This is the 80's

~ Pubblicazione di Various Artists (visualizza tutte le versioni di questa pubblicazione: 1 disponibile)

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1Owner of a Lonely Heart
tecnico:
Gary Langan
produttore:
Trevor Horn
batteria :
Alan White (Yes drummer) (nel 1983)
chitarra :
Trevor Rabin (South African musician and score composer) (nel 1983)
chitarra basso :
Chris Squire (Yes bassist) (nel 1983)
tastiera :
Tony Kaye (nel 1983)
voce principale:
Jon Anderson (Yes/Jon & Vangelis) (nel 1983)
diritti fonografici (℗) detenuti da:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (nel 1983, nel 2003) e WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (nel 1983, nel 2003)
registrata presso:
Sarm Studios (1973–2013, fka Sarm Studios from 1973–1982) in Aldgate, Tower Hamlets, London (Greater London), England, Regno Unito (nel 1983)
registrazione di:
Owner of a Lonely Heart (nel 1983)
autore:
Jon Anderson (Yes/Jon & Vangelis), Trevor Horn, Trevor Rabin (South African musician and score composer) e Chris Squire (Yes bassist)
editore:
Affirmative Music (publisher), BMG Chrysalis Scandinavia AB (not for release label use! file releases under its imprint “BMG Chrysalis”), BMG Rights Management (UK) Ltd. (not for release label use! see annotation), Carbert Music Inc., Carlin America, Inc., Carlin Music Corporation, Downtown Music Publishing, Downtown Music Publishing International Inc., Downtown Music Publishing LLC (PRS-affiliated), Hebbes Music Group Pty. Ltd., Kassner Associated Publishers, Ltd., SPZ Music, Inc. (BMI affiliated), Tremander Songs, Unforgettable Songs (ASCAP-affiliated), Unforgettable Songs Ltd., Warner Bros. Music (publisher; do NOT use as release label), Warner Bros. Music Ltd. (UK subsidiary, so named between 1970/01/23–1971/04/26 and 1972/04/25–1988/08/23), Warner Chappell Music (publisher as Warner/Chappell Music), Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner Chappell Music Scandinavia, Warner Chappell North America, Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label), Warner/Chappell (Warner/Chappell Music, Inc.) e Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09)
sub-editore:
エイベックス・ミュージック・パブリッシング 第7出版事業部 (Avex Music Publishing, 7th Publishing Division), ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division), フジパシフィック音楽出版 BMG事業部 (fino al 2014-12-31), フジパシフィックミュージック BMG事業部 (Fujipacific Music Inc., BMG Division) (dal 2015-01-01 a oggi) e ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) (dal 2017-04-01 a oggi)
Yes3.954:27
2Take on Me
programmazione degli strumenti:
Magne Furuholmen
produttore:
Alan Tarney
tecnico di missaggio:
a‐ha (Norwegian synth‐pop band) e John Ratcliff
chitarra e drum machine :
Paul Waaktaar-Savoy (guitarist, songwriter and singer)
tastiera :
Magne Furuholmen
voce di accompagnamento:
Magne Furuholmen e Paul Waaktaar-Savoy (guitarist, songwriter and singer)
voce principale:
Morten Harket
diritti fonografici (℗) detenuti da:
Rhino Entertainment Company (not for release label use!) (nel 1985), Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (nel 1985) e WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (nel 1985, nel 2004)
video musicali:
Take On Me (2019 4K remaster of 1985 mix with diegetic audio) di a‐ha (Norwegian synth‐pop band) e Take On Me (official music video, 1985 version) di a‐ha (Norwegian synth‐pop band)
parte di:
VH1’s 100 Greatest One‐Hit Wonders of the ’80s (numero: 3), VH1: 100 Greatest Songs of the 80’s (compiled in 2006) (numero: 24), Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 26), The Downloader’s Music Source Book (numero: 284) e BILLIONS CLUB
registrazione di:
Take On Me
autore:
Magne Furuholmen, Morten Harket e Paul Waaktaar-Savoy (guitarist, songwriter and singer)
editore:
ATV Music Ltd. e EMI Music Publishing (do not use as a release label!)
