Slow Dancing

~ Pubblicazione di Various Artists (visualizza tutte le versioni di questa pubblicazione: 1 disponibile)

Elenco tracce

1▼CD
#TitoloArtistaValutazioneDurata
1Chances Are
produttore:
Al Ham e Mitch Miller
produttore esecutivo:
Michael Berniker e Jerry Shulman
voce:
Johnny Mathis (US pop/soul singer) (nel 1957)
orchestra:
Ray Conniff and His Orchestra
diritti fonografici (℗) detenuti da:
Jon Mat Records, Inc. (nel 1957)
parte di:
Grammy Hall of Fame (numero: 1998)
registrazione di:
Chances Are (nel 1957)
paroliere:
Al Stillman
compositore:
Robert Allen (US songwriter/arranger/pianist)
editore:
Kitty Anne Music Co., Inc. (conclusa), Charlie Deitcher Productions, Inc., Edward Kassner Music Co. Ltd., EMI Music Publishing (do not use as a release label!), Music Sales Corporation (American copyright holder in both popular and classical music) e Warner Chappell Music (publisher as Warner/Chappell Music)
sub-editore:
ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division) e ミュージック・セールス (Music Sales, Japan, subsidiary of Shinko Music Entertainment)
Johnny Mathis3:04
2Come Softly to Me
arrangiatore:
Bonnie Guitar
diritti fonografici (℗) detenuti da:
Capitol Records, LLC (not for release label use! fka Capitol Records, Inc. until 2007) (nel 1959)
parte di:
Dave Marsh: The Best of the Top 40 Singles: 1959 (numero: 14)
registrazione di:
Come Softly to Me
autore:
Gretchen Christopher, Barbara Ellis e Gary Troxel (The Fleetwoods’ lead singer and songwriter)
editore:
Chappell Morris, EMI Unart Catalog Inc. e Unart Music Corp. (nel 1958, nel 1959)
The Fleetwoods32:23
3The End of the World
tecnico:
Bill Porter (engineer)
produttore:
Chet Atkins
voce:
Skeeter Davis
registrazione di:
The End of the World (nel 1962)
paroliere:
Sylvia Dee (American lyricist)
compositore:
Arthur Kent
editore:
Music Sales Corporation (American copyright holder in both popular and classical music) e Summit Music Corp, (ASCAP-affiliated)
sub-editore:
ミュージック・セールス (Music Sales, Japan, subsidiary of Shinko Music Entertainment)
Skeeter Davis4.152:39
4I Cried a Tear
registrazione di:
I Cried a Tear
autore:
Fred Jay e Al Julia
LaVern Baker2:38
5In the Still of the Night
produttore:
Marty Kugell
batteria [drums] :
Bobby Mapp (nel 1956-02)
contrabbasso :
Doug Murray (double bassist) (nel 1956-02)
pianoforte :
Curlee Glover (nel 1956-02)
sassofono solista :
Vinny Mazzetta (nel 1956-02)
voce:
Al Denby (nel 1956-02), Jim Freeman (American singer and songwriter) (nel 1956-02), Ed Martin (nel 1956-02), Nat Mosley (nel 1956-02) e Fred Parris (nel 1956-02)
diritti fonografici (℗) detenuti da:
Standard Records (nel 1956)
registrata presso:
Saint Bernadette Catholic School (New Haven) in New Haven, Connecticut, Stati Uniti (nel 1956-02)
parte di:
Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 90) e Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (numero: 170)
registrazione di:
In the Still of the Night (Five Satins doo-wop song) (nel 1956)
paroliere e compositore:
Fred Parris
editore:
Sony Music Publishing (Japan) Inc. (song publisher, never a release label) e Llee Corp. (LLEE Corporation) (nel 1956)
The Five Satins4.53:04
6Spanish Harlem
registrata a:
New York, New York, Stati Uniti (il 1960-10-27)
produttore:
Leiber and Stoller (songwriting team)
ance :
Romeo Penque (il 1960-10-27)
batteria [drums] :
Gary Chester (studio drummer and educator) (il 1960-10-27)
chitarra :
Al Caiola (il 1960-10-27)
contrabbasso [bass] :
Lloyd Trotman (US jazz bassist) (il 1960-10-27)
percussione :
Phil Kraus (il 1960-10-27)
pianoforte :
Ernie Hayes (American pianist, organist and arranger) (il 1960-10-27)
violoncello :
Charles McCracken (cellist) (il 1960-10-27)
voce:
Ben E. King (il 1960-10-27)
voce di accompagnamento:
[unknown] ([sconosciuto], Special Purpose Artist – Do not add releases here, if possible.) (il 1960-10-27)
direttore d'orchestra:
Stan Applebaum (US composer, arranger and conductor) (il 1960-10-27)
parte di:
Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 350)
registrazione di:
Spanish Harlem (il 1960-10-27)
paroliere:
Jerry Leiber
compositore:
Phil Spector
editore:
ABKCO Music Ltd., ABKCO Music, Inc. (this is a music publisher; for release labels, please use “ABKCO”), Carlin Music Corporation, Mother Bertha Music Inc., Sony/ATV Songs LLC, Trio Music Co., Inc. e Unichappell Music
Ben E. King4.43:01
7Who’s Sorry Now
voce:
Connie Francis (American former actress and chart-topping singer)
diritti fonografici (℗) detenuti da:
Universal Records (UMG subsidiary, “RECORDS” must be a part of the logo; read annotation) (nel 1958)
