The Jazz Collector Edition

~ Release by Artie Shaw (see all versions of this release, 2 available)

Tracklist

1▼CD
#TitleArtistRatingLength
1Oh! Lady Be Good
recorded in:
New York, New York, United States (on 1939-08-27)
alto saxophone:
Hank Freeman (American jazz saxophonist) (on 1939-08-27) and Les Robinson (on 1939-08-27)
clarinet:
Artie Shaw (on 1939-08-27)
double bass:
Sid Weiss (on 1939-08-27)
drums (drum set):
Buddy Rich (on 1939-08-27) and George Wettling (on 1939-08-27)
guitar:
Al Avola (on 1939-08-27)
piano:
Bob Kitsis (on 1939-08-27)
tenor saxophone:
Georgie Auld (on 1939-08-27) and Tony Pastor (on 1939-08-27)
trombone:
George Arus (on 1939-08-27), Harry Rogers (US big-band trombonist and arranger) (on 1939-08-27) and Les Jenkins (on 1939-08-27)
trumpet:
Harry Geller (on 1939-08-27), Chuck Peterson (trumpet) (on 1939-08-27) and Bernie Privin (on 1939-08-27)
orchestra:
Artie Shaw and His Orchestra (on 1939-08-27)
conductor:
Artie Shaw (on 1939-08-27)
instrumental recording of:
Oh, Lady Be Good! (on 1939-08-27)
lyricist:
Ira Gershwin (in 1924)
composer:
George Gershwin (composer) (in 1924)
publisher:
Chappell Music Ltd., George Gershwin Music, Ira Gershwin Music and WB Music Corp. (1929–2019) (until 2019-05-28)
part of:
American Splendor
part of:
Lady, Be Good (full musical)
Artie Shaw and His Orchestra3:07
2Deep Purple
alto saxophone:
Hank Freeman (American jazz saxophonist) (on 1939-03-12) and Les Robinson (on 1939-03-12)
clarinet:
Artie Shaw (on 1939-03-12)
double bass:
Sid Weiss (on 1939-03-12)
drums (drum set):
Buddy Rich (on 1939-03-12)
guitar:
Al Avola (on 1939-03-12)
piano:
Bob Kitsis (on 1939-03-12)
tenor saxophone:
Georgie Auld (on 1939-03-12) and Tony Pastor (on 1939-03-12)
trombone:
George Arus (on 1939-03-12), Harry Rogers (US big-band trombonist and arranger) (on 1939-03-12) and Les Jerkins (on 1939-03-12)
trumpet:
Harry Geller (on 1939-03-12), Chuck Peterson (trumpet) (on 1939-03-12) and Bernie Privin (on 1939-03-12)
vocals:
Helen Forrest (on 1939-03-12)
conductor:
Artie Shaw (on 1939-03-12)
cover recording of:
Deep Purple (on 1939-03-12)
lyricist:
Mitchell Parish (in 1938)
composer:
Peter de Rose (tin pan alley era songwriter, pianist and performer on radio)
publisher:
Robbins Music (publishing company owned by EMI Music Publishing Ltd.)
Artie Shaw and His Orchestra3:11
3What Is This Thing Called Love?
recorded in:
New York, New York, United States (on 1938-09-27)
alto saxophone:
Hank Freeman (American jazz saxophonist) (on 1938-09-27) and George Koenig (on 1938-09-27)
clarinet:
Artie Shaw (on 1938-09-27)
double bass:
Sid Weiss (on 1938-09-27)
drums (drum set):
Cliff Leeman (on 1938-09-27)
guitar:
Al Avola (on 1938-09-27)
piano:
Les Burness (on 1938-09-27)
tenor saxophone:
Tony Pastor (on 1938-09-27) and Ronnie Perry (on 1938-09-27)
trombone:
George Arus (on 1938-09-27), Russell Brown (Swing trombonist) (on 1938-09-27) and Harry Rogers (US big-band trombonist and arranger) (on 1938-09-27)
trumpet:
Johnny Best (jazz trumpeter) (on 1938-09-27), Claude Bowen (on 1938-09-27) and Chuck Peterson (trumpet) (on 1938-09-27)
orchestra:
Artie Shaw and His Orchestra (on 1938-09-27)
conductor:
Artie Shaw (on 1938-09-27)
recording of:
What Is This Thing Called Love? (Wake Up and Dream musical revue) (on 1938-09-27)
lyricist and composer:
Cole Porter (composer) (in 1929)
publisher:
Harms, Inc., Warner Bros., Inc. (not for release label use!) and Warner/Chappell (Warner/Chappell Music, Inc.)
