2000s Throwback Rock

~ Veröffentlichung von Various Artists (alle Versionen dieser Veröffentlichung ansehen, eine vorhanden)

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Anmerkung zuletzt geändert am 2026-01-31 16:09 UTC.

Titelliste

1▼Digitales Medium
Nr.TitelKünstlerBewertungLänge
1The Reason
recording engineer:
Mike Plotnikoff und Casey Stone (engineer) (Saiteninstrumente)
zusätzliche(r) Techniker(in):
Eric Miller (engineer)
Produzent(in):
Howard Benson
Mix:
Chris Lord‐Alge
E-Bass [Bass]:
Markku Lappalainen (Markku Juha Lappalainen, bass player)
Gitarre:
Dan Estrin
Schlagzeug [Drums]:
Chris Hesse
vocals:
Doug Robb
Saiteninstrumente arranger:
Deborah Lurie
Musikvideos:
The Reason (Music video) von Hoobastank
recording of:
The Reason
Texter:
Doug Robb
Komponist(in):
Dan Estrin
Hoobastank43:53
2Sugar, We’re Goin Down
assistierende(r) Mix:
Femio Hernandez
Mix:
Tom Lord‐Alge
Sologesang:
Patrick Stump
Musikvideos:
Sugar, We’re Goin Down von Fall Out Boy (pop punk band)
Teil von:
Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 246) und Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (Nummer: 443)
recording of:
Sugar, We’re Goin Down
Texter:
Pete Wentz
Komponist(in):
Andy Hurley (rock drummer from the US), Patrick Stump, Joe Trohman und Pete Wentz
publisher:
Chicago X Softcore Songs
Fall Out Boy4.253:51
3Kryptonite
recording engineer:
Matt Martone (recording engineer) und Paul Ebersold
Produzent(in):
Paul Ebersold
assistierende(r) Mix:
Mike Butler (engineer)
Mix:
Toby Wright (producer & engineer)
Editing:
Andrew Garver
Bassgitarre:
Todd Harrell
Gitarre:
Chris Henderson (member of 3 Doors Down) und Matt Roberts (guitarist for 3 Doors Down)
Schlagzeug und Sologesang:
Brad Arnold (vocalist for 3 Doors Down)
phonographisches Urheberrecht (℗) von:
UMG Recordings, Inc. (operational headquarters of Universal Music Group, based in Santa Monica, USA; read annotations) (in 1999), Universal Motown Records (not for release label use; use “Universal Motown” instead) (in 1999), Universal Records Inc. (not for release label use! a division of UMG Recordings, Inc.) (in 1999) und Universal Republic Records (2006–2012) (in 2012)
aufgenommen bei:
Ardent Studios in Memphis, Tennessee, Vereinigte Staaten
mixed at:
The Record Plant (aka “Record Plant” Los Angeles) in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten
Teil von:
The Village Voice – The 50 Worst Songs of the ’00s (Nummer: 42) und BILLIONS CLUB
recording of:
Kryptonite
Texter:
Brad Arnold (vocalist for 3 Doors Down)
Komponist(in):
Brad Arnold (vocalist for 3 Doors Down), Todd Harrell und Matt Roberts (guitarist for 3 Doors Down)
publisher:
Escatawpa Songs, Universal/MCA Music Publishing GmbH und Universal/MCA Music Publishing Pty Ltd
3 Doors Down4.053:54
4The Kids Aren’t Alright
sonstige Unterstützung:
Janie Rangel (Aufgabe: studios assistants) und Elan Trujillo (Aufgabe: studios assistants)
assistierende(r) Techniker(in):
Annette Cisneros
Techniker(in):
Bryan Carlstrom (engineer, producer)
Produzent(in) und Mix:
Dave Jerden
Bassgitarre:
Greg K
Gitarre:
Noodles (Kevin Wasserman)
Schlagzeug:
Ron Welty
Sologesang:
Dexter Holland
phonographisches Urheberrecht (℗) von:
Epitaph (in 1994)
aufgenommen bei und mixed at:
Eldorado Recording Studios in Burbank, California (Kalifornien), Vereinigte Staaten
recording of:
The Kids Aren’t Alright
Texter und Komponist(in):
Dexter Holland
publisher:
Round Hill Works, Underachiever Music und Wixen Music Publishing, Inc.
