Now That’s What I Call Music! 39

~ Release by Various Artists (see all versions of this release, 2 available)

Annotation

Label: Virgin/EMI/Polygram

Annotation last modified on 2014-06-29 09:43 UTC.

Tracklist

1▼CD
#TitleArtistRatingLength
1Never Ever
vocals:
Nicole Appleton, Melanie Blatt and Shaznay Lewis
phonographic copyright (℗) by:
London Records Ltd. (not release label) (in 1998)
music videos:
Never Ever (music video) by All Saints
part of:
The Downloader’s Music Source Book (number: 379)
recording of:
Never Ever
writer:
Robert Jazayeri (aka Esmail or Afshin Jazayeri), Shaznay Lewis and Sean Mather (US DJ and producer Sean Mather)
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Rickidy Raw Productions Inc. and STL Songs Ltd.
All Saints3.255:13
2High
producer:
Mike Peden (member of The Chimes)
vocals:
Tunde Baiyewu
recording of:
High
lyricist:
Paul Tucker
composer:
Tunde Baiyewu and Paul Tucker
publisher:
Polygram Music and Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group)
Lighthouse Family34:33
3Together Again
recording of:
Together Again
writer:
René Elizondo Jr., Janet Jackson, James Harris III (James Harris of Jam & Lewis) and Terry Lewis (US hip-hop/soul songwriter, producer & label owner)
publisher:
Black Ice Publ. Comp., EMI April Music Inc. and Flyte Tyme Tunes Inc.
Janet Jackson34:07
4Stop
additional programming:
Mike Higham (British score composer) (on 1998-06-09)
engineer:
Jeremy Wheatley (UK mix engineer, aka Jim Bob)
producer:
Absolute (UK house/garage/production/songwriting team)
assistant mixer:
Paul "P. Dub"
mixer:
Mark “Spike” Stent (producer, engineer)
brass:
Kick Horns (on 1998-06-09)
guitar:
Milton McDonald (on 1998-06-09)
instruments:
Absolute (UK house/garage/production/songwriting team) (on 1998-06-09)
vocals:
Victoria Beckham (née Adams) (on 1998-06-09), Emma Bunton (on 1998-06-09), Melanie C (on 1998-06-09), Geri Halliwell (on 1998-06-09) and Mel B (Mel B) (on 1998-06-09)
recorded at:
Parco Novi Sad in Modena, Modena, Emilia-Romagna, Italy (on 1998-06-09)
live recording of:
Stop (on 1998-06-09)
writer:
Andy Watkins (Absolute, Bristol Baseline Productions, Cortex), Melanie Brown (Mel B), Emma Bunton, Geri Halliwell, Melanie Chisholm, Paul Wilson (member of “Absolute”) and Victoria Beckham (née Adams)
Spice Girls3.853:24
5Torn
producer:
Phil Thornalley
mixer:
Nigel Godrich (English record producer)
lead vocals:
Natalie Imbruglia
phonographic copyright (℗) by:
BMG Entertainment International UK & Ireland Ltd. (for © & ℗ copyright use only; file no releases here!) (from 1997 to present) and Sony Music Entertainment UK Limited (not for release label use! post-2008 subsidiary of Sony Music Entertainment) (in 1997)
part of:
Cachitos Nochevieja 2022 (number: 60) and Billboard: The 500 Best Pop Songs (as of October 2023) (number: 333)
cover recording of:
Torn
lyricist:
Anne Preven
composer:
Scott Cutler, Anne Preven and Phil Thornalley
publisher:
BMG Music Publishing Australia Pty Ltd, BMG Music Publishing Ltd., EMI Music Publishing (do not use as a release label!), EMI Music Publishing Australia Pty. Limited (not for release label use!), EMI Music Publishing Ltd. (PRS‐affiliated), PolyGram Music Publishing Ltd., Universal Music Publishers MGB Australia Pty Ltd and Universal Music Publishing Pty Ltd. (Australian subsidiary of Universal Music Publishing Group)
recording of:
Torn
lyricist:
Anne Preven
composer:
Scott Cutler, Anne Preven and Phil Thornalley
publisher:
BMG Music Publishing Australia Pty Ltd, BMG Music Publishing Ltd., EMI Music Publishing (do not use as a release label!), EMI Music Publishing Australia Pty. Limited (not for release label use!), EMI Music Publishing Ltd. (PRS‐affiliated), PolyGram Music Publishing Ltd., Universal Music Publishers MGB Australia Pty Ltd and Universal Music Publishing Pty Ltd. (Australian subsidiary of Universal Music Publishing Group)
Natalie Imbruglia4.14:01
6Kiss the Rain
vocals:
Billie Myers (UK rock singer‐songwriter)
phonographic copyright (℗) by:
Universal Records Inc. (not for release label use! a division of UMG Recordings, Inc.) (in 1998)
recording of:
Kiss the Rain
writer:
Eric Bazilian, Desmond Child and Billie Myers (UK rock singer‐songwriter)