part of:
Wake Up and Dream (1929 revue)
Artie Shaw and His Orchestra3:14
4Nightmare
recorded in:
New York, New York, United States (on 1938-09-27)
alto saxophone:
Hank Freeman (American jazz saxophonist) (on 1938-09-27) and George Koenig (on 1938-09-27)
clarinet:
Artie Shaw (on 1938-09-27)
double bass:
Sid Weiss (on 1938-09-27)
drums (drum set):
Cliff Leeman (on 1938-09-27)
guitar:
Al Avola (on 1938-09-27)
piano:
Les Burness (on 1938-09-27)
tenor saxophone:
Tony Pastor (on 1938-09-27) and Ronnie Perry (on 1938-09-27)
trombone:
George Arus (on 1938-09-27), Russell Brown (Swing trombonist) (on 1938-09-27) and Harry Rogers (US big-band trombonist and arranger) (on 1938-09-27)
trumpet:
Johnny Best (jazz trumpeter) (on 1938-09-27), Claude Bowen (on 1938-09-27) and Chuck Peterson (trumpet) (on 1938-09-27)
orchestra:
Artie Shaw and His Orchestra (on 1938-09-27)
conductor:
Artie Shaw (on 1938-09-27)
recording of:
Nightmare (on 1938-09-27)
composer:
Artie Shaw
Artie Shaw and His Orchestra2:49
5Indian Love Call
recorded in:
New York, New York, United States (on 1938-07-24)
alto saxophone:
Hank Freeman (American jazz saxophonist) (on 1938-07-24) and Les Robinson (on 1938-07-24)
clarinet:
Artie Shaw (on 1938-07-24)
double bass:
Sid Weiss (on 1938-07-24)
drums (drum set):
Cliff Leeman (on 1938-07-24)
guitar:
Al Avola (on 1938-07-24)
piano:
Les Burness (on 1938-07-24)
tenor saxophone:
Tony Pastor (on 1938-07-24) and Ronnie Perry (on 1938-07-24)
trombone:
George Arus (on 1938-07-24), Harry Rogers (US big-band trombonist and arranger) (on 1938-07-24) and Ted Vesely (on 1938-07-24)
trumpet:
Johnny Best (jazz trumpeter) (on 1938-07-24), Claude Bowen (on 1938-07-24) and Chuck Peterson (trumpet) (on 1938-07-24)
lead vocals [vocal refrain]:
Tony Pastor and chorus
vocals:
Tony Pastor (on 1938-07-24)
orchestra:
Artie Shaw and His Orchestra (on 1938-07-24)
conductor:
Artie Shaw (on 1938-07-24)
engineered at:
Victor Studio #2 (Cherokee B) in Manhattan, New York, New York, United States (on 1938-07-24)
recording of:
Indian Love Call (from the 1924/1936 musicals “Rose Marie”) (on 1938-07-24)
lyricist:
Oscar Hammerstein II (of Rodgers & Hammerstein) and Otto Harbach
composer:
Rudolf Friml and Herbert Stothart (composer)
publisher:
Bill-Bob Publ. Company, Chappell Music Ltd. and Harms, Inc. (on 1924-09-02)
part of:
Rose-Marie (1924 operetta-style musical)
part of:
Rose-Marie (1936 musical film)
Artie Shaw and His Orchestra3:07
6Begin the Beguine
recorded in:
New York, New York, United States (on 1938-07-24)
alto saxophone:
Hank Freeman (American jazz saxophonist) (on 1938-07-24) and Les Robinson (on 1938-07-24)
clarinet:
Artie Shaw (on 1938-07-24)
double bass:
Sid Weiss (on 1938-07-24)
drums (drum set):
Cliff Leeman (on 1938-07-24)
guitar:
Al Avola (on 1938-07-24)
piano:
Les Burness (on 1938-07-24)
tenor saxophone:
Tony Pastor (on 1938-07-24) and Ronnie Perry (on 1938-07-24)
trombone:
George Arus (on 1938-07-24), Harry Rogers (US big-band trombonist and arranger) (on 1938-07-24) and Ted Vesely (on 1938-07-24)