The Offspring4.33:00
5Dirty Little Secret
recording engineer:
Mike Plotnikoff
assistierende(r) Techniker(in):
Hatsukazu Inagaki
Produzent(in):
Howard Benson
Mix:
Chris Lord‐Alge
Editing:
Paul DeCarli
Gitarre-Techniker:
Keith Nelson (guitar technician)
Schlagzeug-Techniker:
Jon at Drum Fetish (drum technician)
phonographisches Urheberrecht (℗) von:
Interscope Records (part of UMG Recordings, Inc.) (in 2005, in 2006), Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 2006), Show Stopping Entertainment (in 2006), Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (in 2006), UMG Recordings, Inc. (operational headquarters of Universal Music Group, based in Santa Monica, USA; read annotations) (in 2006), Virgin Records America, Inc. (for copyrights use only; for release labels, please refer to either “Virgin” or “Virgin America”) (in 2006) und Wind-Up Records, LLC (this is only for copyrights use; please use "Wind‐Up" for release labels) (in 2006)
mixed at:
Resonate Music in Burbank, California (Kalifornien), Vereinigte Staaten
recording of:
Dirty Little Secret
Verfasser(in):
Tyson Ritter und Nick Wheeler
The All‐American Rejects4.253:13
6Mr. Brightside
recording engineer:
Jeff Saltzman (music attorney and record producer)
Produzent(in):
Jeff Saltzman (music attorney and record producer) und The Killers (American rock band)
Mix:
Mark Needham
phonographisches Urheberrecht (℗) von:
UMG Recordings, Inc. (operational headquarters of Universal Music Group, based in Santa Monica, USA; read annotations) (in 2004) und Island Records (NOT for release label use! A division of UMG Recordings, Inc.) (in 2017)
Teil von:
Indie 88: Top 500 Indie Rock Songs (Nummer: 4), NME: Greatest “Indie” Anthems Ever: 2007 (Nummer: 33), Offizielle deutsche Charts – Single-Jahrescharts 2025 (Nummer: 51), Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 90) und Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (Nummer: 378)
recording of:
Mr. Brightside
Verfasser(in):
Brandon Flowers und Dave Keuning
publisher:
The Killers Publishing und Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group)
The Killers4.33:42
7Everybody’s Changing
Programmierung und Techniker(in):
Andy Green (producer, engineer)
Produzent(in):
Andy Green (producer, engineer) und Keane
assistierende(r) Mix:
David Treahern und Rob Haggett
Mix:
Mark “Spike” Stent (producer, engineer)
phonographisches Urheberrecht (℗) von:
Universal Island Records Ltd. (not for release label use! company known by this name from 1999-03-29 to 2014-06-25) (in 2004, in 2024)
aufgenommen bei:
Helioscentric Studios in Rye, East Sussex, England, Vereinigtes Königreich
Musikvideos:
Everybody’s Changing von Keane
recording of:
Everybody’s Changing
Verfasser(in):
Tom Chaplin, Richard Hughes (Keane member) und Tim Rice‐Oxley
publisher:
BMG Music Publishing Ltd.
Keane3.83:37
8Naive
assistierende(r) Techniker(in):
Iain Dowling und Ben Mason (Independent filmmaker/musician)
Techniker(in):
Todd Burke und Tony Hoffer
Produzent(in):
Tony Hoffer
assistierende(r) Mix:
Keith Gary und Will Hensley (Engineer)
Mix:
Michael Brauer (engineer)
phonographisches Urheberrecht (℗) von:
Virgin Records Ltd. (not for release label use! for company relationships only) (in 2006)
recording of:
Naïve
Texter:
Luke Pritchard
Komponist(in):
Paul Garred, Hugh Harris (of The Kooks), Luke Pritchard und Max Rafferty
publisher:
Famous Music Publishing Limited (renamed into BMG FM Music Ltd. on 2013-05-13)
The Kooks3.553:26
9Freak Like Me
Produzent(in):
Richard X (English songwriter and producer)
zusätzliche(r) Produzent(in):
Jeremy Wheatley (UK mix engineer, aka Jim Bob)
Mix:
Jeremy Wheatley (UK mix engineer, aka Jim Bob)
phonographisches Urheberrecht (℗) von:
Universal Island Records Ltd. (not for release label use! company known by this name from 1999-03-29 to 2014-06-25) (in 2002)
Samples:
Are ‘Friends’ Electric? von Tubeway Army
recording of:
Freak Like Me (Sugababes ver.)
Texter:
Eugene Hanes, Loren Hill und Marc Valentine
Komponist(in):
George Clinton (US funk musician), Bootsy Collins (US funk musician & songwriter), Gary “Mudbone” Cooper und Gary Numan
publisher:
Notting Dale Songs, Inc. und Sony/ATV Songs LLC
basiert auf:
Are ‘Friends’ Electric?