versione di:
Miss Eerie
a‐ha4.53:44
3I'm Gonna Be (500 Miles)
registrazione di:
I’m Gonna Be (500 Miles)
autore:
Charlie Reid e Craig Reid
editore:
Warner Bros. Music Ltd. (UK subsidiary, so named between 1970/01/23–1971/04/26 and 1972/04/25–1988/08/23) e Warner/Chappell Music Ltd. (1996–2019)
The Proclaimers3:38
4Each Time You Break My Heart
diritti fonografici (℗) detenuti da:
Warner Music UK Ltd. (not for release label use!) (nel 1986)
registrazione di:
Each Time You Break My Heart
autore:
Stephen Bray e Madonna Louise Veronica Ciccone (“Queen of Pop”)
editore:
Warner Bros. (holding: file NO releases)
Nick Kamen3.54:33
5Drivin' My Life Away
registrazione di:
Drivin’ My Life Away
autore:
David Malloy (American country music and pop songwriter, record producer and A&R executive), Eddie Rabbitt (US country singer & songwriter) e Even Stevens (singer / songwriter)
Eddie Rabbitt53:17
6I'll Be You
assistente tecnico:
Mike Bosley, Peter Doell, Heidi Hanschu e Pat MacDougall
tecnico:
John Akre (engineer), John Beverly Jones e Matt Wallace (US producer & engineer)
produttore:
The Replacements e Matt Wallace (US producer & engineer)
tecnico di missaggio:
Chris Lord‐Alge
registrazione di:
I’ll Be You
paroliere e compositore:
Paul Westerberg
The Replacements4.53:29
7Touch of Grey
programmazione:
Bob Bralove
tecnico:
Guy Charbonneau e John Cutler (California producer/engineer)
tecnico aggiunto:
Joe Gastwirt, Dan Healy, Justin Kreutzmann, Jeffrey Norman, David Roberts (engineer) e Jeff Sterling (recording engineer)
produttore:
John Cutler (California producer/engineer) e Jerry Garcia (guitarist / vocalist in Grateful Dead)
diritti fonografici (℗) detenuti da:
Arista Records, Inc. (manufacturing and distribution company, do not add releases here) (nel 1987) e Grateful Dead Productions (nel 1987)
registrata in aggiunta presso:
Club Front in San Rafael, California, Stati Uniti
registrata presso:
Club Front in San Rafael, California, Stati Uniti (dal 1987-01-06 al 1987-01-13) e Marin County Civic Center: Veterans Memorial Auditorium in San Rafael, California, Stati Uniti (dal 1987-01-06 al 1987-01-13)
mixata presso:
Club Front in San Rafael, California, Stati Uniti
registrazione di:
Touch of Grey (dal 1987-01-06 al 1987-01-13)
testi scritti a:
England, Regno Unito
paroliere:
Robert Hunter (American lyricist, non‐performing member of the Grateful Dead)
compositore:
Jerry Garcia (guitarist / vocalist in Grateful Dead)
editore:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Ice Nine Publishing Company, Inc., Universal Music Corp. (USA, affiliated with ASCAP) e Warner Bros. Music Ltd. (UK subsidiary, so named between 1970/01/23–1971/04/26 and 1972/04/25–1988/08/23)
Grateful Dead45:50
8Love Shack
assistente tecnico:
Martin Kunitz
tecnico:
Dave Cook (US engineer and producer)
produttore:
Don Was
tecnico di missaggio:
Tom Durack
batteria ospite :
Charley Drayton
chitarra :
Keith Strickland
chitarra basso ospite :
Sara Lee (UK bassist, singer & songwriter)
corno ospite :
Uptown Horns (US horn section, formed in 1980)
tastiera :
Kate Pierson
voce:
Kate Pierson, Fred Schneider (US singer‐songwriter, frontman of The B‐52s) e Cindy Wilson
diritti fonografici (℗) detenuti da:
Reprise Records (nel 1989)
registrata presso:
Dreamland Studios in Hurley, New York, Stati Uniti
mixata presso:
Electric Lady Studios in Greenwich Village, New York, New York, Stati Uniti
prodotta in aggiunta presso:
Bearsville Studios in Bearsville, New York, Stati Uniti
video musicali:
Love Shack di The B‐52’s
parte di:
VH1: 100 Greatest Songs of the 80’s (compiled in 2006) (numero: 40), Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 41) e Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 243)
registrazione di:
Love Shack
autore:
Kate Pierson, Fred Schneider (US singer‐songwriter, frontman of The B‐52s), Keith Strickland e Cindy Wilson
editore:
Man-Woman Together, Now!
The B‐52s4.25:20
9Major Tom (Coming Home)
tecnico di registrazione:
Lars Hidde (dal 1982 al 1983), Manfred Lohse (dal 1982 al 1983), Geoff Peacey (dal 1982 al 1983), Frank Reinke (Germany based engineer) (dal 1982 al 1983), Peter Schilling (German synthpop musician) (dal 1982 al 1983) e Peter Schmidt (recording engineer) (dal 1982 al 1983)
assistente produttore:
Frank Hieber (nel 1982)
produttore:
Armin Sabol (dal 1982 al 1983) e Peter Schilling (German synthpop musician) (dal 1982 al 1983)
tecnico di missaggio:
Holger J. Magnussen (nel 1982)
basso elettrico :
Günther Gebauer (nel 1982)
batteria :
Curt Cress (nel 1982)
chitarra elettrica :
Armin Sabol (nel 1982)
tastiera [keyboard solo] :
Gonzo Bishop (nel 1982)
voce principale:
Peter Schilling (German synthpop musician) (nel 1983)
arrangiatore:
Peter Schilling (German synthpop musician) (nel 1982)
registrata presso:
Peer Studio in Hamburg, Germania (dal 1982 al 1983)
versioni a cappella:
Space Oddity / Major Tom (Coming Home) di Tufts Beelzebubs (Tufts University all-male a cappella group)
parte di:
VH1’s 100 Greatest One‐Hit Wonders of the ’80s (numero: 68)
registrazione di:
Major Tom (Coming Home) (dal 1982 al 1983)
paroliere e compositore:
Peter Schilling (German synthpop musician)
traduttore:
David Lodge
dedicata a:
Peer Musikverlag
versione tradotta di:
Major Tom (Völlig losgelöst)
Peter Schilling4.355:01
10April Skies
produttore:
Bill Price (UK producer/engineer)
voce:
Jim Reid (Jesus and Mary Chain)
diritti fonografici (℗) detenuti da:
Warner Music UK Ltd. (not for release label use!) (nel 1987)
registrazione di:
April Skies
autore:
Jim Reid (Jesus and Mary Chain) e William Reid (guitarist, The Jesus and Mary Chain)
editore:
Warner Bros. Music Ltd. (UK subsidiary, so named between 1970/01/23–1971/04/26 and 1972/04/25–1988/08/23) (nel 1987)
The Jesus and Mary Chain4.353:59
11Dirty Blvd.