trumpet:
Claude Bowen (on 1938-07-24), John Best (jazz trumpeter) (on 1938-07-24) and Chuck Peterson (trumpet) (on 1938-07-24)
orchestra:
Artie Shaw and His Orchestra (on 1938-07-24)
conductor:
Artie Shaw (on 1938-07-24)
arranger:
Jerry Gray (US big band arranger and conductor)
recorded at and engineered at:
Victor Studio #2 (Cherokee B) in Manhattan, New York, New York, United States (on 1938-07-24)
instrumental recording of:
Begin the Beguine (on 1938-07-24)
lyricist and composer:
Cole Porter (composer) (in 1935)
publisher:
Chappell Music Ltd., Warner Bros., Inc. (not for release label use!), Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner Chappell Music, Inc., ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
part of:
Jubilee
recording of:
Begin the Beguine (on 1938-07-24)
lyricist and composer:
Cole Porter (composer) (in 1935)
publisher:
Chappell Music Ltd., Warner Bros., Inc. (not for release label use!), Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner Chappell Music, Inc., ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
part of:
Jubilee
Artie Shaw and His Orchestra33:13
7Traffic Jam
recorded in:
Hollywood, Los Angeles, California, United States (on 1939-06-12)
alto saxophone:
Hank Freeman (American jazz saxophonist) (on 1939-06-12) and Les Robinson (on 1939-06-12)
bass and double bass:
Sid Weiss (on 1939-06-12)
clarinet:
Artie Shaw (on 1939-06-12)
drums (drum set):
Buddy Rich (on 1939-06-12)
guitar:
Al Avola (on 1939-06-12)
piano:
Bob Kitsis (on 1939-06-12)
tenor saxophone:
Georgie Auld (on 1939-06-12) and Tony Pastor (on 1939-06-12)
trombone:
George Arus (on 1939-06-12), Harry Rogers (US big-band trombonist and arranger) (on 1939-06-12), Les Jenkins (on 1939-06-12) and Les Jerkins (on 1939-06-12)
trumpet:
Johnny Best (jazz trumpeter) (on 1939-06-12), Chuck Peterson (trumpet) (on 1939-06-12) and Bernie Privin (on 1939-06-12)
orchestra:
Artie Shaw and His Orchestra (on 1939-06-12)
conductor:
Artie Shaw (on 1939-06-12)
recording of:
Traffic Jam (on 1939-06-12)
composer:
Teddy McRae and Artie Shaw
Artie Shaw and His Orchestra2:13
8Stardust
recorded in:
Hollywood, Los Angeles, California, United States (on 1940-10-07)
alto saxophone:
Bus Bassey (on 1940-10-07) and Neely Plumb (on 1940-10-07)
cello:
F. Goerner (on 1940-10-07)
clarinet:
Artie Shaw (on 1940-10-07)
double bass and double bass [bass]:
Jud DeNaut (on 1940-10-07)
drums (drum set):
Nick Fatool (on 1940-10-07)
electric guitar and guitar:
Al Hendrickson (on 1940-10-07)
piano:
Johnny Guarnieri (on 1940-10-07)
tenor saxophone:
Jerry Jerome (on 1940-10-07) and Les Robinson (on 1940-10-07)
trombone:
Vernon Brown (on 1940-10-07) and Jack Jenney (American jazz trombonist) (on 1940-10-07)
trumpet:
Billy Butterfield (on 1940-10-07), J. Cathcart (on 1940-10-07) and George Wendt (Swing trumpeter) (on 1940-10-07)
viola:
A. Harshman (violist) (on 1940-10-07) and K. Collins (viola) (on 1940-10-07)
