 2015-07-12 00:09 UTC.

Elenco tracce

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#TitoloArtistaValutazioneDurata
1You’ve Really Got a Hold on Me
parte di:
Dave Marsh: The Best of the Top 40 Singles: 1962 (numero: 10) e Rock and Roll Hall of Fame – 500 Songs That Shaped Rock
registrazione di:
You’ve Really Got a Hold on Me
paroliere e compositore:
Smokey Robinson (nel 1962-10)
editore:
Dominion Music, Jobete Music (UK), Jobete Music Co., Inc., United Partnership Ltd., イーエムアイ音楽出版 フジパシフィック事業部 (EMI Music Publishing Japan, Fujipacific Division) (fino al 2021-06-30) e ソニー・ミュージックパブリッシング フジパシフィック事業部 (Sony Music Publishing (Japan) Inc., Fujipacific Division) (dal 2021-07-01 a oggi)
parte di:
Baby It’s You! (jukebox musical, book by Floyd Mutrux and Colin Escott)
The Miracles4.53:00
2Take My Hand Precious Lord
Mahalia Jackson5:56
3Cotton Fields
Odetta3:25
4How Blue Can You Get?
registrazione di:
How Blue Can You Get?
autore:
Jane Feather
compositore:
Leonard Feather
editore:
Burlington Music Co., Ltd., Melva Pub. Co. e Modern Age Music
B.B. King3:37
5No Pity (In the Naked City)
Jackie Wilson4:28
6Change Gonna Come
registrazione cover di:
A Change Is Gonna Come
paroliere e compositore:
Sam Cooke (American singer and songwriter, “King of Soul”)
editore:
ABKCO Music, Inc. (this is a music publisher; for release labels, please use “ABKCO”) e Kags Music Corp.
Otis Redding4:16
7Walk On By
voce:
Dionne Warwick
diritti fonografici (℗) detenuti da:
WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (nel 1984)
parte di:
Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (numero: 51), Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 70), Rock and Roll Hall of Fame – 500 Songs That Shaped Rock e Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 129)
registrazione di:
Walk On By
paroliere:
Hal David
compositore:
Burt Bacharach
editore:
Blue Seas Music, Inc., BMG Rights Management (UK) Ltd. (Hal David), Carlin Music Corporation, Casa David, Copyright Control (not for release label use! this is only for copyrights and publishing relationships), JAC Music Co., Inc., New Hidden Valley Music Co., Rondor Music (Australia) Pty Ltd, Universal/MCA Music Ltd. (not for release label use!), Warner Chappell Music, Inc., Windswept Music (London) Ltd., WB Music Corp. (1929–2019) (fino al 2019-05-28) e WC Music Corp. (dal 2019-05-28 a oggi)
sub-editore:
フジパシフィックミュージック BMG事業部 (Fujipacific Music Inc., BMG Division) e フジパシフィックミュージック 第2事業部 (Fujipacific Music, Inc. Division 2)
parte di:
Baby It’s You! (jukebox musical, book by Floyd Mutrux and Colin Escott)
Dionne Warwick4.752:58
8Reach Out I’ll Be There
registrazione di:
Reach Out, I’ll Be There
paroliere:
Eddie Holland (Motown songwriter, lyricist of Holland–Dozier–Holland songwriting team)
compositore:
Lamont Dozier e Brian Holland (Motown producer & songwriter)
editore:
EMI Songs, EMI Songs Australia Pty. Ltd., Jobete Music (UK) Ltd., Jobete Music Co., Inc., Stone Agate Music Division, イーエムアイ音楽出版 フジパシフィック事業部 (EMI Music Publishing Japan, Fujipacific Division) (fino al 2021-06-30) e ソニー・ミュージックパブリッシング フジパシフィック事業部 (Sony Music Publishing (Japan) Inc., Fujipacific Division) (dal 2021-07-01 a oggi)
Four Tops3:14
9Land of 1000 Dances
produttore:
Jerry Wexler
batteria :
Roger Hawkins (dal 1966-05-08 al 1966-05-11)
chitarra :
Jimmy Johnson (guitar, producer, Muscle Shoals rhythm section) (dal 1966-05-08 al 1966-05-11) e Chips Moman (dal 1966-05-08 al 1966-05-11)
chitarra basso [bass] :
Tommy Cogbill (dal 1966-05-08 al 1966-05-11)
pianoforte :
Spooner Oldham (dal 1966-05-08 al 1966-05-11)
sassofono baritono :
Floyd Newman (dal 1966-05-08 al 1966-05-11)
sassofono tenore :
Charles Chalmers (American saxophonist, singer-songwriter, arranger, and producer) (dal 1966-05-08 al 1966-05-11) e Andrew Love (dal 1966-05-08 al 1966-05-11)
tromba :
Wayne Jackson (trumpet/horn, member of The Mar-Keys and The Memphis Horns) (dal 1966-05-08 al 1966-05-11)
voce:
Wilson Pickett (dal 1966-05-08 al 1966-05-11)
diritti fonografici (℗) detenuti da:
WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US)
registrata presso:
Fame Studios in Muscle Shoals, Alabama, Stati Uniti (dal 1966-05-08 al 1966-05-11)
registrazione cover di:
Land of 1000 Dances (dal 1966-05-08 al 1966-05-11)
paroliere e compositore:
Chris Kenner
autore aggiunto:
Antoine Domino (Fats Domino)
editore:
Anatole, EMI Longitude Music, J. Albert & Son Pty. Ltd. e Tune-Kel
registrazione di:
Land of 1000 Dances
