100 Meisterwerke der klassischen Musik

~ Release by Various Artists (see all versions of this release, 1 available)

Annotation

contains 5 single jewel cases (with no barcode on back cover).

Annotation last modified on 2018-05-25 14:12 UTC.

Tracklist

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#TitleArtistRatingLength
1Eine kleine Nachtmusik (1. Satz, Allegro)
orchestra:
Franz Liszt Chamber Orchestra (Franz Liszt Chamber Orchestra)
conductor:
Janos Rolla (violinist and conductor) and Sandor Frigyes (conductor)
recording of:
Serenade no. 13 for Strings in G major, K. 525 „Eine kleine Nachtmusik“: I. Allegro (Serenade No. 13 for Strings in G major, K. 525 "Eine kleine Nachtmusik": I. Allegro)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1787)
part of:
Serenade no. 13 for Strings in G major, K. 525 „Eine kleine Nachtmusik“
Mozart5:43
2Largo
instruments and orchestra:
Budapest Strings (Budapest String Orchestra; Budapest Strings)
conductor:
Béla Bánfalvi (violinist, concert master of Budapest strings)
recording of:
Serse, HWV 40: Atto I. Arioso “Ombra mai fù” (“largo”; catch‐all for arrangements)
composer:
George Frideric Handel (German‐British baroque composer)
arrangement of:
Serse, HWV 40: Atto I, no. 2. Arioso “Ombra mai fù” (Serse)
Händel33:06
3Von fremden Ländern und Menschen
piano:
Evelyne Dubourg (pianist)
recording of:
Kinderszenen, op. 15: No. 1. Von fremden Ländern und Menschen
composer:
Robert Schumann (German classical composer) (in 1838)
part of:
Kinderszenen, op. 15
Schumann1:34
4Brandenburgerisches Konzert Nr. 2 (3. Satz, Allegro assai)
engineer:
Teije van Geest (engineer/producer)
producer:
Wolf Erichson (engineer/producer) and Christian Lange (producer / organist)
editor:
Johannes Kernmayer
cello:
Christoph Henkel (cellist)
oboe:
Günther Zorn (oboist)
recorder:
Walter van Hauwe
trumpet:
Wolfgang Basch
violin:
Ernst Mayer‐Schierning (violinist)
orchestra:
Deutsche Bachsolisten (German Bach Soloists)
conductor:
Helmut Winschermann (oboist/conductor)
recording of:
Brandenburgisches Konzert Nr. 2 F-Dur, BWV 1047: I. (Allegro) (catch-all for arrangements)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
arrangement of:
Brandenburgisches Konzert Nr. 2 F-Dur, BWV 1047: I.
recording of:
Brandenburgisches Konzert Nr. 2 F-Dur, BWV 1047: III. Allegro assai
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Brandenburgisches Konzert Nr. 2 F-Dur, BWV 1047 (Brandenburg Concerto No. 2 in F major, BWV 1047)
Bach2:42
5Siciliano
violin:
János Rolla (violinist and conductor)
orchestra:
Franz Liszt Kammerorchester (Franz Liszt Chamber Orchestra, Franz Liszt Chamber Orchestra)
conductor:
János Rolla (violinist and conductor)
recording of:
Concerto in D minor for Two Violins, Cello and Strings, op. 3 no. 11, RV 565: II. Largo e spiccato
composer:
Antonio Vivaldi (Italian baroque composer and violinist) (in 1711)
part of:
Concerto in D minor for Two Violins, Cello and Strings, op. 3 no. 11, RV 565
Vivaldi3:00
6Sonata facile (1. Satz, Allegro)
piano:
Jenö Jando (pianist)
Mozart3:06
7Szene Nr. 10 (aus “Schwanensee”)
orchestra:
Symphonieorchester des Bayerischen Rundfunks (Bavarian Radio Symphony Orchestra)
