Classic Soft Rock: Summer Breeze

~ Pubblicazione di Various Artists (visualizza tutte le versioni di questa pubblicazione: 1 disponibile)

Elenco tracce

1▶Supporto
2▼Supporto
#TitoloArtistaValutazioneDurata
1Does Anybody Really Know What Time It Is?
tecnico:
Fred Catero
produttore:
James William Guercio
registrata presso:
Columbia Studios in New York, New York, Stati Uniti (nel 1969-01)
registrazione di:
Does Anybody Really Know What Time It Is? (nel 1969-01)
paroliere e compositore:
Robert Lamm (nel 1969)
editore:
Aurelius Music, Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Lamminations Music e Spirit Music Publishing Ltd.
Chicago3:21
2You Can Do Magic
tecnico:
Chuck Kirkpatrick
produttore:
Russ Ballard
batteria :
Jeff Porcaro e Alvin Taylor (drummer)
chitarra [guitars] :
Gerry Beckley, Michael Mirage e Rick Neigher
chitarra basso [bass] :
Mike Porcaro
sintetizzatore :
Chris Coté (songwriting partner with Rick Neigher), Mark Isham (American musician and score composer) e Jai Winding (pianist, composer, vocal)
tastiera [keyboards] :
Chris Coté (songwriting partner with Rick Neigher) e Jai Winding (pianist, composer, vocal)
voce:
Gerry Beckley e Dewey Bunnell
diritti fonografici (℗) detenuti da:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (nel 1982)
è stato produttore per:
Rujo Productions
lavorazione tecnica effettuata presso:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, Regno Unito e Criteria Studios in Miami, Florida, Stati Uniti
registrazione di:
You Can Do Magic
paroliere e compositore:
Russ Ballard
editore:
EMI April Music Inc., Russell Ballard Ltd e Union Square Music Songs Ltd.
America3.653:51
3Longer
tecnico:
Jeff Guercio e Marty Lewis (engineer)
produttore:
Dan Fogelberg, Marty Lewis (engineer) e Norbert Putnam
tecnico di missaggio:
Marty Lewis (engineer)
arpa :
Gayle Levant (American studio musician, harpist)
chitarra acustica :
Dan Fogelberg
flicorno soprano solista :
Jerry Hey
voce:
Dan Fogelberg
diritti fonografici (℗) detenuti da:
Epic Records (a division of Sony Music Entertainment; holding company, not a release label) e Sony Music (global brand, excluding JP, owned by Sony Music Entertainment) (nel 1980)
mixata presso:
Quadrafonic Sound Studios in Nashville, Tennessee, Stati Uniti
registrazione di:
Longer
paroliere e compositore:
Dan Fogelberg
editore:
EMI Music Publishing Ltd. (PRS‐affiliated) e Hickory Grove Music
Dan Fogelberg3.153:14
4Lowdown
registrazione di:
Lowdown
paroliere:
Boz Scaggs
compositore:
David Paich e Boz Scaggs
editore:
BMG Songs, Inc., Hudmar Publishing Co. Inc. e Kobalt Music Publishing Ltd. (UK)
sub-editore:
Sony Music Publishing (Japan) Inc. (song publisher, never a release label), ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division) e ヤマハミュージックEH(CM) (Yamaha Music EH(CM))
Boz Scaggs4:27
5Baby I’m‐A Want You
voce principale:
David Gates (singer/songwriter, lead singer of Bread)
diritti fonografici (℗) detenuti da:
Elektra Records (not for release label use! please use its imprint “Elektra” instead) (nel 1972)
registrazione di:
Baby I’m‐a Want You
paroliere e compositore:
David Gates (singer/songwriter, lead singer of Bread)
editore:
EMI Music (do not use as release label! this is a music publisher) e Screen Gems–EMI Music Ltd.
