Peer Gynt Suites Nos. 1 and 2 / Holberg Suite

~ Release by Edvard Grieg; Slovak Philharmonic, Libor Pešek (see all versions of this release, 9 available)

Tracklist

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1Peer Gynt Suite No. 1, Op. 46: I. Morning
orchestra:
Amsterdam Symphony Orchestra (Alfred Scholz pseudonym), Bratislava Radio Symphony Orchestra (Slovak Radio Symphony Orchestra), London Festival Orchestra (Alfred Scholz pseudonym), Orchestre Philharmonique de la Slovaquie (Slovak State Philharmonic Orchestra, Košice), Slowakische Staatsphilharmonie (Slovak Philharmonic) and Slowakisches Philharmonisches Orchester (Alfred Scholz pseudonym)
conductor:
Sven Bengtson (conductor, an Alfred Scholz pseudonym), Libor Pesek (conductor), Alberto Lizzio (fictitious conductor, Alfred Scholz pseudonym), Róbert Stankovský and Peter Stern (fictitious conductor, Alfred Scholz pseudonym)
recording of:
Peer Gynt Suite no. 1, op. 46: I. Morgenstemning (Peer Gynt Suite no. 1, op. 46: I. Morning Mood)
composer:
Edvard Grieg (composer) (in 1875)
revised by:
Edvard Grieg (composer) (in 1888)
version of:
Peer Gynt, op. 23: 4. akt, prelude: Morgenstemning
part of:
Peer Gynt Suite no. 1, op. 46
Edvard Grieg3:56
2Peer Gynt Suite No. 1, Op. 46: II. Death of Aase
orchestra:
Amsterdam Symphony Orchestra (Alfred Scholz pseudonym), London Festival Orchestra (Alfred Scholz pseudonym), Philharmonic Ensemble Pro Musica (Alfred Scholz related), Slowakische Staatsphilharmonie (Slovak Philharmonic), Slowakische Staatsphilharmonie and Slowakisches Philharmonisches Orchester (Alfred Scholz pseudonym)
conductor:
Sven Bengtson (conductor, an Alfred Scholz pseudonym), Herbert Fleischmann, Libor Pešek (conductor) and Peter Stern (fictitious conductor, Alfred Scholz pseudonym)
recording of:
Peer Gynt Suite no. 1, op. 46: II. Åses død (Peer Gynt Suite no. 1, op. 46: II. Åse’s Death)
composer:
Edvard Grieg (composer) (in 1875)
revised by:
Edvard Grieg (composer) (in 1888)
version of:
Peer Gynt, op. 23: 3. akt: Åses død
part of:
Peer Gynt Suite no. 1, op. 46
Edvard Grieg4:34
3Peer Gynt Suite No. 1, Op. 46: III. Anitra's Dance
orchestra:
Amsterdam Symphony Orchestra (Alfred Scholz pseudonym), London Festival Orchestra (Alfred Scholz pseudonym), Slowakische Philharmonie (Slovak Philharmonic) and Slowakisches Philharmonisches Orchester (Alfred Scholz pseudonym)
conductor:
Sven Bengtson (conductor, an Alfred Scholz pseudonym), Alfred Gehardt (fictitious conductor), Libor Pesek (conductor) and Peter Stern (fictitious conductor, Alfred Scholz pseudonym)
recording of:
Peer Gynt Suite no. 1, op. 46: III. Anitras dans (Peer Gynt Suite no. 1, op. 46: III. Anitra’s Dance)
composer:
Edvard Grieg (composer) (in 1875)
revised by:
Edvard Grieg (composer) (in 1888)
version of:
Peer Gynt, op. 23: 4. akt: Anitras dans
part of:
Peer Gynt Suite no. 1, op. 46
Edvard Grieg43:31
4Peer Gynt Suite No. 1, Op. 46: IV. In the Hall of the Mountain King
orchestra:
Amsterdam Symphony Orchestra (Alfred Scholz pseudonym), London Festival Orchestra (Alfred Scholz pseudonym) and Slovak Philharmonic Orchestra (Slovak Philharmonic)
conductor:
Sven Bengtson (conductor, an Alfred Scholz pseudonym), Libor Pešek (conductor) and Peter Stern (fictitious conductor, Alfred Scholz pseudonym)
phonographic copyright (℗) by:
GMS (in 1986)
recording of:
Peer Gynt Suite no. 1, op. 46: IV. I Dovregubbens hall (Peer Gynt Suite no. 1, op. 46: IV. In the Hall of the Mountain King)
composer:
Edvard Grieg (composer) (in 1875)
revised by:
Edvard Grieg (composer) (in 1888)
version of:
Peer Gynt, op. 23: 2. akt: I Dovregubbens hall
part of:
Peer Gynt Suite no. 1, op. 46
Edvard Grieg2:18
5Peer Gynt Suite No. 2, Op. 55: I. Abduction of the Bride and Ingrid's Lament
orchestra:
London Festival Orchestra (Alfred Scholz pseudonym) and Slowakische Staatsphilharmonie (Slovak Philharmonic)
conductor:
Sven Bengtson (conductor, an Alfred Scholz pseudonym) and Libor Pesek (conductor)
recording of:
Peer Gynt Suite no. 2, op. 55: I. Bruderovet. Ingrids klage (Peer Gynt Suite no. 2, op. 55: I. The Abduction of the Bride. Ingrid’s Lament)
composer:
Edvard Grieg (composer) (in 1875)
revised by:
Edvard Grieg (composer) (in 1891)
version of:
Peer Gynt, op. 23: 2. akt, prelude: Bruderovet. Ingrids klage
part of:
Peer Gynt Suite no. 2, op. 55
Edvard Grieg4:13
6Peer Gynt Suite No. 2, Op. 55: II. Arabian Dance
orchestra:
London Festival Orchestra (Alfred Scholz pseudonym), Philharmonic Ensemble Pro Musica (Alfred Scholz related), Slowakische Staatsphilharmonie (Slovak Philharmonic) and Slowakisches Philharmonisches Orchester (Alfred Scholz pseudonym)
conductor:
Sven Bengtson (conductor, an Alfred Scholz pseudonym), Herbert Fleischmann and Libor Pesek (conductor)
recording of:
Peer Gynt Suite no. 2, op. 55: I. Bruderovet. Ingrids klage (Peer Gynt Suite no. 2, op. 55: I. The Abduction of the Bride. Ingrid’s Lament)
composer:
Edvard Grieg (composer) (in 1875)
revised by:
Edvard Grieg (composer) (in 1891)
version of:
Peer Gynt, op. 23: 2. akt, prelude: Bruderovet. Ingrids klage
part of:
Peer Gynt Suite no. 2, op. 55
recording of:
Peer Gynt Suite no. 2, op. 55: II. Arabisk dans (Peer Gynt Suite no. 2, op. 55: II. Arabian Dance)
composer:
Edvard Grieg (composer) (in 1875)
revised by:
Edvard Grieg (composer) (in 1891)
version of:
Peer Gynt, op. 23: 4. akt: Arabisk dans
part of:
Peer Gynt Suite no. 2, op. 55
Edvard Grieg4:36
7Peer Gynt Suite No. 2, Op. 55: III. Peer Gynt's Homecoming
orchestra:
International Concert Orchestra (an Alfred Scholz pseudonym) (ended), London Festival Orchestra (Alfred Scholz pseudonym), Philharmonic Ensemble Pro Musica (Alfred Scholz related) and Slowakische Staatsphilharmonie (Slovak Philharmonic)
conductor:
Sven Bengtson (conductor, an Alfred Scholz pseudonym), Herbert Fleischmann, Alfred Gehardt (fictitious conductor), Libor Pesek (conductor) and Viktor Zimmerman (an Alfred Scholz pseudonym)
recording of:
Peer Gynt Suite no. 2, op. 55: III. Peer Gynts hjemfart (Stormfull aften på havet) (Peer Gynt Suite no. 2, op. 55: III. Peer Gynt’s Homecoming (Stormy Evening on the Coast))
composer:
Edvard Grieg (composer) (in 1875)
revised by:
Edvard Grieg (composer) (in 1891)
version of:
Peer Gynt, op. 23: 5. akt: Peer Gynts hjemfart
part of:
Peer Gynt Suite no. 2, op. 55
Edvard Grieg2:32
8Peer Gynt Suite No. 2, Op. 55: IV. Solvejg's Song
orchestra:
London Festival Orchestra (Alfred Scholz pseudonym), Slowakische Staatsphilharmonie (Slovak Philharmonic) and Slowakisches Philharmonisches Orchester (Alfred Scholz pseudonym)
conductor:
Sven Bengtson (conductor, an Alfred Scholz pseudonym) and Libor Pesek (conductor)
recording of:
Peer Gynt Suite no. 2, op. 55: IV. Solveigs sang (Peer Gynt Suite no. 2, op. 55: IV. Solveig’s Song, do not use if there is a singer) (in 1984)
composer:
Edvard Grieg (composer) (in 1875)
revised by:
Edvard Grieg (composer) (in 1891)
version of:
Peer Gynt, op. 23: 4. akt: Solveigs sang
part of:
Peer Gynt Suite no. 2, op. 55
Edvard Grieg55:25
9From Holberg's Time (Suite in the Olden Style for String Orchestra): I. Prelude
orchestra:
Philharmonisches Festspielorchester (an Alfred Scholz pseudonym) and Slowakische Philharmonie (Slovak Philharmonic)
conductor:
Istvan Cohen (probably another Alfred Scholz) and Libor Pešek (conductor)
recording of:
Fra Holbergs tid, op. 40: I. Præludium (Allegro vivace) (for string orchestra)
composer:
Edvard Grieg (composer) (in 1884)
arrangement of:
Fra Holbergs tid, op. 40: I. Præludium (Allegro vivace) (for piano)
part of:
Fra Holbergs tid, op. 40 (Holberg Suite, op. 40, for string orchestra)
Edvard Grieg2:46
10From Holberg's Time (Suite in the Olden Style for String Orchestra): II. Sarabande
orchestra:
Philharmonisches Festspielorchester (an Alfred Scholz pseudonym) and Slovenská filharmónia (Slovak Philharmonic)
conductor:
Istvan Cohen (probably another Alfred Scholz) and Libor Pešek (conductor)
recording of:
Fra Holbergs tid, op. 40: II. Sarabande (Andante) (Holberg Suite, Op. 40: II. Sarabande (Andante), for piano)
composer:
Edvard Grieg (composer) (in 1884)
part of:
Fra Holbergs tid, op. 40 (Holberg Suite, op. 40, original for piano)
recording of:
Fra Holbergs tid, op. 40: II. Sarabande (Andante) (Holberg Suite, Op. 40: II. Sarabande (Andante), for string orchestra)
composer:
Edvard Grieg (composer) (in 1884)
part of:
Fra Holbergs tid, op. 40 (Holberg Suite, op. 40, for string orchestra)
Edvard Grieg4:10
11From Holberg's Time (Suite in the Olden Style for String Orchestra): III. Gavotte
orchestra:
Philharmonisches Festspielorchester (an Alfred Scholz pseudonym) and Slowakische Philharmonie (Slovak Philharmonic)
conductor:
Istvan Cohen (probably another Alfred Scholz) and Libor Pešek (conductor)
recording of:
Fra Holbergs tid, op. 40: III. Gavotte (Allegretto) (for string orchestra)
composer:
Edvard Grieg (composer) (in 1884)
part of:
Fra Holbergs tid, op. 40 (Holberg Suite, op. 40, for string orchestra)
Edvard Grieg3:07
12From Holberg's Time (Suite in the Olden Style for String Orchestra): IV. Andante religioso
orchestra:
Philharmonisches Festspielorchester (an Alfred Scholz pseudonym) and Slovenská filharmónia (Slovak Philharmonic)
conductor:
Istvan Cohen (probably another Alfred Scholz) and Libor Pešek (conductor)
recording of:
Fra Holbergs tid, op. 40: IV. Air (Andante religioso) (for string orchestra)
composer:
Edvard Grieg (composer) (in 1884)
part of:
Fra Holbergs tid, op. 40 (Holberg Suite, op. 40, for string orchestra)
Edvard Grieg5:36
13From Holberg's Time (Suite in the Olden Style for String Orchestra): V. Rigaudon
orchestra:
Philharmonisches Festspielorchester (an Alfred Scholz pseudonym) and Slovenská filharmónia (Slovak Philharmonic)
conductor:
Istvan Cohen (probably another Alfred Scholz) and Libor Pešek (conductor)
recording of:
Fra Holbergs tid, op. 40: V. Rigaudon (Allegro con brio) (for string orchestra)
composer:
Edvard Grieg (composer) (in 1884)
part of:
Fra Holbergs tid, op. 40 (Holberg Suite, op. 40, for string orchestra)
Edvard Grieg3:02