Ciné Dancing 2

~ Veröffentlichung von Various Artists (alle Versionen dieser Veröffentlichung ansehen, eine vorhanden)

Titelliste

1▼CD
Nr.TitelKünstlerBewertungLänge
1Maniac
Produzent(in):
Phil Ramone und Michael Sembello
vocals:
Michael Sembello (in 1983)
phonographisches Urheberrecht (℗) von:
Polygram Records, Inc. (New York) (not for release label use! US division of PolyGram) (in 1983) und The Island Def Jam Music Group (American holding company, not normally a release label) (in 1983)
recording of:
Maniac (in 1983)
Verfasser(in):
Dennis Matkosky und Michael Sembello
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody), Intersong Music, Intersong Music Ltd., Intersong USA, Inc. (publisher), Riva Music Ltd., Rondor Music (London) Ltd., Sony/ATV Harmony, Warner Bros. Music Co. Inc., Warner Bros. Music Corp. und WB Music Corp. (1929–2019)
Teil von:
The 56th Academy Award for Best Original Song (Nummer: 2) und Academy Award for Best Original Song (Nummer: 1983 nominee)
Michael Sembello4.154:05
2The Power of Love
recording engineer:
Jim Gaines und Robert Missbach
assistierende(r) Techniker(in):
Rob Beaton, Alex Haas (Trance remixer/producer. Member of Cypher 7), Tom Size (US audio engineer) und Jim “Watts” Vereecke
zusätzliche(r) Techniker(in):
Michael Christopher (engineer), Phil Kaffel und Malcolm Pollack
Produzent(in):
Bob Clearmountain, Jellybean (US producer John Benitez) und Huey Lewis and the News (American pop rock band)
Mix:
Robert Missbach
Bassgitarre:
Mario Cipollina
Gitarre:
Johnny Colla (US sax & guitarist for Huey Lewis & the News) und Chris Hayes (US rock guitarist & singer (Huey Lewis & The News))
Keyboard:
Sean Hopper (US Keyboardist for Huey Lewis & the News)
Mundharmonika:
Huey Lewis
Perkussion und Schlagzeug:
Bill Gibson (US drummer for Huey Lews & the News)
Saxophon:
Johnny Colla (US sax & guitarist for Huey Lewis & the News)
vocals:
Johnny Colla (US sax & guitarist for Huey Lewis & the News), Bill Gibson (US drummer for Huey Lews & the News), Chris Hayes (US rock guitarist & singer (Huey Lewis & The News)), Sean Hopper (US Keyboardist for Huey Lewis & the News) und Huey Lewis
phonographisches Urheberrecht (℗) von:
Chrysalis Records, Inc. (not for release label use!) (in 1984, in 1985, in 1986) und Chrysalis (in 1985)
aufgenommen bei:
Fantasy Studios (Berkeley) in Berkeley, California (Kalifornien), Vereinigte Staaten, Studio D Recording in Sausalito, California (Kalifornien), Vereinigte Staaten und The Plant Studios (1981–2008) in Sausalito, California (Kalifornien), Vereinigte Staaten
mixed at:
Power Station Studios (Power Station at BerkleeNYC, fka Power Station 1977–1996, then Avatar Studios 1996–2017) in Hell's Kitchen, New York, New York, Vereinigte Staaten
Musikvideos:
The Power of Love (full length) von Huey Lewis and the News (American pop rock band)
Teil von:
Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 108)
recording of:
The Power of Love (Back to the Future)
Verfasser(in):
Johnny Colla (US sax & guitarist for Huey Lewis & the News), Chris Hayes (US rock guitarist & singer (Huey Lewis & The News)) und Huey Lewis
publisher:
Cause and Effect Music, Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Huey Lewis Music, Hulex Music (publisher), Kinda Blue Music, Mushroom Music (Mushroom label’s publishing company) und WB Music Corp. (1929–2019)
sub-publisher:
Warner/Chappell Music Japan, Synch division (Warner/Chappell Music Japan K.K., Synch Division) und Yamaha Music Entertainment Holdings, Inc. (holding company – do not use as release label)
Teil von:
The 58th Academy Award for Best Original Song (Nummer: 2) und Academy Award for Best Original Song (Nummer: 1985 nominee)
Teil von:
Back to the Future: the Musical
Huey Lewis & the News43:56
3Hungry Eyes
Techniker(in):
Jim DeMain
Produzent(in):
Eric Carmen
vocals:
Eric Carmen
remixer:
Jim DeMain und George Sipl
phonographisches Urheberrecht (℗) von:
BMG Music (in 1987) und Vestron Music Inc. (in 1987)
aufgenommen bei:
Beachwood Studios in Beachwood, Ohio, Vereinigte Staaten
Musikvideos:
Hungry Eyes (music video) von Eric Carmen
recording of:
Hungry Eyes
Verfasser(in):
John DeNicola und Franke Previte
publisher:
EMI Music Publishing Ltd. (PRS‐affiliated), Knockout Music Company, R. U. Cyrius Publishing, Sony/ATV Music Publishing (UK) Ltd., Sony/ATV Music Publishing LLC (1995–2020), Sony/ATV Tunes LLC (ASCAP), Jemava Music Corp. (in 1987) und Knockout Music Inc. (in 1987)
Eric Carmen44:08
4Part of Me, Part of You
Koproduzent(in):
Glenn Frey (US musician/singer/songwriter, member of the Eagles) und Elliot Scheiner
Produzent(in):
Don Was
Akustikgitarre:
Glenn Frey (US musician/singer/songwriter, member of the Eagles)
Bassgitarre:
Jerry Scheff
Gitarre:
Mark Goldenberg
Klavier:
Scott Thurston
membranophone:
Kenny Aronoff
Orgel:
Ben Tench
zusätzlich Keyboard:
Jay Oliver (keyboard, composer, producer, born 1959)
phonographisches Urheberrecht (℗) von:
MCA Records Inc. (1967–2003; name as in imprint during 1972–1990) (in 1991)
recording of:
Part of Me, Part of You
Verfasser(in):
Glenn Frey (US musician/singer/songwriter, member of the Eagles) und Jack Tempchin
Glenn Frey36:00
5Burning Heart
Techniker(in):
Phil Bonanno, Mike Clink und Larry Millas
Produzent(in):
Jim Peterik und Frankie Sullivan (US guitarist and songwriter, member of Survivor)
phonographisches Urheberrecht (℗) von:
RCA Records (not for release label use! for the imprint, please use “RCA” instead) (in 1985), Scotti Bros. (in 1985), Scotti Brothers Records, Inc. (company behind Scotti Bros. Records) (in 1985, in 1986) und Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (in 1985)
recording of:
Burning Heart
Verfasser(in):
Jim Peterik und Frankie Sullivan (US guitarist and songwriter, member of Survivor)
publisher:
BMG VM Music Ltd., Concord Bicycle Assets, EMI Virgin Music Limited (do not use this as a release label!), Famous Music Publishing Limited (renamed into BMG FM Music Ltd. on 2013-05-13), Scotti Brothers Records, Inc. (company behind Scotti Bros. Records), Sony/ATV Harmony UK und Warner Chappell Music Ltd. (no slash; used 1988–1996)
Survivor4.253:54
6Holding Out for a Hero
Programmierung:
Phil Shenale
Partner-Produzent(in):
Arthur Pyson, Neil Dorfsman und John Jansen (US recording engineer and producer)
Produzent(in):
Jim Steinman
Bassposaune:
Dave Taylor (US jazz bass trombonist)
drum machine [Linn Drums]:
Sterling Smith und Art Wood (US session drummer/percussionist)
elektronisches Schlagzeug / E-Drums [Simmons Drums]:
Art Wood (US session drummer/percussionist)
Gitarre:
Hiram Bullock
Klavier:
Sterling Smith
Posaune:
Jim Pugh (US trombonist) und Tom Malone (US trombonist)
Synthesizer:
Phil Shenale und Sterling Smith
Tenorsaxophon:
Michael Brecker (American jazz saxophonist, multi‐instrumentalist and composer)
Trompete:
Alan Rubin und Lew Soloff
Hintergrundgesang:
Rory Dodd, Eric Thayer und Holly Sherwood
Blechblasinstrumente [horn] arranger:
Tom Malone (US trombonist)
vocals arranger:
Rory Dodd, Eric Thayer und Holly Sherwood
zusätzlich vocals arranger:
Ellen Foley
phonographisches Urheberrecht (℗) von:
CBS, Inc. (US broadcasting company; file no releases here!) (in 1984), SONY Music (global brand, excluding JP, owned by Sony Music Entertainment) (in 1984), Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1984) und Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (in 2008)
recording of:
Holding Out for a Hero
Texter:
Dean Pitchford
Komponist(in):
Jim Steinman
publisher:
BMG Music Publishing Ltd., Ensign Music Corp., Famous Chappell, Famous Chappell Ltd. (UK-based music publishing company.), Sony Music Publishing (Japan), Inc., A Division (Sony Music Publishing (Japan) Inc., A Division), Sony/ATV Harmony UK, Sony/ATV Melody und Sony/ATV Music Publishing LLC (1995–2020)
basiert auf:
Stark Raving Love
Bonnie Tyler4.355:50
7La Bamba
Produzent(in):
Mitchell Froom
Interpret(in):
Los Lobos (Chicano rock band)
arranger:
Ritchie Valens
phonographisches Urheberrecht (℗) von:
FFRR Records Ltd. (company name, NOT a label!) (in 1987) und Slash Records (company, do not use as release label!) (in 1987)
cover recording of:
La bamba (additional lyrics by Ritchie Valens)
Texter und Komponist(in):
[traditional] (special purpose artist)
zusätzlicher Texter:
Ritchie Valens
arranger:
Ritchie Valens
publisher:
Carlin Music Corporation, EMI Longitude Music und M.P.A. (M.P.A.)
Version von:
La bamba
Los Lobos4.152:55
8Rock Around the Clock
E-Gitarre [lead guitar]:
Danny Cedrone (am 1954-04-12)
E-Gitarre [rhythm guitar] und Sologesang:
Bill Haley (am 1954-04-12)
Klavier:
Johnny Grande (am 1954-04-12)
Kontrabass:
Marshall Lytle (am 1954-04-12)
Schlagzeug:
Billy Gussak (am 1954-04-12)
Steel-Gitarre:
William F. ‘Billy’ Williamson (am 1954-04-12)
Tenorsaxophon:
Joey D'Ambrosio (am 1954-04-12)
phonographisches Urheberrecht (℗) von:
Sonet Music AB (in 1954) und MCA Records Inc. (1967–2003; name as in imprint during 1972–1990) (in 1955)
aufgenommen bei:
Pythian Temple in Lincoln Square, New York, New York, Vereinigte Staaten (am 1954-04-12)
recording of:
Rock Around the Clock (Bill Haley’s version) (am 1954-04-12)
Texter und Komponist(in):
Jimmy De Knight (in 1952) und Max C. Freedman (American songwriter and lyricist) (in 1952)
arranger:
Harry Filler
publisher:
Edward Kassner Music Co. Ltd. und Myers Music, Inc.
Version von:
We’re Gonna Rock Around the Clock (Original Freedman / De Knight version)
Bill Haley & His Comets4.352:12
9Great Balls of Fire
phonographisches Urheberrecht (℗) von:
Charly Records Ltd. (for release imprints, please use "Charly Records" instead) (in 1989)
recording of:
Great Balls of Fire
Verfasser(in):
Otis Blackwell (American pianist, singer and songwriter) und Jack Hammer (Earl Burroughs, co-wrote Great Balls of Fire)
publisher:
Carlin Music Corporation, Hill & Range Songs, Inc. (publisher) und Warner Chappell Music (publisher as Warner/Chappell Music)
Jerry Lee Lewis51:55
10More Than a Woman
Produzent(in):
Freddie Perren
Gitarre:
Bob Bowles
Klavier:
Sonny Burke (soul/jazz/funk keyboardist)
Perkussion:
Bob Zimmitti und Paulinho da Costa (Brazilian percussionist)
Schlagzeug:
James Gadson (American drummer)
phonographisches Urheberrecht (℗) von:
POLYGRAM International Music (not for release label use!) (in 1977)
cover recording of:
More Than a Woman
Verfasser(in):
Barry Gibb, Maurice Gibb und Robin Gibb
publisher:
BMG Music, BMG Music Publishing Ltd., BMG Publishing Ltd., Careers Music, Inc., Careers–BMG Music Publishing, Inc., Gibb Brothers Music und Stigwood Music, Inc.
recording of:
More Than a Woman
Verfasser(in):
Barry Gibb, Maurice Gibb und Robin Gibb
publisher:
BMG Music, BMG Music Publishing Ltd., BMG Publishing Ltd., Careers Music, Inc., Careers–BMG Music Publishing, Inc., Gibb Brothers Music und Stigwood Music, Inc.