Version von:
Freak Like Me (Adina Howard)
Sugababes2.53:16
10The Middle
Synthesizer-Programmierung:
Mark Trombino
Techniker(in) und Mix:
Mark Trombino
Produzent(in):
Jimmy Eat World und Mark Trombino
Bassgitarre:
Rick Burch
Gitarre und Perkussion:
Jim Adkins (US singer, songwriter & guitarist for Jimmy Eat World)
Schlagzeug:
Zach Lind
vocals:
Jim Adkins (US singer, songwriter & guitarist for Jimmy Eat World)
Teil von:
Paste: The 50 Greatest NON One-Hit Wonders of All Time (Nummer: 26), Indie 88: Top 500 Indie Rock Songs (Nummer: 76) und Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 313)
recording of:
The Middle
Verfasser(in):
Jim Adkins (US singer, songwriter & guitarist for Jimmy Eat World), Rick Burch, Zach Lind und Tom Linton
Jimmy Eat World4.42:48
11In Too Deep
Techniker(in):
Joe McGrath
Produzent(in):
Jerry Finn
Mix:
Tom Lord‐Alge
Hintergrundgesang:
Greig Nori
phonographisches Urheberrecht (℗) von:
The Island Def Jam Music Group (American holding company, not normally a release label) (in 2001)
Musikvideos:
In Too Deep von Sum 41
recording of:
In Too Deep
Verfasser(in):
Greig Nori und Deryck Whibley
publisher:
EMI April Music Canada (see also EMI April Music (Canada) Ltd.) und Rectum Renovator Music
Sum 414.13:27
12First Date
assistierende(r) Techniker(in):
Joe Marlett (Producer, engineer, mixer & songwriter), Robert Read und Ted Reiger
Techniker(in):
Joe McGrath
Produzent(in):
Jerry Finn
assistierende(r) Mix:
Femio Hernandez
Mix:
Tom Lord‐Alge
Keyboard:
Roger Joseph Manning Jr. (American keyboardist and singer/songwriter)
Schlagzeug-Techniker:
Mike "Sack" Fasano
phonographisches Urheberrecht (℗) von:
MCA Records (1967–2003; name as in imprint during 1972–1990) (in 2001) und Geffen Records (in 2016)
aufgenommen bei:
Cello Studios in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten, Larrabee Sound Studios (present day location in North Hollywood, since 1991) in North Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten und Signature Sound in San Diego, California (Kalifornien), Vereinigte Staaten
mixed at:
Encore Recording Studios in Burbank, California (Kalifornien), Vereinigte Staaten
recording of:
First Date
Verfasser(in):
Travis Barker (American producer and drummer of blink-182), Tom DeLonge und Mark Hoppus
publisher:
Beat Poet Music, EMI April Music Inc., Fun With Guns, HMNIM Music und Jolly Old Saint Dick
blink‐1824.12:52
13Hash Pipe
Assistent recording engineer:
Alan Sanderson
assistierende(r) Mix:
Femio Hernandez
aufgenommen bei:
Cello Studios in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (in 2000-12)
mixed at:
South Beach Studios in Miami Beach, Florida, Vereinigte Staaten (in 2001-01)
Teil von:
Indie 88: Top 500 Indie Rock Songs (Nummer: 300)
recording of:
Hash Pipe (Weezer)
Texter und Komponist(in):
Rivers Cuomo (US singer, guitarist & songwriter of Weezer)
Weezer4.23:07
14Here Without You
Assistent recording engineer:
Honchol Sin und Tom Sweeney (US engineer)
recording engineer:
Steve Churchyard, Geoff Ott und Rick Parashar
zusätzlich recording engineer:
Steve Churchyard
sonstige Unterstützung:
Susie Katayama
assistierende(r) Techniker(in):
Gordon Sran und Latif Tayour
Techniker(in):
Geoff Ott, Rick Parashar und Steve Churchyard
Produzent(in):
Rick Parashar
assistierende(r) Mix:
Dean Maher und Paul Silveira
Mix:
Jack Joseph Puig und Randy Staub
Editing:
Geoff Ott und Rick Parashar
Bassgitarre:
Todd Harrell
Gitarre:
Chris Henderson (member of 3 Doors Down) und Matt Roberts (guitarist for 3 Doors Down)
Hammond-Orgel [Hammond B3]:
Rick Hopkins (keyboards)
Perkussion:
Matthew Burgess
Saiteninstrumente:
David Campbell (US‐based Canadian violinist, composer, conductor and arranger)
Schlagzeug:
Josh Freese (American drummer)
Sologesang:
Brad Arnold (vocalist for 3 Doors Down)
conductor:
David Campbell (US‐based Canadian violinist, composer, conductor and arranger)
Saiteninstrumente arranger:
David Campbell (US‐based Canadian violinist, composer, conductor and arranger)
concertmaster:
Joel G. Derouin