publisher:
DESMOPHOBIA PolyGram International Publishing, Inc. (in 1997), EMI Blackwood Music (in 1997), Human Boy (in 1997) and WB Music Corp. (1929–2019) (in 1997)
Billie Myers34:08
7Angels
programming:
Steve Power and Mark Smith (UK producer/bassist (Boys Don't Cry/Waterboys))
producer:
Guy Chambers (English songwriter and record producer) and Steve Power
mixer:
Steve Power
bass:
Mark Smith (UK producer/bassist (Boys Don't Cry/Waterboys))
drums (drum set):
Chris Sharrock
guitar:
Andre Barreau, Chester Kamen and Gary Nuttall
keyboard:
Guy Chambers (English songwriter and record producer) and Steve Power
percussion:
Andy Duncan (UK drummer and producer)
background vocals:
Andre Barreau, Gary Nuttall, Nicole Patterson and Robbie Williams
lead vocals:
Robbie Williams
orchestra:
The London Session Orchestra
arranger:
Guy Chambers (English songwriter and record producer)
concertmaster:
Gavyn Wright (UK violinist, conductor)
recorded at:
Matrix Maison Rouge in London (Greater London), England, United Kingdom
mixed at:
Battery Studios (London, owned by Zomba group) in London (Greater London), England, United Kingdom
edit of:
Angels (album version) by Robbie Williams
recording of:
Angels
writer:
Guy Chambers (English songwriter and record producer) and Robbie Williams
publisher:
BMG Music Publishing, EMI Music Publishing (PRS‐affiliated), EMI Songs, EMI Virgin Music Ltd. (do not use this as a release label!) and Kobalt Music Publishing Ltd. (UK)
Robbie Williams33:58
8Perfect Day ’97
executive producer:
Steven Kelynack
producer:
Edel Erickson, Simon Hanhart (engineer, producer), The Music Sculptors and Stephanie Vanider-Hill
soprano saxophone:
Courtney Pine (in 1997)
strings:
Brodsky Quartet (in 1997)
tenor horn / alto horn:
Sheona White (tenor horn player) (in 1997)
choir vocals:
Visual Ministry Choir (VMC Gospel Choir) (in 1997)
vocals:
Sir Thomas Allen (baritone) (in 1997), Brett Anderson (Suede) (in 1997), Laurie Anderson (experimental/art rock musician) (in 1997), Joan Armatrading (in 1997), Bono (singer of U2) (in 1997), David Bowie (English singer‐songwriter) (in 1997), Boyzone (in 1997), Ian Broudie (in 1997), Burning Spear (in 1997), Robert Cray (blues guitarist, singer and songwriter) (in 1997), Evan Dando (in 1997), Dr. John (New Orleans blues pianist, singer and songwriter) (in 1997), Gabrielle (British singer-songwriter) (in 1997), Lesley Garrett (soprano) (in 1997), Emmylou Harris (in 1997), Elton John (English singer, songwriter, pianist, and composer) (in 1997), Tom Jones (Welsh pop singer) (in 1997), Shane MacGowan (in 1997), Huey Morgan (DJ for the BBC) (in 1997), Lou Reed (in 1997), Skye Edwards (Skye Edwards, singer for Morcheeba) (in 1997), Heather Small (in 1997), Suzanne Vega (American singer-songwriter) (in 1997) and Tammy Wynette (in 1997)
orchestra:
BBC Symphony Orchestra (in 1997)
conductor:
Sir Andrew Davis (conductor, keyboardist, composer, arranger) (in 1997)
phonographic copyright (℗) by:
Chrysalis Records Ltd. (not for release label use! company behind the Chrysalis imprint) (in 1997)
recorded at:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, United Kingdom (in 1997), Doppler Studios in Atlanta, Georgia, United States (in 1997), Electric Lady in Greenwich Village, New York, New York, United States (in 1997), Maida Vale Studios in Paddington, Westminster, London (Greater London), England, United Kingdom (in 1997), Master Rock Studios in Kilburn, Brent (London Borough of Brent), London (Greater London), England, United Kingdom (in 1997), Metropolis Studios (London) in London (Greater London), England, United Kingdom (in 1997), The Church Studios in London (Greater London), England, United Kingdom (in 1997), The Roof in New York, New York, United States (in 1997), Townhouse Studios in Shepherd's Bush, Hammersmith and Fulham, London (Greater London), England, United Kingdom (in 1997) and Whitfield Street Studios (operating under this name only since 2004, see annotation for history) in London (Greater London), England, United Kingdom (in 1997)
recording of:
Perfect Day (in 1997)
lyricist and composer:
Lou Reed
publisher:
EMI Music Ltd., Oakfield Avenue Music, Oakfield Avenue Music Ltd. and Screen Gems–EMI Music Ltd.
