Karajan: Legacy

~ Release by Herbert von Karajan (see all versions of this release, 1 available)

Tracklist

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1Cavalleria rusticana: Intermezzo sinfonico
producer:
Hans Weber (producer/engineer)
organ:
Wolfgang Meyer (organist, harpsichordist) (from 1967-09-22 until 1967-09-25)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (from 1967-09-22 until 1967-09-25)
conductor:
Herbert von Karajan (conductor) (from 1967-09-22 until 1967-09-25)
balance engineer:
Günter Hermanns (producer/engineer) (from 1967-09-22 until 1967-09-25)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1968)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (from 1967-09-22 until 1967-09-25)
recording of:
Cavalleria rusticana: Intermezzo (from 1967-09-22 until 1967-09-25)
composer:
Pietro Mascagni (composer & conductor) (in 1888)
publisher:
Ascherberg Hopwood & Crew
part of:
Cavalleria rusticana
part of:
Cavalleria rusticana (German lyrics)
Pietro Mascagni3:31
2Concerto for Violin and Strings in F minor, op. 8 no. 4, R.297 "L'inverno": 2. Largo
recording engineer:
Hans Weber (producer/engineer) (in 1972-08)
engineer:
Günter Hermanns (producer/engineer) (in 1972-08)
executive producer:
Hans Hirsch (producer at Deutsche Grammophon) (in 1972-08)
producer:
Hans Weber (producer/engineer)
cello [cello continuo]:
Eberhard Finke (cellist) (from 1972-08-15 until 1972-08-21)
harpsichord [harpsichord continuo]:
Horst Göbel (from 1972-08-15 until 1972-08-21)
violin:
Thomas Brandis (violinist), Leon Spierer (violinist), Hanns-Joachim Westphal (violinist) and Michel Schwalbé (Polish violinist) (from 1972-08-15 until 1972-08-21)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (from 1972-08-15 until 1972-08-21)
conductor:
Herbert von Karajan (conductor) (from 1972-08-15 until 1972-08-21)
balance engineer:
Günter Hermanns (producer/engineer) (from 1972-08-15 until 1972-08-21)
recorded at:
Französische Kirche (St. Moritz) in St. Moritz, Graubünden, Switzerland (from 1972-08-15 until 1972-08-21)
recording of:
Concerto in F minor, op. 8 no. 4, RV 297 “L’inverno”: II. Largo (from 1972-08-15 until 1972-08-21)
composer:
Antonio Vivaldi (Italian baroque composer and violinist) (in 1723)
part of:
Concerto in F minor, op. 8 no. 4, RV 297 “L’inverno” (Concerto in F minor, op. 8 no. 4, RV 297 “Winter”)
Antonio Vivaldi2:15
3Pizzicato Polka (live at Grosser Saal, Musikverein, Vienna / 1987)
producer:
Michel Glotz
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (on 1987-01-01)
conductor:
Herbert von Karajan (conductor) (on 1987-01-01)
balance engineer:
Günter Hermanns (producer/engineer) (on 1987-01-01)
recorded at:
Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien (Vienna), Austria (on 1987-01-01)
live recording of:
Pizzicato-Polka (on 1987-01-01)
composer:
Johann Strauss (Johann Strauss II, Austro-German composer, „Walzerkönig“, Johann Strauss II, Sohn, Jr., the Younger, the Son) (in 1869) and Josef Strauss (Austrian composer) (in 1869)
Johann Strauss3:02
4Peer Gynt Suite no. 1, op. 46: 1. Morning Mood
recording engineer:
Hans Weber (producer/engineer)
producer:
Hans Hirsch (producer at Deutsche Grammophon)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (in 1971-09)
conductor:
Herbert von Karajan (conductor) (in 1971-09)
balance engineer:
Günter Hermanns (producer/engineer) (in 1971-09)
phonographic copyright (℗) by:
Polydor International GmbH, Hamburg (not for release label use!) (in 1972)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (in 1971-09)
recording of:
Peer Gynt Suite no. 1, op. 46: I. Morgenstemning (Peer Gynt Suite no. 1, op. 46: I. Morning Mood) (in 1971-09)
composer:
Edvard Grieg (composer) (in 1875)
revised by:
Edvard Grieg (composer) (in 1888)
version of:
Peer Gynt, op. 23: 4. akt, prelude: Morgenstemning
part of:
Peer Gynt Suite no. 1, op. 46
Edvard Grieg3:59
5Die Fledermaus: Act 3 : Nr. 12 Entr'acte
producer:
John Culshaw and Christopher Raeburn (producer)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (in 1960-06)
conductor:
Herbert von Karajan (conductor) (in 1960-06)
balance engineer:
James Brown (Decca engineer, 1960s) and Gordon Parry (engineer)
recorded at:
Sofiensaal in Landstraße, Wien (Vienna), Austria (in 1960-06)
recording of:
Die Fledermaus: Akt III. Nr. 12 Entreakt (in 1960-06)
lyricist:
Howard Dietz (librettist)
composer:
Johann Strauss (Johann Strauss II, Austro-German composer, „Walzerkönig“, Johann Strauss II, Sohn, Jr., the Younger, the Son)
part of:
Die Fledermaus (English version, lyrics by Dietz)
part of:
Die Fledermaus: Akt III
Johann Strauss0:56
6Symphony no. 1 in D, op. 25 "Classical Symphony": 3. Gavotta (Non troppo allegro)
executive producer:
Günther Breest (producer for classical music)
producer:
Michel Glotz
editor:
Reinhild Schmidt (Sound engineer and producer for Deutsche Grammophon)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (from 1981-01-28 until 1981-02-24)
conductor:
Herbert von Karajan (conductor) (from 1981-01-28 until 1981-02-24)
balance engineer:
Günter Hermanns (producer/engineer) (from 1981-01-28 until 1981-02-24)
recorded at:
Berliner Philharmonie in Mitte, Berlin, Germany (from 1981-01-28 until 1981-02-24)
recording of:
Symphony no. 1 in D major, op. 25 “Classical”: III. Gavotta. Non troppo allegro (from 1981-01-24 until 1981-02-24)
composer:
Сергей Сергеевич Прокофьев (Sergei Prokofiev, Russian composer) (in 1917)
publisher:
Boosey & Hawkes Music Publishers, Ltd
part of:
Symphony no. 1 in D major, op. 25 “Classical”
Сергей Сергеевич Прокофьев1:44
7Pictures at an Exhibition: Promenade (I)
producer:
Michel Glotz
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (in 1986-02)
conductor:
Herbert von Karajan (conductor) (in 1986-02)
balance engineer:
Günter Hermanns (producer/engineer) (in 1986-02)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1987)
recorded at:
Berliner Philharmonie in Mitte, Berlin, Germany (in 1986-02)
recording of:
Tableaux d’une exposition: Promenade (Pictures at an Exhibition: Promenade. Allegro giusto, nel modo russico – Senza allegrezza, ma poco sostenuto, orchestrated by Ravel, 1st promenade) (in 1986-02)
orchestrator:
Maurice Ravel (French composer) (in 1922)
composer:
Модест Петрович Мусоргский (Modest Mussorgsky, composer) (from 1874-06-02 until 1874-06-22)
orchestration of:
Pictures at an Exhibition: Promenade (1st) (original piano version)
part of:
Tableaux d’une exposition (Pictures at an Exhibition, orchestrated by Ravel)
Модест Петрович Мусоргский1:44
8Suite no. 2 in B minor, BWV 1067: 7. Badinerie
producer:
Hans Weber (producer/engineer)
flute:
Karlheinz Zöller (flutist) (from 1964-08-17 until 1964-08-24)
harpsichord:
Edith Picht‐Axenfeld (pianist / harpsichordist) (from 1964-08-17 until 1964-08-24)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (from 1964-08-17 until 1964-08-24)
conductor:
Herbert von Karajan (conductor) (from 1964-08-17 until 1964-08-24)
balance engineer:
Günter Hermanns (producer/engineer) (from 1964-08-17 until 1964-08-24)
recorded at:
Victoria Konzertsaal in St. Moritz, Graubünden, Switzerland (from 1964-08-17 until 1964-08-24)
recording of:
Orchestersuite Nr. 2 h-Moll, BWV 1067: VII. Badinerie (Orchestral Suite no. 2 in B minor, BWV 1067: VII. Badinerie) (from 1964-08-17 until 1964-08-24)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Orchestersuite Nr. 2 h-Moll, BWV 1067 (Orchestral Suite no. 2 in B minor, BWV 1067)
Johann Sebastian Bach1:25
9Suite no. 3 in D, BWV 1068: 4. Bourrée
producer:
Hans Weber (producer/engineer)
harpsichord:
Edith Picht‐Axenfeld (pianist / harpsichordist) (from 1964-08-17 until 1964-08-24)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (from 1964-08-17 until 1964-08-24)
conductor:
Herbert von Karajan (conductor) (from 1964-08-17 until 1964-08-24)
balance engineer:
Günter Hermanns (producer/engineer) (from 1964-08-17 until 1964-08-24)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1965)
recorded at:
Victoria Konzertsaal in St. Moritz, Graubünden, Switzerland (from 1964-08-17 until 1964-08-24)
recording of:
Orchestersuite Nr. 3 D-Dur, BWV 1068: IV. Bourrée (from 1964-08-17 until 1964-08-24)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Orchestersuite Nr. 3 D-Dur, BWV 1068 (Orchestral Suite no. 3 in D major, BWV 1068)
Johann Sebastian Bach1:18
10Musik zu einem Ritterballett (1790-91), WoO 1: 2. Deutscher Gesang. Allegro moderato
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (in 1969-01)
conductor:
Herbert von Karajan (conductor) (in 1969-01)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (in 1969-01)
recording of:
Musik zu einem Ritterballett, WoO 1: II. Deutscher Gesang. Allegro moderato (in 1969-01)
composer:
Ludwig van Beethoven (German composer) (in 1790)
part of:
Musik zu einem Ritterballett, WoO 1
Ludwig van Beethoven0:55
11Musik zu einem Ritterballett (1790-91), WoO 1: Deutscher Gesang (da capo) (I)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (in 1969-01)
conductor:
Herbert von Karajan (conductor) (in 1969-01)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (in 1969-01)
recording of:
Music for a Ballet on Horseback, WoO 1: IIIb. German Song (da capo) (in 1969-01)
composer:
Ludwig van Beethoven (German composer) (in 1790)
part of:
Musik zu einem Ritterballett, WoO 1: III. Jagdlied. Allegretto
Ludwig van Beethoven0:55
12Musik zu einem Ritterballett (1790-91), WoO 1: 4. Romanze (Minnelied). Andantino
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (in 1969-01)
conductor:
Herbert von Karajan (conductor) (in 1969-01)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (in 1969-01)
recording of:
Music for a Ballet on Horseback, WoO 1: IVa. Romance. Andantino (in 1969-01)
composer:
Ludwig van Beethoven (German composer) (in 1790)
part of:
Musik zu einem Ritterballett, WoO 1: IV. Romanze. Andantino
Ludwig van Beethoven0:41
13Musik zu einem Ritterballett (1790-91), WoO 1: 7. Deutscher Tanz. Walzer
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (in 1969-01)
conductor:
Herbert von Karajan (conductor) (in 1969-01)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (in 1969-01)
recording of:
Musik zu einem Ritterballett, WoO 1: VII. Deutscher Tanz. Walzer (in 1969-01)
composer:
Ludwig van Beethoven (German composer) (in 1790)
part of:
Musik zu einem Ritterballett, WoO 1
Ludwig van Beethoven0:36
14Canon and Gigue in D major, P 37 (arr. for orchestra By Max Seiffert): 1. Canon
producer:
Otto Gerdes (conductor and producer) and Hans Weber (producer/engineer)
harpsichord:
Wolfgang Meyer (organist, harpsichordist) (on 1969-08-05)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (on 1969-08-05)
conductor:
Herbert von Karajan (conductor) (on 1969-08-05)
balance engineer:
Günter Hermanns (producer/engineer) (on 1969-08-05)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1972)
recorded at:
Französische Kirche (St. Moritz) in St. Moritz, Graubünden, Switzerland (on 1969-08-05)
recording of:
Canon and Gigue in D major: I. Canon (arr. Max Seiffert) (on 1969-08-05)
composer:
Johann Pachelbel (composer)
arranger:
Max Seiffert
arrangement of:
Canon and Gigue in D major, P. 37, T. 337: I. Canon
part of:
Canon and Gigue in D major, T. 337 (arr. Max Seiffert)
Johann Pachelbel4:07
15Also sprach Zarathustra, op. 30, TrV 176 : Prelude (Sonnenaufgang)
producer:
Hans Weber (producer/engineer)
violin:
Michel Schwalbé (Polish violinist) (from 1973-01-26 until 1973-03-06)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (from 1973-01-26 until 1973-03-06)
conductor:
Herbert von Karajan (conductor) (from 1973-01-26 until 1973-03-06)
balance engineer:
Günter Hermanns (producer/engineer) (from 1973-01-06 until 1973-03-06)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (from 1973-01-26 until 1973-03-06)
recording of:
Also sprach Zarathustra, op. 30: I. Einleitung (Sonnenaufgang) (from 1973-01-26 until 1973-03-06)
composer:
Richard Strauss (German composer) (in 1896)
publisher:
Peters Edition Ltd.