conductor:
Hans Vonk (conductor)
Tschaikowsky2:49
8Habanera (aus “Carmen”)
orchestra:
Amsterdam Symphony Orchestra (Alfred Scholz pseudonym), Budapest Philharmonic Orchestra, London Festival Orchestra (Alfred Scholz pseudonym), Orchestre radio‐symphonique (associated with the fake, Alfred Scholz related, conductor Loïc Betrand), Symfonický orchester Slovenského rozhlasu (Slovak Radio Symphony Orchestra) and Symphonic Orchestra of the Ljubljana Radio (name used by Alfred Scholz, may be incorrect)
conductor:
Loic Bertrand (fictitious conductor, Alfred Scholz pseudonym), Cesare Cantieri (an Alfred Scholz pseudonym), Zdeněk Košler (conductor), János Sándor, Alfred Scholz and Peter Stern (fictitious conductor, Alfred Scholz pseudonym)
recording of:
Carmen Suite no. 2: II. Habanera
composer:
Georges Bizet (French composer)
arranger:
Ernest Guiraud (French composer)
is based on:
Carmen : Acte I. No. 5 Habanera « L’amour est un oiseau rebelle » (Carmen, chœur)
part of:
Carmen Suite no. 2
Bizet42:10
9Polonaise (aus “Ein Leben für den Zaren”)
orchestra:
Philharmonische Orchester Plovdiv (Plovdiv Philharmonic Orchestra)
conductor:
Rouslan Raychev (Rouslan Raichev, conductor)
Glinka4:18
10Walzer (Streicherserenade)
orchestra:
Berlin Chamber Orchestra and Philharmonia Slavonica (Alfred Scholz pseudonym)
conductor:
Henry Adolph (fictitious conductor, Alfred Scholz pseudonym) and Peter Wohlert (conductor, Alfred Scholz related)
recording of:
Serenade for Strings in E major, op. 22, B. 52: II. Tempo di valse
composer:
Antonín Dvořák (composer) (from 1875-05-03 until 1875-05-14)
revised by:
Antonín Dvořák (composer) (in 1878)
part of:
Smyčcová serenáda E dur, op. 22, B. 52 (Serenade for Strings in E major, op. 22, B. 52)
Dvorak55:58
11Klaviersonate Nr. 8 “Pathétique” (2. Satz, Adagio cantabile)
piano and solo piano:
István Székely (pianist)
recording of:
Sonata for Piano no. 8 in C minor, op. 13 “Pathétique”: II. Adagio cantabile
composer:
Ludwig van Beethoven (German composer) (in 1798)
part of:
Sonata for Piano no. 8 in C minor, op. 13 “Pathétique”
Beethoven5:04
12Marsch (aus “Figaros Hochzeit”)
engineer:
Wieland Haas
producer:
Uwe Walter-Rott
orchestra:
Salzburg Mozarteum Orchestra (in 1988-05)
conductor:
Hans Graf (conductor) (in 1988-05)
recorded at:
Messezentrum Salzburg in Salzburg, Salzburg, Austria (in 1988-05)
recording of:
Le nozze di Figaro, K. 492: Atto III, Scenas XII-XIV. (no. 23) Finale “Ecco la marcia, Andiamo” (Barbarina, Coro) (in 1988-05)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Le nozze di Figaro, K. 492: Atto III (The Marriage of Figaro, K. 492: Act III)
partial recording of:
Le nozze di Figaro, K. 492: Atto IV (The Marriage of Figaro, K. 492: Act IV) (in 1988-05)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1786)
librettist:
Lorenzo Da Ponte (in 1786)
part of:
Le nozze di Figaro, K. 492 (The Marriage of Figaro, K 492)
Mozart2:07
13Intermezzo (aus “L’ Arlesienne”)
orchestra:
Budapest Philharmonic Orchestra
performer:
Janos Sandor
Bizet4:05
14Kaiserquartett (Poco Adagio, Cantabile)
string quartet:
Kodály Quartett
strings:
Kodály Quartet
partial recording of:
String Quartet in C major, op. 76 no. 3 Hob. III:77 “Kaiser”: II. Poco Adagio. Cantabile
composer:
Joseph Haydn (composer)
version of:
Gott erhalte Franz, den Kaiser
part of:
String Quartet in C major, op. 76 no. 3 Hob. III:77 “Kaiser”
recording of:
String Quartet in C major, op. 76 no. 3 Hob. III:77 “Kaiser”: II. Poco Adagio. Cantabile
composer:
Joseph Haydn (composer)
version of:
Gott erhalte Franz, den Kaiser
part of:
String Quartet in C major, op. 76 no. 3 Hob. III:77 “Kaiser”
Haydn1:28
15Symphonie Nr. 3 “Schottische” (Vivace non troppo)
conductor:
Janos Sandor
performer:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976)
recording of:
Symphony no. 3 in A minor, op. 56 “Scottish”: II. Vivace non troppo
composer:
Felix Mendelssohn (composer) (from 1841 until 1842)
part of:
Symphony no. 3 in A minor, op. 56 “Scottish”
Mendelssohn4:32
16Deutscher Tanz Nr. 3 “Schlittenfahrt”
orchestra:
Mozarteum Orchester Salzburg (Salzburg Mozarteum Orchestra)
conductor:
Hans Graf (conductor)
recording of:
3 German Dances for Orchestra, K. 605: No. 3 in C major. German Dance & Trio "Die Schlittenfahrt" & Coda
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1789)
part of:
3 German Dances for Orchestra, K. 605
Mozart3:08
17Intermezzo in a-moll, op. 76,7
piano:
Jenő Jandó (pianist)
recording of:
8 Klavierstücke, op. 76: Nr. 7. Intermezzo in A minor: Moderato semplice (ended)
composer:
Johannes Brahms (German composer) (in 1878)
part of:
8 Klavierstücke, op. 76 (8 Piano Pieces, op. 76)
Brahms3:01
18Mazurka (aus “Schwanensee”)
orchestra:
Symphonieorchester des Bayerischen Rundfunks (Bavarian Radio Symphony Orchestra)
conductor:
Hans Vonk (conductor)
recording of:
The Swan Lake (suite from the ballet), op. 20a: VIII. Mazurka
composer:
Пётр Ильич Чайковский (Pyotr Ilyich Tchaikovsky, Russian romantic composer)
part of:
The Swan Lake (suite from the ballet), op. 20a (Version B - 8 movements)
Tschaikowsky4:11
19Nocturne (aus “Carmen”)
orchestra:
Budapest Philharmonic Orchestra, London Festival Orchestra (Alfred Scholz pseudonym), Orchestre radio‐symphonique (associated with the fake, Alfred Scholz related, conductor Loïc Betrand) and Symphonic Orchestra of the Ljubljana Radio (name used by Alfred Scholz, may be incorrect)
conductor:
Loic Bertrand (fictitious conductor, Alfred Scholz pseudonym), Cesare Cantieri (an Alfred Scholz pseudonym), Anton Nanut (conductor), János Sándor and Alfred Scholz
recording of:
Carmen Suite no. 2: III. Nocturne
composer:
Georges Bizet (French composer)
is based on:
Carmen : Acte III. No. 22. Air « Je dis que rien ne m’épouvante » (Micaëla)
part of:
Carmen Suite no. 2
Bizet4:12
20Klavierkonzert No. 4 (3. Satz, Rondo. Vivace
piano:
Anton Dikov (pianist)
orchestra:
Sofia Philharmonic Orchestra (Sofia Philharmonic)
conductor:
Emil Tabakov (conductor)
recording of:
Concerto for Piano and Orchestra no. 4 in G major, op. 58: III. Rondo. Vivace
composer:
Ludwig van Beethoven (German composer) (from 1804 until 1807)
part of:
Concerto for Piano and Orchestra no. 4 in G major, op. 58
Beethoven10:16
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