tecnico di registrazione:
Jeffrey Lesser
assistente tecnico:
Victor Deyglio
batteria :
Fred Maher
chitarra elettrica :
Mike Rathke e Lou Reed
contrabbasso :
Rob Wasserman
voce di accompagnamento:
Dion Di Mucci (US singer-songerwriter, blends doo-wop, pop rock & R&B)
voce principale:
Lou Reed
registrata presso e mixata presso:
Mediasound Studios in New York, New York, Stati Uniti
registrazione di:
Dirty Blvd.
paroliere e compositore:
Lou Reed
Lou Reed3.83:29
12Someday, Someway
registrazione di:
Someday, Someway
paroliere e compositore:
Marshall Crenshaw
editore:
Belwin Mills Music Ltd. e MHC Music
Marshall Crenshaw2:49
13Girls on Film
registrazione di:
Girls on Film
autore:
Simon Le Bon (singer for Duran Duran), Nick Rhodes, Andy Taylor (of Duran Duran), John Taylor (UK bassist for Duran Duran) e Roger Taylor (Duran Duran drummer)
editore:
EMI Music Publishing Ltd. (PRS‐affiliated), EMI Music Publishing Scandinavia AB e Gloucester Place Music Ltd.
versione di:
Girls on Film (Pre-Le Bon version)
Duran Duran3:32
14Two of Hearts
produttore:
Jon St. James (American guitarist, songwriter, and producer) e William J. Walker (US executive producer William J. Walker)
produttore associato:
Jeff C. Fishman (producer)
batteria [drum system] :
Karl Moet (drummer and songwriter)
tastiera [keyboard system] :
Skip Hahn
tastiera [keyboard systems] :
Jon St. James (American guitarist, songwriter, and producer) e Rich West
diritti fonografici (℗) detenuti da:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (nel 1986) e WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (nel 1986)
parte di:
RuPaul’s Drag Race Lip Sync Performances (season 2) (numero: 4)
registrazione di:
Two of Hearts
autore:
Sue Gatlin, Tim Greene e John Dixon Mitchell
editore:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), On The Note Publishing (nel 1986) e Tim Green Music (publisher) (nel 1986)
Stacey Q43:57
15Set Me Free
registrazione di:
Set Me Free
paroliere e compositore:
Derek Bramble
Jaki Graham3:36
16Get Tough
registrazione di:
Get Tough
autore:
Woody Cunningham e Norman Durham
Kleeer8:41
17That's the Way Love Is (Underground mix)
Ten City4:15
18Mirror MirrorDollar3:31
19Goodbye
registrazione di:
Goodbye (Air Supply song)
autore:
David Foster (Canadian music producer, arranger and composer) e Linda Thompson (American actress, lyricist)
Air Supply54:02
20There There My Dear
tecnico:
Barry Hammond
produttore:
Pete Wingfield (keyboardist, singer, producer, songwriter)
registrazione di:
There, There My Dear
autore:
Al Archer e Kevin Rowland (UK singer and songwriter, in Dexy’s Midnight Runners)
editore:
EMI Music Publishing Ltd. (PRS‐affiliated)
Dexys Midnight Runners33:32
21It Started With a Kiss
registrazione di:
It Started With a Kiss
paroliere e compositore:
Errol Brown (British‐Jamaican singer and songwriter, in Hot Chocolate)
editore:
BMG Music Publishing Ltd., Chocolate Music, RAK Publishing Ltd. e Universal Music Publishing MGB Australia
Hot Chocolate4:02
22Gold
produttore:
Steve Jolley, Spandau Ballet e Tony Swain (songwriter, producer)
basso :
Martin Kemp (UK actor, musician, bassist for Spandau Ballet) (nel 1982)
batteria :
John Keeble (nel 1982)
chitarra :
Gary Kemp (nel 1982)
percussione e sassofono :
Steve Norman (UK saxophonist/percussionist for Spandau Ballet) (nel 1982)
tastiera :
Jess Bailey (nel 1982)
voce principale:
Tony Hadley (nel 1982)
esecutore:
Spandau Ballet (nel 1982)
diritti fonografici (℗) detenuti da:
Chrysalis Records Ltd. (not for release label use! company behind the Chrysalis imprint) (nel 1983)
registrazione di:
Gold (nel 1982)
paroliere e compositore:
Gary Kemp
editore:
Reformation Publishing Co. Ltd.
