Feel Good Songs

~ Pubblicazione di Various Artists (visualizza tutte le versioni di questa pubblicazione: 1 disponibile)

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1Under the Boardwalk
registrata a:
New York, New York, Stati Uniti (il 1964-05-21)
produttore:
Bert Berns e Mike Leander
archi [nine strings] :
[unknown] ([sconosciuto], Special Purpose Artist – Do not add releases here, if possible.) (il 1964-05-21)
batteria [drums] :
Gary Chester (studio drummer and educator) (il 1964-05-21)
chitarra :
Everett Barksdale (il 1964-05-21), Bill Suyker (il 1964-05-21), Billy Davis (US guitarist & songwriter; member/manager of The Drifters) (il 1964-05-21) e Bob Bushnell (il 1964-05-21)
contrabbasso [bass] :
Milt Hinton (il 1964-05-21)
pianoforte :
Ernie Hayes (American pianist, organist and arranger) (il 1964-05-21)
vibrafono [vibes] :
George Devens (il 1964-05-21)
voce di baritono:
Gene Pearson (vocals, Drifters) (il 1964-05-21)
voce di basso:
Winifred Terry (il 1964-05-21)
voce di tenore:
Charlie Thomas (The Drifters) (il 1964-05-21)
voce principale:
Johnny Moore (soul/rnb vocalist for The Drifters) (il 1964-05-21)
direttore d'orchestra:
Gary Sherman (mid-20th century composer, arranger & conductor) (il 1964-05-21)
arrangiatore:
Gary Sherman (mid-20th century composer, arranger & conductor) e Teacho Wiltshire
diritti fonografici (℗) detenuti da:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (nel 1988) e WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (nel 1998)
parte di:
Dave Marsh: The Best of the Top 40 Singles: 1964 (recordings) (numero: 6), Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 304) e Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 487)
registrazione di:
Under the Boardwalk (il 1964-05-21)
autore:
Arthur Resnick (songwriter, producer) e Kenny Young
editore:
Alley Music Corp., Intersong (publisher), TM Music Ltd. e Trio Music Company
The Drifters4.352:41
2I Got You (I Feel Good)
registrata a:
Miami, Florida, Stati Uniti (il 1965-05-06)
produttore:
James Brown (The Godfather of Soul)
basso :
Bernard Odum (il 1965-05-06)
batteria :
Melvin Parker (il 1965-05-06)
chitarra :
Alphonso "Country" Kellum (il 1965-05-06) e Jimmy Nolen (il 1965-05-06)
organo :
Nat Jones (Saxophonist and organist, worked with James Brown) (il 1965-05-06)
sassofono contralto :
Nat Jones (Saxophonist and organist, worked with James Brown) (il 1965-05-06) e Maceo Parker (US funk/jazz saxophonist) (il 1965-05-06)
sassofono tenore :
Al "Brisco" Clark (il 1965-05-06), St. Clair Pinckney (il 1965-05-06) e Eldee Williams (il 1965-05-06)
tromba :
Joe Dupars (il 1965-05-06), Mike Ridley (il 1965-05-06) e Ron Tooley (American trumpeter) (il 1965-05-06)
trombone :
Levi Rasbury (il 1965-05-06)
voce principale:
James Brown (The Godfather of Soul) (il 1965-05-06)
diritti fonografici (℗) detenuti da:
PolyGram Records, Inc. (not for release label use! US division of PolyGram) (nel 1965), Universal Records Inc. (not for release label use! a division of UMG Recordings, Inc.) (nel 1965) e PolyGram Inc. (1978–1990) (nel 1988)
registrata presso:
Criteria Studios in Miami, Florida, Stati Uniti (il 1965-05-06)
parte di:
Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 78) e Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 359)
registrazione cover di:
I Found You (a.k.a. I Got You (I Feel Good)) (il 1965-05-06)
paroliere e compositore:
James Brown (The Godfather of Soul)
editore:
Fort Knox Music Co, Hudson Bay Music Inc., J. Albert & Son Pty. Ltd., Peter Maurice Music Co. Ltd., Trio Music Co., Inc. e Try Me Inc.