Lou Reed, Bono, Skye Edwards, David Bowie, Suzanne Vega, Elton John, Andrew Davis, Boyzone, Lesley Garrett, Burning Spear, Thomas Allen, Brodsky Quartet, Heather Small, Emmylou Harris, Tammy Wynette, Shane MacGowan, Sheona White, Dr. John, Robert Cray, Huey, Ian Broudie, Gabrielle, Evan Dando, Courtney Pine, BBC Symphony Orchestra, Brett Anderson, Visual Ministry Choir, Joan Armatrading, Laurie Anderson & Tom Jones43:45
9Baby Can I Hold You
programming:
Stephen Lipson and James McMillan (trumpeter and engineer)
producer:
Stephen Lipson
mixer:
Heff Moraes
drums (drum set) [drums]:
Andy Duncan (UK drummer and producer)
guitar [guitars]:
Calum McColl and Dominic Miller (guitarist)
mandolin [mandolins]:
Stephen Lipson
background vocals [backing vocals]:
Andy Caine
lead vocals:
Ronan Keating
vocals:
Keith Duffy (Member of Boyzone), Stephen Gately, Mikey Graham and Shane Lynch
orchestrator:
Nick Ingham
concertmaster:
Gavyn Wright (UK violinist, conductor)
phonographic copyright (℗) by:
Polygram Ireland Ltd. (in 1997)
recorded at:
Landsdowne Studios
cover recording of:
Baby Can I Hold You
lyricist and composer:
Tracy Chapman (American singer‐songwriter)
publisher:
EMI Songs Ltd., Kobalt Music Publishing Ltd. (UK), Purple Rabbit Music, Sony Music Publishing (Japan) Inc. (song publisher, never a release label) and ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label)
Boyzone23:15
10Here’s Where the Story Ends
guest vocals:
Shelley Nelson
phonographic copyright (℗) by:
Virgin Records Ltd. (not for release label use! for company relationships only) (in 1998)
recording of:
Here’s Where the Story Ends
writer:
David Gavurin and Harriet Wheeler
publisher:
Warner Chappell Music Ltd. (no slash; used 1988–1996)
Tin Tin Out feat. Shelley Nelson2.54:03
11The Ballad of Tom Jones
assistant engineer:
Dave Buchanan and Andrea Wright
engineer and mixer:
Jeremy Wheatley (UK mix engineer, aka Jim Bob)
producer:
Space (alternative dance/indie rock band) and Jeremy Wheatley (UK mix engineer, aka Jim Bob)
additional guest lead vocals and guest lead vocals:
Cerys Matthews (lead singer, Catatonia)
performer:
Space (alternative dance/indie rock band)
phonographic copyright (℗) by:
Gut Records (from 1997 to present) and Gut Records Ltd. (company credits only; do NOT use as release label) (in 1998)
recorded at and mixed at:
Parr Street Studio's in Liverpool, Merseyside, England, United Kingdom
recording of:
The Ballad of Tom Jones
writer:
Tommy Scott (Frontman of UK band Space) and Space (alternative dance/indie rock band)
publisher:
Gut Music and Hit & Run Publishing Ltd.
