Yesterday Once More

~ Pubblicazione di Carpenters (visualizza tutte le versioni di questa pubblicazione: 8 disponibili)

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1Yesterday Once More
produttore:
Karen Carpenter e Richard Carpenter (The Carpenters)
registrazione di:
Yesterday Once More (il 1973-03-14)
paroliere:
John Bettis
compositore:
Richard Carpenter (The Carpenters)
editore:
Rondor Music (London) Ltd., Almo Music (USA, affiliated with ASCAP) (nel 1973), Hammer & Nails Music (nel 1973) e Sweet Harmony Music (US publisher) (nel 1973)
4.64:02
2Hurting Each Other
produttore:
Jack Daugherty (American Multi-instrumentalist and music producer)
voce principale:
Karen Carpenter
arrangiatore e orchestratore:
Richard Carpenter (The Carpenters)
diritti fonografici (℗) detenuti da:
A&M Records, Inc. (nel 1972)
registrazione cover di:
Hurting Each Other
paroliere:
Peter Udell
compositore:
Gary Geld
editore:
PolyGram Music Publishing Ltd. e Sydney Bron Music (also spelled "Sydney")
4.52:49
3Please Mr. Postman
tecnico:
Ray Gerhardt (Recording and mixing engineer)
produttore:
Richard Carpenter (The Carpenters)
produttore associato:
Karen Carpenter
voce principale:
Karen Carpenter
arrangiatore e orchestratore:
Richard Carpenter (The Carpenters)
diritti fonografici (℗) detenuti da:
A&M Records, Inc. (nel 1974)
registrazione cover di:
Please Mr. Postman (il 1974-07-22)
autore:
Robert Bateman (R&B singer/songwriter/record producer) (nel 1961), Georgia Dobbins (nel 1961), William Garrett (nel 1961), Freddie Gorman (nel 1961) e Brian Holland (Motown producer & songwriter) (nel 1961)
editore:
Dominion Music, EMI Blackwood Music Inc., EMI United Partnership Ltd., Jobete Music (UK) Ltd., Jobete Music Co., Inc., Stone Agate Music Division e United Partnership Ltd.
42:52
4I Need to Be in Love
arpa :
Gayle Levant (American studio musician, harpist)
batteria [drums] :
Jim Gordon (US drummer with Derek and the Dominos)
chitarra [guitars] :
Tony Peluso (American writer, producer and multi-instrumentalist)
chitarra basso [bass] :
Joe Osborn (American bass guitar player, session musician and songwriter)
corno [english horn] :
Earl Dumler (multi-instrumentalist)
flauto :
David Shostac (American flutist)
tastiera [keyboards] :
Richard Carpenter (The Carpenters)
voce:
Karen Carpenter, Richard Carpenter (The Carpenters) e MOR Chorale
registrazione di:
I Need to Be in Love
paroliere:
John Bettis e Albert Hammond
compositore:
Richard Carpenter (The Carpenters)
editore:
Almo Music Corp. (USA, affiliated with ASCAP), EMI April Music Inc., Hammer and Nails Music, Inc. e Landers Roberts Music
33:29
5Make Believe It's Your First Time
arpa :
Gayle Levant (American studio musician, harpist)
batteria [drums] :
Ron Tutt (drummer)
chitarra acustica :
Tim May (session/jazz guitarist)
chitarra basso [bass] :
Joe Osborn (American bass guitar player, session musician and songwriter)
chitarra elettrica :
Tony Peluso (American writer, producer and multi-instrumentalist)
chitarra pedal steel :
Jay Dee Maness (American pedal steel guitarist)
flauto solista :
Sheridon Stokes (American flautist, composer, and studio musician)
oboe :
Earl Dumler (multi-instrumentalist)
tastiera [keyboards] :
Richard Carpenter (The Carpenters)
voce di accompagnamento:
The O.K. Chorale (fictitious choral ensemble)
voce principale:
Karen Carpenter
arrangiatore:
Richard Carpenter (The Carpenters)
registrazione cover di:
Make Believe It's Your First Time
autore:
Bob Morrison (US songwriter) e Johnny Wilson (aka Johnny A. Wilson & Peanuts Wilson)
editore:
Music City Music
24:10
6Sing
produttore:
Karen Carpenter e Richard Carpenter (The Carpenters)
cori:
The Jimmy Joyce Children’s Chorus
registrazione cover di:
Sing
paroliere e compositore:
Joe Raposo (piano, composer, Sesame Street)
editore:
Green Fox Music Inc., The Joe Raposo Music Group, Inc. e Jonico Music Inc. (nel 1971)
registrazione di:
Sing
paroliere e compositore:
Joe Raposo (piano, composer, Sesame Street)
editore:
Green Fox Music Inc., The Joe Raposo Music Group, Inc. e Jonico Music Inc. (nel 1971)
registrazione di:
Sing (Japanese concert version)
paroliere e compositore:
Joe Raposo (piano, composer, Sesame Street)
arrangiamento di:
Sing
43:20
7Only Yesterday
registrazione di:
Only Yesterday
paroliere:
John Bettis
compositore:
Richard Carpenter (The Carpenters)
editore:
Almo Music Corp. (USA, affiliated with ASCAP), Hammer and Nails Music, Inc., Rondor Music (London) Ltd. e Sweet Harmony Music (US publisher)
54:13
8Back in My Life Again
programmazione degli strumenti:
Daryl Dragon e Ian Underwood
assistente tecnico:
Dave Iveland (Music Engineer)
tecnico:
Roger Young (engineer)
batteria [drums] :
Ron Tutt (drummer)
chitarra acustica :
Tim May (session/jazz guitarist)
chitarra basso [bass] :
Joe Osborn (American bass guitar player, session musician and songwriter)
chitarra elettrica :
Tim May (session/jazz guitarist) e Tony Peluso (American writer, producer and multi-instrumentalist)
percussione :
Paulinho DaCosta (Brazilian percussionist)
sassofono tenore [tenor sax] :
Tom Scott (saxophonist, Blues Brothers, LA Express, Starsky & Hutch)
tastiera [keyboards] :
Richard Carpenter (The Carpenters)
voce di accompagnamento:
Karen Carpenter e Richard Carpenter (The Carpenters)
arrangiatore e orchestratore:
Richard Carpenter (The Carpenters)
primo violino:
Jimmy Getzoff (American concertmaster and violinist)
registrazione di:
(Want You) Back in My Life Again
autore:
Kerry Chater e Lon Christian Smith (American songwriter, record producer)
editore:
Duchess Music Corporation (BMI-affiliated), Home Sweet Home Music (ASCAP-affiliated) e Songs of Universal, Inc. (BMI)
33:37
9Ticket to Ride
tecnico:
Ray Gerhardt (Recording and mixing engineer)
produttore:
Jack Daugherty (American Multi-instrumentalist and music producer)
basso :
Bob Messenger (Woodwind and bass player) e Joe Osborn (American bass guitar player, session musician and songwriter)
batteria e voce principale:
Karen Carpenter
chitarra :
Gary Sims (vocalist, guitarist, songwriter)
orchestratore:
Jack Daugherty (American Multi-instrumentalist and music producer)
diritti fonografici (℗) detenuti da:
A&M Records, Inc. (nel 1969)
registrazione cover di:
Ticket to Ride
autore:
John Lennon (The Beatles) e Paul McCartney (The Beatles)
editore:
Maclen Music Ltd. (U.S. based publisher for Lennon–McCartney), Music Corporation of America, Inc. (BMI‐affiliated music publisher of MCA Records, Inc.?), Northern Songs, SBK Blackwood Music Inc. (1987-12-30–1989-07-14), Sony/ATV Music Publishing LLC (1995–2020) e Sony/ATV Tunes LLC (ASCAP)
versione tradotta di:
Boleto para pasear
registrazione di:
Ticket to Ride
autore:
John Lennon (The Beatles) e Paul McCartney (The Beatles)
editore:
Maclen Music Ltd. (U.S. based publisher for Lennon–McCartney), Music Corporation of America, Inc. (BMI‐affiliated music publisher of MCA Records, Inc.?), Northern Songs, SBK Blackwood Music Inc. (1987-12-30–1989-07-14), Sony/ATV Music Publishing LLC (1995–2020) e Sony/ATV Tunes LLC (ASCAP)
versione tradotta di:
Boleto para pasear
3.54:11
10Sweet Sweet Smile
registrazione di:
Sweet, Sweet Smile
autore:
Juice Newton (American pop and country singer, songwriter, and musician) e Otha Young
editore:
Addison Street Music, BMG Gold Songs e Sterling Music Co. (Seperate entry from "The Sterling Music Co.")
3:01
11I Won't Last a Day Without You
registrazione cover di:
I Won’t Last a Day Without You
paroliere:
Paul Williams (US songwriter/soft rock vocalist)
compositore:
Roger Nichols (musician/songwriter)
editore:
Almo Music Corp. (USA, affiliated with ASCAP) e Rondor Music (London) Ltd.
registrazione di:
I Won’t Last a Day Without You
paroliere:
Paul Williams (US songwriter/soft rock vocalist)
compositore:
Roger Nichols (musician/songwriter)
editore:
Almo Music Corp. (USA, affiliated with ASCAP) e Rondor Music (London) Ltd.