Spandau Ballet3.53:51
23Imagination
registrazione di:
Imagination
paroliere e compositore:
Neville Keighley
Belouis Some33:34
24S.O.S. Fire in the Sky
Deodato6:18
25Smooth Operator
produttore:
Big Daddy Kane
campionamenti:
All Night Long di Mary Jane Girls
registrazione di:
Smooth Operator
paroliere:
Antonio Hardy
Big Daddy Kane54:44
26Done by the Forces of Nature
campionamenti:
Drumbeat di Jim Ingram, Meet the Rhythm di Takagi Kan e Power of Soul (live, 1969‐12‐31 – 1970‐01‐01: Fillmore East, New York, NY, USA) di Jimi Hendrix
registrazione di:
Done by the Forces of Nature
autore:
Jungle Brothers (US hip hop group)
Jungle Brothers3:49
27Have a Nice Day (remix)
produttore:
Marley Marl (QB hip hop producer & DJ of Juice Crew)
voce:
Roxanne Shanté (QB rapper of Juice Crew)
diritti fonografici (℗) detenuti da:
Reprise Records (nel 1989)
registrazione di:
Have a Nice Day (remix)
paroliere:
Roxanne Shanté (QB rapper of Juice Crew)
compositore:
Marley Marl (QB hip hop producer & DJ of Juice Crew)
Roxanne Shanté3:23
28Just a Friend
tecnico:
Ivan “Doc” Rodriguez
co-produttore:
Cutmaster Cool V (hip hop DJ Vaughan Lee)
produttore e tecnico di missaggio:
The Diabolical Biz Markie
parte di:
Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 477) e Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (numero: 480)
registrazione di:
Just a Friend
paroliere:
Joe Flizzow, Leaflizard, Malique e Biz Markie
compositore:
Biz Markie
Biz Markie3.83:58
29I.G.Y.
batteria :
James Gadson (American drummer)
batteria aggiunto:
Jeff Porcaro
chitarra :
Hugh McCracken
chitarra basso :
Anthony Jackson (US bassist)
percussione :
Roger Nichols (US mastering, recording engineer and producer) e Starz Vanderlocket
pianoforte elettrico :
Greg Phillinganes
sassofono baritono :
Ronnie Cuber
sassofono contralto :
David Tofani
sassofono tenore :
Michael Brecker (American jazz saxophonist, multi‐instrumentalist and composer)
sintetizzatore :
Donald Fagen e Rob Mounsey
tromba :
Randy Brecker
trombone :
Dave Bargeron (US trombonist & tubist)
voce di accompagnamento:
Frank Floyd (US soul disco funk singer), Gordon Grody, Zachary Sanders e Valerie Simpson
voce principale:
Donald Fagen
arrangiatore:
Donald Fagen
diritti fonografici (℗) detenuti da:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (nel 1982)
registrazione di:
I.G.Y. (What a Beautiful World)
paroliere e compositore:
Donald Fagen
editore:
Freejunket Music
Donald Fagen6:03
30Body Slam
Bootsy Collins6:25
31Baby I'm Scared of YouWomack & Womack5:38
32Joy
Teddy Pendergrass4:30
33Cupid / I've Loved You for a Long Time
edit di:
Medley: Cupid / I’ve Loved You for a Long Time di The Spinners (The Detroit Spinners, US R&B/soul group, aka The Detroit Spinners)
medley che comprende una registrazione cover di:
Cupid
paroliere e compositore:
Sam Cooke (American singer and songwriter, “King of Soul”)
editore:
ABKCO Music Ltd., ABKCO Music, Inc. (this is a music publisher; for release labels, please use “ABKCO”) e Kags Music Corp.
medley che comprende una registrazione di:
I've Loved You for a Long Time
paroliere e compositore:
Michael Zager
The Spinners43:56
34Better Things
Sylvia St. James4:46
35Don't You Want My Lovin'
Wanda Walden4:37
36Let's Go Rock and RollKC and the Sunshine Band3:34
37The Way You Love Me
tecnico di registrazione e tecnico di missaggio:
Jon Gass
assistente tecnico:
Toni Greene (engineer)
produttore:
L.A. & Babyface (US R&B songwriting/production duo)
produttore esecutivo:
Benny Medina e Leonard Richardson (US hip-hop producer)
batteria [drums] e percussione :
L.A.
tastiera [keyboards] :
Babyface (R&B musician Kenny Edmonds)
timbales :
Daryl Simmons
voce di accompagnamento:
Babyface (R&B musician Kenny Edmonds), Shaun Earl, Kim Eurisa, Daryl Simmons e Karyn White
mixata per:
Ratstyle Productions
è stato produttore per:
La'Face, Inc. (production company)
registrata presso e mixata presso:
Elumba Recording Studio in Hollywood, Los Angeles, California, Stati Uniti
registrazione di:
The Way You Love Me
autore:
Babyface (R&B musician Kenny Edmonds), L.A. Reid e Daryl Simmons
editore:
Chappell Music Ltd., Green Skirt Music (publisher), Hip Trip (publisher) e Kear Music (publisher)
Karyn White34:54
38I Want Her
registrazione di:
I Want Her
autore:
Teddy Riley (US R&B singer & producer) e Keith Sweat
Keith Sweat43:41
39Casanova
registrazione di:
Casanova
paroliere e compositore:
Reggie Calloway
editore:
Calloco Music e Hip Trip Music (publisher)
LeVert4:22
40Nite and Day
diritti fonografici (℗) detenuti da:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (nel 1988) e WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (nel 1988)