Space feat. Cerys Matthews2.354:10
12Insane
recording of:
Insane
composer:
Johnny McElhone and Sharleen Spiteri
Texas2.54:38
13Weird
recording of:
Weird
writer:
Desmond Child, Isaac Hanson, Taylor Hanson and Zachary Hanson
Hanson2.53:51
14How Do I Live
producer:
Mike Curb, Chuck Howard (american A&R executive, record and movie producer) and Wilbur C. Rimes
recording of:
How Do I Live
lyricist and composer:
Diane Warren (US songwriter)
publisher:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label), ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division) and Realsongs (from 1997 to present)
part of:
The 70th Academy Award for Best Original Song (number: 2)
LeAnn Rimes34:08
15You’re Still the One
additional programming:
Bjorn Thornsrud
assistant programming:
Jay Alvarez and James Somberg
programming and editor:
Olle Romo (Swedish music producer, songwriter, and drummer)
producer:
Robert John “Mutt” Lange (Robert John Lange)
mixer:
Mike Shipley (audio engineer, mixer, producer)
phonographic copyright (℗) by:
Mercury Records (or just “Mercury”; a UMG imprint, do not use it for ©/℗ credits) and Mercury Records (the holding company; for use as ℗&© credits only!) (in 2022)
recording of:
You’re Still the One
writer:
Eilleen Shania Lange and Robert John Lange
publisher:
Loon Echo, Inc., Out-of-Pocket Productions Ltd. and PolyGram International, Inc. (renamed Universal PolyGram International Publishing, Inc. circa 1998)
Shania Twain3.653:33
16Tomorrow Never Dies
recording of:
Tomorrow Never Dies
writer:
Sheryl Crow (American singer-songwriter and musician) and Mitchell Froom
publisher:
BMG Music and Warner Chappell Ltd.
part of:
James Bond themes
Sheryl Crow24:22
17No Surprises
recorded in:
United Kingdom (from 1996-07 until 1997-03)
recording engineer and producer:
Nigel Godrich (English record producer) and Radiohead
programming:
Thom Yorke
assistant engineer:
Jon Bailey (engineer), Gerard Navarro (engineer) and Chris Scard
mixer and editor:
Nigel Godrich (English record producer)
bass guitar and bass synthesizer:
Colin Greenwood (English bassist in Radiohead) (from 1996-07 until 1997-03)
drums (drum set):
Philip Selway (drummer in Radiohead) (from 1996-07 until 1997-03)
effects and background vocals:
Ed O’Brien (guitarist & songwriter in Radiohead) (from 1996-07 until 1997-03)
glockenspiel, keyboard, mellotron and organ:
Jonny Greenwood (English musician and score composer) (from 1996-07 until 1997-03)
guitar:
Jonny Greenwood (English musician and score composer) (from 1996-07 until 1997-03), Ed O’Brien (guitarist & songwriter in Radiohead) (from 1996-07 until 1997-03) and Thom Yorke (from 1996-07 until 1997-03)
percussion:
Colin Greenwood (English bassist in Radiohead) (from 1996-07 until 1997-03), Ed O’Brien (guitarist & songwriter in Radiohead) (from 1996-07 until 1997-03) and Philip Selway (drummer in Radiohead) (from 1996-07 until 1997-03)
piano:
Jonny Greenwood (English musician and score composer) (from 1996-07 until 1997-03) and Thom Yorke (from 1996-07 until 1997-03)
vocals:
Thom Yorke (from 1996-07 until 1997-03)
conductor:
Nick Ingman (from 1996-07 until 1997-03)
strings arranger:
Radiohead
phonographic copyright (℗) by:
XL Recordings Ltd. (not for release label use! use its imprint XL Recordings instead) (in 2017)
music videos:
No Surprises by Radiohead
part of:
Indie 88: Top 500 Indie Rock Songs (number: 184)
recording of:
No Surprises (from 1996-07 until 1997-03)
writer:
Colin Greenwood (English bassist in Radiohead), Jonny Greenwood (English musician and score composer), Ed O’Brien (guitarist & songwriter in Radiohead), Philip Selway (drummer in Radiohead) and Thom Yorke
publisher:
Warner/Chappell Music Ltd. (1996–2019)
sub-publisher:
香港商華納音樂出版有限公司台灣分公司 (Warner Chappell Music, Hong Kong Limited Taiwan Branch)
Radiohead4.053:49
18Lucky Man
recording engineer:
Chris Potter (UK producer/mixer, Z Management, worked with The Verve and Richard Ashcroft)
additional producer and additional mixer:
Chris Potter (UK producer/mixer, Z Management, worked with The Verve and Richard Ashcroft)
producer:
The Verve and Youth (producer/bassist Martin Glover)
recording of:
Lucky Man
lyricist and composer:
Richard Ashcroft
The Verve3.854:54
19This Is Hardcore
programming:
Matthew Vaughan (UK producer)
assistant engineer:
Lorraine Francis
engineer:
Pete Lewis (engineer)
producer:
Chris Thomas (UK record producer / remixer)
remixer:
Stock, Hausen & Walkman
remix of:
This Is Hardcore (original version) by Pulp
recording of:
This Is Hardcore
lyricist:
Jarvis Cocker
composer:
Nick Banks, Jarvis Cocker, Candida Doyle, Steve Mackey (producer; Pulp bassist) and Mark Andrew Webber (Guitarist with Pulp)
premiered at:
La Monte Young Benefit (1997-10-31)
Pulp25:14
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