Louis Armstrong, Volume 2: I've Got the World on a String, Original Recordings 1930-1933

~ Veröffentlichung von Louis Armstrong (alle Versionen dieser Veröffentlichung ansehen, eine vorhanden)

Titelliste

1▼CD
Nr.TitelBewertungLänge
1I've Got the World on a String
recorded in:
Chicago, Illinois, Vereinigte Staaten (am 1933-01-26)
alto saxophone:
Scoville Browne (am 1933-01-26) und George Oldham (am 1933-01-26)
Banjo und Resonatorgitarre [dobro]:
Mike McKendrick (Jazz banjo and guitar) (am 1933-01-26)
Klarinette:
Scoville Browne (am 1933-01-26), Budd Johnson (am 1933-01-26) und George Oldham (am 1933-01-26)
Klavier:
Teddy Wilson (am 1933-01-26)
Kontrabass [bass]:
Bill Oldham (Double Bass Player) (am 1933-01-26)
Posaune:
Keg Johnson (jazz trombonist) (am 1933-01-26)
Schlagzeug:
Yank Porter (jazz drummer) (am 1933-01-26)
Tenorsaxophon:
Budd Johnson (am 1933-01-26)
Trompete:
Louis Armstrong (am 1933-01-26), Zilner Randolph (am 1933-01-26) und Elmer Whitlock (US trumpet player) (am 1933-01-26)
vocals:
Louis Armstrong (am 1933-01-26)
recording of:
I’ve Got the World on a String (am 1933-01-26)
Texter:
Ted Koehler (in 1932)
Komponist(in):
Harold Arlen (in 1932)
publisher:
BMG Gold Songs, EMI Mills Music Inc. (ASCAP-affiliated), MCA Music Publishing (renamed since c. 1996 as Universal Music Publishing Group), Mills Music, Inc. und S.A. Music Co.
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label), コンソーシアム音楽出版 C・F事業部 (Consortium Music Publishing, CF Division) (bis 2021-06-30) und ソニー・ミュージックパブリッシング CMP外国事業部 (sub‐publisher for foreign (non‐Japanese) works) (vom 2021-07-01 bis heute)
3:19
2Blue Turning Grey Over You
recorded in:
New York, New York, Vereinigte Staaten (am 1930-02-01)
Gitarre:
Will Johnson (jazz musician) (am 1930-02-01)
Klarinette:
Teddy Hill (am 1930-02-01), Charlie Holmes (US jazz saxophonist, active 1920s/1930s) (am 1930-02-01) und William Thornton Blue (American jazz reed player) (am 1930-02-01)
Klavier:
Luis Russell (am 1930-02-01)
Kontrabass:
George "Pops" Foster (am 1930-02-01)
Posaune:
J.C. Higginbotham (am 1930-02-01)
Schlagzeug:
Paul Barbarin (jazz drummer from New Orleans) (am 1930-02-01)
Trompete:
Henry “Red” Allen (jazz musician) (am 1930-02-01), Louis Armstrong (am 1930-02-01) und Otis Johnson (trumpet) (am 1930-02-01)
vocals:
Louis Armstrong (am 1930-02-01)
recording of:
Blue, Turning Grey Over You (am 1930-02-01)
Texter:
Andy Razaf
Komponist(in):
Thomas Waller (Fats Waller)
3:29
3I Got Rhythm
recorded in:
Chicago, Illinois, Vereinigte Staaten (am 1931-11-06)
alto saxophone:
Lester Boone (am 1931-11-06)
Gitarre:
Mike McKendrick (Jazz banjo and guitar) (am 1931-11-06)
Klarinette und Sopransaxophon:
George James (US jazz saxophonist) (am 1931-11-06)
Klavier:
Charlie Alexander (US jazz pianist) (am 1931-11-06)
Kontrabass:
John Lindsay (US trombonist/bassist, worked with Jelly Roll Morton) (am 1931-11-06)