registrazione di:
Nite and Day
autore:
Al B. Sure! e Kyle West (Soul and R&B songwriter, musician, producer)
Al B. Sure!43:58
41Mamacita
Troop5:37
42One Lover at a Time
tecnico:
Rory Young
produttore:
David Lewis (member of Atlantic Starr) e Wayne Lewis (member of Atlantic Starr)
direttore d'orchestra:
Gene Page
arrangiatore:
Gene Page
registrazione di:
One Lover at a Time
autore:
Richard Feldman e Jimmy Scott (British born songwriter)
Atlantic Starr4:01
43I Can't Wait
produttore:
John Smith (Nu Shooz) e Rick Waritz (producer)
diritti fonografici (℗) detenuti da:
Injection (Netherlands) (nel 1986)
parte di:
VH1’s 100 Greatest One‐Hit Wonders of the ’80s (numero: 60)
registrazione di:
I Can’t Wait
paroliere e compositore:
John Smith (Nu Shooz)
editore:
Poolside Music
Nu Shooz43:38
44Shake Your Love
tecnico di registrazione:
Bernard Bullock, Phil Castellano (brother of John, uncle of Richie) e Don Feinberg
programmazione e produttore:
Fred Zarr
assistente tecnico:
Bill Esses
assistente tecnico di missaggio:
Jim Goatley
tecnico di missaggio:
Phil Castellano (brother of John, uncle of Richie) e Fred Zarr
chitarra :
David “Jaz” Grant
percussione :
Bashiri Johnson
tastiera e sintetizzatore :
Fred Zarr
voce di accompagnamento:
Carrie Johnson, Libby Johnson e Jeff Smith (US saxophonist)
voce di accompagnamento e voce principale:
Debbie Gibson
arrangiatore:
Debbie Gibson e Fred Zarr
registrata presso:
Z Studio in Brooklyn, New York, New York, Stati Uniti
mixata presso:
Sorcerer Sound in New York, New York, Stati Uniti
parte di:
RuPaul’s Drag Race Lip Sync Performances (season 2) (numero: 8)
registrazione di:
Shake Your Love
paroliere e compositore:
Debbie Gibson
editore:
Music Sales Corporation (American copyright holder in both popular and classical music), Creative Bloc Music Ltd. (dal 1987 al ????) e Deborah Ann’s Music (dal 1987 al ????)
Debbie Gibson53:42
45A Cry in the Night
Lory Bianco3:24
46The Harder I Try (12" version)Brother Beyond6:09
47Election Day
voce:
Grace Jones
registrazione di:
Election Day
autore:
Simon Le Bon (singer for Duran Duran), Nick Rhodes e Roger Taylor (Duran Duran drummer)
Arcadia4:30
48Is It a Dream (extended version)
registrazione di:
Is It a Dream?
paroliere e compositore:
Sal Solo
Classix Nouveaux7:09
49We're Not Gonna Take It (single version)
tecnico di registrazione e tecnico di missaggio:
Geoff Workman
assistente tecnico:
Gary McGachan
tecnico:
John Agnello (engineer & producer), Greg Laney e Geoff Workman
produttore:
Tom Werman
batteria :
A.J. Pero
chitarra basso :
Mark Mendoza (Twisted Sister bassist)
chitarra elettrica :
Jay Jay French e Eddie Ojeda
voce di accompagnamento:
Jay Jay French, Mark Mendoza (Twisted Sister bassist), Eddie Ojeda, A.J. Pero e Dee Snider
voce principale:
Dee Snider
arrangiatore:
Twisted Sister e Tom Werman
registrata presso:
Cherokee Studios in Hollywood, Los Angeles, California, Stati Uniti (dal 1984-02 al 1984-03), The Record Plant (New York) in Midtown Manhattan, New York, New York, Stati Uniti (dal 1984-02 al 1984-03) e Westlake Audio (former name of Westlake Recording Studios) in Los Angeles, California, Stati Uniti (dal 1984-02 al 1984-03)
mixata presso:
Cherokee Studios in Hollywood, Los Angeles, California, Stati Uniti
parte di:
VH1’s 100 Greatest One‐Hit Wonders of the ’80s (numero: 21), VH1: 100 Greatest Songs of the 80’s (compiled in 2006) (numero: 47) e Rolling Stone: The 100 Greatest Heavy Metal Songs of All Time (numero: 81)
registrazione di:
We’re Not Gonna Take It
paroliere e compositore:
Dee Snider
editore:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships) e Universal Tunes
parte di:
“The Filthy Fifteen” (PMRC’s list of songs with “offensive lyrical content”) (numero: 7)
Twisted Sister4.353:37
50Black Velvet
produttore:
David Tyson (Canadian producer/songwriter)
tecnico di missaggio:
Kevin Doyle (award-winning sound engineer, producer)
voce principale:
Alannah Myles
diritti fonografici (℗) detenuti da:
Atlantic Recording Corp. (not for release label use! copyrights holder, distributor within the US) (nel 1989) e WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (nel 1989)
parte di:
RuPaul’s Drag Race Lip Sync Performances (season 2) (numero: 6)
registrazione di:
Black Velvet
autore:
David Tyson (Canadian producer/songwriter) e Christopher Ward (Canadian songwriter & veejay)
editore:
BMG Rights Management (see annotation), BMG Rights Management GmbH (not for release label use! file releases under its imprint “BMG” (2008–present)), David Tyson Music, EMI Songs Ltd., Into Wishin’, Kobalt Music Publishing Ltd. (UK), Ole Media Management LP e Zomba Music Publishing Ltd.