phonographisches Urheberrecht (℗) von:
Universal Records (UMG subsidiary, “RECORDS” must be a part of the logo; read annotation) (in 2002)
aufgenommen bei:
Greenhouse Studios (Burnaby, BC, Canada) in Burnaby, British Columbia, Kanada, London Bridge Studios in Seattle, Washington, Vereinigte Staaten und Ocean Way Recording in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten
mixed at:
Armory Studios in Vancouver, British Columbia, Kanada
remixed at:
Ocean Way Recording in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten
recording of:
Here Without You
Verfasser(in):
Brad Arnold (vocalist for 3 Doors Down), Todd Harrell, Chris Henderson (member of 3 Doors Down) und Matt Roberts (guitarist for 3 Doors Down)
publisher:
Escatawpa Songs und Songs of Universal, Inc. (BMI)
3 Doors Down4.43:55
15I Miss You
recording engineer:
Ryan Hewitt
Produzent(in):
Jerry Finn
Mix:
Tom Lord‐Alge
Bassgitarre:
Mark Hoppus
Gitarre:
Tom DeLonge
Keyboard:
Roger Joseph Manning Jr. (American keyboardist and singer/songwriter)
Schlagzeug:
Travis Landon Barker (American producer and drummer of blink-182)
vocals:
Tom DeLonge und Mark Hoppus
phonographisches Urheberrecht (℗) von:
Geffen Records (in 2003)
Musikvideos:
I Miss You von blink‐182
Teil von:
Indie 88: Top 500 Indie Rock Songs (Nummer: 235)
recording of:
I Miss You
Verfasser(in):
Travis Barker (American producer and drummer of blink-182), Tom DeLonge und Mark Hoppus
publisher:
Beat Poet Music, EMI April Music Inc., Fun With Goats, Hi My Name Is Mark und Universal Music Corp. (USA, affiliated with ASCAP)
blink‐1824.53:48
16Stacy’s Mom
Produzent(in):
Chris Collingwood, Mike Denneen und Adam Schlesinger
Mix:
Tom Lord‐Alge
Bass und Synthesizer:
Adam Schlesinger
E-Gitarre [lead]:
Jody Porter (US guitarist for Fountains of Wayne)
E-Gitarre [rhythm] und Sologesang:
Chris Collingwood
Händeklatschen, Schlagzeug und Tamburin:
Brian Young (US drummer for Fountains of Wayne & Posies)
Hintergrundgesang:
Jody Porter (US guitarist for Fountains of Wayne) und Adam Schlesinger
aufgenommen bei:
Q Division in Somerville, Massachusetts, Vereinigte Staaten, Stratosphere Sound (NYC) in Chelsea, New York, New York, Vereinigte Staaten und The Clubhouse in Rhinebeck (town), New York, Vereinigte Staaten
mixed at:
South Beach Studios in Miami Beach, Florida, Vereinigte Staaten
Teil von:
Sean Michaels: The Top 30 Songs of 2003 (Nummer: runner-up), Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 401) und Indie 88: Top 500 Indie Rock Songs (Nummer: 496)
recording of:
Stacy’s Mom
Verfasser(in):
Chris Collingwood und Adam Schlesinger
publisher:
Monkey Demon Publishing und Vaguely Familiar Music
Fountains of Wayne4.253:17
17Beverly Hills (Radio Disney edit)
Weezer3:21
18No One Knows
Produzent(in):
Eric Valentine (Eric Dodd, producer and instrumentalist)
Musikvideos:
No One Knows von Queens of the Stone Age
Teil von:
triple j’s Hottest 100 (Australian annual music listener poll) (Nummer: 2002), NME: 50 Greatest Guitar Riffs of All Time (2012-10-25) (Nummer: 31) und Indie 88: Top 500 Indie Rock Songs (Nummer: 103)
live recording of:
No One Knows
Verfasser(in):
Josh Homme (Queens of the Stone Age frontman), Mark Lanegan und Nick Oliveri
publisher:
EMI Blackwood Music Inc., EMI Music Publishing Ltd. (PRS‐affiliated), Natural Light Music, Songs of Kobalt Music Publishing, Sony/ATV Songs LLC und Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group)
Queens of the Stone Age4.454:39
19I Hope You Die
Produzent(in):
Jimmy Pop (member of Bloodhound Gang)
Mix:
Raahu
Bassgitarre:
“Evil” Jared Hasselhoff
Gitarre:
Lüpüs Thünder
Schlagzeug:
Spanky G
turntable:
DJ Q-Ball
vocals:
Jimmy Pop (member of Bloodhound Gang)
recording of:
I Hope You Die
Texter:
Jared Victor Hennegan und James Franks
Komponist(in):
James Franks
publisher:
Universal–Songs of PolyGram International, Inc., Hey Rudy Music Publishing (vom 2000 bis ????), PolyGram Music Publishing (vom 2000 bis ????) und The Jimmy Franks Publishing Company (vom 2000 bis ????)