Posaune:
Preston Jackson (jazz trombonist) (am 1931-11-06)
Schlagzeug:
Tubby Hall (am 1931-11-06)
Tenorsaxophon:
Albert Washington (jazz tenor sax) (am 1931-11-06)
Trompete:
Louis Armstrong (am 1931-11-06) und Zilner Randolph (am 1931-11-06)
vocals:
Louis Armstrong (am 1931-11-06)
recording of:
I Got Rhythm (am 1931-11-06)
Texter:
Ira Gershwin (in 1930)
Komponist(in):
George Gershwin (composer) (in 1930)
publisher:
Chappell Music Ltd., Warner/Chappell Music Holland BV und New World Music Co. (in 1930)
enthalten in:
An American in Paris (2015 Broadway musical)
Teil von:
Crazy for You (1992 musical)
Teil von:
Girl Crazy (1930 Musical)
Teil von:
When the Boys Meet the Girls (1965 film)
3:06
4Stardust
recorded in:
Chicago, Illinois, Vereinigte Staaten (am 1931-11-04)
alto saxophone:
Lester Boone (am 1931-11-04) und George James (US jazz saxophonist) (am 1931-11-04)
Gitarre:
Mike McKendrick (Jazz banjo and guitar) (am 1931-11-04)
Klavier:
Charlie Alexander (US jazz pianist) (am 1931-11-04)
Kontrabass:
John Lindsay (US trombonist/bassist, worked with Jelly Roll Morton) (am 1931-11-04)
Posaune:
Preston Jackson (jazz trombonist) (am 1931-11-04)
Schlagzeug:
Tubby Hall (am 1931-11-04)
Tenorsaxophon:
Albert Washington (jazz tenor sax) (am 1931-11-04)
Trompete:
Louis Armstrong (am 1931-11-04) und Zilner Randolph (am 1931-11-04)
vocals:
Louis Armstrong (am 1931-11-04)
recording of:
Stardust (the jazz standard) (am 1931-11-04)
Texter:
Mitchell Parish (in 1929)
Komponist(in):
Hoagy Carmichael (in 1927)
publisher:
Mills Music, Inc. (beendet), All Nations Music, EMI Mills Music Inc. (ASCAP-affiliated), EMI Music Publishing Ltd. (PRS‐affiliated), Everbright Music Co., Hoagy Publishing Co., Lawrence Wright Music Co., Ltd. und Songs of Peer, Ltd. (ASCAP)
sub-publisher:
イーエムアイ音楽出版 ソニー事業部 (EMI Music Publishing Japan Ltd., Sony Division) (bis 2021-06-30) und ソニー・ミュージックパブリッシング EMI外国事業部 (Sony Music Publishing (Japan) Inc., EMI Overseas Division, sub‐publisher for non‐Japanese works) (vom 2021-07-01 bis heute)
Teil von:
American Splendor
3:35
5Confessin' (That I Love You)
recorded in:
Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1930-08-19)
alto saxophone:
Leon Herriford (am 1930-08-19) und Willie Stark (am 1930-08-19)
Klavier:
Harvey Brooks (US jazz pianist and composer) (am 1930-08-19)
Posaune:
Lawrence Brown (jazz trombonist) (am 1930-08-19)
Schlagzeug:
Lionel Hampton (am 1930-08-19)
Steel-Gitarre:
Ceele Burke (am 1930-08-19)
Tenorsaxophon:
William Franz (am 1930-08-19)
Trompete:
Louis Armstrong (am 1930-08-19) und Leon Elkins (am 1930-08-19)
Tuba:
Reggie Jones (am 1930-08-19)
recording of:
I’m Confessin’ (That I Love You) (am 1930-08-19)
Texter:
Al J. Neiburg (lyricist) (in 1930)
Komponist(in):
Doc Daugherty (in 1930) und Ellis Reynolds (in 1930)
publisher:
Bourne Music Ltd.