James Brown4.552:46
3I Get the Sweetest Feeling
diritti fonografici (℗) detenuti da:
Brunswick Recordings (nel 1968)
registrazione di:
I Get the Sweetest Feeling (nel 1968)
autore:
Alicia Evelyn (songwriter and performer) e Van McCoy
editore:
Alley Music, TM Music Ltd., Trio Music (publisher) e Van McCoy Music
Jackie Wilson4.52:53
4I Can Make You Feel Good
registrazione di:
I Can Make You Feel Good
autore:
Howard Hewett, Renwick Jackson e William Shelby
Shalamar3:38
5Let’s Groove
registrazione di:
Let’s Groove
autore:
Wayne Vaughn e Maurice White (Earth, Wind & Fire)
editore:
Campbell Connelly, EMI Songs, EMI Songs Australia Pty. Ltd. e EMI Songs Ltd.
Earth, Wind & Fire43:31
6Dancing in the Moonlight
registrazione cover di:
Dancing in the Moonlight
paroliere e compositore:
Sherman Kelly
editore:
EMI U Catalog Inc. (publisher; do NOT use as release label), EMI United Partnership Ltd., St. Nathanson Music Ltd., フジパシフィックミュージック SBK事業部 (Fujipacific Music SBK Department) e ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label)
Toploader43:28
7Spinning Around
produttore:
Mike Spencer (UK producer)
produttore aggiunto:
7th District Inc.
voce principale:
Kylie Minogue
remixer:
7th District Inc.
diritti fonografici (℗) detenuti da:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (nel 2000)
video musicali:
Spinning Around di Kylie Minogue
registrazione di:
Spinning Around
autore:
Paula Abdul (American singer), Osborne Bingham, Kara DioGuardi e Ira Schickman
editore:
EMI Music Publishing (do not use as a release label!) e K’Stuff Publishing
Kylie Minogue33:26
8Groovejet (If This Ain’t Love)
tecnico:
Gabriel Covacich
co-produttore:
Cristiano Spiller (Italian DJ Cristiano Spiller, known for "Groovejet") e Boris Dlugosch
voce di accompagnamento:
Sharon Scott (UK acid jazz singer)
voce principale ospite:
Sophie Ellis‐Bextor
diritti fonografici (℗) detenuti da:
Spiller (Italian DJ Cristiano Spiller, known for "Groovejet") (dal 2000 a oggi) e Cristiano Spiller (Italian DJ Cristiano Spiller, known for "Groovejet") (nel 2000)
è stato co-produttore per:
F&G Management UK
campionamenti:
Love Is You di Carol Williams (US disco musician) e Love Is You (original mix) di Carol Williams (US disco musician)
registrazione di:
Groovejet (If This Ain’t Love)
paroliere:
Sophie Ellis‐Bextor
compositore:
Cristiano Spiller (Italian DJ Cristiano Spiller, known for "Groovejet") e Rob Davis (songwriter/producer was in Mud)
editore:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Lucky Three Music Publishing, Rondor Music e Universal Music (plain logo: “Universal Music”)
si basa su:
Love Is You
versione di:
Groovejet
Spiller33:47
9Rhythm Is a Dancer
produttore:
Benito Benites, John “Virgo” Garrett III e Snap! (Eurodance)
diritti fonografici (℗) detenuti da:
Ariola (German label, used worldwide in the past) (nel 1992) e Logic Records (Germany) (nel 1992)
registrazione di:
Rhythm Is a Dancer
autore:
Thea Austin, Benito Benites, Butler e John “Virgo” Garrett III
si basa su:
Automan
Snap!3.853:41
10Sun Is Shining
remixer:
Funkstar De Luxe (nel 1999)
diritti fonografici (℗) detenuti da:
Trojan Recordings Ltd. (nel 1999)
video musicali:
Sun Is Shining di Bob Marley (Jamaican reggae artist) vs. Funkstar De Luxe
registrazione di:
Sun Is Shining (original version)
paroliere e compositore:
Lee “Scratch” Perry (aka The Upsetter)
editore:
Blue Mountain Music, Blue Mountain Music Ltd., Bob Marley Music e Bronjo Music
Bob Marley vs. Funkstar De Luxe3.653:53
11Who Let the Dogs Out
programmazione e tecnico di missaggio:
Michael Mangini (Not to be confused with the drummer who has the same name. He's a producer, songwriter and engineer)
programmazione degli strumenti:
The Magician (worked with Baha Men)
assistente tecnico:
Juan Rosario (engineer)
tecnico:
Luis Diaz (part of the producer duo "The Diaz Brothers")
produttore:
Steve Greenberg (Record producer) e Michael Mangini (Not to be confused with the drummer who has the same name. He's a producer, songwriter and engineer)
batteria [set drums] :
Colyn Grant
campanaccio :
Pat Carey, Colyn Grant, Herschel Small e Isaiah Taylor
chitarra :
Pat Carey
chitarra basso [bass] :
Isaiah Taylor
membranofono [goat skin drum] :
Anthony Flowers, Colyn Grant e Isaiah Taylor
percussione :
Anthony (Monks) Flowers
altra voce [rap]:
Marvin Prosper
voce di accompagnamento:
Chea, Steve Greenberg (Record producer), Herschel, Marvin, Moe, Monks, Pat e Monty Taylor
voce principale:
Rick Carey
diritti fonografici (℗) detenuti da:
Edel Records (multinational, ERE suffix) (nel 2000) e S‐Curve Records (nel 2000)
registrata presso:
Circle House Studios in North Miami, Florida, Stati Uniti e Mojo Music in New York, New York, Stati Uniti
video musicali:
Who Let The Dogs Out (original music video) di Baha Men
parte di:
Grammy Award: Best Dance/Electronic Recording nominees (numero: 2001 winner)
registrazione cover di:
Who Let the Dogs Out?
