Lady Sings the Blues, Volume 2

~ Pubblicazione di Various Artists (visualizza tutte le versioni di questa pubblicazione: 1 disponibile)

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1▼CD
#TitoloArtistaValutazioneDurata
1All Night Long
registrata a:
New York, New York, Stati Uniti (il 1960-11-17)
produttore:
John Hammond (producer)
basso :
Bill Lee (bassist, composer, father of Spike Lee) (il 1960-11-17)
batteria :
Sticks Evans (il 1960-11-17)
chitarra :
Lord Westbrook (il 1960-11-17)
pianoforte :
Ray Bryant (US jazz pianist, composer, and arranger) (il 1960-11-17)
sassofono tenore :
Al Sears (il 1960-11-17)
trombone :
Quentin Jackson (il 1960-11-17)
arrangiatore:
J. Leslie McFarland (composer)
diritti fonografici (℗) detenuti da:
Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (nel 1982)
registrazione di:
All Night Long (il 1960-11-17)
autore:
Curtis Reginald Lewis (US songwriter)
editore:
EMI Music Publishing (do not use as a release label!), Six Continents Music Publishing e Warner/Chappell Music, Hong Kong Limited (華納音樂版權香港有限公司, 1995–2019)
Aretha Franklin33:06
2As Time Goes By
sassofono contralto :
Benny Carter (il 1961-06-22)
voce:
Peggy Lee (jazz vocalist) (il 1961-06-22)
arrangiatore:
Quincy Jones (il 1961-06-22)
registrazione cover di:
As Time Goes By (the song from “Casablanca”) (il 1961-06-22)
paroliere e compositore:
Herman Hupfeld
editore:
WB Music Corp. (1929–2019) (conclusa), Chappell (company that specialized in library and production music), Redwood Music, Redwood Music Ltd. (Carlin), Warner Bros., Inc. (Warner Bros. Music Division) e Warner Bros., Inc. (not for release label use!) (nel 1931)
sub-editore:
香港商華納音樂出版有限公司台灣分公司 (Warner Chappell Music, Hong Kong Limited Taiwan Branch)
parte di:
Casablanca (original soundtrack of the 1942 American film)
Peggy Lee2:52
3I Wish I Knew (How It Would Feel to Be Free)
registrazione cover di:
I Wish I Knew How It Would Feel to Be Free
autore:
Billy Taylor (jazz/bop pianist) e Richard Lamb
editore:
Duane Music Inc. e Westminster Music Ltd.
parte di:
The Real Book (compilation of jazz standards, Volume I)
Nina Simone3:05
4Lover Man (Oh Where Can You Be)
registrazione cover di:
Lover Man
paroliere:
Jimmy Davis (US songwriter, wrote “Lover Man”) (nel 1942), Roger “Ram” Ramirez (Puerto Rican jazz pianist) (nel 1942) e Jimmy Sherman (pianist, arranger and songwriter) (nel 1942)
compositore:
Roger “Ram” Ramirez (Puerto Rican jazz pianist), Jimmy Davis (US songwriter, wrote “Lover Man”) (nel 1942) e Jimmy Sherman (pianist, arranger and songwriter) (nel 1942)
editore:
MCA Music (not for release label use! this is a music publisher, ASCAP-affiliated) (conclusa), MCA Music Publishing (renamed since c. 1996 as Universal Music Publishing Group) (conclusa) e Universal Music Corp. (USA, affiliated with ASCAP)
Sarah Vaughan3:58
5Go Slow
produttore:
Bobby Troup
voce:
Julie London
orchestra:
Russ Garcia & His Orchestra
direttore d'orchestra:
Russell Garcia
arrangiatore:
Russell Garcia
registrazione di:
Go Slow
paroliere:
Ned Kronk
compositore:
Russell Garcia
Julie London42:14
6The Nearness of You