Bloodhound Gang3.653:40
20By the Grace of God
Techniker(in):
Michael Ilbert
Produzent(in):
Chips Kiesbye
recording of:
By the Grace of God
Verfasser(in):
Nicke Andersson (Swedish rock musican) und Kenny Håkansson (Bassist in The Hellacopters)
The Hellacopters53:05
21When You Were Young
recording engineer und Mix:
Flood (British producer Mark Ellis) und Alan Moulder (producer and engineer)
Produzent(in):
Flood (British producer Mark Ellis), The Killers (American rock band) und Alan Moulder (producer and engineer)
Musikvideos:
When You Were Young (Jump) von The Killers (American rock band) und When You Were Young (no jump) (clean version) von The Killers (American rock band)
Teil von:
Indie 88: Top 500 Indie Rock Songs (Nummer: 230)
recording of:
When You Were Young
Verfasser(in):
Brandon Flowers, Dave Keuning, Mark Stoermer und Ronnie Vannucci Jr.
publisher:
Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group)
The Killers4.13:40
22All Star
A&R-Management:
Tom Whalley
assistierende(r) Techniker(in):
Trevor Adkinson (engineer for Smash Mouth)
Techniker(in), Produzent(in) und Mix:
Eric Valentine (Eric Dodd, producer and instrumentalist)
zusätzliches Editing:
Jacquire King
Bassgitarre:
Paul De Lisle
elektronische Instrumente:
Mark Camp (Smash Mouth collaborator) und Chris Racine
Gitarre:
Greg Camp
Keyboard:
Michael Klooster
Schlagzeug:
Kevin Coleman
zusätzlich Keyboard:
Eric Valentine (Eric Dodd, producer and instrumentalist)
Hintergrundgesang:
Greg Camp und Paul De Lisle
Sologesang:
Steve Harwell
Musikvideos:
All Star von Smash Mouth (US rock band from San Jose, CA)
Teil von:
Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 339)
recording of:
All Star
Texter und Komponist(in):
Greg Camp
publisher:
Songs by Greg Camp, Spirit One Music, Squish Moth Music, Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label), ミュージック・セールス (Music Sales, Japan, subsidiary of Shinko Music Entertainment), フジパシフィック音楽出版 (Fujipacific Music inc.) (bis 2014-12-31) und フジパシフィックミュージック (Fujipacific Music, Inc.) (vom 2015-01-01 bis heute)
Smash Mouth4.753:20
23Smooth Criminal
assistierende(r) Techniker(in):
Justin Harvey
Techniker(in) und Editing:
James Murray (US engineer)
Produzent(in) und Mix:
Jay Baumgardner
assistierende(r) Mix:
Dan Certa
zusätzliches Editing:
John Ewing (engineer) und Brian Virtue
E-Bass [bassadilla], Gitarre und Hintergrundgesang:
Tye Zamora
E-Gitarre:
Terence Corso
Schlagzeug:
Mike Cosgrove
Sologesang:
Dryden Mitchell
phonographisches Urheberrecht (℗) von:
SKG Music LLC (for copyrights use only, company associated with Dreamworks Records) (in 2001)
aufgenommen bei und mixed at:
NRG Recording Services in North Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten
Musikvideos:
Smooth Criminal von Alien Ant Farm
Teil von:
New York Post: 100 Greatest Covers (2007) (Nummer: 6) und The Downloader’s Music Source Book (Nummer: 355)
cover recording of:
Smooth Criminal
Texter und Komponist(in):
Michael Jackson (“King of Pop”)
publisher:
Mijac Music
Teil von:
MJ: The Musical
Alien Ant Farm4.153:27
24Joe Dallesandro
Briskeby5:09
25She Hates Me
recording of:
She Hates Me
Verfasser(in):
Jimmy Allen und Wes Scantlin
Puddle of Mudd4.353:37
26Thnks fr th Mmrs
Produzent(in):
Babyface (R&B musician Kenny Edmonds)
Gast-Mandoline:
Babyface (R&B musician Kenny Edmonds)
phonographisches Urheberrecht (℗) von:
UMG Recordings, Inc. (operational headquarters of Universal Music Group, based in Santa Monica, USA; read annotations) (in 2007)
Musikvideos:
Thnks fr th Mmrs (video) von Fall Out Boy (pop punk band)