autore:
Anslem Douglas, Osbert Gurley e Marvin Prosper
editore:
BMG Platinum Songs US, Desmoné Music, Full Wingspan Music, Hyckryck Publishing Inc, Wyz Girl Entertainment Consulting LLC, フジパシフィック音楽出版 BMG事業部 (fino al 2014-12-31) e フジパシフィックミュージック BMG事業部 (Fujipacific Music Inc., BMG Division) (dal 2015-01-01 a oggi)
Baha Men2.253:18
12U Can’t Touch This
co-produttore:
James Earley e Felton Pilot (American singer, songwriter, multi-instrumentalist and record producer)
produttore:
MC Hammer
tecnico di missaggio:
James Earley, Felton Pilot (American singer, songwriter, multi-instrumentalist and record producer) e MC Hammer
diritti fonografici (℗) detenuti da:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (nel 1990)
campionamenti:
Super Freak di Rick James (US vocalist, multi‐instrumentalist, composer & producer)
registrazione di:
U Can’t Touch This
autore:
Rick James (US vocalist, multi‐instrumentalist, composer & producer), Alonzo Miller (Singer-songwriter, producer) e Stanley Kirk Burrell
editore:
Bust‐It Publishing, EMI Music Publishing (do not use as a release label!), EMI Songs, Jobete Music Co., Inc., Mushroom Music (Mushroom label’s publishing company), Stone City Music e Stone Diamond Music Corporation
si basa su:
Super Freak
MC Hammer4.14:14
13That’s the Way (I Like It)
diritti fonografici (℗) detenuti da:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (nel 1975, nel 1976) e T.K. Records (Miami‐based disco label) (nel 1975)
edit di:
That’s the Way (I Like It) di KC and the Sunshine Band (US funk, R&B & disco band)
registrazione di:
That’s the Way (I Like It)
autore:
Harry Wayne Casey e Richard Finch
editore:
EMI Longitude Music, EMI Music (do not use as release label! this is a music publisher), EMI Music Publishing Australia Pty Ltd (not for release label use!) e Mushroom Music (Mushroom label’s publishing company)
KC and the Sunshine Band4.33:01
14You to Me Are Everything
produttore:
Ken Gold
diritti fonografici (℗) detenuti da:
Pye Records (nel 1976) e Sanctuary Records Group Ltd. (not for release label use, for copyrights use only) (nel 1976)
registrazione di:
You to Me Are Everything
autore:
Michael Denne e Ken Gold
editore:
EMI Music Publishing Ltd. (PRS‐affiliated) e Screen Gems–EMI Music Ltd.