paroliere e compositore:
Chris Kenner
autore aggiunto:
Antoine Domino (Fats Domino)
editore:
Anatole, EMI Longitude Music, J. Albert & Son Pty. Ltd. e Tune-Kel
Wilson Pickett42:26
10Respect
tecnico di registrazione:
Tom Dowd (il 1967-02-14)
produttore:
Jerry Wexler
batteria :
Roger Hawkins (il 1967-02-14)
chitarra :
Jimmy Johnson (guitar, producer, Muscle Shoals rhythm section) (il 1967-02-14)
chitarra basso :
Tommy Cogbill (il 1967-02-14)
cornetta :
Melvin Lastie (il 1967-02-14)
organo :
Spooner Oldham (il 1967-02-14)
pianoforte :
Aretha Franklin (il 1967-02-14)
sassofono baritono :
Willie Bridges (il 1967-02-14)
sassofono tenore :
Charles Chalmers (American saxophonist, singer-songwriter, arranger, and producer) (il 1967-02-14) e King Curtis (saxophonist) (il 1967-02-14)
voce:
Aretha Franklin (il 1967-02-14)
voce di accompagnamento:
Carolyn Franklin (il 1967-02-14) e Erma Franklin (il 1967-02-14)
direttore d'orchestra:
Tom Dowd (il 1967-02-14)
arrangiatore:
Tom Dowd e Arif Mardin
diritti fonografici (℗) detenuti da:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (nel 1967) e WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (nel 1967)
registrata presso:
Atlantic Studios (1841 Broadway, New York, 1957–1991) in Midtown Manhattan, New York, New York, Stati Uniti (il 1967-02-14)
parte di:
Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (numero: 1), Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 5), CBC Music: 10 Songs That Have Changed the World, Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 21), New York Post: 100 Greatest Covers (2007) (numero: 52) e Rock and Roll Hall of Fame – 500 Songs That Shaped Rock
registrazione cover di:
Respect (il 1967-02-14)
paroliere e compositore:
Otis Redding
editore:
Cotillion Music Inc. (BMI), East-Time-Walco, Irving Music, Inc., Rondor Music (London) Ltd., Warner Chappell e Warner/Chappell North America
Aretha Franklin3.92:25
11Hey Joe
registrazione cover di:
Hey Joe
paroliere e compositore:
Billy Roberts (songwriter)
editore:
Carlin Music Corp, Sony/ATV Melody, Third Palm Music e Third Story Music, Inc.
Jimi Hendrix3:57
12The Klan
Richie Havens4:34
13Love Child
produttore:
The Clan (Motown composers/producers group)
voce di accompagnamento:
The Andantes
arrangiatore:
Paul Riser
registrazione di:
Love Child (Diana Ross & the Supremes song)
autore:
Deke Richards (American songwriter and record producer), Pam Sawyer (British‐born American lyricist and songwriter), R. Dean Taylor (Canadian singer, songwriter and record producer) e Frank Wilson (Motown singer/songwriter)
editore:
Jobete Music Co., Inc. e Stone Agate Music Division
Diana Ross & The Supremes4:06
14Say It Loud – I’m Black and I’m Proud
registrazione di:
Say It Loud (I’m Black, I’m Proud) (Parts 1 & 2)
paroliere e compositore:
James Brown (The Godfather of Soul) e Pee Wee Ellis
James Brown4:49
15Don’t Call Me Nigger, Whitey
batteria :
Greg Errico (nel 1969)
chitarra :
Freddie Stone (nel 1969)
chitarra basso :
Larry Graham (US bassist & singer) (nel 1969)
chitarra e tastiera :
Sly Stone (nel 1969)
sassofono :
Jerry Martini (nel 1969)
tastiera :
Rose Stone (nel 1969)
tromba :
Cynthia Robinson (nel 1969)
voce:
Larry Graham (US bassist & singer) (nel 1969), Jerry Martini (nel 1969), Freddie Stone (nel 1969), Rose Stone (nel 1969) e Sly Stone (nel 1969)
registrazione di:
Don’t Call Me Nigger, Whitey (nel 1969)
paroliere e compositore:
Sylvester Stewart
Sly & the Family Stone4.55:59
16Choice of Colors
registrazione di:
Choice of Colors
paroliere e compositore:
Curtis Mayfield
editore:
Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label), ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division) e Camad Music Company (dal 1969 al ????)
The Impressions3:21
17To Be Young, Gifted and Black
tecnico:
Ray Hall (engineer) (dal 1969-08-25 al 1969-08-26)
diritti fonografici (℗) detenuti da:
BMG Music (nel 1969)
registrata presso:
RCA Studios (New York, later noted as RCA Recording Studios) in New York, New York, Stati Uniti (dal 1969-08-25 al 1969-08-26)
registrazione di:
To Be Young, Gifted and Black (dal 1969-08-25 al 1969-08-26)
paroliere:
Weldon Irvine
compositore:
Nina Simone
Nina Simone32:50
18Is Anybody Goin’ to San Antone
registrazione di:
Is Anybody Goin' to San Antone
autore:
Dave Kirby (US country singer/songwriter) e Glenn Martin (1960s country pop)
editore:
Sony/ATV Tree Publishing
Charley Pride2:12
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