part of:
Also sprach Zarathustra, op. 30 (TrV 176)
Richard Strauss1:49
16Carmen: Act 1 : Prélude
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (in 1982-09)
conductor:
Herbert von Karajan (conductor) (in 1982-09)
recorded at:
Berliner Philharmonie in Mitte, Berlin, Germany (in 1982-09)
recording of:
Carmen Suite no. 1: I. Prélude. Allegro giocoso – Andante moderato (in 1982-09)
composer:
Georges Bizet (French composer)
part of:
Carmen Suite no. 1
Georges Bizet2:20
17Gaîté parisienne: Barcarolle
executive producer:
Günther Breest (producer for classical music)
producer:
Michel Glotz
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (from 1980-06-10 until 1980-09-30)
conductor:
Herbert von Karajan (conductor) (from 1980-06-10 until 1980-09-30)
balance engineer:
Günter Hermanns (producer/engineer) (from 1980-06-10 until 1980-09-30)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1981)
recorded at:
Berliner Philharmonie in Mitte, Berlin, Germany (from 1980-06-10 until 1980-09-30)
recording of:
Gaîté Parisienne: XXIII. Barcarolle (from « Les Contes d'Hoffmann ») (from 1980-06-10 until 1980-09-30)
orchestrator:
Manuel Rosenthal (French conductor & composer)
composer:
Jacques Offenbach (German-French composer, cellist and impresario)
arrangement of:
Les Contes d’Hoffmann : Acte IV. No. 17 Barcarolle « Belle nuit, ô nuit d’amour » (Nicklausse, Giulietta, les invités)
part of:
Gaîté parisienne
Jacques Offenbach3:39
18Radetzky-Marsch, op. 228
producer:
Michel Glotz
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (from 1980-06-13 until 1980-12-04)
conductor:
Herbert von Karajan (conductor) (from 1980-06-13 until 1980-12-04)
arranger:
Max Schönherr
balance engineer:
Günter Hermanns (producer/engineer) (from 1980-06-13 until 1980-12-04)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1981)
recorded at:
Berliner Philharmonie in Mitte, Berlin, Germany (from 1980-06-13 until 1980-12-04)
recording of:
Radetzky‐Marsch, op. 228 (Radetzky March, op. 228) (from 1980-06-13 until 1980-12-04)
composer:
Johann Strauss (Johann Strauss I, Baptist, Vater, Johann Strauss I, Sr., the Elder, the Father) (in 1848)
dedicated to:
Joseph Radetzky von Radetz
premiered at:
Wasserglacis in Wien (Vienna), Austria (on 1848-08-31)
part of:
Works of Johann Strauss Sr. by opus number (number: op. 228)
Johann Strauss2:27
19Symphony no. 9 in D minor, op. 125 "Choral": Europa Hymn
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra)
conductor:
Herbert von Karajan (conductor)
partial recording of:
Symphony no. 9 in D minor, op. 125 “Choral”: IV. Finale. Presto – Allegro assai (Ode an die Freude / Ode to Joy)
composer:
Ludwig van Beethoven (German composer) (from 1822 until 1824)
librettist:
Friedrich Schiller (German poet and playwright)
quotes lyrics from:
An die Freude
part of:
Symphony no. 9 in D minor, op. 125 “Choral”
Ludwig van Beethoven2:19
20Swan Lake Suite, op. 20: 3. Danse des petits cygnes
producer:
Hans Weber (producer/engineer)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (from 1971-01-04 until 1971-02-17)
conductor:
Herbert von Karajan (conductor) (from 1971-01-04 until 1971-02-17)
balance engineer:
Günter Hermanns (producer/engineer) (from 1971-01-04 until 1971-02-17)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (from 1971-01-04 until 1971-02-17)
recording of:
The Swan Lake (suite from the ballet), op. 20a: III. Danse des cygnes (from 1971-01-04 until 1971-02-17)
composer:
Пётр Ильич Чайковский (Pyotr Ilyich Tchaikovsky, Russian romantic composer) (in 1876)
part of:
The Swan Lake (suite from the ballet), op. 20a (Version A - 6 movements)
part of:
The Swan Lake (suite from the ballet), op. 20a (Version B - 8 movements)
Пётр Ильич Чайковский1:44
21Carmen Suite no. 1: Entr'acte (Act II)
producer:
Hans Weber (producer/engineer)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (from 1970-12-28 until 1970-12-29)
conductor:
Herbert von Karajan (conductor) (from 1970-12-28 until 1970-12-29)
balance engineer:
Günter Hermanns (producer/engineer) (from 1970-12-28 until 1970-12-29)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1971)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (from 1970-12-28 until 1970-12-29)
recording of:
Carmen Suite no. 1: V. Les Dragons d’Alcala. Allegro moderato (based on Carmen: Entr’acte between Acts I and II) (from 1970-12-28 until 1970-12-29)
composer:
Georges Bizet (French composer)
is based on:
Carmen : Acte I. Entr’acte (intermission between Acts I & II)
part of:
Carmen Suite no. 1
Georges Bizet1:34
22Carmen Suite no. 1: Entr'acte (Act III)
producer:
Hans Weber (producer/engineer)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (from 1970-12-28 until 1970-12-29)
conductor:
Herbert von Karajan (conductor) (from 1970-12-28 until 1970-12-29)
balance engineer:
Günter Hermanns (producer/engineer) (from 1970-12-28 until 1970-12-29)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1971)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (from 1970-12-28 until 1970-12-29)
recording of:
Carmen Suite no. 1: III. Intermezzo. Andantino quasi allegretto (based on Carmen: Entr’acte between Acts II and III) (from 1970-12-28 until 1970-12-29)
composer:
Georges Bizet (French composer)
is based on:
Carmen : Acte II. Entr’acte (intermission between Acts II & III)
part of:
Carmen Suite no. 1
Georges Bizet2:45
23Carmen Suite no. 1: Entr'acte (Act IV)
producer:
Hans Weber (producer/engineer)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (from 1970-12-28 until 1970-12-29)
conductor:
Herbert von Karajan (conductor) (from 1970-12-28 until 1970-12-29)
balance engineer:
Günter Hermanns (producer/engineer) (from 1970-12-28 until 1970-12-29)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1971)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (from 1970-12-28 until 1970-12-29)
recording of:
Carmen Suite no. 1: II. Aragonaise. Allegro vivo (based on Carmen: Entr’acte between Acts III and IV) (from 1970-12-28 until 1970-12-29)
composer:
Georges Bizet (French composer)
is based on:
Carmen : Acte III. Entr’acte (intermission between Acts III & IV)
part of:
Carmen Suite no. 1
Georges Bizet2:12
24Le nozze di Figaro, K. 492: Overture
engineer and balance engineer:
John Dunkerley (engineer), Jack Law (engineer) and James Lock (James Locke, engineer)
assistant producer:
Richard Beswick
producer:
Richard Beswick and Christopher Raeburn (producer)
harpsichord:
Konrad Leitner (conductor) (from 1978-04 until 1978-05)
choir vocals:
Chor der Wiener Staatsoper (Wiener Staatsoper Choir) (from 1978-04 until 1978-05)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (from 1978-04 until 1978-05)
conductor:
Herbert von Karajan (conductor) (from 1978-04 until 1978-05)
chorus master:
Norbert Balatsch (baritone, chorus master and conductor) (from 1978-04 until 1978-05)
recorded at:
Sofiensaal in Landstraße, Wien (Vienna), Austria (from 1978-04 until 1978-05)
recording of:
Le nozze di Figaro, K. 492: Sinfonia (from 1978-04 until 1978-05)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1786)
part of:
Die Hochzeit des Figaro (German translation)
part of:
Le nozze di Figaro, K. 492 (The Marriage of Figaro, K 492)
Wolfgang Amadeus Mozart4:01
25Der Rosenkavalier, op. 59: Act 1 : Introduction
engineer:
Günter Hermanns (producer/engineer)
producer:
Günther Breest (producer for classical music), Michel Glotz, Renate Kupfer (artistic director) and Werner Mayer (classical producer)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (from 1982-11-22 until 1984-01-10)
conductor:
Herbert von Karajan (conductor) (from 1982-11-22 until 1984-01-10)
balance engineer:
Günter Hermanns (producer/engineer) (from 1982-11-22 until 1984-01-10)
recorded at:
Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien (Vienna), Austria (from 1982-11-22 until 1984-01-10)
recording of:
Der Rosenkavalier, op. 59: Akt I. Einleitung (The Rose-knight, Act 1: Introduction) (from 1982-11-22 until 1984-01-10)
composer:
Richard Strauss (German composer) (from 1909 until 1910)
part of:
Der Rosenkavalier, op. 59: Akt I
Richard Strauss3:38
26The Sleeping Beauty, suite, op. 66a: Pas de caractère: Puss In Boots
producer:
Hans Weber (producer/engineer)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (from 1971-01-04 until 1971-02-17)
conductor:
Herbert von Karajan (conductor) (from 1971-01-04 until 1971-02-17)
balance engineer:
Günter Hermanns (producer/engineer) (from 1971-01-04 until 1971-02-17)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (from 1971-01-04 until 1971-02-17)
recording of:
The Sleeping Beauty Suite, op. 66a: III. Pas de caractère (from 1971-01-04 until 1971-02-17)
composer:
Пётр Ильич Чайковский (Pyotr Ilyich Tchaikovsky, Russian romantic composer)
part of:
The Sleeping Beauty, op. 66a (Suite)
recording of:
The Sleeping Beauty, op. 66: Acte III, no. 26. Pas de caractère: b. Cendrillon et le prince Fortuné (from 1971-01-04 until 1971-02-17)
composer:
Пётр Ильич Чайковский (Pyotr Ilyich Tchaikovsky, Russian romantic composer)
part of:
The Sleeping Beauty, op. 66: Acte III
Пётр Ильич Чайковский1:54
27Swan Lake Suite, op. 20: 1. Scene - Swan Theme
producer:
Hans Weber (producer/engineer)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (from 1971-01-04 until 1971-02-17)
conductor:
Herbert von Karajan (conductor) (from 1971-01-04 until 1971-02-17)
balance engineer:
Günter Hermanns (producer/engineer) (from 1971-01-04 until 1971-02-17)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (from 1971-01-04 until 1971-02-17)
recording of:
The Swan Lake (suite from the ballet), op. 20a: I. Scène (lake in the moonlight) (from 1971-01-04 until 1971-02-17)
composer:
Пётр Ильич Чайковский (Pyotr Ilyich Tchaikovsky, Russian romantic composer) (in 1876)
part of:
The Swan Lake (suite from the ballet), op. 20a (Version A - 6 movements)
part of:
The Swan Lake (suite from the ballet), op. 20a (Version B - 8 movements)
Пётр Ильич Чайковский2:44
28Gaîté parisienne: Overture
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra)
conductor:
Herbert von Karajan (conductor)
recording of:
Gaîté Parisienne: I. Allegro (Ouverture) (from « La Vie parisienne »)
orchestrator:
Manuel Rosenthal (French conductor & composer)
composer:
Jacques Offenbach (German-French composer, cellist and impresario)
part of:
Gaîté parisienne
Jacques Offenbach2:16
29Gaîté parisienne: Polka
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra)
conductor:
Herbert von Karajan (conductor)
recording of:
Gaîté Parisienne: VIII. Polka (from « La Belle Hélène »)
orchestrator:
Manuel Rosenthal (French conductor & composer)
composer:
Jacques Offenbach (German-French composer, cellist and impresario)
part of:
Gaîté parisienne
Jacques Offenbach1:44
30Gaîté parisienne: Ländler (Allegro)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra)
conductor:
Herbert von Karajan (conductor)
recording of:
Gaîté Parisienne: IV. Ländler. Allegro (from « Lieschen et Fritzchen »)
orchestrator:
Manuel Rosenthal (French conductor & composer)
composer:
Jacques Offenbach (German-French composer, cellist and impresario)
part of:
Gaîté parisienne
Jacques Offenbach1:09
31Gaîté parisienne: Tempo di marcia
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra)
conductor:
Herbert von Karajan (conductor)
recording of:
Gaîté Parisienne: X. Tempo di marcia (from « Trombalcazar »)
orchestrator:
Manuel Rosenthal (French conductor & composer)
composer:
Jacques Offenbach (German-French composer, cellist and impresario)
part of:
Gaîté parisienne
Jacques Offenbach0:52
32Variations on a Theme by Haydn, op. 56a: Theme: "Chorale St. Antoni"
producer:
Hans Weber (producer/engineer)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (on 1964-02-13)
conductor:
Herbert von Karajan (conductor) (on 1964-02-13)
balance engineer:
Günter Hermanns (producer/engineer) (on 1964-02-13)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (on 1964-02-13)
recording of:
Variations on a Theme by Joseph Haydn, op. 56a: Thema. Chorale St. Antoni. Andante (on 1964-02-13)
composer:
Johannes Brahms (German composer) (in 1873)
is based on:
Divertimento in B-flat major, Hob. II:46: II. Chorale St. Antoni
orchestration of:
Variations on a Theme by Joseph Haydn, op. 56b: Chorale St. Antoni. Andante
part of:
Variations on a Theme by Joseph Haydn, op. 56a (orchestral version)
Johannes Brahms1:49
33Variations on a Theme by Haydn, op. 56a: Variation I: Poco più animato
producer:
Hans Weber (producer/engineer)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (on 1964-02-13)
conductor:
Herbert von Karajan (conductor) (on 1964-02-13)
balance engineer:
Günter Hermanns (producer/engineer) (on 1964-02-13)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (on 1964-02-13)
recording of:
Variations on a Theme by Joseph Haydn, op. 56a: Variation I. Poco più animato (on 1964-02-13)
composer:
Johannes Brahms (German composer) (in 1873)
part of:
Variations on a Theme by Joseph Haydn, op. 56a (orchestral version)
Johannes Brahms1:14
34Variations on a Theme by Haydn, op. 56a: Variation II: Più vivace
producer:
Hans Weber (producer/engineer)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (on 1964-02-13)
conductor:
Herbert von Karajan (conductor) (on 1964-02-13)
balance engineer:
Günter Hermanns (producer/engineer) (on 1964-02-13)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (on 1964-02-13)
recording of:
Variations on a Theme by Joseph Haydn, op. 56a: Variation II. Più vivace (on 1964-02-13)
composer:
Johannes Brahms (German composer) (in 1873)
part of:
Variations on a Theme by Joseph Haydn, op. 56a (orchestral version)
Johannes Brahms1:05
35Variations on a Theme by Haydn, op. 56a: Variation III: Con moto
producer:
Hans Weber (producer/engineer)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (on 1964-02-13)
conductor:
Herbert von Karajan (conductor) (on 1964-02-13)
balance engineer:
Günter Hermanns (producer/engineer) (on 1964-02-13)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (on 1964-02-13)
recording of:
Variations on a Theme by Joseph Haydn, op. 56a: Variation III. Con moto (on 1964-02-13)
composer:
Johannes Brahms (German composer) (in 1873)
part of:
Variations on a Theme by Joseph Haydn, op. 56a (orchestral version)
Johannes Brahms1:46
36Variations on a Theme by Haydn, op. 56a: Variation V: Vivace
producer:
Hans Weber (producer/engineer)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (on 1964-02-13)
conductor:
Herbert von Karajan (conductor) (on 1964-02-13)
balance engineer:
Günter Hermanns (producer/engineer) (on 1964-02-13)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (on 1964-02-13)
recording of:
Variations on a Theme by Joseph Haydn, op. 56a: Variation V. Vivace (on 1964-02-13)
composer:
Johannes Brahms (German composer) (in 1873)
part of:
Variations on a Theme by Joseph Haydn, op. 56a (orchestral version)
Johannes Brahms0:52
37Variations on a Theme by Haydn, op. 56a: Variation VI: Vivace
producer:
Hans Weber (producer/engineer)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (on 1964-02-13)
conductor:
Herbert von Karajan (conductor) (on 1964-02-13)
balance engineer:
Günter Hermanns (producer/engineer) (on 1964-02-13)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (on 1964-02-13)
recording of:
Variations on a Theme by Joseph Haydn, op. 56a: Variation VI. Vivace (on 1964-02-13)
composer:
Johannes Brahms (German composer) (in 1873)
part of:
Variations on a Theme by Joseph Haydn, op. 56a (orchestral version)
Johannes Brahms1:15
38Variations on a Theme by Haydn, op. 56a: Variation VIII: Presto non troppo
producer:
Hans Weber (producer/engineer)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (on 1964-02-13)
conductor:
Herbert von Karajan (conductor) (on 1964-02-13)
balance engineer:
Günter Hermanns (producer/engineer) (on 1964-02-13)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (on 1964-02-13)
recording of:
Variations on a Theme by Joseph Haydn, op. 56a: Variation VIII. Presto non troppo (on 1964-02-13)
composer:
Johannes Brahms (German composer) (in 1873)
part of:
Variations on a Theme by Joseph Haydn, op. 56a (orchestral version)
Johannes Brahms1:02
39Suite no. 2 in B minor, BWV 1067: 2. Rondeau
producer:
Hans Weber (producer/engineer)
flute:
Karlheinz Zöller (flutist) (from 1964-08-17 until 1964-08-24)
harpsichord:
Edith Picht‐Axenfeld (pianist / harpsichordist) (from 1964-08-17 until 1964-08-24)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (from 1964-08-17 until 1964-08-24)
conductor:
Herbert von Karajan (conductor) (from 1964-08-17 until 1964-08-24)
balance engineer:
Günter Hermanns (producer/engineer) (from 1964-08-17 until 1964-08-24)
recorded at:
Victoria Konzertsaal in St. Moritz, Graubünden, Switzerland (from 1964-08-17 until 1964-08-24)
recording of:
Orchestersuite Nr. 2 h-Moll, BWV 1067: II. Rondeau (Orchestral Suite no. 2 in B minor, BWV 1067: II. Rondeau) (from 1964-08-17 until 1964-08-24)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Orchestersuite Nr. 2 h-Moll, BWV 1067 (Orchestral Suite no. 2 in B minor, BWV 1067)
Johann Sebastian Bach1:42
40Orchestral Suite no. 2 in B minor, BWV 1067: 6. Menuet
producer:
Hans Weber (producer/engineer)
flute:
Karlheinz Zöller (flutist) (from 1964-08-17 until 1964-08-24)
harpsichord:
Edith Picht‐Axenfeld (pianist / harpsichordist) (from 1964-08-17 until 1964-08-24)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (from 1964-08-17 until 1964-08-24)
conductor:
Herbert von Karajan (conductor) (from 1964-08-17 until 1964-08-24)
balance engineer:
Günter Hermanns (producer/engineer) (from 1964-08-17 until 1964-08-24)
recorded at:
Victoria Konzertsaal in St. Moritz, Graubünden, Switzerland (from 1964-08-17 until 1964-08-24)
recording of:
Orchestersuite Nr. 2 h-Moll, BWV 1067: VI. Menuet (Orchestral Suite no. 2 in B minor, BWV 1067: VI. Menuet) (from 1964-08-17 until 1964-08-24)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Orchestersuite Nr. 2 h-Moll, BWV 1067 (Orchestral Suite no. 2 in B minor, BWV 1067)
Johann Sebastian Bach1:23
41Peer Gynt Suite no. 1, op. 46: 4. In the Hall of the Mountain King
recording engineer:
Hans Weber (producer/engineer)
producer:
Hans Hirsch (producer at Deutsche Grammophon)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (in 1971-09)
conductor:
Herbert von Karajan (conductor) (in 1971-09)
balance engineer:
Günter Hermanns (producer/engineer) (in 1971-09)
phonographic copyright (℗) by:
Polydor International GmbH, Hamburg (not for release label use!) (in 1972)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (in 1971-09)
recording of:
Peer Gynt Suite no. 1, op. 46: IV. I Dovregubbens hall (Peer Gynt Suite no. 1, op. 46: IV. In the Hall of the Mountain King) (in 1971-09)
composer:
Edvard Grieg (composer) (in 1875)
revised by:
Edvard Grieg (composer) (in 1888)
version of:
Peer Gynt, op. 23: 2. akt: I Dovregubbens hall
part of:
Peer Gynt Suite no. 1, op. 46
Edvard Grieg2:07
42Peer Gynt Suite no. 2, op. 55: 3. Peer Gynt's Return
recording engineer:
Hans Weber (producer/engineer)
producer:
Hans Hirsch (producer at Deutsche Grammophon)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (in 1971-09)
conductor:
Herbert von Karajan (conductor) (in 1971-09)
balance engineer:
Günter Hermanns (producer/engineer) (in 1971-09)
phonographic copyright (℗) by:
Polydor International GmbH, Hamburg (not for release label use!) (in 1972)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (in 1971-09)
recording of:
Peer Gynt Suite no. 2, op. 55: III. Peer Gynts hjemfart (Stormfull aften på havet) (Peer Gynt Suite no. 2, op. 55: III. Peer Gynt’s Homecoming (Stormy Evening on the Coast)) (in 1971-09)
composer:
Edvard Grieg (composer) (in 1875)
revised by:
Edvard Grieg (composer) (in 1891)
version of:
Peer Gynt, op. 23: 5. akt: Peer Gynts hjemfart
part of:
Peer Gynt Suite no. 2, op. 55
Edvard Grieg2:45
438 Slavonic Dances, op. 46, B. 83: No. 1 in C major
producer:
Werner Wolf (engineer/producer)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (on 1959-09-04)
conductor:
Herbert von Karajan (conductor) (on 1959-09-04)
balance engineer:
Günter Hermanns (producer/engineer) (on 1959-09-04)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1960)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (on 1959-09-04)
recording of:
Slavonic Dances, op. 46, B. 83: No. 1 in C major (Furiant) (on 1959-09-04)
composer:
Antonín Dvořák (composer) (from 1878-04 until 1878-08-22)
part of:
Slavonic Dances, op. 46, B. 83 (for orchestra)
Antonín Dvořák3:33
448 Slavonic Dances, op. 46, B. 83: No. 7 in C minor
producer:
Werner Wolf (engineer/producer)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (on 1959-09-04)
conductor:
Herbert von Karajan (conductor) (on 1959-09-04)
balance engineer:
Günter Hermanns (producer/engineer) (on 1959-09-04)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1960)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (on 1959-09-04)
recording of:
Slavonic Dances, op. 46, B. 83: No. 7 in C minor (Skočná) (on 1959-09-04)
composer:
Antonín Dvořák (composer) (from 1878-04 until 1878-08-22)
part of:
Slavonic Dances, op. 46, B. 83 (for orchestra)
Antonín Dvořák3:19
45Coppélia, Suite: 5. Ballade
producer:
Hans Weber (producer/engineer)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (from 1961-04-25 until 1961-04-28)
conductor:
Herbert von Karajan (conductor) (from 1961-04-25 until 1961-04-28)
balance engineer:
Günter Hermanns (producer/engineer) (from 1961-04-25 until 1961-04-28)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (from 1961-04-25 until 1961-04-28)
recording of:
Coppélia : Tableau I, no. 5. Ballade de l'épi
composer:
Léo Delibes (French composer) (in 1870)
part of:
Coppélia : Tableau I
Léo Delibes2:55
46Symphony no. 8 in G, op. 88, B. 163: 3. Allegretto grazioso - Molto vivace
producer:
Michel Glotz
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (from 1985-01-09 until 1985-01-11)
conductor:
Herbert von Karajan (conductor) (from 1985-01-09 until 1985-01-11)
balance engineer:
Günter Hermanns (producer/engineer) (from 1985-01-09 until 1985-01-11)
recorded at:
Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien (Vienna), Austria (from 1985-01-09 until 1985-01-11)
live recording of:
Symphony no. 8 in G major, op. 88: III. Allegretto grazioso – Molto vivace (from 1985-01-09 until 1985-01-11)
composer:
Antonín Dvořák (composer) (from 1889-08-26 until 1889-11-08)
part of:
Symphony no. 8 in G major, op. 88
Antonín Dvořák5:35
47Les Sylphides: 1. Prélude in A major, op. 28 no. 7
producer:
Hans Weber (producer/engineer)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (from 1961-04-25 until 1961-04-28)
conductor:
Herbert von Karajan (conductor) (from 1961-04-25 until 1961-04-28)
balance engineer:
Günter Hermanns (producer/engineer) (from 1961-04-25 until 1961-04-28)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1961)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (from 1961-04-25 until 1961-04-28)
recording of:
Les Sylphides: I. Prélude (orch. by Douglas) (from 1961-04-25 until 1961-04-28)
orchestrator:
Roy Douglas (British composer, pianist) (in 1936)
composer:
Fryderyk Chopin (Frédéric Chopin, composer)
part of:
Les Sylphides (orch. by Douglas)
Fryderyk Chopin1:27
48Concerto grosso in G minor, op.6 no. 8, MC 6.8 "Fatto per la Notte di Natale": 3. Vivace
producer:
Dr. Hans Hirsch (producer at Deutsche Grammophon) and Hans Weber (producer/engineer)
cello:
Ottomar Borwitzky (cellist) (from 1970-08-19 until 1970-08-23)
harpsichord:
Waldemar Döling (harpsichordist) (from 1970-08-19 until 1970-08-23) and Wolfgang Meyer (organist, harpsichordist) (from 1970-08-19 until 1970-08-23)
violin:
Thomas Brandis (violinist) (from 1970-08-19 until 1970-08-23) and Emil Maas (violinist) (from 1970-08-19 until 1970-08-23)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (from 1970-08-19 until 1970-08-23)
conductor:
Herbert von Karajan (conductor) (from 1970-08-19 until 1970-08-23)
balance engineer:
Günter Hermanns (producer/engineer) (from 1970-08-19 until 1970-08-23)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1970)
recorded at:
Französische Kirche (St. Moritz) in St. Moritz, Graubünden, Switzerland (from 1970-08-19 until 1970-08-23)
recording of:
Concerto Grosso in G minor, op. 6 no. 8 “Christmas Concerto”: IV. Vivace (from 1970-08-19 until 1970-08-23)
composer:
Arcangelo Corelli (Italian baroque composer and violinist)
part of:
Concerto Grosso in G minor, op. 6 no. 8 “Fatto per la notte di Natale” (Christmas Concerto)
Arcangelo Corelli1:27
49Concerto grosso in G minor, op.6 no. 8, MC 6.8 "Fatto per la Notte di Natale": 4. Allegro
producer:
Dr. Hans Hirsch (producer at Deutsche Grammophon) and Hans Weber (producer/engineer)
cello:
Ottomar Borwitzky (cellist) (from 1970-08-19 until 1970-08-23)
harpsichord:
Waldemar Döling (harpsichordist) (from 1970-08-19 until 1970-08-23) and Wolfgang Meyer (organist, harpsichordist) (from 1970-08-19 until 1970-08-23)
violin:
Thomas Brandis (violinist) (from 1970-08-19 until 1970-08-23) and Emil Maas (violinist) (from 1970-08-19 until 1970-08-23)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (from 1970-08-19 until 1970-08-23)
conductor:
Herbert von Karajan (conductor) (from 1970-08-19 until 1970-08-23)
balance engineer:
Günter Hermanns (producer/engineer) (from 1970-08-19 until 1970-08-23)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1970)
recorded at:
Französische Kirche (St. Moritz) in St. Moritz, Graubünden, Switzerland (from 1970-08-19 until 1970-08-23)
recording of:
Concerto Grosso in G minor, op. 6 no. 8 “Christmas Concerto”: V. Allegro (from 1970-08-19 until 1970-08-23)
composer:
Arcangelo Corelli (Italian baroque composer and violinist)
part of:
Concerto Grosso in G minor, op. 6 no. 8 “Fatto per la notte di Natale” (Christmas Concerto)
Arcangelo Corelli1:54
50Symphony no. 1 in C, op. 21: 3. Menuetto (Allegro molto e vivace)
executive producer:
Hans Hirsch (producer at Deutsche Grammophon) and Magdalene Padberg (producer)
producer:
Michel Glotz
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (from 1975-01-23 until 1977-03-09)
conductor:
Herbert von Karajan (conductor) (from 1975-01-23 until 1977-03-09)
balance engineer:
Günter Hermanns (producer/engineer) (from 1975-01-23 until 1977-03-09)
recorded at:
Berliner Philharmonie in Mitte, Berlin, Germany (from 1975-01-23 until 1977-03-09)
recording of:
Symphony no. 1 in C major, op. 21: III. Menuetto. Allegro molto e vivace (from 1975-01-23 until 1977-03-09)
composer:
Ludwig van Beethoven (German composer) (from 1799 until 1800)
part of:
Symphony no. 1 in C major, op. 21
Ludwig van Beethoven3:41
51Symphony no. 2 in D, op. 36: 3. Scherzo (Allegro)
executive producer:
Hans Hirsch (producer at Deutsche Grammophon) and Magdalene Padberg (producer)
producer:
Michel Glotz
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (from 1975-01-23 until 1977-03-09)
conductor:
Herbert von Karajan (conductor) (from 1975-01-23 until 1977-03-09)
balance engineer:
Günter Hermanns (producer/engineer) (from 1975-01-23 until 1977-03-09)
recorded at:
Berliner Philharmonie in Mitte, Berlin, Germany (from 1975-01-23 until 1977-03-09)
recording of:
Symphony no. 2 in D major, op. 36: III. Scherzo. Allegro (Symphony No. 2 in D major, Op. 36: III. Scherzo. Allegro) (from 1975-01-23 until 1977-03-09)
composer:
Ludwig van Beethoven (German composer) (from 1801 until 1802)
part of:
Symphony no. 2 in D major, op. 36
Ludwig van Beethoven3:45
52Symphony no. 5 in C minor, op.67: 3. Allegro
executive producer:
Hans Hirsch (producer at Deutsche Grammophon) and Magdalene Padberg (producer)
producer:
Michel Glotz
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (from 1976-10-20 until 1977-03-08)
conductor:
Herbert von Karajan (conductor) (from 1976-10-20 until 1977-03-08)
balance engineer:
Günter Hermanns (producer/engineer) (from 1976-10-20 until 1977-03-08)
recorded at:
Berliner Philharmonie in Mitte, Berlin, Germany (from 1976-10-20 until 1977-03-08)
recording of:
Symphony no. 5 in C minor, op. 67: III. Scherzo. Allegro (from 1976-10-20 until 1977-03-08)
composer:
Ludwig van Beethoven (German composer) (from 1804 until 1808)
part of:
Symphony no. 5 in C minor, op. 67
Ludwig van Beethoven4:37
53Symphony no. 6 in F major, op. 68: 4. Gewitter, Sturm. Allegro
executive producer:
Hans Hirsch (producer at Deutsche Grammophon) and Magdalene Padberg (producer)
producer:
Michel Glotz
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (on 1976-10-19)
conductor:
Herbert von Karajan (conductor) (on 1976-10-19)
balance engineer:
Günter Hermanns (producer/engineer) (on 1976-10-19)
recorded at:
Berliner Philharmonie in Mitte, Berlin, Germany (on 1976-10-19)
recording of:
Symphony no. 6 in F major, op. 68 “Pastorale”: IV. Allegro “Thunderstorm” (on 1976-10-19)
composer:
Ludwig van Beethoven (German composer) (in 1808)
part of:
Symphony no. 6 in F major, op. 68 “Pastorale”
Ludwig van Beethoven3:29
54Symphony no. 8 in F, op. 93: 2. Allegretto scherzando
executive producer:
Hans Hirsch (producer at Deutsche Grammophon) and Magdalene Padberg (producer)
producer:
Michel Glotz
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (from 1976-10-21 until 1977-01-27)
conductor:
Herbert von Karajan (conductor) (from 1976-10-21 until 1977-01-27)
balance engineer:
Günter Hermanns (producer/engineer) (from 1976-10-21 until 1977-01-27)
recorded at:
Berliner Philharmonie in Mitte, Berlin, Germany (from 1976-10-21 until 1977-01-27)
recording of:
Symphony no. 8 in F major, op. 93: II. Allegretto scherzando (from 1976-10-21 until 1977-01-27)