The Real Thing3.653:23
15Be Young Be Foolish and Be Happy
The Tams2:05
16Sunday Girl
assistente tecnico:
Grey Russell e Peter Coleman (British engineer & producer)
tecnico:
Peter Coleman (British engineer & producer)
assistente produttore:
Peter Coleman (British engineer & producer)
produttore:
Mike Chapman (Australian producer and songwriter)
batteria :
Clem Burke (dal 1978-06 al 1978-07)
chitarra :
Frank Infante (dal 1978-06 al 1978-07) e Chris Stein (dal 1978-06 al 1978-07)
chitarra basso :
Nigel Harrison (dal 1978-06 al 1978-07)
tastiera :
Jimmy Destri (dal 1978-06 al 1978-07)
voce principale:
Deborah Harry (dal 1978-06 al 1978-07)
diritti fonografici (℗) detenuti da:
Capitol Records, LLC (not for release label use! fka Capitol Records, Inc. until 2007), Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (nel 1978, nel 2001), Chrysalis Records (don’t use as an imprint; please use “Chrysalis” instead) (nel 1978, nel 1979), Chrysalis Records Ltd. (not for release label use! company behind the Chrysalis imprint) (nel 1978), Chrysalis Records, Inc. (not for release label use!) (nel 1978, nel 2001) e Capitol Records (imprint of Capitol Records, Inc.) (nel 2001)
registrata presso:
The Record Plant (New York) in Midtown Manhattan, New York, New York, Stati Uniti (dal 1978-06 al 1978-07)
mixata presso:
Forum Studio (recording and mixing studio, located in Covington, Kentucky, USA) in Covington, Kentucky, Stati Uniti
registrazione di:
Sunday Girl (dal 1978-06 al 1978-07)
paroliere e compositore:
Chris Stein
editore:
Chrysalis Music (music publisher, ASCAP-affiliated) (conclusa), Monster Island Music Publishing Corporation (conclusa), BMG Monarch, Chrysalis Music Ltd. (music publisher, affiliated with PRS), EMI Music Publishing Ltd. (PRS‐affiliated) e Rare Blue Music Inc (nel 1978)
Blondie3.83:09
17Wired for Sound
produttore:
Alan Tarney
voce:
Cliff Richard
registrazione di:
Wired for Sound
paroliere e compositore:
B.A. Robertson e Alan Tarney
editore:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships) e Warner Chappell Music (publisher as Warner/Chappell Music)
Cliff Richard53:37
18One and Only
produttore:
Nik Kershaw e Alan Shacklock
voce:
Chesney Hawkes (British pop singer, songwriter, and occasional actor)
registrata presso:
Abbey Road in St John's Wood, Westminster, London (Greater London), England, Regno Unito
video musicali:
The One and Only (first version, Buddy's Song) di Chesney Hawkes (British pop singer, songwriter, and occasional actor)
registrazione di:
The One and Only
paroliere e compositore:
Nik Kershaw
Chesney Hawkes2.53:40
19I’m Gonna Be (500 Miles)
tecnico:
Barry Hammond
produttore:
Pete Wingfield (keyboardist, singer, producer, songwriter)
batteria :
Paul Robinson (UK drummer, also Turning Point member)
chitarra acustica :
Jerry Donahue e Charlie Reid
chitarra basso :
Phil Cranham
chitarra elettrica :
Jerry Donahue
chitarra steel :
Gerry Hogan
fisarmonica :
Dave Whetstone
mandolino e tin whistle :
Stuart Nisbet
tastiera :
Pete Wingfield (keyboardist, singer, producer, songwriter)
violino folk :
Steve Shaw (Steve Brennan)
voce:
Charlie Reid e Craig Reid
diritti fonografici (℗) detenuti da:
Chrysalis Records Ltd. (not for release label use! company behind the Chrysalis imprint) (nel 1988) e Chrysalis Records, Inc. (not for release label use!) (nel 1988)
registrata presso e mixata presso:
Chipping Norton Recording Studios in Chipping Norton, Oxfordshire, England, Regno Unito
parte di:
Paste: The 50 Greatest NON One-Hit Wonders of All Time (numero: 21)
registrazione di:
I’m Gonna Be (500 Miles)
autore:
Charlie Reid e Craig Reid
editore:
Warner Bros. Music Ltd. (UK subsidiary, so named between 1970/01/23–1971/04/26 and 1972/04/25–1988/08/23) e Warner/Chappell Music Ltd. (1996–2019)
The Proclaimers43:34
20Tubthumping
tecnico:
Neil Ferguson (Chumbawamba)
produttore:
Chumbawamba
diritti fonografici (℗) detenuti da:
Chumbawamba (nel 1997)
diritti fonografici (℗) detenuti da:
EMI Electrola GmbH & Co KG (not for release label use! DE subsidiary of EMI Records from 1972–2002) (nel 1997)
registrata presso:
Woodlands Studio in Castleford, Wakefield, West Yorkshire, England, Regno Unito (nel 1997-02)
mixata presso:
Woodlands Studio in Castleford, Wakefield, West Yorkshire, England, Regno Unito (nel 1997-09)
edit di:
Tubthumping (album version) di Chumbawamba
parte di:
Paste: The 50 Greatest NON One-Hit Wonders of All Time (numero: 23)
registrazione di:
Tubthumping (nel 1997-02)
editore:
Chumbawamba (nel 1997)
autore:
Jude Abbott, Dunstan Bruce, Paul Greco (former bassist of British band Chumbawamba), Harry “Daz” Hamer, Danbert Nobacon, Alice Nutter, Lou Watts (member of Chumbawamba) e Boff Whalley
editore:
EMI Music Publishing Australia Pty Ltd (not for release label use!), EMI Music Publishing Ltd. (PRS‐affiliated) e Leosong (publisher) (nel 1997)
Chumbawamba3.653:32
219 to 5
produttore:
Gregg Perry (American producer, arranger, songwriter and keyboardist)
batteria :
Richard Schlosser (drummer) (nel 1980)
chitarra :
Jeff Baxter (nel 1980) e Martin K. Walsh (nel 1980)
chitarra basso :
Abraham Laboriel (nel 1980)
percussione :
Leonard Castro (nel 1980)
pianoforte :
Larry Knechtel (nel 1980)
sassofono :
Tom Saviano (nel 1980)
sassofono baritono :
Kim S. Hutchcroft (nel 1980)
tromba :
Jerry Hey (nel 1980)
trombone :
William Reichenbach (jazz trombonist) (nel 1980)
voce:
Dolly Parton (nel 1980)
voce di accompagnamento:
Anita Ball (nel 1980), Denise Maynelli (nel 1980) e Stephanie Spruill (American soul/disco singer, songwriter, and percussionist) (nel 1980)
diritti fonografici (℗) detenuti da:
BMG Entertainment (nel 1980) e Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (nel 1980)
parte di:
Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 191)
registrazione di:
9 to 5 (nel 1980)
paroliere e compositore:
Dolly Parton
editore:
Carlin Music Corporation, Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Dunbar Music Canada Ltd. (Canadian publisher), Fox Fanfare Music, Screen Gems–EMI Music e Velvet Apple Music
parte di:
The 53rd Academy Award for Best Original Song (numero: 2) e Academy Award for Best Original Song (numero: 1980 nominee)
Dolly Parton4.052:44
22Never Let Her Slip Away
assistente tecnico:
George Ybara
tecnico:
Dennis Kirk e Greg Ladanyi
produttore:
Andrew Gold e Brock Walsh (singer, producer, songwriter)
percussione :
Andrew Gold (nel 1978) e Brock Walsh (singer, producer, songwriter) (nel 1978)
sassofono :
Ernie Watts (Ernest James Watts, jazz and blues saxophonist) (nel 1978)
sintetizzatore :
Andrew Gold (nel 1978)
voce di accompagnamento:
Andrew Gold (nel 1978), John David Souther (nel 1978) e Brock Walsh (singer, producer, songwriter) (nel 1978)
diritti fonografici (℗) detenuti da:
Elektra/Asylum Records (not for release label use! copyrights holder, distributor within the US) (nel 1978)
registrata presso e mixata presso:
Sound Factory (1969–1980) in Los Angeles, California, Stati Uniti (nel 1978)
registrazione di:
Never Let Her Slip Away (nel 1978)
paroliere e compositore:
Andrew Gold
editore:
Luckyu Music
Andrew Gold53:25
23Don’t Worry Be Happy
produttore:
Linda Goldstein
diritti fonografici (℗) detenuti da:
EMI USA (renamed EMI Records USA in the beginning of the 1990s) (nel 1988) e EMI–Manhattan Records (company credits only; do NOT use as release label) (nel 1988)
video musicali:
Don’t Worry, Be Happy di Bobby McFerrin
registrazione di:
Don’t Worry, Be Happy (nel 1988)
paroliere e compositore:
Bobby McFerrin
autore:
Steve Sidwell (English composer & wind instrumentalist)
editore:
BMG Music Publishing Ltd., Copyright Control (not for release label use! this is only for copyrights and publishing relationships) e Probnoblem Music
Bobby McFerrin3.73:53

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ASIN:UK: B000FVQX3M [info]