Version von:
Lookin’ for Another Sweetie
3:25
6When It's Sleepy Time Down South
recorded in:
Chicago, Illinois, Vereinigte Staaten (am 1931-04-20)
alto saxophone:
George James (US jazz saxophonist) (am 1931-04-20)
alto saxophone [alto sax]:
Lester Boone (am 1931-04-20)
Gitarre:
Mike McKendrick (Jazz banjo and guitar) (am 1931-04-20)
Klavier:
Charlie Alexander (US jazz pianist) (am 1931-04-20)
Posaune:
Preston Jackson (jazz trombonist) (am 1931-04-20)
Schlagzeug:
Tubby Hall (am 1931-04-20)
Tenorsaxophon [tenor sax]:
Albert Washington (jazz tenor sax) (am 1931-04-20)
Trompete:
Louis Armstrong (am 1931-04-20)
Sprecher [speech]:
Charlie Alexander (US jazz pianist) (am 1931-04-20) und Louis Armstrong (am 1931-04-20)
vocals:
Louis Armstrong (am 1931-04-20)
recording of:
When It’s Sleepy Time Down South (am 1931-04-20)
Texter:
Leon René und Otis René
Komponist(in):
Clarence Muse
publisher:
Leon Rene Publication, Mills Music, Inc., Otis Rene Publication und Sherwin Music (publisher)
3:24
7I'll Be Glad When You're Dead, You Rascal You
recorded in:
Chicago, Illinois, Vereinigte Staaten (am 1931-04-28)
alto saxophone und Klarinette:
Lester Boone (am 1931-04-28)
baritone saxophone:
George James (US jazz saxophonist) (am 1931-04-28)
Gitarre:
Mike McKendrick (Jazz banjo and guitar) (am 1931-04-28)
Klavier:
Charlie Alexander (US jazz pianist) (am 1931-04-28)
Kontrabass:
[unknown] ([unbekannt], Special Purpose Artist – Do not add releases here, if possible.) (am 1931-04-28)
Posaune:
Preston Jackson (jazz trombonist) (am 1931-04-28)
Schlagzeug:
Tubby Hall (am 1931-04-28)
Tenorsaxophon:
Albert Washington (jazz tenor sax) (am 1931-04-28)
Trompete:
Louis Armstrong (am 1931-04-28)
vocals:
Louis Armstrong (am 1931-04-28)
recording of:
I’ll Be Glad When You’re Dead, You Rascal You (am 1931-04-28)
Texter und Komponist(in):
Sam Theard
publisher:
EMI Music Publishing Ltd. (PRS‐affiliated)
3:15
8The Lonesome Road
recorded in:
Chicago, Illinois, Vereinigte Staaten (am 1931-11-06)
alto saxophone:
Lester Boone (am 1931-11-06) und George James (US jazz saxophonist) (am 1931-11-06)
Gitarre:
Mike McKendrick (Jazz banjo and guitar) (am 1931-11-06)
Holzblock:
Joe Lindsay (US early jazz drummer) (am 1931-11-06)
Klavier:
Charlie Alexander (US jazz pianist) (am 1931-11-06)
Kontrabass:
John Lindsay (US trombonist/bassist, worked with Jelly Roll Morton) (am 1931-11-06)
Posaune:
Preston Jackson (jazz trombonist) (am 1931-11-06)
Schlagzeug:
Tubby Hall (am 1931-11-06)
Tenorsaxophon:
Albert Washington (jazz tenor sax) (am 1931-11-06)
Trompete:
Louis Armstrong (am 1931-11-06) und Zilner Randolph (am 1931-11-06)
Sprecher:
Joe Lindsay (US early jazz drummer) (am 1931-11-06), Mike McKendrick (Jazz banjo and guitar) (am 1931-11-06) und Zilner Randolph (am 1931-11-06)
vocals:
Louis Armstrong (am 1931-11-06)
recording of:
Lonesome Road (am 1931-11-06)
Texter:
Gene Austin
Komponist(in):
Nathaniel Shilkret
publisher:
Campbell Connelly & Co. Ltd., Chappell’s • Sydney, Nathaniel Shilkret Music Corp., Paramount Music Corporation und Spier & Coslow Inc.