Tavares4.53:18
11Scatterlings of Africa
Produzent(in):
Hilton Rosenthall
arranger:
Hilton Rosenthal
phonographisches Urheberrecht (℗) von:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1987)
recording of:
Scatterlings of Africa
Komponist(in):
Johnny Clegg
Johnny Clegg and Savuka3.54:05
12In the Midnight Hour
Hintergrundgesang:
Angeline Ball, Maria Doyle Kennedy und Bronagh Gallagher (Irish singer and actress)
vocals:
Andrew Strong (Irish singer)
phonographisches Urheberrecht (℗) von:
MCA Records Inc. (1967–2003; name as in imprint during 1972–1990) (in 1991)
cover recording of:
In the Midnight Hour
Verfasser(in):
Steve Cropper und Wilson Pickett
publisher:
Carlin Music Corporation, Cotillion Music Inc. (BMI), East Publishing Inc. und Irving Music, Inc.
The Commitments2.52:24
13Land of a Thousand Dances
Hintergrundgesang:
Angeline Ball, Bronagh Gallagher (Irish singer and actress) und Niamh Kavanagh
Sologesang:
Andrew Strong (Irish singer)
phonographisches Urheberrecht (℗) von:
MCA Records Inc. (1967–2003; name as in imprint during 1972–1990) (in 1992)
cover recording of:
Land of 1000 Dances
Texter und Komponist(in):
Chris Kenner
zusätzliche(r) Verfasser(in):
Antoine Domino (Fats Domino)
publisher:
Anatole, EMI Longitude Music, J. Albert & Son Pty. Ltd. und Tune-Kel
The Commitments33:17
14Aquarius / Let the Sunshine In
Sound-Engineering, Techniker(in) und Produzent(in):
Bones Howe
assistierende(r) Produzent(in):
Ann McClelland
Bass:
Joe Osborne (American bass guitar player, session musician and songwriter)
Perkussion und Schlagzeug:
Hal Blaine (U.S. studio drummer and percussionist)
Interpret(in):
Billy Davis, Jr., Florence LaRue, Lamonte McLemore, Marilyn McCoo und Ron Townson
arranger:
Bill Holman, Bob Alcivar und Bones Howe
vocals arranger:
Bob Alcivar
phonographisches Urheberrecht (℗) von:
Arista (American label owned by Sony Music Entertainment) (in 1969)
Musikvideos:
Age of Aquarius / Let the Sunshine In von The 5th Dimension (1960’s group)
Teil von:
Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 435)
medley including a recording of:
Aquarius (from “Hair”)
Texter:
James Rado (US actor, playwright, director, writer & composer) und Gerome Ragni
Komponist(in):
Galt MacDermot (Canadian composer, pianist and writer of musical theatre)
publisher:
EMI United Partnership Ltd. und United Artist Music Publishing
Teil von:
Hair (1967 musical)
recording of:
Aquarius / Let the Sunshine In (The Flesh Failures)
Verfasser(in):
Gerome Ragni, James Rado (US actor, playwright, director, writer & composer) und Galt MacDermot (Canadian composer, pianist and writer of musical theatre)
arranger:
Bill Holman, Bob Alcivar und Bones Howe
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI Unart Catalog Inc. und United Artists Music Co., Inc.
Medley von:
Aquarius (from “Hair”)
Medley von:
The Flesh Failures (Let the Sunshine In) (from “Hair”)
medley including a recording of:
Let the Sunshine In
Texter:
James Rado (US actor, playwright, director, writer & composer) und Gerome Ragni
Komponist(in):
Galt MacDermot (Canadian composer, pianist and writer of musical theatre)
publisher:
EMI Music Publishing Scandinavia AB und United Artists Music Co., Inc.