registrazione cover di:
The Nearness of You
paroliere:
Ned Washington (nel 1938)
compositore:
Hoagy Carmichael (nel 1938)
editore:
Famous Chappell, Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody), Sony/ATV Harmony, Sony/ATV Harmony UK e Sony/ATV Music Publishing LLC (1995–2020)
Nancy Wilson2:58
7Georgia on My Mind
registrazione cover di:
Georgia on My Mind
inno di:
Georgia, Stati Uniti (dal 1979 a oggi)
paroliere:
Stuart Gorrell (nel 1930)
compositore:
Hoagy Carmichael (nel 1930)
editore:
Peer International Corporation (BMI), Peermusic III, Ltd. (BMI), Campbell Connelly & Co. Ltd. (dal 1930 a oggi) e Southern Music Publishing Co., Inc. ((ASCAP) tradename Peermusic) (dal 1930 a oggi)
sub-editore:
ピアーミュージック (Peer Music Japan, Japan, subsidiary of Nichion)
arrangiamento di:
Georgia on My Mind (Solo piano arrangement)
Billie Holiday3:18
8Baby Won’t You Please Come Home
registrazione cover di:
Baby Won’t You Please Come Home
autore:
Charles Warfield e Clarence Williams (US jazz pianist, composer, singer and bandleader)
editore:
Redwood Music Ltd. (Carlin), Universal‐MCA Music Publishing (US) e Universal/MCA Music Ltd. (not for release label use!)
Dinah Washington2:07
9You Don’t Have to Say You Love Me
produttore:
John Franz
parte di:
Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 491)
registrazione di:
You Don’t Have to Say You Love Me
paroliere:
Simon Napier-Bell, Vito Pallavicini (Lyricist) e Vicki Wickham
compositore:
Pino Donaggio (Italian singer‐songwriter and score composer)
editore:
Accordo Ediccione, B. Feldman & Co. Ltd. (publisher est. 1946), EMI Miller Catalog, Inc., EMI United Partnership Ltd. e Miller Music Corp.
versione tradotta di:
Io che non vivo (senza te)
Dusty Springfield3.72:49
10The First Cut Is the Deepest
produttore:
Mike Hurst (musician and record producer from London, England)
voce:
P.P. Arnold
arrangiatore:
Art Greenslade
registrazione di:
The First Cut Is the Deepest
paroliere e compositore:
Cat Stevens (now known as Yusuf Islam)
editore:
Duchess Music Corporation (BMI-affiliated), Mushroom Music Pty. Ltd. e Salafa Ltd.
P.P. Arnold43:05
11I Can’t Stand the Rain
parte di:
Cachitos Nochevieja 2022 (numero: 24) e Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (numero: 197)
registrazione di:
I Can’t Stand the Rain (nel 1973)
autore:
Don Bryant, Bernard Miller (US 1970s songwriter) e Ann Peebles
editore:
Irving Music, Inc. e JEC Publishing (nel 1977)
Ann Peebles4.252:28
12Time Is on My Side
diritti fonografici (℗) detenuti da:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (nel 1993)
registrazione cover di:
Time Is on My Side
paroliere aggiunto:
Jimmy Norman
compositore:
Norman Meade
editore:
Rittenhouse Music Corp., TRO Essex Music Ltd. e ティー・アール・オー・エセックス・ジャパン A事業部 (TRO Essex Japan, A-Division)
versione di:
Time Is on My Side (original version, only lyrics are “Time Is on My Side” and “You’ll Come Runnin’ Back”)
Irma Thomas42:52
13How Blue Can You Get
tecnico:
Rudy van Gelder
produttore:
Creed Taylor
voce:
Esther Phillips (Little Esther)
arrangiatore:
Pee Wee Ellis
registrazione cover di:
How Blue Can You Get?