3:31
9The Peanut Vendor
recorded in:
Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1930-12-23)
alto saxophone:
Les Hite (am 1930-12-23) und Marvin Johnson (US jazz saxophonist and bandleader) (am 1930-12-23)
Gitarre:
Bill Perkins (jazz guitar and banjo) (am 1930-12-23)
Klarinette und Tenorsaxophon:
Charlie Jones (jazz clarinet/sax) (am 1930-12-23)
Kontrabass:
Joe Bailey (US double bassist and songwriter) (am 1930-12-23)
Perkussion:
Henry Prince (am 1930-12-23)
Posaune:
Luther Craven (am 1930-12-23)
Schlagzeug:
Lionel Hampton (am 1930-12-23)
Trompete:
Louis Armstrong (am 1930-12-23), McClure Morris (am 1930-12-23) und Harold Scott (am 1930-12-23)
vocals:
Louis Armstrong (am 1930-12-23)
conductor:
Les Hite (am 1930-12-23)
recording of:
The Peanut Vendor (am 1930-12-23)
Texter:
L. Wolfe Gilbert und Marion Sunshine
Komponist(in):
Moisés Simons
übersetzte Version von:
El manisero
3:30
10Hobo, You Can't Ride This Train
recorded in:
Camden, New Jersey, Vereinigte Staaten (am 1932-12-08)
alto saxophone:
Pete Clark (Jazz altoist born around 1910) (am 1932-12-08) und Edgar Sampson (am 1932-12-08)
alto saxophone und Klarinette und Klarinette:
Pete Clark (Jazz altoist born around 1910) (am 1932-12-08)
Banjo und Klavier und Gitarre:
John Trueheart (am 1932-12-08)
Geige / Violine:
Edgar Sampson (am 1932-12-08)
Glocken:
Mezz Mezzrow (am 1932-12-08)
Klavier:
Don Kirkpatrick (jazz pianist) (am 1932-12-08)
Kontrabass [bass], Kontrabass und Tuba und Tuba:
Elmer James (am 1932-12-08)
Posaune:
Charlie Green (Trombonist) (am 1932-12-08)
Schlagzeug:
Chick Webb (am 1932-12-08)
Tenorsaxophon:
Elmer Williams (am 1932-12-08)
Trompete:
Louis Armstrong (am 1932-12-08), Louis Bacon (am 1932-12-08), Bill Hicks (US jazz trumpeter) (am 1932-12-08) und Louis Hunt (am 1932-12-08)
vocals:
Louis Armstrong (am 1932-12-08)
recording of:
Hobo, You Can’t Ride This Train (am 1932-12-08)
Verfasser(in):
Louis Armstrong
3:06
11That's My Home
recorded in:
Camden, New Jersey, Vereinigte Staaten (am 1932-12-08)
alto saxophone:
Pete Clark (Jazz altoist born around 1910) (am 1932-12-08) und Edgar Sampson (am 1932-12-08)
Geige / Violine:
Edgar Sampson (am 1932-12-08)
Gitarre:
John Trueheart (am 1932-12-08)
Klarinette:
Pete Clark (Jazz altoist born around 1910) (am 1932-12-08)
Klavier:
Don Kirkpatrick (jazz pianist) (am 1932-12-08)
Kontrabass [bass] und Tuba:
Elmer James (am 1932-12-08)
Posaune:
Charlie Green (Trombonist) (am 1932-12-08)
Schlagzeug:
Chick Webb (am 1932-12-08)
Tenorsaxophon:
Elmer Williams (am 1932-12-08)
Trompete:
Louis Armstrong (am 1932-12-08), Louis Bacon (am 1932-12-08), Billy Hicks (US jazz trumpeter) (am 1932-12-08) und Louis Hunt (am 1932-12-08)
vocals:
Louis Armstrong (am 1932-12-08)
recording of:
That’s My Home (am 1932-12-08)
Komponist(in):
Ben Ellison, Leon René und Otis René
3:16
12I Gotta Right to Sing the Blues
recorded in:
Chicago, Illinois, Vereinigte Staaten (am 1933-01-26)
alto saxophone:
Scoville Browne (am 1933-01-26) und George Oldham (am 1933-01-26)
Banjo und Resonatorgitarre [dobro]:
Mike McKendrick (Jazz banjo and guitar) (am 1933-01-26)
Gitarre:
Big Mike McKendrick (Jazz banjo and guitar) (am 1933-01-26)
Klarinette:
Scoville Browne (am 1933-01-26), Budd Johnson (am 1933-01-26) und George Oldham (am 1933-01-26)
Klavier:
Teddy Wilson (am 1933-01-26)
Kontrabass und Kontrabass [bass]:
Bill Oldham (Double Bass Player) (am 1933-01-26)
Posaune:
Keg Johnson (jazz trombonist) (am 1933-01-26)
Schlagzeug:
Yank Porter (jazz drummer) (am 1933-01-26)
Tenorsaxophon:
Budd Johnson (am 1933-01-26)
Trompete:
Louis Armstrong (am 1933-01-26), Zilner Randolph (am 1933-01-26) und Elmer Whitlock (US trumpet player) (am 1933-01-26)
vocals:
Louis Armstrong (am 1933-01-26)
recording of:
I Gotta Right to Sing the Blues (am 1933-01-26)
Texter:
Ted Koehler (in 1932)
Komponist(in):
Harold Arlen (in 1932)
publisher:
Warner Bros., Inc. (not for release label use!)
3:05
13Snowball
recorded in:
Chicago, Illinois, Vereinigte Staaten (am 1933-01-28)
alto saxophone:
Scoville Browne (am 1933-01-28) und George Oldham (am 1933-01-28)
Banjo und Resonatorgitarre [dobro]:
Mike McKendrick (Jazz banjo and guitar) (am 1933-01-28)
Klarinette:
Scoville Browne (am 1933-01-28), Budd Johnson (am 1933-01-28) und George Oldham (am 1933-01-28)
Klavier:
Teddy Wilson (am 1933-01-28)
Kontrabass [bass]:
Bill Oldham (Double Bass Player) (am 1933-01-28)
Posaune:
Keg Johnson (jazz trombonist) (am 1933-01-28)
Schlagzeug:
Yank Porter (jazz drummer) (am 1933-01-28)
Tenorsaxophon:
Budd Johnson (am 1933-01-28)
Trompete:
Louis Armstrong (am 1933-01-28), Zilner Randolph (am 1933-01-28) und Elmer Whitlock (US trumpet player) (am 1933-01-28)
vocals:
Louis Armstrong (am 1933-01-28)
recording of:
Snowball (am 1933-01-28)
Verfasser(in):
Hoagy Carmichael
3:15
14Sweet Sue, Just You
recording of:
Sweet Sue, Just You
Texter:
Will J. Harris (early 1900s songwriter/lyricist)
Komponist(in):
Will J. Harris (early 1900s songwriter/lyricist) und Victor Young (American composer, arranger, violinist & conductor)
publisher:
Shapiro Bernstein & Co. Ltd.