3:48
12Now
arpa :
Gayle Levant (American studio musician, harpist)
batteria [drums] :
Ron Tutt (drummer)
chitarra acustica :
Tim May (session/jazz guitarist)
chitarra basso [bass] :
Joe Osborn (American bass guitar player, session musician and songwriter)
corno [english horn] e oboe :
Earl Dumler (multi-instrumentalist)
flauto solista :
Sheridon Stokes (American flautist, composer, and studio musician)
sassofono tenore [tenor sax] :
John Phillips (saxophonist)
tastiera [keyboards] :
Richard Carpenter (The Carpenters)
voce di accompagnamento:
The O.K. Chorale (fictitious choral ensemble)
voce principale:
Karen Carpenter
arrangiatore:
Richard Carpenter (The Carpenters)
registrazione cover di:
Now
paroliere:
Dean Pitchford
compositore:
Roger Nichols (musician/songwriter)
editore:
Almo Music Corp. (USA, affiliated with ASCAP), Body Electric Music, Pitchford Music, Roger Nichols Music Inc. aka Three Eagles Music Div. e Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label)
revisione di:
Heart to Heart
33:52
13For All We Know
assistente tecnico:
Norm Kinney
tecnico:
Dick Bogert (Recording and mixing engineer) e Ray Gerhardt (Recording and mixing engineer)
produttore:
Jack Daugherty (American Multi-instrumentalist and music producer)
batteria :
Hal Blaine (U.S. studio drummer and percussionist)
chitarra basso :
Joe Osborn (American bass guitar player, session musician and songwriter)
oboe :
Earle Dumler (multi-instrumentalist)
tastiera [keyboards] :
Richard Carpenter (The Carpenters)
voce di accompagnamento:
Karen Carpenter e Richard Carpenter (The Carpenters)
voce di accompagnamento e voce principale e voce principale:
Karen Carpenter
arrangiatore e orchestratore:
Richard Carpenter (The Carpenters)
diritti fonografici (℗) detenuti da:
A&M Records, Inc. (nel 1971) e A&M Records, Ltd. (nel 1971)
registrata presso:
A&M Studios in Hollywood, Los Angeles, California, Stati Uniti (dal 1970 al 1971)
registrazione cover di:
For All We Know (Lovers and Other Strangers, 1970) (dal 1970 al 1971)
paroliere:
Arthur James (soft rock singer/songwriter/guitarist) e Robb Wilson
compositore:
Fred Karlin
editore:
MCA Music Ltd. (conclusa), Pamco Music Inc. (conclusa), EMI Al Gallico Music Corp., Songs of Universal, Inc. (BMI) e Universal Music Corp. (USA, affiliated with ASCAP)
parte di:
The 43rd Academy Award for Best Original Song (numero: 1) e Academy Award for Best Original Song (numero: 1970 winner)
registrazione di:
For All We Know (Lovers and Other Strangers, 1970)
paroliere:
Arthur James (soft rock singer/songwriter/guitarist) e Robb Wilson
compositore:
Fred Karlin
editore:
MCA Music Ltd. (conclusa), Pamco Music Inc. (conclusa), EMI Al Gallico Music Corp., Songs of Universal, Inc. (BMI) e Universal Music Corp. (USA, affiliated with ASCAP)
parte di:
The 43rd Academy Award for Best Original Song (numero: 1) e Academy Award for Best Original Song (numero: 1970 winner)
42:36
14Touch Me When We're Dancing
assistente tecnico:
Dave Iveland (Music Engineer)
tecnico:
Roger Young (engineer)
produttore:
Richard Carpenter (The Carpenters)
arpa :
Gayle Levant (American studio musician, harpist)
batteria [drums] :
Larrie Londin
chitarra acustica e chitarra elettrica :
Tim May (session/jazz guitarist) e Tony Peluso (American writer, producer and multi-instrumentalist)
chitarra basso [bass] :
Joe Osborn (American bass guitar player, session musician and songwriter)
oboe :
Earl Dumler (multi-instrumentalist)
percussione :
Paulinho DaCosta (Brazilian percussionist)
sassofono tenore [tenor sax] :
Tom Scott (saxophonist, Blues Brothers, LA Express, Starsky & Hutch)
tastiera [keyboards] :
Richard Carpenter (The Carpenters)
voce di accompagnamento:
Karen Carpenter, Richard Carpenter (The Carpenters) e Carolyn Dennis (American singer)
voce principale:
Karen Carpenter
arrangiatore e orchestratore:
Richard Carpenter (The Carpenters)
primo violino:
Jimmy Getzoff (American concertmaster and violinist)
diritti fonografici (℗) detenuti da:
A&M Records, Inc. (nel 1981)
registrazione cover di:
Touch Me When We’re Dancing
autore:
Ken Bell, Terry Nelson Skinner e J.L. Wallace (US songwriter and guitarist)
editore:
EMI Music Publishing Ltd. (PRS‐affiliated) e PolyGram Music Publishing Ltd.
33:15
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