autore:
Jane Feather
compositore:
Leonard Feather
editore:
Burlington Music Co., Ltd., Melva Pub. Co. e Modern Age Music
Esther Phillips5:09
14At Last
Lou Rawls & Dianne Reeves3:39
15In the Wee Small Hours of the Morning
tecnico:
John Kraus (1950s US engineer)
produttore:
Si Waronker
voce:
Julie London (nel 1960-08)
direttore d'orchestra:
Dick Reynolds (musician, songwriter, and trombonist best known as arranger for the Four Freshmen) (nel 1960-08)
arrangiatore:
Dick Reynolds (musician, songwriter, and trombonist best known as arranger for the Four Freshmen)
registrata presso:
Capitol Studios (Hollywood, CA, founded 1956) in Hollywood, Los Angeles, California, Stati Uniti (nel 1960-08)
registrazione cover di:
In the Wee Small Hours of the Morning (nel 1960-08)
paroliere:
Bob Hilliard
compositore:
David Mann (American songwriter)
editore:
Better Half Music Company, Bourne Co. (not for release label use, this is a music publisher), Bourne Music Ltd., Redd Evans Music Company e Rytvoc, Inc. (ASCAP)
sub-editore:
Sony Music Publishing (Japan) Inc. (song publisher, never a release label), ヤマハミュージックEH(CM) (Yamaha Music EH(CM)) e 日音 Synch事業部 (NICHION, INC. Synch Division)
parte di:
The Real Book (compilation of jazz standards, Volume I)
Julie London2:50
16Paper Moon
registrata a:
New York, New York, Stati Uniti (il 1945-03-27)
batteria :
George Wettling
chitarra :
Hy White
contrabbasso [string bass] :
Haig Stephens
pianoforte :
René DeKnight
voce:
The Delta Rhythm Boys (vocal harmony group) (il 1945-03-27) e Ella Fitzgerald (American jazz singer) (il 1945-03-27)
registrazione cover di:
It’s Only a Paper Moon (il 1945-03-27)
paroliere:
E.Y. Harburg (nel 1933) e Billy Rose (lyricist and Broadway producer) (nel 1933)
compositore:
Harold Arlen (nel 1933)
editore:
Anne-Rachel Music Corp., Chappell & Co., Chappell Music Ltd., Gloccamorria Music, Next Decade Entertainment, S.A. Music Co., SA Music, Shapiro Bernstein & Co. Ltd. e Warner Bros. Music (publisher; do NOT use as release label)
Ella Fitzgerald & The Delta Rhythm Boys2:36
17Need Your Love So Bad
basso :
Chris Biondo (guitarist, producer with Eva Cassidy Band)
batteria :
William 'JuJu' House
chitarra [soloist] :
Keith Grimes
chitarra pedal steel e voce principale:
Eva Cassidy
corno , sassofono baritono e sassofono tenore :
Leigh Pilzer
organo :
Lenny Williams (pianist, keyboardist)
pianoforte elettrico :
Kent Wood
tromba :
Chris Walker (trumpet)
trombone :
Dan Haverstock
voce ospite:
Chuck Brown (jazz guitarist/singer "The Godfather of Go-Go")
arrangiatore:
Eva Cassidy
registrazione cover di:
Need Your Love So Bad
paroliere e compositore:
Little Willie John e Mertis John Jr. (older brother of Little Willie John)
editore:
Carlin Music Corporation, Fort Knox Music Co, Fort Knox Music Inc., Lark Music Ltd., Peter Maurice Music, Peter Maurice Music Co. e Trio Music Co., Inc.
Eva Cassidy duet with Chuck Brown44:39
18The Chokin’ Kind
diritti fonografici (℗) detenuti da:
EMI Music North America (not for release label use!) (nel 2003)
registrazione cover di:
The Chokin’ Kind
paroliere e compositore:
Harlan Howard
editore:
Sony/ATV Songs (SOCAN) e Wilderness Music Publishing Co.
Joss Stone3.53:36
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parte di:Lady Sings the Blues (numero: 2) (ordine: 2)
Allmusic:https://www.allmusic.com/album/mw0002006090 [info]