violin:
Al Beller (on 1940-10-07), B. Bower (on 1940-10-07), B. Morrow (on 1940-10-07), E. Lamas (on 1940-10-07), T. Boardman (on 1940-10-07) and T. Klages (on 1940-10-07)
orchestra:
Artie Shaw and His Orchestra (on 1940-10-07)
conductor:
Artie Shaw (on 1940-10-07)
instrumental recording of:
Stardust (the jazz standard) (on 1940-10-07)
lyricist:
Mitchell Parish (in 1929)
composer:
Hoagy Carmichael (in 1927)
publisher:
Mills Music, Inc. (ended), All Nations Music, EMI Mills Music Inc. (ASCAP-affiliated), EMI Music Publishing Ltd. (PRS‐affiliated), Everbright Music Co., Hoagy Publishing Co., Lawrence Wright Music Co., Ltd. and Songs of Peer, Ltd. (ASCAP)
sub-publisher:
イーエムアイ音楽出版 ソニー事業部 (EMI Music Publishing Japan Ltd., Sony Division) (until 2021-06-30) and ソニー・ミュージックパブリッシング EMI外国事業部 (Sony Music Publishing (Japan) Inc., EMI Overseas Division, sub‐publisher for non‐Japanese works) (from 2021-07-01 to present)
part of:
American Splendor
Artie Shaw and His Orchestra33:30
9Summit Ridge Drive
recorded in:
Hollywood, Los Angeles, California, United States (on 1940-09-03)
bass and double bass:
Jud DeNaut (on 1940-09-03)
clarinet:
Artie Shaw (on 1940-09-03)
drums (drum set):
Nick Fatool (on 1940-09-03)
electric guitar and guitar:
Al Hendrickson (on 1940-09-03)
harpsichord:
John Guarnieri (on 1940-09-03)
trumpet:
Bill Butterfield (on 1940-09-03)
performer:
Artie Shaw and His Gramercy Five (on 1940-09-03)
recording of:
Summit Ridge Drive (on 1940-09-03)
composer:
Artie Shaw
publisher:
Denton & Haskins Corp.
Artie Shaw & His Gramercy Five3:20
10Back Bay Shuffle
recorded in:
New York, New York, United States (on 1938-07-24)
alto saxophone:
Hank Freeman (American jazz saxophonist) (on 1938-07-24) and Les Robinson (on 1938-07-24)
clarinet:
Artie Shaw (on 1938-07-24)
double bass:
Sid Weiss (on 1938-07-24)
drums (drum set):
Cliff Leeman (on 1938-07-24)
guitar:
Al Avola (on 1938-07-24)
piano:
Les Burness (on 1938-07-24)
tenor saxophone:
Tony Pastor (on 1938-07-24) and Ronnie Perry (on 1938-07-24)
trombone:
George Arus (on 1938-07-24), Harry Rogers (US big-band trombonist and arranger) (on 1938-07-24) and Ted Vesely (on 1938-07-24)
trumpet:
Johnny Best (jazz trumpeter) (on 1938-07-24), Claude Bowen (on 1938-07-24) and Chuck Peterson (trumpet) (on 1938-07-24)
orchestra:
Artie Shaw and His Orchestra (on 1938-07-24)
conductor:
Artie Shaw (on 1938-07-24)
recording of:
Back Bay Shuffle (on 1938-07-24)
composer:
Teddy McRae and Artie Shaw
Artie Shaw and His Orchestra3:12
11Comes Love
alto saxophone:
Hank Freeman (American jazz saxophonist) (on 1939-06-12) and Les Robinson (on 1939-06-12)
clarinet:
Artie Shaw (on 1939-06-12)
double bass:
Sid Weiss (on 1939-06-12)
drums (drum set):
Buddy Rich (on 1939-06-12)
guitar:
Al Avola (on 1939-06-12)
piano:
Bob Kitsis (on 1939-06-12)
tenor saxophone:
Georgie Auld (on 1939-06-12) and Tony Pastor (on 1939-06-12)
trombone:
George Arus (on 1939-06-12), Harry Rogers (US big-band trombonist and arranger) (on 1939-06-12) and Les Jerkins (on 1939-06-12)