Alannah Myles4.54:47
51More Bounce to the Ounce
produttore:
Bootsy Collins (US funk musician & songwriter) e Roger Troutman (funk musician in Zapp)
registrazione di:
More Bounce to the Ounce
paroliere e compositore:
Roger Troutman (funk musician in Zapp)
Zapp3.55:11
52Roof Garden
assistente tecnico:
Debbie Thompson (engineer)
tecnico:
Joe Bogan (Recording- and mixing engineer)
tecnico aggiunto:
Jay Graydon
produttore e tecnico di missaggio:
Jay Graydon
produttore associato:
Tom Canning
batteria :
Steve Gadd (drummer)
chitarra basso :
Abe LaBoriel
chitarra elettrica :
Jay Graydon
piano Rhodes :
George Duke
tromba :
Chuck Findley (trumpet, trombone, horn player) e Jerry Hey
trombone :
Bill Reichenbach (jazz trombonist)
voce di accompagnamento:
Bill Champlin, Steve George (US keyboardist for Mr. Mister & Pages), Al Jarreau e Richard Page (singer-songwriter; former lead singer & bassist of Mr. Mister)
voce principale:
Al Jarreau
arrangiatore ottoni [horns] :
Jerry Hey
arrangiatore percussione [rhythm] :
Tom Canning, Jay Graydon e Al Jarreau
diritti fonografici (℗) detenuti da:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (nel 1981)
registrata in aggiunta presso:
Garden Rake Studios in Studio City, Los Angeles, California, Stati Uniti
registrata presso:
Dawnbreaker Studios in San Fernando, California, Stati Uniti
mixata presso:
Garden Rake Studios in Studio City, Los Angeles, California, Stati Uniti
registrazione di:
Roof Garden
autore:
Tom Canning, Jay Graydon e Al Jarreau
editore:
AlJarreau Music, Desperate Music (work publisher), Garden Rake Music e Universal Music Careers
sub-editore:
シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.), ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division) e 大洋音楽 (Taiyō Music)
Al Jarreau6:20
53You Might Need Somebody
tecnico di registrazione e tecnico di missaggio:
Al Schmitt
produttore:
Tommy LiPuma
basso :
Abraham Laboriel
batteria :
Jeff Porcaro
chitarra :
Steve Lukather e Dean Parks (American session guitarist)
corno :
Chuck Findley (trumpet, trombone, horn player), Gary Herbig, Jim Horn (saxophonist, hornist, flutist and oboist), Bill Reichenbach, Jr. (jazz trombonist) e Larry Williams (trumpet, flugelhorn, French horn)
percussione :
Lenny Castro
tastiera :
Leon Pendarvis
voce di accompagnamento:
Marti McCall (session vocalist), Petsye Powell, Alphanette Silas e Phyllis St. James
arrangiatore archi :
Nick de Caro
arrangiatore corno :
Bill Reichenbach, Jr. (jazz trombonist)
registrazione cover di:
You Might Need Somebody
compositore:
Nan O’Byrne (American songwriter and composer) e Tom Snow (US keyboardist/songwriter)
Randy Crawford4:14
54Love Mission
George Duke4:24
55If Leaving Me Is Easy
The Isley Brothers6:35
56Mt. Airy Groove
registrazione di:
Mt. Airy Groove
autore:
Curtis Harmon, James Lloyd (jazz keyboard/piano) e Cedric A. Napoleon
editore:
Control (German electronic)
Pieces of a Dream3:31
57Ready or Not
programmazione:
Phil Ashley (rock keyboardist/background vocalist)
assistente tecnico:
Chris Bubacz, Victor Deyglio e Roger Talkov (engineer)
tecnico:
Pat Moran (UK male singer, keyboardist sound engineer and producer)
produttore:
Lou Gramm (American rock singer-songwriter; Black Sheep, Foreigner & Shadow King) e Pat Moran (UK male singer, keyboardist sound engineer and producer)
chitarra aggiunto:
Eddie Martinez (guitar)
chitarra basso :
Bruce Turgon
chitarra elettrica [lead guitar] :
Nils Lofgren
tastiera :
Phil Ashley (rock keyboardist/background vocalist)
arrangiatore:
Lou Gramm (American rock singer-songwriter; Black Sheep, Foreigner & Shadow King) e Bruce Turgon
diritti fonografici (℗) detenuti da:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US)
registrazione di:
Ready or Not
compositore:
Lou Gramm (American rock singer-songwriter; Black Sheep, Foreigner & Shadow King) e Bruce Turgon
Lou Gramm33:27
58Fall to Love
registrazione di:
Fall to Love
autore:
John Butler (member of Diesel Park West)
Diesel Park West4:27
59St. Elmo's Fire (Man in Motion)
produttore:
David Foster (Canadian music producer, arranger and composer)
arrangiatore ottoni [horns] :
David Foster (Canadian music producer, arranger and composer) e Jerry Hey
diritti fonografici (℗) detenuti da:
Columbia Pictures Industries, Inc. (nel 1985) e John Parr Music Ltd. (nel 2016)
parte di:
VH1’s 100 Greatest One‐Hit Wonders of the ’80s (numero: 28) e TV Cream: Real 100 Best Singles Ever (numero: 85)
registrazione di:
St. Elmo’s Fire
autore:
David Foster (Canadian music producer, arranger and composer) e John Parr
editore:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Foster Frees Music, Gold Horizon Music Corp., SBK Songs (publisher) e Warner Bros. Music (publisher; do NOT use as release label)
John Parr3.84:11
60Waiting for a Girl Like You
assistente tecnico:
Edwin Hobgood (engineer) e Michael Sauvage
tecnico:
Tony Platt (UK engineer and producer), Brad Samuelsohn e Dave Wittman
produttore:
Mick Jones (Foreigner/Spooky Tooth, worked in France) e Robert John “Mutt” Lange (Robert John Lange)
batteria :
Dennis Elliott
chitarra basso :
Rick Wills
chitarra elettrica [lead guitar] :
Mick Jones (Foreigner/Spooky Tooth, worked in France)
sintetizzatore :
Thomas Dolby
tastiera :
Mick Jones (Foreigner/Spooky Tooth, worked in France) e Bob Mayo (US session keyboardist & guitarist)
voce di accompagnamento:
Dennis Elliott, Mick Jones (Foreigner/Spooky Tooth, worked in France), Robert John “Mutt” Lange (Robert John Lange), Ian Lloyd (of Stories), Mark Rivera e Rick Wills
voce principale:
Lou Gramm (American rock singer-songwriter; Black Sheep, Foreigner & Shadow King)
diritti fonografici (℗) detenuti da:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (nel 1981, nel 2002), WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (nel 1981) e Rhino Entertainment Company (not for release label use!) (nel 2009)
registrata presso:
Electric Lady Studios in Greenwich Village, New York, New York, Stati Uniti
registrazione di:
Waiting for a Girl Like You
autore:
Lou Gramm (American rock singer-songwriter; Black Sheep, Foreigner & Shadow King) e Mick Jones (Foreigner/Spooky Tooth, worked in France)
editore:
Universal Music Publishing Pty Ltd. (Australian subsidiary of Universal Music Publishing Group), フジパシフィック音楽出版 (Fujipacific Music inc.) (fino al 2014-12-31), Evansongs Ltd. (publisher) (nel 1981), Somerset Songs Publishing Inc. (nel 1981) e フジパシフィックミュージック (Fujipacific Music, Inc.) (dal 2015-01-01 a oggi)
Foreigner3.354:51
61Mated
registrazione di:
Mated
autore:
Roger Powell (US musician, programmer, and columnist, band "Utopia"), Todd Rundgren, Kasim Sulton e John “Willie” Wilcox
editore:
MIDI Evil Music e Willie Wilcox Music
Utopia4:00
62Gimme Some Lovin'
assistente tecnico:
Eddie Garcia, Steve Marcantonio e Tom Miller (engineer)
tecnico e produttore:
Bob Tischler
tecnico aggiunto:
Jay Krugman e Jim Scheffler
armonica (a bocca) :
Elwood J. Blues (Saturday Night Live character portrayed by Dan Aykroyd)
batteria :
Willie "Too Big" Hall
chitarra :
Steve Cropper e Matt Murphy (US blues guitarist)
chitarra basso :
Donald “Duck” Dunn (US bass guitarist, session musician, record producer & songwriter)
sassofono :
Tom “Bones” Malone (US trombonist) e Lou Marini
tastiera :
Murphy Dunne
tromba :
Al Rubin
trombone :
Tom “Bones” Malone (US trombonist)
voce:
Jake E. “Joliet” Blues (Saturday Night Live character portrayed by John Belushi)
arrangiatore corno :
Tom Scott (saxophonist, Blues Brothers, LA Express, Starsky & Hutch)
diritti fonografici (℗) detenuti da:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (nel 1992) e WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (nel 1992)
registrata presso:
Soundmixers in Midtown Manhattan, New York, New York, Stati Uniti, The Record Plant (aka “Record Plant” Los Angeles) in Hollywood, Los Angeles, California, Stati Uniti, The Record Plant (New York) in Midtown Manhattan, New York, New York, Stati Uniti e Universal Recording (Chicago, IL, USA) in Chicago, Illinois, Stati Uniti
mixata presso:
The Record Plant (New York) in Midtown Manhattan, New York, New York, Stati Uniti
registrazione cover di:
Gimme Some Lovin’
autore:
Spencer Davis, Muff Winwood (bass player, songwriter, producer) e Steve Winwood
editore:
Kobalt Music Publishing Ltd. (UK), Shinko Music Entertainment Co., Ltd., Songs of Kobalt Music Publishing, Sony Music Publishing (Japan) Inc. (song publisher, never a release label), Universal Music Publishing, Synch Division, Universal–Songs of PolyGram International, Inc., Universal/Island Music Ltd. (for music publishing use only, formerly Island Music Ltd.), Warner Chappell Music Ltd. (no slash; used 1988–1996), Yamaha Music EH(CM) e Island Music Ltd. (dal 1966 al ????)