Bread42:26
6Chuck E.’s in Love
tecnico:
Loyd Clifft e Lee Herschberg
tecnico aggiunto:
Tom Knox e Roger Nichols (US mastering, recording engineer and producer)
produttore:
Russ Titelman e Lenny Waronker
tecnico di missaggio:
Lee Herschberg
voce:
Rickie Lee Jones
diritti fonografici (℗) detenuti da:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (nel 1979) e WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (nel 1979)
registrata presso:
The Burbank Studios in Burbank, California, Stati Uniti e Warner Bros. Recording Studios (North Hollywood, a/k/a Amigo Studios) in North Hollywood, Los Angeles, California, Stati Uniti
mixata presso:
Warner Bros. Recording Studios (North Hollywood, a/k/a Amigo Studios) in North Hollywood, Los Angeles, California, Stati Uniti
registrazione di:
Chuck E.’s in Love
paroliere e compositore:
Rickie Lee Jones
editore:
Blue Raincoat Songs Ltd., Easy Money Music, Reservoir Media Music, Rondor Music (Australia) Pty Ltd, Sony Music Publishing (Japan) Inc. (song publisher, never a release label), ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division), ヤマハミュージックEH(CM) (Yamaha Music EH(CM)) e ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label)
Rickie Lee Jones4.253:30
7You’re No Good
tecnico di registrazione:
Val Garay (dal 1974-06 al 1974-09) e David Hassinger (dal 1974-06 al 1974-09)
tecnico:
Val Garay
produttore:
Peter Asher, Jay Faires e Tricia Holloway
basso :
Kenny Edwards (Bryndle/Stone Poneys/Linda Ronstadt) (dal 1974-06 al 1974-09)
batteria, pianoforte elettrico e percussione :
Andrew Gold (dal 1974-06 al 1974-09)
chitarra elettrica :
Ed Black (dal 1974-06 al 1974-09)
chitarra elettrica solista :
Andrew Gold (dal 1974-04 al 1974-09)
voce di accompagnamento:
Clydie King (dal 1974-06 al 1974-09) e Shirley Matthews (Canadian pop singer) (dal 1974-06 al 1974-09)
arrangiatore archi :
Gregory Rose
diritti fonografici (℗) detenuti da:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (nel 1974, nel 2006) e Capitol Records, LLC (not for release label use! fka Capitol Records, Inc. until 2007) (nel 1974, nel 2013)
registrata presso:
Sound Factory (1969–1980) in Los Angeles, California, Stati Uniti (dal 1974-06 al 1974-09)
parte di:
New York Post: 100 Greatest Covers (2007) (numero: 38)
registrazione cover di:
You’re No Good (dal 1974-06 al 1974-09)
paroliere e compositore:
Clint Ballard, Jr.
editore:
Beardog Publishing, Copyright Control (not for release label use! this is only for copyrights and publishing relationships) e Edwin H. Morris & Co. (a division of MPL Communications Inc.)
Linda Ronstadt4.753:43
8Blinded by the Light
produttore:
Manfred Mann (the person) e Manfred Mann’s Earth Band
diritti fonografici (℗) detenuti da:
Creature Music Ltd., Bronze Records Limited (nel 1976) e Petbrook Ltd (nel 1976)
registrata presso:
The Workhouse in London (Greater London), England, Regno Unito (nel 1976)
registrazione cover di:
Blinded by the Light (nel 1976)
paroliere e compositore:
Bruce Springsteen (dal 1972-08 al 1972-09)
editore:
Eldridge Publishing Co., Intersong Music Ltd., Sioux City Music Ltd., Sony/ATV Music Publishing (UK) Ltd., Sony/ATV Music Publishing LLC (1995–2020), Sony/ATV Pop Music Publishing, Zomba Music e Laurel Canyon Music Ltd. (publishing company of Mike Appel and Jim Cretecos) (nel 1972)
Manfred Mann’s Earth Band4.53:50
9Beautiful in My Eyes
tecnico:
Simon Smart
produttore:
Rod Argent e Peter Van Hooke
tecnico di missaggio:
David Kershenbaum e Kevin Smith (American DJ, producer and hip hop pioneer based in New York City)
batteria e percussione :
Peter Van Hooke
chitarra acustica :
Mark Cresswell
contrabbasso :
Chris Laurence (double bassist)
pianoforte :
Joshua Kadison (US singer-songwriter, pianist & writer)
strumenti:
Helen Liebmann (cellist)
tastiera :
Rod Argent
viola :
Bob Smissen (violist), Andy Parker (violist), George Robertson (violist) e Steve Tees
violino :
Mark Berrow (violinist), Ben Cruft (violinist), Roger Garland (violinist), Roy Gillard (violinist), Tim Good, Rita Manning (violinist), Peter Oxer, Bill Penham, Barry Wilde, Wilf Gibson (UK violinist), Dave Woodcock (violinist) e Gavyn Wright (UK violinist, conductor)
violoncello :