recording of:
Thnks fr th Mmrs
Verfasser(in):
Patrick Stump und Pete Wentz
Fall Out Boy4.43:26
27You Know My Name (from “Casino Royale” soundtrack)
recording engineer:
Todd Parker
assistierende(r) Techniker(in):
Cameron Barton
Techniker(in):
Ryan Castle
Produzent(in):
David Arnold (English score composer), Chris Cornell (Soundgarden lead singer) und Steve Lillywhite
Mix:
David Sardy (American score composer)
Bass und Saiteninstrumente:
Miles Mosley (US jazz/soul musician)
Gitarre:
Chris Cornell (Soundgarden lead singer), Cameron Greider und Gary Lucas (US guitarist/songwriter)
Schlagzeug:
Nir Zidkyahu (drummer)
vocals:
Chris Cornell (Soundgarden lead singer)
phonographisches Urheberrecht (℗) von:
Interscope Records (part of UMG Recordings, Inc.)
aufgenommen bei:
NRG Recording Studios in North Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten
mixed at:
Hillside Manor in Los Angeles, California (Kalifornien), Vereinigte Staaten
Musikvideos:
You Know My Name (Music video) von Chris Cornell (Soundgarden lead singer)
recording of:
You Know My Name
Verfasser(in):
David Arnold (English score composer) und Chris Cornell (Soundgarden lead singer)
publisher:
Disappearing One und EMI April Music Inc.
Teil von:
James Bond themes
Teil von:
Casino Royale (2006 film soundtrack)
Chris Cornell3.754:01
28Bring Me to Life
Programmierung:
Ben Moody (American guitarist and producer)
zusätzliche Programmierung:
Zac Baird, David Hodges (American record producer & songwriter) und Chris Johnson (programming/production for Ivy Lane Music)
assistierende(r) Techniker(in):
Sergio Chavez, Jason Cupp, Ai Fujisaki, Dean Nelson und Sam Storey
Techniker(in):
Jeremy Parker (engineer)
zusätzliche(r) Techniker(in):
Ben Moody (American guitarist and producer)
Produzent(in):
Dave Fortman
Mix:
Jay Baumgardner
Bassgitarre:
Francesco DiCosmo
Gitarre und Perkussion:
Ben Moody (American guitarist and producer)
Keyboard und Klavier:
David Hodges (American record producer & songwriter)
Schlagzeug:
Josh Freese (American drummer)
Gast vocals:
Paul McCoy
Sologesang:
Amy Lee (singer and keyboardist of Evanescence)
phonographisches Urheberrecht (℗) von:
The Bicycle Music Company (part of Concord Bicycle Music since 2015/04/01, overseeing publishing and rights management) (in 2003)
Musikvideos:
Bring Me to Life von Evanescence
Teil von:
VH1’s Big Song of 2003 (Nummer: 22), Rolling Stone: The 100 Greatest Heavy Metal Songs of All Time (Nummer: 43) und VH1: 100 Greatest Hard Rock Songs (2008-12-29) (Nummer: 83)
recording of:
Bring Me to Life
Verfasser(in):
David Hodges (American record producer & songwriter), Amy Lee (singer and keyboardist of Evanescence) und Ben Moody (American guitarist and producer)
publisher:
Forthefallen Publishing, Reservoir One America, Roba Music Verlag GmbH und Zombies Ate My Publishing
Evanescence4.453:56
29The Bad Touch
Produzent(in):
Jimmy Pop (member of Bloodhound Gang)
Mix:
Raahu
Gitarre:
Lüpüs Thünder
Moog und Sologesang und Sprecher:
Jimmy Pop (member of Bloodhound Gang)
Schlagzeug:
Spanky G
Hintergrundgesang:
DJ Q-Ball
Musikvideos:
The Bad Touch von Bloodhound Gang
recording of:
The Bad Touch
Texter und Komponist(in):
James Franks
publisher:
Universal–Songs of PolyGram International, Inc., PolyGram Music Publishing (vom 2000 bis ????), Hey Rudy Music Publishing (vom 2000 bis heute) und The Jimmy Franks Publishing Company (vom 2000 bis heute)
Bloodhound Gang3.754:20
30Propaganda
Briskeby4:43
31Tainted Love
recording engineer und Produzent(in):