registrazione cover di:
Who’s Sorry Now? (1923 song)
paroliere:
Bert Kalmar (nel 1923) e Harry Ruby (nel 1923)
compositore:
Ted Snyder (nel 1923)
editore:
B. Feldman & Co. Ltd. (publisher est. 1946), Waterson, Berlin & Snyder (il 1923-03-07) e Mills Music Corporation (nel 1929)
registrazione di:
Who’s Sorry Now? (1923 song)
paroliere:
Bert Kalmar (nel 1923) e Harry Ruby (nel 1923)
compositore:
Ted Snyder (nel 1923)
editore:
B. Feldman & Co. Ltd. (publisher est. 1946), Waterson, Berlin & Snyder (il 1923-03-07) e Mills Music Corporation (nel 1929)
Connie Francis42:20
8Tonight, Tonight
The Mello-Kings2:32
9Puppy Love
registrazione di:
Puppy Love
paroliere e compositore:
Paul Anka (Canadian singer, songwriter and actor)
editore:
Epa Publishing
Paul Anka32:43
10Blue Velvet
produttore:
Bob Morgan (American A&R director and producer. Occasionally, bass player.)
registrazione cover di:
Blue Velvet
autore:
Lee Morris (US songwriter) e Bernie Wayne
editore:
Bernie Wayne Music Co., Chappell/Morris Ltd., Universal–Songs of PolyGram International, Inc., シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.) e ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
Bobby Vinton4.352:50
11Crazy
produttore:
Owen Bradley
voce:
Patsy Cline
diritti fonografici (℗) detenuti da:
MCA Records, Inc. (do not use as a release label! a division of UMG Recordings, Inc.) (nel 1961)
parte di:
Rolling Stone: The 200 Greatest Country Songs of All Time (numero: 3), Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 85) e Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (numero: 195)
registrazione di:
Crazy (Willie Nelson song) (nel 1961)
paroliere e compositore:
Willie Nelson
editore:
Acuff-Rose Music Limited (UK), Sony/ATV Music Publishing (UK) Ltd., Sony/ATV Music Publishing LLC (1995–2020) e Sony/ATV Tree Publishing
Patsy Cline4.152:44
12Secretly
registrazione cover di:
Secretly
autore:
Luigi Creatore, Al Hoffman, Dick Manning (American songwriter) e Hugo Peretti
Jimmie Rodgers32:40
13Gee Whiz
registrata a:
Memphis, Tennessee, Stati Uniti (nel 1960) e Nashville, Tennessee, Stati Uniti (nel 1960)
produttore:
Jim Stewart (US producer, founder for Stax & Volt Records)
voce:
Carla Thomas (nel 1960)
parte di:
Dave Marsh: The Best of the Top 40 Singles: 1961 (numero: 29)
registrazione di:
Gee Whiz (Look at His Eyes) (nel 1960)
paroliere e compositore:
Carla Thomas
editore:
Irving Music, Inc.
Carla Thomas2:21
14Since I Met You Baby
Ivory Joe Hunter2:46
15Crying in the Rain
registrazione di:
Crying in the Rain (Everly Brothers song)
paroliere:
Howard Greenfield
autore:
Carole King
editore:
Screen Gems–EMI Music Ltd.
The Everly Brothers2:02
16My True Love
registrazione di:
My True Love
paroliere e compositore:
Jack Scott
editore:
Peer International (BMI) e Starfire
Jack Scott2:47
17You’ll Lose a Good Thing
registrazione di:
You’ll Lose a Good Thing
paroliere e compositore:
Barbara Lynn Ozen
editore:
Crazy Cajun Music (This is the publisher. Label is Crazy Cajun only), Dandelion Music Co. e Jamie Music Publishing Co.
Barbara Lynn2:20
18Sleep Walk
Santo & Johnny2:25
19There Goes My Baby
produttore:
Leiber and Stoller (songwriting team)
chitarra :
Reggie Kimber (il 1959-03-06)
voce di baritono:
Dock Green (il 1959-03-06)
voce di basso:
Elsbeary Hobbs (il 1959-03-06)
voce di tenore:
Charlie Thomas (The Drifters) (il 1959-03-06)
voce principale:
Ben E. King (il 1959-03-06)
direttore d'orchestra:
Stan Applebaum (US composer, arranger and conductor) (il 1959-03-06)
arrangiatore:
Stan Applebaum (US composer, arranger and conductor)
diritti fonografici (℗) detenuti da:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (nel 1988) e WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (nel 1998)
registrata presso:
Coastal Recording in New York, New York, Stati Uniti (il 1959-03-06)
parte di:
Dave Marsh: The Best of the Top 40 Singles: 1959 (numero: 2) e Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 193)
registrazione di:
There Goes My Baby (il 1959-03-06)
paroliere e compositore:
Benjamin Nelson, Lover Patterson e George Treadwell
editore:
Jerome Leiber Music, Purple Starfish Music, Sherman Jot Enterprises Inc. e Sony/ATV Songs LLC
The Drifters4.52:12
20It’s Only Make Believe
registrazione di:
It’s Only Make Believe
autore:
Jack Nance (nel 1958) e Conway Twitty (nel 1958)
editore:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Tree Publishing Co., Inc. e Warner Chappell Music Ltd. (no slash; used 1988–1996)
Conway Twitty2:11
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ASIN:US: B002JQFP2G [info]