composer:
Ludwig van Beethoven (German composer) (in 1812)
part of:
Symphony no. 8 in F major, op. 93
Ludwig van Beethoven3:47
55Pictures at an Exhibition: Promenade
producer:
Hans Weber (producer/engineer)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (from 1965-11-04 until 1965-11-09)
conductor:
Herbert von Karajan (conductor) (from 1965-11-04 until 1965-11-09)
balance engineer:
Günter Hermanns (producer/engineer) (from 1965-11-04 until 1965-11-09)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1966)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (from 1965-11-04 until 1965-11-09)
recording of:
Tableaux d’une exposition: Promenade (Pictures at an Exhibition: Promenade. Moderato comodo e con delicatezza, orchestrated by Ravel, 2nd promenade) (from 1965-11-04 until 1965-11-09)
orchestrator:
Maurice Ravel (French composer) (in 1922)
composer:
Модест Петрович Мусоргский (Modest Mussorgsky, composer) (from 1874-06-02 until 1874-06-22)
orchestration of:
Pictures at an Exhibition: [Untitled] (Interlude, Promenade theme, 1st) (original piano version, often called Promenade 2)
part of:
Tableaux d’une exposition (Pictures at an Exhibition, orchestrated by Ravel)
Модест Петрович Мусоргский1:14
56Pictures at an Exhibition: Promenade
producer:
Hans Weber (producer/engineer)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (from 1965-11-04 until 1965-11-09)
conductor:
Herbert von Karajan (conductor) (from 1965-11-04 until 1965-11-09)
balance engineer:
Günter Hermanns (producer/engineer) (from 1965-11-04 until 1965-11-09)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1966)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (from 1965-11-04 until 1965-11-09)
recording of:
Tableaux d’une exposition: Promenade (Pictures at an Exhibition: Promenade. Moderato non tanto, pesante, orchestrated by Ravel, 3rd promenade) (from 1965-11-04 until 1965-11-09)
orchestrator:
Maurice Ravel (French composer) (in 1922)
composer:
Модест Петрович Мусоргский (Modest Mussorgsky, composer) (from 1874-06-02 until 1874-06-22)
orchestration of:
Pictures at an Exhibition: [Untitled] (Interlude, Promenade theme, 2nd) (original piano version, often called Promenade 3)
part of:
Tableaux d’une exposition (Pictures at an Exhibition, orchestrated by Ravel)
Модест Петрович Мусоргский0:41
57Pictures at an Exhibition: The Tuileries Gardens
producer:
Hans Weber (producer/engineer)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (from 1965-11-04 until 1965-11-09)
conductor:
Herbert von Karajan (conductor) (from 1965-11-04 until 1965-11-09)
balance engineer:
Günter Hermanns (producer/engineer) (from 1965-11-04 until 1965-11-09)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1966)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (from 1965-11-04 until 1965-11-09)
recording of:
Tableaux d’une exposition: III. Tuileries (Pictures at an Exhibition: III. Tuileries, orchestrated by Ravel) (from 1965-11-04 until 1965-11-09)
orchestrator:
Maurice Ravel (French composer) (in 1922)
composer:
Модест Петрович Мусоргский (Modest Mussorgsky, composer) (from 1874-06-02 until 1874-06-22)
orchestration of:
Pictures at an Exhibition: No. 3 “Tuileries” (Dispute d’enfants après jeux) (Pictures at an Exhibition: Tuileries (Children Quarreling at Play), original piano version)
part of:
Tableaux d’une exposition (Pictures at an Exhibition, orchestrated by Ravel)
Модест Петрович Мусоргский1:04
58Pictures at an Exhibition: Promenade (II)
producer:
Hans Weber (producer/engineer)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (from 1965-11-04 until 1965-11-09)
conductor:
Herbert von Karajan (conductor) (from 1965-11-04 until 1965-11-09)
balance engineer:
Günter Hermanns (producer/engineer) (from 1965-11-04 until 1965-11-09)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1966)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (from 1965-11-04 until 1965-11-09)
recording of:
Tableaux d’une exposition: Promenade (Pictures at an Exhibition: Promenade. Tranquillo, orchestrated by Ravel, 4th promenade) (from 1965-11-04 until 1965-11-09)
orchestrator:
Maurice Ravel (French composer) (in 1922)
composer:
Модест Петрович Мусоргский (Modest Mussorgsky, composer) (from 1874-06-02 until 1874-06-22)
orchestration of:
Pictures at an Exhibition: [Untitled] (Interlude, Promenade theme, 3rd) (original piano version, often called Promenade 4)
part of:
Tableaux d’une exposition (Pictures at an Exhibition, orchestrated by Ravel)
Модест Петрович Мусоргский1:00
59Pictures at an Exhibition: The Market-Place at Limoges
producer:
Hans Weber (producer/engineer)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (from 1965-11-04 until 1965-11-09)
conductor:
Herbert von Karajan (conductor) (from 1965-11-04 until 1965-11-09)
balance engineer:
Günter Hermanns (producer/engineer) (from 1965-11-04 until 1965-11-09)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1966)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (from 1965-11-04 until 1965-11-09)
recording of:
Tableaux d’une exposition: VII. Limoges – le marché (Pictures at an Exhibition: VII. Limoges – le marché, orchestrated by Ravel) (from 1965-11-04 until 1965-11-09)
orchestrator:
Maurice Ravel (French composer) (in 1922)
composer:
Модест Петрович Мусоргский (Modest Mussorgsky, composer) (from 1874-06-02 until 1874-06-22)
orchestration of:
Pictures at an Exhibition: No. 7 “Limoges”, le marché (La grande nouvelle) (original piano version)
part of:
Tableaux d’une exposition (Pictures at an Exhibition, orchestrated by Ravel)
Модест Петрович Мусоргский1:26
60Concerto grosso in B minor, op. 6, no. 12: 4. Largo
producer:
Hans Weber (producer/engineer)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (from 1966-08-17 until 1966-08-23)
conductor:
Herbert von Karajan (conductor) (from 1966-08-17 until 1966-08-23)
balance engineer:
Günter Hermanns (producer/engineer) (from 1966-08-17 until 1966-08-23)
recorded at:
Victoria Konzertsaal in St. Moritz, Graubünden, Switzerland (from 1966-08-17 until 1966-08-23)
recording of:
Concerto grosso in B minor, op. 6 no. 12, HWV 330: IV. Largo (from 1966-08-17 until 1966-08-23)
composer:
George Frideric Handel (German‐British baroque composer)
part of:
Concerto grosso in B minor, op. 6 no. 12, HWV 330
George Frideric Handel0:56
61Divertimento no. 11 in D, K. 251 "Nannerl-Septett": Marcia alla francese
producer:
Hans Weber (producer/engineer)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (from 1965-08-19 until 1965-08-21)
conductor:
Herbert von Karajan (conductor) (from 1965-08-19 until 1965-08-21)
balance engineer:
Günter Hermanns (producer/engineer) (from 1965-08-19 until 1965-08-21)
recorded at:
Victoria Konzertsaal in St. Moritz, Graubünden, Switzerland (from 1965-08-19 until 1965-08-21)
recording of:
Divertimento no. 11 for Oboe, 2 Horns & Strings in D major, K. 251 "Nannerl Septet": VI. Marcia alla francese (from 1965-08-19 until 1965-08-21)
composer:
Wolfgang Amadeus Mozart (classical composer)
part of:
Divertimento no. 11 for Oboe, 2 Horns & Strings in D major, K. 251 "Nannerl Septet"
Wolfgang Amadeus Mozart2:02
62Nutcracker Suite, op. 71a: 2b. Danse de la fée-Dragée (Andante non troppo)
producer:
Hans Weber (producer/engineer)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (from 1966-10-13 until 1966-12-26)
conductor:
Herbert von Karajan (conductor) (from 1966-10-13 until 1966-12-26)
balance engineer:
Günter Hermanns (producer/engineer) (from 1966-10-13 until 1966-12-26)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1967)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (from 1966-10-13 until 1966-12-26)
recording of:
The Nutcracker (suite from the ballet), op. 71a: II. Danses caractéristiques: b) Danse de la Fée-Dragée. Andante ma non troppo (from 1966-10-13 until 1966-12-26)
composer:
Пётр Ильич Чайковский (Pyotr Ilyich Tchaikovsky, Russian romantic composer)
part of:
The Nutcracker (suite from the ballet), op. 71a: II. Danses caractéristiques
revision of:
Щелкунчик, op. 71: Действие II, Картина III, no. 14c. Па-де-де: Вариация II: Танец Феи Драже (The Nutcracker, Op. 71: Act II, Scene III. Pas de Deux: Variation II: Dance of the sugar-plum fairy, Variation II: Dance of the Sugar Plum Fairy)
Пётр Ильич Чайковский1:53
63Nutcracker Suite, op. 71a: 2c. Danse russe Trépak (Tempo di Trépak, molto vivace)
producer:
Hans Weber (producer/engineer)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (from 1966-10-13 until 1966-12-26)
conductor:
Herbert von Karajan (conductor) (from 1966-10-13 until 1966-12-26)
balance engineer:
Günter Hermanns (producer/engineer) (from 1966-10-13 until 1966-12-26)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1967)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (from 1966-10-13 until 1966-12-26)
recording of:
The Nutcracker (suite from the ballet), op. 71a: II. Danses caractéristiques: c) Danse russe. Trépak. Tempo di Trepak, molto vivace (from 1966-10-13 until 1966-12-26)
composer:
Пётр Ильич Чайковский (Pyotr Ilyich Tchaikovsky, Russian romantic composer)
part of:
The Nutcracker (suite from the ballet), op. 71a: II. Danses caractéristiques
Пётр Ильич Чайковский1:04
64Nutcracker Suite, op. 71a: 2e. Danse chinoise (Allegro moderato)
producer:
Hans Weber (producer/engineer)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (from 1966-10-13 until 1966-12-26)
conductor:
Herbert von Karajan (conductor) (from 1966-10-13 until 1966-12-26)
balance engineer:
Günter Hermanns (producer/engineer) (from 1966-10-13 until 1966-12-26)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1967)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (from 1966-10-13 until 1966-12-26)
recording of:
The Nutcracker (suite from the ballet), op. 71a: II. Danses caractéristiques: e) Danse chinoise. Allegro moderato (from 1966-10-13 until 1966-12-26)