Paul Kegg (cellist), Ben Kennard e Roger Smith (cello, Academy of St. Martin in the Fields)
cori:
Rod Argent, Adele Bertei, Lance Ellington (Production music composer), Carol Kenyan, David Lasley, Ian Shaw (UK jazz vocalist / producer), Helen Terry (UK singer) e Ruby Turner
voce:
Joshua Kadison (US singer-songwriter, pianist & writer)
arrangiatore archi :
Rod Argent
registrazione di:
Beautiful in My Eyes
paroliere e compositore:
Joshua Kadison (US singer-songwriter, pianist & writer)
editore:
EMI Blackwood Music Inc., Joshuasongs (BMI affiliated) e Seymour Glass Songs (BMI affiliated)
Joshua Kadison34:09
10Sad Eyes
diritti fonografici (℗) detenuti da:
EMI Records USA (formerly EMI USA, renamed since early 1990s) (nel 1979) e EMI USA (renamed EMI Records USA in the beginning of the 1990s) (nel 1979)
registrazione di:
Sad Eyes
paroliere e compositore:
Robert John (US singer‐songwriter)
editore:
BMG Music Publishing, Inc., Careers–BMG Music Publishing, Inc., Chappell & Co., Chappell & Co., Inc. (USA), Six Continents Music Publishing Inc., Unichappell Music, Unichappell Music, Inc., Universal Music Careers, シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label), ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division) e ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
Robert John3:32
11The Flame
diritti fonografici (℗) detenuti da:
Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (nel 1988)
registrazione di:
The Flame
autore:
Nick Graham (British singer, songwriter, bassist, keyboardist, Atomic Rooster member) e Bob Mitchell (UK production music composer & songwriter)
editore:
EMI Blackwood Music Inc., EMI Music Publishing Australia Pty Ltd (not for release label use!), Hit & Run Music (Publishing) Ltd, Lorimar Music Corp., Sony Music Publishing (UK) Limited (2003–2008, 2021–present), Sony/ATV Music Publishing, Sony/ATV Songs LLC, Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group) e Universal PolyGram International Publishing, Inc. (existed only since ca. 1998)
Cheap Trick54:47
12While You See a Chance
registrazione di:
While You See a Chance
paroliere e compositore:
Will Jennings e Steve Winwood
editore:
Blue Sky Rider Songs, F.S. Music Ltd., Fantasy Songs Ltd., Irving Music, Inc., Rondor Music Ltd. (publisher), Warner Bros. Music Co., Ltd. e Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label)
Steve Winwood4:09
13It Might Be You
produttore:
Dave Grusin (American pianist and score composer)
batteria :
Carlos Vega
chitarra :
George Doering, Mitch Holder (guitarist) e Paul Jackson, Jr. (fusion/urban jazz composer, arranger, producer and guitarist)
chitarra basso :
Abraham Laboriel
percussione :
Steve Forman (US percussionist)
sintetizzatore :
Dave Grusin (American pianist and score composer)
voce:
Stephen Bishop (American singer-songwriter)
voce di accompagnamento e voce principale:
Stephen Bishop (American singer-songwriter)
arrangiatore:
Dave Grusin (American pianist and score composer)
diritti fonografici (℗) detenuti da:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (nel 1982)
registrazione di:
It Might Be You (theme from Tootsie)
paroliere:
Alan Bergman (American lyricist) e Marilyn Bergman
autore e compositore:
Dave Grusin (American pianist and score composer)
editore:
EMI Gold Horizon Music Corp., EMI Golden Torch Music Corp., Roaring Fork Music, Spirit Two Music Inc., ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label), コンソーシアム音楽出版 C・F事業部 (Consortium Music Publishing, CF Division) (fino al 2021-06-30) e ソニー・ミュージックパブリッシング CMP外国事業部 (sub‐publisher for foreign (non‐Japanese) works) (dal 2021-07-01 a oggi)
parte di:
The 55th Academy Award for Best Original Song (numero: 2) e Academy Award for Best Original Song (numero: 1982 nominee)
Stephen Bishop4:14
14Eye in the Sky
diritti fonografici (℗) detenuti da:
Arista Records, Inc. (manufacturing and distribution company, do not add releases here) (nel 1981, nel 1982)
registrazione di:
Eye in the Sky
autore e compositore:
Alan Parsons (of The Alan Parsons Project) e Eric Woolfson
editore:
Careers Music, Inc., Careers–BMG Music Publishing, Inc., Universal Music Publishing International MGB Ltd. e Woolfsongs Ltd.