Marilyn Manson (the person) und Tim Sköld (industrial musician Tim Sköld)
Koproduzent(in) und zusätzliche(r) Produzent(in):
Ben Grosse (American producer and engineer)
Mix:
Ben Grosse (American producer and engineer)
vocals:
Marilyn Manson (the person)
arranger:
Marilyn Manson (the person) und Tim Sköld (industrial musician Tim Sköld)
Teil von:
New York Post: 100 Greatest Covers (2007) (Nummer: 11)
cover recording of:
Tainted Love
Texter und Komponist(in):
Ed Cobb
publisher:
Burlington Music Co., Ltd. und Embassy Music Corporation
sub-publisher:
ミュージック・セールス (Music Sales, Japan, subsidiary of Shinko Music Entertainment)
Marilyn Manson3.953:20
32Bad Day
recording engineer:
Jamie Candiloro
Produzent(in) und Mix:
Pat McCarthy
Teil von:
Sean Michaels: The Top 30 Songs of 2003 (Nummer: 3)
recording of:
Bad Day
Verfasser(in):
Bill Berry (R.E.M. drummer), Peter Buck (R.E.M. guitarist), Mike Mills (R.E.M. bass player) und Michael Stipe
R.E.M.44:08
33Don’t Speak
recording engineer:
Phil Kaffel
Produzent(in):
Matthew Wilder
Mix:
Holman und Paul Palmer (engineer)
Bassgitarre:
Tony Kanal
Cello:
Melissa Hasin
Gitarre:
Tom Dumont
Keyboard und Klavier:
Eric Stefani
Perkussion und Schlagzeug [drums]:
Adrian Young (drummer for No Doubt)
Sologesang:
Gwen Stefani
phonographisches Urheberrecht (℗) von:
Interscope Records (part of UMG Recordings, Inc.) (in 1995) und Interscope Records, Inc. (not for release label use!) (in 1996)
aufgenommen bei:
York Street Studios in Auckland, Auckland (Region Auckland), North Island, Neuseeland
mixed at:
Cactus Studios in California (Kalifornien), Vereinigte Staaten
recording of:
Don’t Speak
Verfasser(in):
Eric Stefani und Gwen Stefani
publisher:
Knock Yourself Out Music und Universal‐MCA Music Publishing (US)
No Doubt4.154:23
34It’s My Life
Programmierung:
Graham Hawthorne und Andy Snitzer
assistierende(r) Techniker(in):
Mike Rew
Techniker(in):
Obie O’Brien
Koproduzent(in):
Max Martin (Swedish record producer)
Produzent(in):
Jon Bon Jovi, Luke Ebbin und Richie Sambora
Mix:
Bob Clearmountain
Bassgitarre:
Hugh McDonald (bassist)
E-Gitarre:
Richie Sambora
Keyboard:
David Bryan (keyboardist for Bon Jovi)
Perkussion und Schlagzeug:
Tico Torres
Hintergrundgesang:
David Bryan (keyboardist for Bon Jovi), Hugh McDonald (bassist) und Richie Sambora
Sologesang:
Jon Bon Jovi
phonographisches Urheberrecht (℗) von:
The Island Def Jam Music Group (American holding company, not normally a release label)
aufgenommen bei:
Sanctuary II Studio (Sometimes listed as "Sanctuary Sound II" on releases.) in New Jersey, Vereinigte Staaten
Musikvideos:
It's My Life von Bon Jovi (group)
Teil von:
BILLIONS CLUB
recording of:
It’s My Life (Bon Jovi)
Verfasser(in):
Jon Bon Jovi, Max Martin (Swedish record producer) und Richie Sambora
publisher:
Aggressive Music, Bon Jovi Publishing, GV-MXM, Imagem London Ltd., Sony/ATV Tunes LLC (ASCAP) und Universal Music–Z Tunes LLC
live recording of:
It’s My Life (Bon Jovi)
Verfasser(in):
Jon Bon Jovi, Max Martin (Swedish record producer) und Richie Sambora
publisher:
Aggressive Music, Bon Jovi Publishing, GV-MXM, Imagem London Ltd., Sony/ATV Tunes LLC (ASCAP) und Universal Music–Z Tunes LLC
Bon Jovi43:45
35Bitter Sweet Symphony
recording engineer:
Chris Potter (UK producer/mixer, Z Management, worked with The Verve and Richard Ashcroft)
Produzent(in):
Andrew Loog Oldham, The Verve und Youth (producer/bassist Martin Glover)
zusätzliche(r) Produzent(in) und zusätzliche(r) Mix:
Chris Potter (UK producer/mixer, Z Management, worked with The Verve and Richard Ashcroft)
Sologesang:
Richard Ashcroft
Orchester:
The Andrew Oldham Orchestra
zusätzlich Saiteninstrumente arranger:
Wil Malone
Samples:
The Last Time von The Andrew Oldham Orchestra
Musikvideos:
Bitter Sweet Symphony von The Verve
Teil von:
Triple J’s Hottest 100: Twenty Years (2013) (Nummer: 5), NME: Greatest “Indie” Anthems Ever: 2007 (Nummer: 18), Indie 88: Top 500 Indie Rock Songs (Nummer: 22) und Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 382)
recording of:
Bitter Sweet Symphony
Texter und Komponist(in):
Richard Ashcroft
publisher:
ABKCO Music, Inc. (this is a music publisher; for release labels, please use “ABKCO”)
basiert auf:
The Last Time
The Verve4.355:59
36It’s Up to You
The Tuesdays4:29
37My Favourite Game
assistierende(r) Techniker(in):
Lars Göransson (1970s Swedish folk singer)
Techniker(in) und Produzent(in):
Tore Johansson
Mix:
Tore Johansson und Staffan Schöler (engineer)
Bassgitarre:
Magnus Sveningsson
Gitarre:
Peter Svensson (guitarist, composer, producer; member of The Cardigans)
Keyboard:
Lars-Olof Johansson
Schlagzeug:
Bengt Lagerberg
Sologesang:
Nina Persson
phonographisches Urheberrecht (℗) von:
Stockholm Records und Universal Music AB (Swedish subsidiary of Universal Music Group) (in 1998)
mixed at:
Country Hell in Skurup Municipality (Skurup municipality), Skåne (Skåne county), Schweden und New York City Center in New York, New York, Vereinigte Staaten
engineered at:
Country Hell in Skurup Municipality (Skurup municipality), Skåne (Skåne county), Schweden und Tambourine Studios in Malmö, Skåne (Skåne county), Schweden
produced at:
Country Hell in Skurup Municipality (Skurup municipality), Skåne (Skåne county), Schweden und Tambourine Studios in Malmö, Skåne (Skåne county), Schweden
Teil von:
Cachitos Nochevieja 2022 (Nummer: 57)
recording of:
My Favourite Game
Texter:
Nina Persson
Komponist(in):
Peter Svensson (guitarist, composer, producer; member of The Cardigans)
publisher:
Stockholm Songs und Universal Music Publishing (use ONLY if no country‐specific information is available)
The Cardigans3.753:37
38Sing
assistierende(r) Techniker(in):
Darrell Thorp (record producer, mixer and engineer)
Techniker(in):
Steve Orchard (producer and engineer) (Saiteninstrumente)
Produzent(in) und Mix:
Nigel Godrich (English record producer)
Saiteninstrumente:
Millennia Strings
Saiteninstrumente arranger:
Joby Talbot (English score composer)
phonographisches Urheberrecht (℗) von:
Independiente Ltd (company behind Independiente for copyright and other purposes) (in 2001) und Craft Recordings (US jazz label; reissue division of Concord) (in 2021)
aufgenommen bei und mixed at:
Ocean Way Studios in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten
engineered at:
Air Studios (Lyndhurst Hall 1991–present) in Hampstead, Camden (London Borough of Camden), London (Greater London), England, Vereinigtes Königreich (Saiteninstrumente)
Musikvideos:
Sing von Travis (Scottish alternative rock band)
recording of:
Sing
Texter und Komponist(in):
Fran Healy
Travis3.853:49

Nennungen

Veröffentlichung

urheberrechtlich geschützt (©) von und phonographisches Urheberrecht (℗) von:UMG Recordings, Inc. (operational headquarters of Universal Music Group, based in Santa Monica, USA; read annotations) (in 2020)
kostenlos streamen:https://open.spotify.com/album/4IEi3A3AITinFY748HeN8b [Info] (beendet)
https://www.deezer.com/album/168377182 [Info] (beendet)
Streaming-Seite:https://de.napster.com/artist/various-artists/album/2000s-throwback-rock [Info] (beendet)
Amazon Music UK [Info] (beendet)