The 5th Dimension4.154:53
15If I Can't Have You
Produzent(in):
Freddie Perren
Bass:
Scott Edwards (bassist)
Gitarre:
Bob Bowles
Keyboard und Synthesizer:
Freddie Perren
Klavier:
Sonny Burke (soul/jazz/funk keyboardist)
Perkussion:
Bob Zimmitti, Paulinho da Costa (Brazilian percussionist) und Freddie Perren
Schlagzeug:
James Gadson (American drummer)
Hintergrundgesang [additional background vocals] und Sologesang:
Yvonne Elliman
Hintergrundgesang [girl-group background vocals]:
Marti McCall (session vocalist), Julia Waters und Maxine Waters
phonographisches Urheberrecht (℗) von:
PolyGram Records, Inc. (not for release label use! US division of PolyGram) (in 1977) und Universal International Music B.V. (not for release label use, for ℗ & © rights holder use only) (in 1977)
Teil von:
Billboard Year-End Hot 100 singles of 1978 (Nummer: 19) und Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 343)
recording of:
If I Can’t Have You
geschrieben in:
Frankreich
Verfasser(in):
Barry Gibb, Maurice Gibb und Robin Gibb
publisher:
BMG Music, Careers Music, Inc., Crompton Songs, Gibb Brothers Music, Universal Music Publishing International MGB Ltd., Stigwood Music, Inc. (in 1978) und Unichappell Music (in 1978)
sub-publisher:
シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.) und ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
Yvonne Elliman4.253:01
16Theme From Shaft
Produzent(in):
Isaac Hayes
Bassgitarre:
James Alexander (US soul bassist, singer and songwriter)
Bongos und Conga:
Gary Jones (percussionist)
Gitarre:
Charles Pitts und Michael Toles
Hybrid-Piano:
Lester Snell (Pianist/keyboardist, songwriter and producer)
Hybrid-Piano, Orgel, Klavier und Vibraphon und Sologesang:
Isaac Hayes
membranophone und Tamburin:
Willie "Too Big" Hall
phonographisches Urheberrecht (℗) von:
Stax Records (not for release) (in 1971)
Teil von:
Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 303)
recording of:
Theme From Shaft (Shaft, 1971)
Texter und Komponist(in):
Isaac Hayes
publisher:
Irving Music, Inc.
Teil von:
The 44th Academy Award for Best Original Song (Nummer: 1) und Academy Award for Best Original Song (Nummer: 1971 winner)
Teil von:
Shaft (1971 film soundtrack)
Isaac Hayes3.554:39
17Iko Iko
Techniker(in) und Produzent(in):
Brian Tench
alto saxophone:
Miranda Joyce
Bassgitarre:
Lesley Shone
Gitarre:
Sarah‐Jane Owen
Schlagzeug:
Judy Parsons
Sologesang:
Jennie Matthias
phonographisches Urheberrecht (℗) von:
Stiff Records Ltd. (in 1982) und Stiff Records (in 1983)
cover recording of:
Iko Iko
Texter:
James Crawford, Jr. (R&B musician James “Sugar Boy” Crawford, Jr.), Barbara Anne Hawkins, Rosa Lee Hawkins und Joan Marie Johnson (Joan Marie Johnson Faust)
Komponist(in):
James Crawford, Jr. (R&B musician James “Sugar Boy” Crawford, Jr.), Barbara Anne Hawkins und Rosa Lee Hawkins
publisher:
Arc Music Corp. (U.S. rock & blues publisher), EMI Longitude Music Co., IKO Legal Hold, Melder Publishing Co., Songs of Windswept Pacific, Trio Music Company Inc. und フジパシフィックミュージック BMG事業部 (Fujipacific Music Inc., BMG Division)
Revision von:
Jockomo
The Belle Stars32:51

Nennungen

Veröffentlichung

urheberrechtlich geschützt (©) von und phonographisches Urheberrecht (℗) von:BMG France (in 1993)
Discogs:https://www.discogs.com/release/9740411 [Info]

Veröffentlichungsgruppe

Teil von:Ciné Dancing (1990s French compilations by BMG Entertainment) (Nummer: 2) (Reihenfolge: 2)
Discogs:https://www.discogs.com/master/2303941 [Info]