The Alan Parsons Project43:57
15Dust in the Wind
tecnico:
Jeff Glixman (dal 1977-06 al 1977-07)
tecnico aggiunto:
Terry Diane Becker (engineer)
produttore:
Jeff Glixman (nel 1977-06)
batteria , chimes , gong e timpani :
Phil Ehart (dal 1977-06 al 1977-07)
celesta , organo , sintetizzatore , vibrafono e voce principale:
Steve Walsh (original lead singer of Kansas) (dal 1977-06 al 1977-07)
chitarra acustica e chitarra elettrica :
Kerry Livgren (dal 1977-06 al 1977-07) e Rich Williams (guitarist of Kansas) (dal 1977-06 al 1977-07)
chitarra basso :
Dave Hope (dal 1977-06 al 1977-07)
clavinet e sintetizzatore [synthesizers] :
Kerry Livgren (dal 1977-06 al 1977-07)
percussione [additional percussion] :
Phil Ehart (dal 1977-06 al 1977-07), Kerry Livgren (dal 1977-06 al 1977-07) e Steve Walsh (original lead singer of Kansas) (dal 1977-06 al 1977-07)
pianoforte :
Kerry Livgren (dal 1977-06 al 1977-07) e Steve Walsh (original lead singer of Kansas) (dal 1977-06 al 1977-07)
viola , violino [violins] e violoncello :
Robby Steinhardt (dal 1977-06 al 1977-07)
voce di accompagnamento:
Robby Steinhardt (dal 1977-06 al 1977-07) e Steve Walsh (original lead singer of Kansas) (dal 1977-06 al 1977-07)
arrangiatore:
Kansas (US prog rock band)
diritti fonografici (℗) detenuti da:
Sony Music (global brand, excluding JP, owned by Sony Music Entertainment) (nel 1976), CBS, Inc. (US broadcasting company; file no releases here!) (nel 1977), Epic Records (a division of Sony Music Entertainment; holding company, not a release label) (nel 1977), Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (nel 1977) e CBS Records Inc. (for rights/distribution/manufacture use only; international subsidiary of CBS, Inc.) (nel 1978)
registrata presso:
Studio in the Country in Bogalusa, Louisiana, Stati Uniti (dal 1977-06 al 1977-07) e Woodland Studios in Nashville, Tennessee, Stati Uniti (dal 1977-06 al 1977-07)
mixata presso:
The Village (Village Studios, aka The Village Recorder) in Los Angeles, California, Stati Uniti (nel 1977-08)
parte di:
Billboard Year-End Hot 100 singles of 1978 (numero: 39)
registrazione di:
Dust in the Wind (dal 1977-06 al 1977-07)
paroliere e compositore:
Kerry Livgren
editore:
Blackwood Music Publishing, Don Kirshner Music Inc., Kirshner CBS Music Publishing e Kirshner-Warner Bros Music Ltd.
sub-editore:
フジパシフィックミュージック SBK事業部 (Fujipacific Music SBK Department)
adattamenti:
As the Sun Rises
Kansas4.053:28
16Arthur’s Theme (Best That You Can Do)
assistente tecnico:
Stuart Gitlin e Margaret Gwynne (engineer)
tecnico aggiunto:
John Guess, Lee Herschberg, Mark Linett e Richard Mullen
produttore:
Michael Omartian
tecnico di missaggio:
Chet Himes
voce principale:
Christopher Cross (US singer‐songwriter)
direttore d'orchestra:
Michael Omartian
arrangiatore archi :
Michael Omartian
arrangiatore:
Christopher Cross (US singer‐songwriter), Rob Meurer e Michael Omartian
primo violino:
Assa Drori
diritti fonografici (℗) detenuti da:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (nel 1981, nel 1983)
registrata presso e mixata presso:
Warner Bros. Recording Studios (North Hollywood, a/k/a Amigo Studios) in North Hollywood, Los Angeles, California, Stati Uniti
parte di:
Paste: The 25 Greatest Yacht Rock Songs of All Time (numero: 19)
registrazione di:
Arthur’s Theme (Best That You Can Do)
autore:
Peter Allen (Australian singer‐songwriter), Burt Bacharach, Carole Bayer Sager e Christopher Cross (US singer‐songwriter)
editore:
Begonia Melodies Inc., New Hidden Valley Music Co., Universal Music–MGB Songs, Warner Chappell Music Publishing (Warner/Chappell Music, Inc.), Warner Olive Music LLC, Warner-Barham Music LLC, Warner/Chappell North America, Woolnough Music, ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) e ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
parte di:
The 54th Academy Award for Best Original Song (numero: 1) e Academy Award for Best Original Song (numero: 1981 winner)
Christopher Cross53:54