trumpet:
Johnny Best (jazz trumpeter) (on 1939-06-12), Chuck Peterson (trumpet) (on 1939-06-12) and Bernie Privin (on 1939-06-12)
vocals:
Helen Forrest (on 1939-06-12)
conductor:
Artie Shaw (on 1939-06-12)
recording of:
Comes Love
lyricist:
Lew Brown
composer:
Sam H. Stept and Charles Tobias (Tin Pan Alley songwriter)
Artie Shaw and His Orchestra3:13
12Serenade to a Savage
alto saxophone:
Hank Freeman (American jazz saxophonist) (on 1939-06-22) and Les Robinson (on 1939-06-22)
clarinet:
Artie Shaw (on 1939-06-22)
double bass:
Sid Weiss (on 1939-06-22)
drums (drum set):
Buddy Rich (on 1939-06-22)
guitar:
Al Avola (on 1939-06-22)
piano:
Bob Kitsis (on 1939-06-22)
tenor saxophone:
Georgie Auld (on 1939-06-22) and Tony Pastor (on 1939-06-22)
trombone:
George Arus (on 1939-06-22), Harry Rogers (US big-band trombonist and arranger) (on 1939-06-22) and Les Jerkins (on 1939-06-22)
trumpet:
Johnny Best (jazz trumpeter) (on 1939-06-22), Chuck Peterson (trumpet) (on 1939-06-22) and Bernie Privin (on 1939-06-22)
conductor:
Artie Shaw (on 1939-06-22)
recording of:
Serenade to a Savage (on 1939-06-22)
composer:
Joe Garland (saxophonist, composer)
Artie Shaw and His Orchestra2:29
13Frenesi
recorded in:
Hollywood, Los Angeles, California, United States (on 1940-03-03)
alto saxophone:
Bud Carlton (on 1940-03-03), Blake Reynolds (on 1940-03-03) and Jack Stacey (on 1940-03-03)
bass and double bass:
Jud DeNaut (on 1940-03-03)
bass clarinet and basset clarinet:
Joe Krechter (on 1940-03-03)
cello:
Irving Lipschultz (on 1940-03-03) and Jules Tannenbaum (on 1940-03-03)
clarinet:
Artie Shaw (on 1940-03-03)
drums (drum set):
Carl Maud (on 1940-03-03) and Carl Maus (on 1940-03-03)
flute:
Marty Ruderman (on 1940-03-03) and Morton Ruderman (on 1940-03-03)
French horn:
Jack Cave (on 1940-03-03) and John Cave (french horn) (on 1940-03-03)
guitar:
Bobby Sherwood (guitarist/trumpeter) (on 1940-03-03)
oboe:
Phil Nemoli (on 1940-03-03)
piano:
Stan Wrightsman (on 1940-03-03)
tenor saxophone:
Dick Clark (tenor saxophonist) (on 1940-03-03) and Jack Stacy (on 1940-03-03)
trombone:
Babe Bowman (on 1940-03-03), Randall Miller (on 1940-03-03) and Bill Rank (on 1940-03-03)
trumpet:
Manny Klein (on 1940-03-03), Charlie Margulis (on 1940-03-03) and George Thow (on 1940-03-03)
viola:
Jack Gray (on 1940-03-03), Jacques Ray (on 1940-03-03), Stanley Spiegelman (on 1940-03-03), Dave Sterkin (on 1940-03-03) and David Sturkin (on 1940-03-03)
violin:
Robert Barene (on 1940-03-03), Harry Bluestone (on 1940-03-03), Sid Brokaw (on 1940-03-03), Dave Cracov (on 1940-03-03), Peter Eisenberg (on 1940-03-03), Jerry Joyce (on 1940-03-03), Alex Law (on 1940-03-03) and Mark Levant (on 1940-03-03)
orchestra:
Artie Shaw and His Orchestra (on 1940-03-03)
conductor:
Artie Shaw (on 1940-03-03)
recording of:
Frenesí (on 1940-03-03)
lyricist and composer:
Alberto Domínguez
instrumental recording of:
Frenesí (on 1940-03-03)
lyricist and composer:
Alberto Domínguez
Artie Shaw and His Orchestra3:01
14Special Delivery Stomp
recorded in:
Hollywood, Los Angeles, California, United States (on 1940-09-03)
bass and double bass:
Jud DeNaut (on 1940-09-03)
clarinet:
Artie Shaw (on 1940-09-03)
drums (drum set):
Nick Fatool (on 1940-09-03)
electric guitar and guitar:
Al Hendrickson (on 1940-09-03)
harpsichord and piano:
Johnny Guarnieri (on 1940-09-03)
trumpet:
Billy Butterfield (on 1940-09-03)
performer:
Artie Shaw and His Gramercy Five (on 1940-09-03)
recording of:
Special Delivery Stomp (on 1940-09-03)
composer:
Artie Shaw
Artie Shaw & His Gramercy Five2:43
15Temptation
alto saxophone:
Bus Bassey (on 1940-09-07) and Neely Plumb (on 1940-09-07)
cello:
F. Goerner (on 1940-09-07)
clarinet:
Artie Shaw (on 1940-09-07)
double bass:
Jud DeNaut (on 1940-09-07)
drums (drum set):
Nick Fatool (on 1940-09-07)
electric guitar:
Al Hendrickson (on 1940-09-07)
piano:
Johnny Guarnieri (on 1940-09-07)
tenor saxophone:
Jerry Jerome (on 1940-09-07) and Les Robinson (on 1940-09-07)
trombone:
Vernon Brown (on 1940-09-07) and Jack Jenney (American jazz trombonist) (on 1940-09-07)
trumpet:
Billy Butterfield (on 1940-09-07), J. Cathcart (on 1940-09-07) and George Wendt (Swing trumpeter) (on 1940-09-07)
viola:
A. Harshman (violist) (on 1940-09-07) and K. Collins (viola) (on 1940-09-07)
violin:
Al Beller (on 1940-09-07), B. Bower (on 1940-09-07), B. Morrow (on 1940-09-07), E. Lamas (on 1940-09-07), T. Boardman (on 1940-09-07) and T. Klages (on 1940-09-07)
conductor:
Artie Shaw (on 1940-09-07)
instrumental recording of:
Temptation (on 1940-09-07)
lyricist:
Arthur Freed
composer:
Nacio Herb Brown (US songwriter)
part of:
Going Hollywood (1933 film)
part of:
Singin’ in the Rain (soundtrack of the 1952 film)
Artie Shaw and His Orchestra33:03
16Moonglow
alto saxophone:
Bus Bassey (on 1941-01-23) and Neely Plumb (on 1941-01-23)
cello:
F. Goerner (on 1941-01-23)
clarinet:
Artie Shaw (on 1941-01-23)
double bass:
Jud DeNaut (on 1941-01-23)
drums (drum set):
Nick Fatool (on 1941-01-23)
electric guitar:
Al Hendrickson (on 1941-01-23)
piano:
Johnny Guarnieri (on 1941-01-23)
tenor saxophone:
Jerry Jerome (on 1941-01-23) and Les Robinson (on 1941-01-23)
trombone:
Vernon Brown (on 1941-01-23) and Jack Jenney (American jazz trombonist) (on 1941-01-23)
trumpet:
Billy Butterfield (on 1941-01-23), J. Cathcart (on 1941-01-23) and George Wendt (Swing trumpeter) (on 1941-01-23)
viola:
A. Harshman (violist) (on 1941-01-23) and K. Collins (viola) (on 1941-01-23)
violin:
Al Beller (on 1941-01-23), B. Bower (on 1941-01-23), B. Morrow (on 1941-01-23), E. Lamas (on 1941-01-23), T. Boardman (on 1941-01-23) and T. Klages (on 1941-01-23)
conductor:
Artie Shaw (on 1941-01-23)
cover recording of:
Moonglow
lyricist:
Eddie DeLange
composer:
Will Hudson and Irving Mills
Artie Shaw and His Orchestra3:25

Credits

Release group

part of:The Jazz Collector Edition (Delta/Laserlight's 700 "Collector" series) (number: 713) (order: 10)