2:48
15Basin Street Blues
recorded in:
Chicago, Illinois, Vereinigte Staaten (am 1933-01-27)
alto saxophone:
Scoville Browne (am 1933-01-27) und George Oldham (am 1933-01-27)
Banjo und Resonatorgitarre [dobro]:
Mike McKendrick (Jazz banjo and guitar) (am 1933-01-27)
Klarinette:
Scoville Browne (am 1933-01-27), Budd Johnson (am 1933-01-27) und George Oldham (am 1933-01-27)
Klavier:
Teddy Wilson (am 1933-01-27)
Kontrabass [bass]:
Bill Oldham (Double Bass Player) (am 1933-01-27)
Posaune:
Keg Johnson (jazz trombonist) (am 1933-01-27)
Schlagzeug:
Yank Porter (jazz drummer) (am 1933-01-27)
Tenorsaxophon:
Budd Johnson (am 1933-01-27)
Trompete:
Louis Armstrong (am 1933-01-27), Zilner Randolph (am 1933-01-27) und Elmer Whitlock (US trumpet player) (am 1933-01-27)
vocals:
Louis Armstrong (am 1933-01-27)
cover recording of:
Basin Street Blues (am 1933-01-27)
Texter und Komponist(in):
Spencer Williams (US jazz composer, pianist & singer)
publisher:
EMI Music Publishing Ltd. (PRS‐affiliated)
3:29
16Dusky Stevedore
recorded in:
Chicago, Illinois, Vereinigte Staaten (am 1933-04-24)
alto saxophone:
Scoville Browne (am 1933-04-24) und George Oldham (am 1933-04-24)
Banjo und Resonatorgitarre [dobro]:
Mike McKendrick (Jazz banjo and guitar) (am 1933-04-24)
Klarinette:
Scoville Browne (am 1933-04-24), Budd Johnson (am 1933-04-24) und George Oldham (am 1933-04-24)
Klavier:
Charlie Beal (am 1933-04-24)
Kontrabass [bass]:
Bill Oldham (Double Bass Player) (am 1933-04-24)
Posaune:
Keg Johnson (jazz trombonist) (am 1933-04-24)
Schlagzeug:
Sid Catlett (am 1933-04-24)
Tenorsaxophon:
Budd Johnson (am 1933-04-24)
Trompete:
Louis Armstrong (am 1933-04-24), Zilner Randolph (am 1933-04-24) und Elmer Whitlock (US trumpet player) (am 1933-04-24)
vocals:
Louis Armstrong (am 1933-04-24)
recording of:
Dusky Stevedore (am 1933-04-24)
Verfasser(in):
J. C. Johnson und Andy Razaf
2:58
17There's a Cabin in the Pines
recorded in:
Chicago, Illinois, Vereinigte Staaten (am 1933-04-26)
alto saxophone:
Scoville Browne (am 1933-04-26) und George Oldham (am 1933-04-26)
Banjo und Resonatorgitarre [dobro]:
Mike McKendrick (Jazz banjo and guitar) (am 1933-04-26)
Klarinette:
Scoville Browne (am 1933-04-26), Budd Johnson (am 1933-04-26) und George Oldham (am 1933-04-26)
Klavier:
Charlie Beal (am 1933-04-26)
Posaune:
Keg Johnson (jazz trombonist) (am 1933-04-26)
Schlagzeug:
Harry Dial (am 1933-04-26)
Tenorsaxophon:
Budd Johnson (am 1933-04-26)
Trompete:
Louis Armstrong (am 1933-04-26), Zilner Randolph (am 1933-04-26) und Elmer Whitlock (US trumpet player) (am 1933-04-26)
Tuba:
Bill Oldham (Double Bass Player) (am 1933-04-26)
vocals:
Louis Armstrong (am 1933-04-26)
recording of:
There's a Cabin in the Pines (am 1933-04-26)
Texter und Komponist(in):
Billy Hill (US songwriter)
3:20
18St. Louis Blues
recorded in:
Chicago, Illinois, Vereinigte Staaten (am 1933-04-26)
alto saxophone:
Scoville Browne (am 1933-04-26) und George Oldham (am 1933-04-26)
Banjo und Resonatorgitarre [dobro]:
Mike McKendrick (Jazz banjo and guitar) (am 1933-04-26)
Klarinette:
Scoville Browne (am 1933-04-26), Budd Johnson (am 1933-04-26) und George Oldham (am 1933-04-26)
Klavier:
Charlie Beal (am 1933-04-26)
Posaune:
Keg Johnson (jazz trombonist) (am 1933-04-26)
Schlagzeug:
Harry Dial (am 1933-04-26)
Tenorsaxophon:
Budd Johnson (am 1933-04-26)
Trompete:
Louis Armstrong (am 1933-04-26), Zilner Randolph (am 1933-04-26) und Elmer Whitlock (US trumpet player) (am 1933-04-26)
Tuba:
Bill Oldham (Double Bass Player) (am 1933-04-26)
recording of:
St. Louis Blues (am 1933-04-26)
Texter und Komponist(in):
William Christopher Handy (in 1913)
publisher:
Handy Bros. Music Co., Inc.
sub-publisher:
Reuter & Reuter Förlags AB
2:44

Nennungen