composer:
Пётр Ильич Чайковский (Pyotr Ilyich Tchaikovsky, Russian romantic composer)
part of:
The Nutcracker (suite from the ballet), op. 71a: II. Danses caractéristiques
Пётр Ильич Чайковский1:18
65Symphony no. 4 in F minor, op. 36, TH. 27: 3. Scherzo. Pizzicato ostinato - Allegro
producer:
Michel Glotz
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (from 1976-12-09 until 1976-12-10)
conductor:
Herbert von Karajan (conductor) (from 1976-12-09 until 1976-12-10)
balance engineer:
Günter Hermanns (producer/engineer) (from 1976-12-09 until 1976-12-10)
recorded at:
Berliner Philharmonie in Mitte, Berlin, Germany (from 1976-12-09 until 1976-12-10)
recording of:
Symphony no. 4 in F minor, op. 36: III. Scherzo. Pizzicato ostinato (from 1976-12-09 until 1979-12-10)
composer:
Pyotr Ilyich Tchaikovsky (Russian romantic composer) (from 1877 until 1878)
part of:
Symphony no. 4 in F minor, op. 36
Пётр Ильич Чайковский5:44
66Symphony no. 1 in C minor, op. 68: 3. Un poco allegretto e grazioso
producer:
Cord Garben (pianist and conductor) and Michel Glotz
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (from 1977-10-20 until 1978-02-19)
conductor:
Herbert von Karajan (conductor) (from 1977-10-20 until 1978-02-19)
balance engineer:
Günter Hermanns (producer/engineer) (from 1977-10-20 until 1978-02-19)
recorded at:
Berliner Philharmonie in Mitte, Berlin, Germany (from 1977-10-20 until 1978-02-19)
recording of:
Sinfonie Nr. 1 c-Moll, op. 68: III. Un poco allegretto e grazioso (from 1977-10-20 until 1978-02-19)
composer:
Johannes Brahms (German composer) (from 1855 until 1876)
part of:
Sinfonie Nr. 1 c-Moll, op. 68 (Symphony no. 1 in C minor, op. 68)
Johannes Brahms4:43
67Symphony no. 2 in D, op. 73: 3. Allegretto grazioso ( Quasi andantino) - Presto ma non assai
producer:
Cord Garben (pianist and conductor) and Michel Glotz
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (from 1977-10-18 until 1978-01-21)
conductor:
Herbert von Karajan (conductor) (from 1977-10-18 until 1978-01-21)
balance engineer:
Günter Hermanns (producer/engineer) (from 1977-10-18 until 1978-01-21)
recorded at:
Berliner Philharmonie in Mitte, Berlin, Germany (from 1977-10-18 until 1978-01-21)
recording of:
Sinfonie Nr. 2 D-Dur, op. 73: III. Allegretto grazioso (quasi andantino) (from 1977-10-18 until 1978-01-21)
composer:
Johannes Brahms (German composer) (in 1877)
part of:
Sinfonie Nr. 2 D-Dur, op. 73 (Symphony no. 2 in D major, op. 73)
Johannes Brahms4:59
68Symphony no. 35 in D major, K. 385 "Haffner": 3. Menuetto
producer:
Michel Glotz
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (from 1976-05-25 until 1977-10-18)
conductor:
Herbert von Karajan (conductor) (from 1976-05-25 until 1977-10-18)
balance engineer:
Günter Hermanns (producer/engineer) (from 1976-05-25 until 1977-10-18)
recorded at:
Berliner Philharmonie in Mitte, Berlin, Germany (from 1976-05-25 until 1977-10-18)
recording of:
Symphony no. 35 for Orchestra in D major, K. 385 “Haffner”: III. Minuetto & Trio (from 1976-05-25 until 1977-10-18)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1782)
part of:
Symphony no. 35 for Orchestra in D major, K. 385 “Haffner”
Wolfgang Amadeus Mozart3:19
69Symphony no. 35 in D major, K. 385 "Haffner": 4. Finale (Presto)
producer:
Michel Glotz
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (from 1976-05-25 until 1977-10-18)
conductor:
Herbert von Karajan (conductor) (from 1971-05-25 until 1977-10-18)
balance engineer:
Günter Hermanns (producer/engineer) (from 1976-05-25 until 1977-10-18)
recorded at:
Berliner Philharmonie in Mitte, Berlin, Germany (in 1976-05) and Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (from 1976-05-25 until 1977-10-18)
recording of:
Symphony no. 35 for Orchestra in D major, K. 385 “Haffner”: IV. Presto (from 1976-05-25 until 1977-10-18)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1782)
part of:
Symphony no. 35 for Orchestra in D major, K. 385 “Haffner”
Wolfgang Amadeus Mozart3:32
70Symphony no. 39 in E-flat, K. 543: 3. Menuetto (Allegretto)
producer:
Michel Glotz
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (on 1975-12-05)
conductor:
Herbert von Karajan (conductor) (on 1975-12-05)
balance engineer:
Günter Hermanns (producer/engineer) (on 1975-12-05)
recorded at:
Berliner Philharmonie in Mitte, Berlin, Germany (on 1975-12-05)
recording of:
Symphony no. 39 for Orchestra in E-flat major, K. 543: IIIa. Minuetto. Allegretto / IIIb. Trio. Da capo (on 1975-12-05)
composer:
Wolfgang Amadeus Mozart (classical composer) (from 1788 until 1788-06-26)
part of:
Symphony no. 39 for Orchestra in E-flat major, K. 543
Wolfgang Amadeus Mozart4:05
71Symphony no. 39 in E-flat, K. 543: 4. Finale (Allegro)
producer:
Michel Glotz
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (from 1971-09-21 until 1971-09-25, on 1975-12-05)
conductor:
Herbert von Karajan (conductor) (from 1971-09-21 until 1971-09-25, on 1975-12-05)
balance engineer:
Wolfgang Gülich (engineer) and Günter Hermanns (producer/engineer) (on 1975-12-05)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (from 1971-09-21 until 1971-09-25) and Berliner Philharmonie in Mitte, Berlin, Germany (on 1975-12-05)
recording of:
Symphony no. 39 for Orchestra in E-flat major, K. 543: IV. Finale. Allegro (from 1971-09-21 until 1971-09-25)
composer:
Wolfgang Amadeus Mozart (classical composer) (from 1788 until 1788-06-26)
part of:
Symphony no. 39 for Orchestra in E-flat major, K. 543
recording of:
Symphony no. 39 for Orchestra in E-flat major, K. 543: IV. Finale. Allegro (on 1975-12-05)
composer:
Wolfgang Amadeus Mozart (classical composer) (from 1788 until 1788-06-26)
part of:
Symphony no. 39 for Orchestra in E-flat major, K. 543
Wolfgang Amadeus Mozart4:08
72Symphony no. 40 in G minor, K. 550: 4. Finale (Allegro assai)
producer:
Cord Garben (pianist and conductor)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (from 1976-05-25 until 1977-02-17)
conductor:
Herbert von Karajan (conductor) (from 1976-05-25 until 1977-02-17)
balance engineer:
Günter Hermanns (producer/engineer) (from 1976-05-25 until 1977-02-17)
recorded at:
Berliner Philharmonie in Mitte, Berlin, Germany (from 1976-05-25 until 1977-02-17)
recording of:
Symphony no. 40 in G minor, K. 550 “Great”: IV. Finale. Allegro assai (2nd version) (from 1976-05-25 until 1977-02-17)
composer:
Wolfgang Amadeus Mozart (classical composer) (from 1788 until 1788-07-25)
part of:
Symphony no. 40 in G minor, K. 550 “Great” (2nd version)
Wolfgang Amadeus Mozart4:37
73Violin Concerto in E, RV 271 "L'amoroso": 2. Cantabile
recording engineer:
Hans Weber (producer/engineer) (in 1970-08)
producer:
Dr. Hans Hirsch (producer at Deutsche Grammophon) and Hans Weber (producer/engineer)
solo violin:
Thomas Brandis (violinist) (in 1970-08)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (from 1970-08-20 until 1970-08-23)
conductor:
Herbert von Karajan (conductor) (from 1970-08-20 until 1970-08-23)
balance engineer:
Günter Hermanns (producer/engineer) (from 1970-08-20 until 1970-08-23)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1971)
recorded at:
Französische Kirche (St. Moritz) in St. Moritz, Graubünden, Switzerland (from 1970-08-20 until 1970-08-23)
recording of:
Concerto for Violin in E major, RV 271 “L’amoroso”: II. Cantabile (from 1970-08-20 until 1970-08-23)
composer:
Antonio Vivaldi (Italian baroque composer and violinist)
part of:
Concerto for Violin in E major, RV 271 “L’amoroso”
Antonio Vivaldi2:25
74Gaîté parisienne: Polka
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra)
conductor:
Herbert von Karajan (conductor)
recording of:
Gaîté Parisienne: III. Polka (from « Voyages dans la lune »)
orchestrator:
Manuel Rosenthal (French conductor & composer)
composer:
Jacques Offenbach (German-French composer, cellist and impresario)
part of:
Gaîté parisienne
Jacques Offenbach1:21
75Gaîté parisienne: (without tempo indication)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra)
conductor:
Herbert von Karajan (conductor)
partial recording of:
Gaîté parisienne
orchestrator:
Manuel Rosenthal (French conductor & composer)
composer:
Jacques Offenbach (German-French composer, cellist and impresario)
premiered at:
Opéra de Monte-Carlo in Monte-Carlo (Monte Carlo), Monaco (on 1938-04-05)
Jacques Offenbach0:45
76Gaîté parisienne: Vivo
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra)
conductor:
Herbert von Karajan (conductor)
recording of:
Gaîté Parisienne: XXII. Vivo (from « Orphée aux enfers »)
orchestrator:
Manuel Rosenthal (French conductor & composer)
composer:
Jacques Offenbach (German-French composer, cellist and impresario)
part of:
Gaîté parisienne
Jacques Offenbach1:09
77Also sprach Zarathustra, op. 30, TrV 176: Von der großen Sehnsucht
producer:
Hans Weber (producer/engineer)
violin:
Michel Schwalbé (Polish violinist)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (from 1973-01-26 until 1973-03-06)
conductor:
Herbert von Karajan (conductor) (from 1973-01-26 until 1973-03-06)
balance engineer:
Günter Hermanns (producer/engineer) (from 1973-01-06 until 1973-03-06)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (from 1973-01-26 until 1973-03-06)
recording of:
Also sprach Zarathustra, op. 30: III. Von der großen Sehnsucht (from 1973-01-26 until 1973-03-06)
composer:
Richard Strauss (German composer) (in 1896)
part of:
Also sprach Zarathustra, op. 30 (TrV 176)
Richard Strauss2:07
78Also sprach Zarathustra, op. 30, TrV 176: Von den Freuden und Leidenschaften
producer:
Hans Weber (producer/engineer)
violin:
Michel Schwalbé (Polish violinist)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (from 1973-01-26 until 1973-03-06)
conductor:
Herbert von Karajan (conductor) (from 1973-01-26 until 1973-03-06)
balance engineer:
Günter Hermanns (producer/engineer) (from 1973-01-06 until 1973-03-06)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (from 1973-01-26 until 1973-03-06)
recording of:
Also sprach Zarathustra, op. 30: IV. Von den Freuden und Leidenschaften (from 1973-01-26 until 1973-03-06)
composer:
Richard Strauss (German composer) (in 1896)
part of:
Also sprach Zarathustra, op. 30 (TrV 176)
Richard Strauss1:59
79Also sprach Zarathustra, op. 30, TrV 176: Das Grablied
producer:
Hans Weber (producer/engineer)
solo violin:
Michel Schwalbé (Polish violinist) (from 1973-01-26 until 1973-03-06)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (from 1973-01-26 until 1973-03-06)
conductor:
Herbert von Karajan (conductor) (from 1973-01-26 until 1973-03-06)
balance engineer:
Günter Hermanns (producer/engineer) (from 1973-01-06 until 1973-03-06)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (from 1973-01-26 until 1973-03-06)
recording of:
Also sprach Zarathustra, op. 30: V. Das Grablied (from 1973-01-26 until 1973-03-06)
composer:
Richard Strauss (German composer) (in 1896)
part of:
Also sprach Zarathustra, op. 30 (TrV 176)
Richard Strauss2:48
80Requiem in D minor, K. 626: 3. Sequentia: Tuba mirum
producer:
Michel Glotz
alto vocals:
Helga Müller‐Molinari (mezzo-soprano) (in 1986-05)
bass vocals:
Paata Burchuladze (operatic bass) (in 1986-05)
soprano vocals:
Anna Tomowa‐Sintow (soprano) (in 1986-05)
tenor vocals:
Vinson Cole (American tenor) (in 1986-05)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (from 1986-05-26 until 1986-06-01)
conductor:
Herbert von Karajan (conductor) (from 1986-05-26 until 1986-06-01)
chorus master:
Helmuth Froschauer (conductor and chorus master)
balance engineer:
Günter Hermanns (producer/engineer) (from 1986-05-26 until 1986-06-01)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1987)
recorded at:
Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien (Vienna), Austria (from 1986-05-26 until 1986-06-01)
recording of:
Requiem in D minor, K. 626: III. Sequenz: b. Tuba mirum (Süßmayr Edition; soprano, alto, tenor, bass solos) (from 1986-05-26 until 1986-06-01)
orchestrator:
Franz Xaver Süßmayr
additional composer:
Joseph Leopold Eybler (Austrian composer)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
part of:
Requiem in D minor, K. 626: III. Sequenz (Süßmayr Edition)
Wolfgang Amadeus Mozart3:53
81Macbeth: Overture (Preludio)
producer:
Dr. Hans Hirsch (producer at Deutsche Grammophon), Michel Glotz and Magdalene Padberg (producer)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (from 1975-09-22 until 1975-10-21)
conductor:
Herbert von Karajan (conductor) (from 1975-09-22 until 1975-10-21)
balance engineer:
Günter Hermanns (producer/engineer) (from 1975-09-22 until 1975-10-21)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1976)
recorded at:
Berliner Philharmonie in Mitte, Berlin, Germany (from 1975-09-22 until 1975-10-21)
recording of:
Macbeth: N°1 Preludio (from 1975-09-22 until 1975-10-21)
composer:
Giuseppe Verdi (Italian opera composer)
part of:
Macbeth
part of:
Macbeth (german lyrics)
Giuseppe Verdi3:27
82Il Corsaro: Overture
producer:
Dr. Hans Hirsch (producer at Deutsche Grammophon), Michel Glotz and Magdalene Padberg (producer)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (from 1975-09-22 until 1975-10-21)
conductor:
Herbert von Karajan (conductor) (from 1975-09-22 until 1975-10-21)
balance engineer:
Günter Hermanns (producer/engineer) (from 1975-09-22 until 1975-10-21)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1976)
recorded at:
Berliner Philharmonie in Mitte, Berlin, Germany (from 1975-09-22 until 1975-10-21)
recording of:
Il corsaro: Preludio (from 1975-09-22 until 1975-10-21)
composer:
Giuseppe Verdi (Italian opera composer)
part of:
Il corsaro
part of:
Il corsaro: Atto I
Giuseppe Verdi3:25
83Rigoletto: Preludio
producer:
Dr. Hans Hirsch (producer at Deutsche Grammophon), Michel Glotz and Magdalene Padberg (producer)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (from 1975-09-22 until 1975-10-21)
conductor:
Herbert von Karajan (conductor) (from 1975-09-22 until 1975-10-21)
balance engineer:
Günter Hermanns (producer/engineer) (from 1975-09-22 until 1975-10-21)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1976)
recorded at:
Berliner Philharmonie in Mitte, Berlin, Germany (from 1975-09-22 until 1975-10-21)
recording of:
Rigoletto: N°1 Preludio (from 1975-09-22 until 1975-10-21)
composer:
Giuseppe Verdi (Italian opera composer) (until 1851-03-11)
part of:
Rigoletto
part of:
Rigoletto (german lyrics)
part of:
Rigoletto (english lyrics)
Giuseppe Verdi2:45
84Ernani: Overture (Preludio)
producer:
Dr. Hans Hirsch (producer at Deutsche Grammophon), Michel Glotz and Magdalene Padberg (producer)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (from 1975-09-22 until 1975-10-21)
conductor:
Herbert von Karajan (conductor) (from 1975-09-22 until 1975-10-21)
balance engineer:
Günter Hermanns (producer/engineer) (from 1975-09-22 until 1975-10-21)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1976)
recorded at:
Berliner Philharmonie in Mitte, Berlin, Germany (from 1975-09-22 until 1975-10-21)
recording of:
Ernani: Atto I. (no. 1) Preludio (from 1975-09-22 until 1975-10-21)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Francesco Maria Piave
part of:
Ernani: Atto I (Il bandito)
Giuseppe Verdi3:19
85Brandenburg Concerto no. 2 in F, BWV 1047: 3. Allegro assai
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra)
conductor:
Herbert von Karajan (conductor)
recording of:
Brandenburgisches Konzert Nr. 2 F-Dur, BWV 1047: III. Allegro assai
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Brandenburgisches Konzert Nr. 2 F-Dur, BWV 1047 (Brandenburg Concerto No. 2 in F major, BWV 1047)
Johann Sebastian Bach2:39
86Brandenburg Concerto no. 1 in F, BWV 1046: 1. (Allegro)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra)
conductor:
Herbert von Karajan (conductor)
recording of:
Brandenburgisches Konzert Nr. 1 F-Dur, BWV 1046: I.
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Brandenburgisches Konzert Nr. 1 F-Dur, BWV 1046 (Brandenburg Concerto no. 1 in F major, BWV 1046)
Johann Sebastian Bach4:04
87Verklärte Nacht, op. 4: 3. Pesante (arr. for String Orchestra by Schoenberg - 1943 revised version)
producer:
Hans Weber (producer/engineer)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (on 1973-12-06)
conductor:
Herbert von Karajan (conductor) (on 1973-12-06)
balance engineer:
Günter Hermanns (producer/engineer) (on 1973-12-06)
recorded at:
Berliner Philharmonie in Mitte, Berlin, Germany (on 1973-12-06)
recording of:
Verklärte Nacht, op. 4: III. Schwer betont (for string orchestra, 1943 revision) (on 1973-12-06)
composer:
Arnold Schönberg (Arnold Schoenberg, composer)
part of:
Verklärte Nacht, op. 4 (for string orchestra, 1943 revision)
Arnold Schönberg52:24
88March for Military Music in F major, WoO 18
producer:
Hans Weber (producer/engineer)
instruments:
Bläser der Berliner Philharmoniker (Berlin Philharmonic Wind Ensemble)
wind instruments:
Berlin Philharmonic Wind Ensemble
orchestra:
Berliner Philharmonisches Bläserensemble (Berlin Philharmonic Wind Ensemble) and Berliner Philharmoniker (Berlin Philharmonic Orchestra) (from 1973-03-02 until 1973-03-08)
conductor:
Herbert von Karajan (conductor) (from 1973-03-02 until 1973-03-08)
balance engineer:
Günter Hermanns (producer/engineer) (from 1973-03-02 until 1973-03-08)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1974)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (from 1973-03-02 until 1973-03-08)
recording of:
March for Military Band in F major, WoO 18 (from 1973-03-02 until 1973-03-08)
composer:
Ludwig van Beethoven (German composer) (in 1809)
part of:
Kinsky catalogue (Beethoven WoO works) (number: WoO 18)
part of:
2 Marches for Military Band, WoO 18-19
Ludwig van Beethoven2:28
89O du mein Österreich
producer:
Hans Weber (producer/engineer)
instruments:
Bläser der Berliner Philharmoniker (Berlin Philharmonic Wind Ensemble)
orchestra:
Bläser der Berliner Philharmoniker (Berlin Philharmonic Wind Ensemble) and Berliner Philharmoniker (Berlin Philharmonic Orchestra) (from 1973-03-02 until 1973-03-08)
conductor:
Herbert von Karajan (conductor) (from 1973-03-02 until 1973-03-08)
balance engineer:
Günter Hermanns (producer/engineer) (from 1973-03-02 until 1973-03-08)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1974)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (from 1973-03-02 until 1973-03-08)
recording of:
O du mein Österreich (from 1973-03-02 until 1973-03-08)
composer:
Franz von Suppé (Franz von Suppè, composer) (in 1849) and Ferdinand Preis (in 1852)
version of:
O du mein Österreich
Franz von Suppè, Ferdinand Preis2:07
90Pariser Einzugsmarsch
producer:
Hans Weber (producer/engineer)
instruments:
Bläser der Berliner Philharmoniker (Berlin Philharmonic Wind Ensemble)
orchestra:
Bläser der Berliner Philharmoniker (Berlin Philharmonic Wind Ensemble) and Berliner Philharmoniker (Berlin Philharmonic Orchestra) (from 1973-03-02 until 1973-03-08)
conductor:
Herbert von Karajan (conductor) (from 1973-03-02 until 1973-03-08)
balance engineer:
Günter Hermanns (producer/engineer) (from 1973-03-02 until 1973-03-08)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1974)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (from 1973-03-02 until 1973-03-08)
recording of:
Pariser Einzugmarsch (from 1973-03-02 until 1973-03-08)
composer:
Johann Heinrich Walch
Johann Heinrich Walch2:05
91Mir sein die Kaiserjäger
producer:
Hans Weber (producer/engineer)
instruments:
Bläser der Berliner Philharmoniker (Berlin Philharmonic Wind Ensemble)
orchestra:
Bläser der Berliner Philharmoniker (Berlin Philharmonic Wind Ensemble) and Berliner Philharmoniker (Berlin Philharmonic Orchestra) (from 1973-03-02 until 1973-03-08)
conductor:
Herbert von Karajan (conductor) (from 1973-03-02 until 1973-03-08)
balance engineer:
Günter Hermanns (producer/engineer) (from 1973-03-02 until 1973-03-08)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1974)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (from 1973-03-02 until 1973-03-08)
recording of:
Mir sein die Kaiserjäger (from 1973-03-02 until 1973-03-08)
composer:
Karl Mühlberger (military band conductor/composer)
Karl Mühlberger2:27
92Petersburger Marsch (Armeemarsch Nr. 113)
producer:
Hans Weber (producer/engineer)
instruments:
Bläser der Berliner Philharmoniker (Berlin Philharmonic Wind Ensemble)
orchestra:
Bläser der Berliner Philharmoniker (Berlin Philharmonic Wind Ensemble) and Berliner Philharmoniker (Berlin Philharmonic Orchestra) (from 1973-03-02 until 1973-03-08)
conductor:
Herbert von Karajan (conductor) (from 1973-03-02 until 1973-03-08)
balance engineer:
Günter Hermanns (producer/engineer) (from 1973-03-02 until 1973-03-08)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1974)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (from 1973-03-02 until 1973-03-08)
recording of:
Petersburger Marsch (from 1973-03-02 until 1973-03-08)
composer:
[anonymous] (special purpose artist)
[anonymous]2:21
93Fehrbelliner Reitermarsch
producer:
Hans Weber (producer/engineer)
instruments:
Bläser der Berliner Philharmoniker (Berlin Philharmonic Wind Ensemble)
orchestra:
Bläser der Berliner Philharmoniker (Berlin Philharmonic Wind Ensemble) and Berliner Philharmoniker (Berlin Philharmonic Orchestra) (from 1973-03-02 until 1973-03-08)
conductor:
Herbert von Karajan (conductor) (from 1973-03-02 until 1973-03-08)
balance engineer:
Günter Hermanns (producer/engineer) (from 1973-03-02 until 1973-03-08)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1974)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (from 1973-03-02 until 1973-03-08)
recording of:
Fehrbelliner Reitermarsch
composer:
Richard Henrion (in 1893)
Richard Henrion2:26
94Symphonie fantastique, op. 14: 4. Marche au supplice (Allegretto non troppo)
producer:
Hans Weber (producer/engineer)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (from 1974-10-14 until 1975-02-21)
conductor:
Herbert von Karajan (conductor) (from 1974-10-14 until 1975-02-21)
balance engineer:
Günter Hermanns (producer/engineer) (from 1974-10-14 until 1975-02-21)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1975)
recorded at:
Berliner Philharmonie in Mitte, Berlin, Germany (from 1974-10-14 until 1975-02-21)
recording of:
Symphonie fantastique, op. 14: IV. Marche au supplice (from 1974-10-14 until 1975-02-21)
composer:
Hector Berlioz (French composer) (in 1830)
part of:
Symphonie fantastique, op. 14 : Épisode de la vie d’un artiste … en cinq parties
Hector Berlioz4:41
95Concerto grosso in G minor, op. 6 no. 8, MC 6.8 "Fatto per la Notte di Natale": 2. Adagio - Allegro - Adagio
producer:
Dr. Hans Hirsch (producer at Deutsche Grammophon) and Hans Weber (producer/engineer)
cello:
Ottomar Borwitzky (cellist) (from 1970-08-19 until 1970-08-23)
harpsichord:
Waldemar Döling (harpsichordist) (from 1970-08-19 until 1970-08-23) and Wolfgang Meyer (organist, harpsichordist) (from 1970-08-19 until 1970-08-23)
violin:
Thomas Brandis (violinist) (from 1970-08-19 until 1970-08-23) and Emil Maas (violinist) (from 1970-08-19 until 1970-08-23)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (from 1970-08-19 until 1970-08-23)
conductor:
Herbert von Karajan (conductor) (from 1970-08-19 until 1970-08-23)
balance engineer:
Günter Hermanns (producer/engineer) (from 1970-08-19 until 1970-08-23)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1970)
recorded at:
Französische Kirche (St. Moritz) in St. Moritz, Graubünden, Switzerland (from 1970-08-19 until 1970-08-23)
recording of:
Concerto Grosso in G minor, op. 6 no. 8 “Christmas Concerto”: III. Adagio - Allegro - Adagio (from 1970-08-19 until 1970-08-23)
composer:
Arcangelo Corelli (Italian baroque composer and violinist)
part of:
Concerto Grosso in G minor, op. 6 no. 8 “Fatto per la notte di Natale” (Christmas Concerto)
Arcangelo Corelli3:48
96Concerto in C, op. 3 no. 12 "Christmas Concerto": 2. Largo
producer:
Dr. Hans Hirsch (producer at Deutsche Grammophon) and Hans Weber (producer/engineer)
cello:
Ottomar Borwitzky (cellist) (from 1970-08-19 until 1970-08-23)
harpsichord:
Waldemar Döling (harpsichordist) (from 1970-08-19 until 1970-08-23) and Wolfgang Meyer (organist, harpsichordist) (from 1970-08-19 until 1970-08-23)
violin:
Thomas Brandis (violinist) (from 1970-08-19 until 1970-08-23) and Emil Maas (violinist) (from 1970-08-19 until 1970-08-23)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (from 1970-08-19 until 1970-08-23)
conductor:
Herbert von Karajan (conductor) (from 1970-08-19 until 1970-08-23)
balance engineer:
Günter Hermanns (producer/engineer) (from 1970-08-19 until 1970-08-23)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1970)
recorded at:
Französische Kirche (St. Moritz) in St. Moritz, Graubünden, Switzerland (from 1970-08-19 until 1970-08-23)
recording of:
Concerto Grosso in C major, op. 3 no. 12 “Christmas Concerto”: II. Largo (from 1970-08-19 until 1970-08-23)
composer:
Francesco Onofrio Manfredini (composer)
part of:
Concerto Grosso in C major, op. 3 no. 12 “Christmas Concerto”
Francesco Onofrio Manfredini2:57
97Concerto Grosso in G minor, op. 8 no. 6 "Christmas Concerto": 3. Vivace
producer:
Hans Weber (producer/engineer)
cello:
Ottomar Borwitzky (cellist) (from 1970-08-19 until 1970-08-23)
harpsichord:
Waldemar Döling (harpsichordist) (from 1970-08-19 until 1970-08-23) and Wolfgang Meyer (organist, harpsichordist) (from 1970-08-19 until 1970-08-23)
violin:
Thomas Brandis (violinist) (from 1970-08-19 until 1970-08-23) and Emil Maas (violinist) (from 1970-08-19 until 1970-08-23)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (from 1970-08-19 until 1970-08-23)
conductor:
Herbert von Karajan (conductor) (from 1970-08-19 until 1970-08-23)
balance engineer:
Günter Hermanns (producer/engineer) (from 1970-08-19 until 1970-08-23)
recorded at:
Französische Kirche (St. Moritz) in St. Moritz, Graubünden, Switzerland (from 1970-08-19 until 1970-08-23)
recording of:
Concerto grosso in G minor, op. 8 no. 6 "Christmas Concerto": III. Vivace (from 1970-08-19 until 1970-08-23)
composer:
Giuseppe Torelli (violinist and composer)
part of:
Concerto grosso in G minor, op. 8 no. 6 "Christmas Concerto"
Giuseppe Torelli1:50
98Concerto Grosso in F minor, op. 1 no. 8 "Christmas Concerto": 2. Vivace
producer:
Hans Weber (producer/engineer)
cello:
Ottomar Borwitzky (cellist) (from 1970-08-19 until 1970-08-23)
harpsichord:
Waldemar Döling (harpsichordist) (from 1970-08-19 until 1970-08-23) and Wolfgang Meyer (organist, harpsichordist) (from 1970-08-19 until 1970-08-23)
violin:
Thomas Brandis (violinist) (from 1970-08-19 until 1970-08-23) and Emil Maas (violinist) (from 1970-08-19 until 1970-08-23)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (in 1970-08, from 1970-08-19 until 1970-08-23)
conductor:
Herbert von Karajan (conductor) (in 1970-08, from 1970-08-19 until 1970-08-23)
balance engineer:
Günter Hermanns (producer/engineer) (from 1970-08-19 until 1970-08-23)
recorded at:
Französische Kirche (St. Moritz) in St. Moritz, Graubünden, Switzerland
recording of:
Concerto Grosso in F minor, op. 1 no. 8 "Christmas Concerto": II. Vivace (from 1970-08-19 until 1970-08-23)
composer:
Pietro Antonio Locatelli (composer)
part of:
Concerto grosso in F minor, op. 1 no. 8 "Christmas Concerto"
recording of:
Concerto Grosso in F minor, op. 1 no. 8 "Christmas Concerto": II. Vivace (in 1970-08)
composer:
Pietro Antonio Locatelli (composer)
part of:
Concerto grosso in F minor, op. 1 no. 8 "Christmas Concerto"
Pietro Antonio Locatelli1:32
99Violin Concerto in D, RV 234 "L'inquietudine": 1. Allegro
producer:
Hans Weber (producer/engineer)
harpsichord:
Waldemar Döling (harpsichordist) (from 1970-08-20 until 1970-08-23) and Wolfgang Meyer (organist, harpsichordist) (from 1970-08-20 until 1970-08-23)
solo violin:
Thomas Brandis (violinist) (from 1970-08-20 until 1970-08-23)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (from 1970-08-20 until 1970-08-23)
conductor:
Herbert von Karajan (conductor) (from 1970-08-20 until 1970-08-23)
balance engineer:
Günter Hermanns (producer/engineer) (from 1970-08-20 until 1970-08-23)
recorded at:
Französische Kirche (St. Moritz) in St. Moritz, Graubünden, Switzerland (from 1970-08-20 until 1970-08-23)
recording of:
Concerto in D major for violin, strings and basso continuo, RV 234 "L'Inquietudine": I. Allegro molto (from 1970-08-20 until 1970-08-23)
composer:
Antonio Vivaldi (Italian baroque composer and violinist)
part of:
Concerto in D major for violin, strings and basso continuo, RV 234 "L'Inquietudine"
Antonio Vivaldi2:27
100Concerto for Strings and Continuo in G, RV 151 "Concerto alla Rustica": 1. Presto
recording engineer:
Hans Weber (producer/engineer) (in 1970-08)
producer:
Dr. Hans Hirsch (producer at Deutsche Grammophon) and Hans Weber (producer/engineer)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (from 1970-08-20 until 1970-08-23)
conductor:
Herbert von Karajan (conductor) (from 1970-08-20 until 1970-08-23)
balance engineer:
Günter Hermanns (producer/engineer) (from 1970-08-20 until 1970-08-23)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1971)
recorded at:
Französische Kirche (St. Moritz) in St. Moritz, Graubünden, Switzerland (from 1970-08-20 until 1970-08-23)
recording of:
Concerto for Strings in G major, RV 151 “Concerto alla rustica”: I. Presto (from 1970-08-20 until 1970-08-23)
composer:
Antonio Vivaldi (Italian baroque composer and violinist)
part of:
Concerto for Strings in G major, RV 151 “Concerto alla rustica”
Antonio Vivaldi1:12
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