Blues Brothers3.753:07
63Forever and Ever, Amen
tecnico:
Joe Borgan (engineer) e Mike Reese (mastering engineer) (incarico: mastering)
produttore:
Kyle Lehning
armonica (a bocca) :
Kirk "Jelly Roll" Johnson (harmonica player Kirk Johnson) e Terry McMillan
batteria :
Larry Londin e James Cary Stroud
chitarra acustica :
Russ Barenberg, Larry Byrom, Mark Casstevens, Steve Gibson (US country vocalist and guitarist) e Brent Mason
chitarra basso :
David Hungate e Jack Williams (US guitarist/singer‐songwriter from South Carolina)
chitarra elettrica :
Steve Gibson (US country vocalist and guitarist) e Brent Mason
chitarra pedal steel :
Doyle Grisham
chitarra resofonica [dobro] :
Jerry Douglas (US guitar and dobro player)
percussione :
Paul Franklin (steel guitarist) e Terry McMillan
tastiera :
Dennis Burnside
violino folk :
Mark O’Connor (US bluegrass, country and classical fiddler/composer)
voce di accompagnamento:
Kathy Baillie, Sherri Huffman, Alan LeBoeuf, Dennis Locorriere, Paul Overstreet (country singer and songwriter), Lisa Silver, Diane Tidwell e Dennis Wilson (country vocals, bassist)
parte di:
Rolling Stone: The 200 Greatest Country Songs of All Time (numero: 48)
registrazione di:
Forever and Ever, Amen
autore:
Paul Overstreet (country singer and songwriter) e Don Schlitz
editore:
April Girl Songs, Midnight Boy Songs, Scarlet Moon Music Inc e Screen Gems–EMI Music, Inc. (USA, affiliated with BMI)
Randy Travis4.653:33
64Veronica
tecnico e tecnico di missaggio:
Kevin Killen
batteria :
Jerry Marotta (drummer and composer)
chamberlin e pianoforte elettrico :
Mitchell Froom
chitarra acustica :
T‐Bone Burnett (musician, songwriter and producer)
chitarra basso :
Paul McCartney (The Beatles)
chitarra elettrica e voce principale:
Elvis Costello
glockenspiel e timpani :
Michael Blair (American drummer/producer/songwriter based in Sweden)
pianoforte e spinetta pianoforte [Baldwin spinet] :
Benmont Tench
registrazione di:
Veronica
autore:
Declan Patrick MacManus e Paul McCartney (The Beatles)
Elvis Costello4.653:08
65Special Brew
registrazione di:
Special Brew
paroliere e compositore:
Louis Cook, Douglas Trendle, David Farren, Paul Hyman, Chris Kane (saxophone player), Andrew Marson, Alan Sayag, Martin Stewart (member of Bad Manners, The Selecter) e Brian Tuitt
editore:
Magnet Music Ltd. (publisher)
Bad Manners3:19
66Get Out of Your Lazy Bed
tecnico:
John Buckley (British production music composer)
produttore:
Peter Collins (producer)
tecnico di missaggio:
Phil Harding (engineer, producer and remixer)
batteria e percussione :
Peter Ross
sassofono baritono :
Ronnie Ross
tastiera :
Danny White (keyboardist)
voce:
Basia e Mark Reilly (guitarist, vocalist, producer, songwriter)
arrangiatore voci:
Basia
diritti fonografici (℗) detenuti da:
WEA Records Ltd. (holding company based in the UK) (nel 1984)
registrazione di:
Get Out of Your Lazy Bed
autore:
Mark Reilly (guitarist, vocalist, producer, songwriter) e Danny White (keyboardist)
editore:
Warner Chappell Music Ltd. (no slash; used 1988–1996)
sub-editore:
Warner Chappell Music France
Matt Bianco2.653:29
67Searchin' (I Gotta Find a Man) [extended version] [remix]
Hazell Dean3:42
68One Step
produttore:
Peter Walsh (UK producer)
registrazione di:
One Step
Kissing the Pink44:34
69Good Tradition
registrazione di:
Good Tradition (nel 1988)
paroliere e compositore:
Tanita Tikaram
Tanita Tikaram2:51
70Years Go By
Stan Campbell3:54
71It's Something
registrazione di:
It’s Something
autore:
David Foster (Canadian music producer, arranger and composer) e Brenda Russell (US singer-songwriter & keyboardist)
editore:
Almo Music Corp. (USA, affiliated with ASCAP), Foster Frees Music Inc., Irving Music (BMI), Rutland Road Music, ヤマハミュージックEH(CM) (Yamaha Music EH(CM)) e ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
Brenda Russell3:31
72One in a Million You
registrazione di:
One in a Million You
autore:
Sam Dees
Larry Graham4:10
73Through the Fire
registrazione di:
Through the Fire (nel 1984)
autore:
David Foster (Canadian music producer, arranger and composer), Tom Keane (keyboards, of The Keane Brothers) e Cynthia Weil
editore:
Bravo and Encore Music, Dyad Music Ltd., Peermusic III, Ltd. (BMI), Sony Music Publishing (Japan) Inc. (song publisher, never a release label), TomJon Music Publishing Company, ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division) e ピアーミュージック (Peer Music Japan, Japan, subsidiary of Nichion)
Chaka Khan4:46
74Keep the Fire Burning
registrazione di:
Keep the Fire Burning
paroliere e compositore:
Willie Hutch
Gwen McCrae5:44
75Jump to the Beat
registrazione di:
Jump to the Beat
editore:
Walden Music, Inc.
Stacy Lattisaw3:21
76Divine Emotions
registrazione di:
Divine Emotions
autore:
Jeffrey Cohen (70s/80s US funk/soul producer/songwriter) e Narada Michael Walden
editore:
Narada Michael Walden Publishing
Narada Michael Walden5:13
77Lovin' You
produttore:
Ray Bardani, Michael Colina e Marcus Miller (jazz musician)
tecnico di missaggio:
Ray Bardani
strumenti:
Marcus Miller (jazz musician)
voce di accompagnamento:
Luther Vandross
voce di accompagnamento e voce principale:
Marcus Miller (jazz musician)
registrata presso e mixata presso:
Minot Sound Studio in White Plains, New York, Stati Uniti
registrazione di:
Lovin' You
paroliere e compositore:
Marcus Miller (jazz musician)
Marcus Miller45:14
78Love Has Come Around
Donald Byrd7:52
79Three Views of a Secret
Jaco Pastorius6:08

Accreditamenti

Pubblicazione

ASIN:UK: B0966YV26K [info]