| # | Title | Artist | Rating | Length |
|---|
| 1 | Am Tag als Conny Kramer starb | Juliane Werding | 4 | 3:27 |
| 2 | Sag mir wo die Blumen sind | Marlene Dietrich | | 3:39 |
| 3 | The Sound of Silence (single version/clean version) | Simon & Garfunkel | 4.55 | 3:07 |
| 4 | I’d Love You to Want Me (LP version) | Lobo | 2.5 | 4:03 |
| 5 | (Sittin’ on) The Dock of the Bay (LP version)- producer:
- Jerry Bruckheimer, Steve Cropper and Don Simpson
- bass guitar:
- Donald “Duck” Dunn (from 1967-11-22 until 1967-12-07)
- drums (drum set):
- Al Jackson, Jr. (from 1967-11-22 until 1967-12-07)
- guitar:
- Steve Cropper (from 1967-11-22 until 1967-12-07)
- keyboard:
- Isaac Hayes (from 1967-11-22 until 1967-12-07) and Booker T. Jones (from 1967-11-22 until 1967-12-07)
- trumpet:
- Wayne Jackson (from 1967-11-22 until 1967-12-07)
- vocals:
- Otis Redding (from 1967-11-22 until 1967-12-07)
- whistling:
- Otis Redding (from 1967-11-22 until 1967-12-07)
- phonographic copyright (℗) by:
- WEA International Inc. and Atlantic Recording Corporation (in 1968)
- part of:
- Rock and Roll Hall of Fame – 500 Songs That Shaped Rock, Rolling Stone: 500 Greatest Songs of All Time (number: 26), Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 38), Billboard: The 500 Best Pop Songs (number: 44) and Helsingin Sanomat: 100 maailman parasta laulua (number: 45)
- recording of:
- (Sittin’ on) the Dock of the Bay (from 1967-11-22 until 1967-12-07)
- writer:
- Steve Cropper and Otis Redding
- publisher:
- East Publishing Inc., East/Memphis Music Corp., Irving Music , Irving Music, Inc., Rondor Music (Australia), Universal Music Publishing, Synch Division, Warner Bros. , Warner Bros. Music Ltd. , Warner Chappell Music , Warner/Chappell Music Japan, Synch division , Yamaha Music EH(CM) and Yamaha Music Entertainment Holdings, Inc.
- recording of:
- (Sittin’ on) The Dock of the Bay
- composer:
- Steve Cropper and Otis Redding
- arranger:
- Oliver Lake
- arrangement of:
- (Sittin’ on) the Dock of the Bay
| Otis Redding | 4.45 | 2:43 |
| 6 | Mellow Yellow (album version/clean version) | Donovan | 4 | 3:39 |
| 7 | Little Man (LP/single version) | Sonny & Cher | | 3:19 |
| 8 | Ain’t She Sweet (mono) | The Beatles | | 2:13 |
| 9 | California Dreamin’- engineer:
- Bones Howe
- producer:
- Lou Adler
- guitar:
- P.F. Sloan (in 1965)
- solo alto flute:
- Bud Shank (in 1965)
- phonographic copyright (℗) by:
- Geffen Records and Dunhill Records (in 1966)
- recorded at:
- Western Recorders in Los Angeles, California, United States (in 1965)
- part of:
- Billboard: The 500 Best Pop Songs (number: 52), Rolling Stone: 500 Greatest Songs of All Time (number: 89) and Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 420)
- recording of:
- California Dreamin’ (in 1965)
- writer:
- John Phillips and Michelle Phillips
- publisher:
- American Broadcasting Music, Inc., MCA Music Publishing , Richt & Slezak OHG, Trousdale Music, Trousdale Music Publishers, Inc., Universal Music Corp. and Universal/MCA Music Publishing GmbH
- sub-publisher:
- シンコーミュージック・エンタテイメント and ユニバーサル・ミュージック・パブリッシング Synch事業部
| The Mamas & the Papas | 4.35 | 2:39 |
| 10 | Son of a Preacher Man | Dusty Springfield | 4.45 | 2:26 |
| 11 | Morning of My Life- arranger:
- Phil Dennys
- phonographic copyright (℗) by:
- Phonogram GmbH (in 1967), Phonogram International B.V. (in 1967), Phonogram, Inc. (in 1967), PolyGram Records, Inc. (New York) (in 1967), Philips (from 1967 until 1968) and Phonogram (in 1979)
- cover recording of:
- In the Morning (in 1967)
- lyricist and composer:
- Barry Gibb (in 1965)
- publisher:
- Bramsdene Music Corporation, Campbell Connelly, Campbell Connelly & Co. Ltd., Careers–BMG Music Publishing, Inc., Connelly Musikverlag, Gibb Brothers Music, Norman Whiteley Ltd., Penjane Music (Australia) Pty. Limited and Plymouth Music Co., Inc.
| Esther & Abi Ofarim | 4 | 3:30 |
| 12 | It Never Rains in Southern California | Albert Hammond | 3.8 | 3:53 |
| 13 | Easy Rider (Let the Wind Pay the Way) (LP version) | Iron Butterfly | 5 | 3:09 |
| 14 | Long Train Runnin’ (album version)- engineer:
- Donn Landee
- producer:
- Ted Templeman
- congas, cymbal and timbales:
- Michael Hossack
- guest synthesizer:
- Malcolm Cecil and Robert Margouleff
- guitar:
- Jeff “Skunk” Baxter, Tom Johnston and Patrick Simmons
- harmonica:
- Tom Johnston
- keyboard, organ and piano:
- Bill Payne
- membranophone:
- John Hartman and Michael Hossack
- percussion:
- John Hartman and Ted Templeman
- steel guitar:
- Jeff “Skunk” Baxter
- synthesizer:
- Tom Johnston and Patrick Simmons
- vocals:
- John Hartman , Tom Johnston , Tiran Porter and Patrick Simmons
- bass arranger:
- Tiran Porter
- strings arranger:
- Nick de Caro
- phonographic copyright (℗) by:
- Warner Bros. Records Inc. (, in 1973) and WEA International Inc. (in 1973)
- recorded at:
- Warner Brothers Studios, North Hollywood in Hollywood, Los Angeles, California, United States
- recording of:
- Long Train Runnin’
- lyricist and composer:
- Tom Johnston
- publisher:
- Warner–Tamerlane Publishing Corp. , Warner Bros. Music (in 1982) and Warner Chappell Music (in 1991)
- sub-publisher:
- ヤマハミュージックエンタテインメントホールディングス and ワーナー・チャペル音楽出版 Synch事業部
| The Doobie Brothers | 4 | 3:27 |
| 15 | For What It’s Worth (LP version) | Buffalo Springfield | 4.25 | 2:40 |
| 16 | Good Lovin’ (single version) | The Young Rascals | 4 | 2:30 |
| 17 | Alone Again Or (LP version) | Love | 4.2 | 3:16 |
| 18 | Keep On Running | The Spencer Davis Group | 4 | 2:44 |
| 19 | With a Girl Like You | The Troggs | 4.4 | 2:08 |
| 20 | Daydream Believer (LP version) | The Monkees | 4.65 | 2:56 |
| 21 | My Sweet Lord | Tony Christie | | 4:05 |