100 Dance Hits of the Eighties

~ Veröffentlichung von Various Artists (alle Versionen dieser Veröffentlichung ansehen, eine vorhanden)

Titelliste

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Nr.TitelKünstlerBewertungLänge
1Midas Touch
recording of:
Midas Touch
Verfasser(in):
Boaz McWade Watson (American singer-songwriter, producer, keyboardist) und June Williams Kerenhappuch
publisher:
Epic Solar Songs Inc. (beendet), Calloco Music, Inc., Midstar Music, Inc., Songs of Lastrada (BMI-affiliated) und Sony/ATV Music Publishing (UK) Ltd.
Midnight Star43:56
2In the Name of Love ’88
recording of:
In the Name of Love
Verfasser(in):
Tom Bailey (Thompson Twins), Chris Bell (drummer (Thompson Twins)), Alannah Currie, Joe Leeway, Peter Dodd, John Roog und Matthew Seligman
publisher:
Point Music Ltd.
Thompson Twins4:27
3Let’s Hear It for the Boy
Produzent(in):
George Duke
Mix:
Tom Perry (engineer), Tommy Vicari und Erik Zobler
Analoger Synthesizer [Prophet V], elektronisches Schlagzeug / E-Drums [Linn Drums], Minimoog [Mini-Moog] und Moog [Memory Moog]:
George Duke
Gitarre:
Paul Jackson, Jr. (fusion/urban jazz composer, arranger, producer and guitarist)
Perkussion:
Paulinho da Costa (Brazilian percussionist)
Hintergrundgesang:
George Merrill, Shannon Rubicam und Deniece Williams (US soul/funk vocalist/songwriter)
phonographisches Urheberrecht (℗) von:
Columbia Records (not for release label use! company owned by Sony Music Entertainment, only use for manufacturing/distribution and copyright holding), CBS, Inc. (US broadcasting company; file no releases here!) (in 1984), Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (in 1984) und Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1984)
recording of:
Let’s Hear It for the Boy
Texter:
Dean Pitchford
Komponist(in):
Thomas Snow (US keyboardist/songwriter)
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Ensign Music Corporation und Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody)
Teil von:
The 57th Academy Award for Best Original Song (Nummer: 2) und Academy Award for Best Original Song (Nummer: 1984 nominee)
Deniece Williams3.64:20
4Now That We’ve Found Love
cover recording of:
Now That We Found Love
Verfasser(in):
Kenneth Gamble (songwriter for Philadelphia International) und Leon Huff (Philly soul producer, of Gamble & Huff)
publisher:
Blue Mountain Music Ltd, Mighty Three Music 301 /373, ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division), ヤマハミュージックパブリッシング (Yamaha Music Publishing) (bis 2017-03-31) und ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) (vom 2017-04-01 bis heute)
Third World3:30
5Lost in Music
recording of:
Lost in Music
Verfasser(in):
Bernard Edwards (American bassist and record producer) und Nile Rodgers
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships)
Sister Sledge3:45
6Ghostbusters
Produzent(in):
Ray Parker Jr.
phonographisches Urheberrecht (℗) von:
Arista Records, Inc. (manufacturing and distribution company, do not add releases here) (in 1984) und RCA Records (not for release label use! for the imprint, please use “RCA” instead) (vom 2016 bis heute)
Teil von:
Billboard Hot 100: 2025-11-15 (Nummer: 22)
recording of:
Ghostbusters
Texter und Komponist(in):
Ray Parker Jr.
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI Golden Torch Music Corp., EMI Music Publishing Ltd. (PRS‐affiliated), IQ Music Ltd., Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner/Chappell Music Ltd. (1996–2019), Golden Torch Music Corp. (in 1984) und Raydiola Music (in 1984)
Teil von:
The 57th Academy Award for Best Original Song (Nummer: 2) und Academy Award for Best Original Song (Nummer: 1984 nominee)
basiert auf:
I Want a New Drug
Ray Parker Jr.3.94:04
7System Addict
recording of:
System Addict
Verfasser(in):
Gary Bell und Billy Livsey
publisher:
Chrysalis Music Ltd. (music publisher, affiliated with PRS) und Warner Chappell Music Ltd. (no slash; used 1988–1996)
Five Star34:02
8Wap‐Bam‐Boogie
recording of:
Wap Bam Boogie
Verfasser(in):
Mark Fisher (UK keyboardist, songwriter and producer) und Mark Reilly (guitarist, vocalist, producer, songwriter)
publisher:
INTERSONG International Musikverlag G.m.b.H. (German publisher) und Warner/Chappell (Warner/Chappell Music, Inc.)
Matt Bianco3:53
9Dance Sucker
recording of:
Dance Sucker
Komponist(in):
Kenny Hyslop (drummer) und Chris Morgan (Scottish musician, member of Set the Tone)
Set the Tone4:01
10Dr. Beat
Sologesang:
Gloria Estefan
phonographisches Urheberrecht (℗) von:
Epic Records (a division of Sony Music Entertainment; holding company, not a release label) (in 1984) und Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1984)
recording of:
Dr. Beat
Texter und Komponist(in):
Enrique Garcia (Miami Sound Machine)
publisher:
EMI Songs Ltd. und Foreign Imported Productions & Publishing, Inc.
Gloria Estefan and Miami Sound Machine3.854:21
11Takes A Little Time
recording of:
Takes A Little Time
Verfasser(in):
Robin Achampong, Steve ‘The Scotsman’ Harvey und Delroy Murray
Total Contrast3:50
12Let the Music Play
recording of:
Let the Music Play
Verfasser(in):
Chris Barbosa (Rhythm Method) und Ed Chisolm
publisher:
Emergency Music (ASCAP-affiliated), Heath Levy Music Co. Ltd. und Shapiro, Bernstein & Co., Inc.
Shannon3:50
13Gotta Get You Home Tonight
recording of:
Gotta Get You Home Tonight
Verfasser(in):
McKinley Horton und Eugene Wilde
Eugene Wilde33:32
14I Wonder If I Take You Home
Produzent(in):
Full Force (American R&B group, frequent collab w/ Lisa Lisa & Cult Jam)
recording of:
I Wonder If I Take You Home
Verfasser(in):
Curtis Bedeau, Gerard Charles, Hugh Clarke (bass guitar player, member of Full Force), Brian George (US funk/hip-hop musician aka B-Fine), Lucien George und Paul George (American)
publisher:
BMG Rights Management (UK) Ltd. (not for release label use! see annotation), Careers-BMG Music, Mokojumbi Music und Zomba Songs Inc.
Lisa Lisa & Cult Jam3:24
15She’s Strange
recording of:
She’s Strange
Verfasser(in):
Larry Blackmon, Tomi Jenkins, Nathan Leftenant und Charlie Singleton (Cameo)
Cameo3:46
16Money’s Too Tight (to Mention)
cover recording of:
Money’s Too Tight (to Mention)
Verfasser(in):
Billy Valentine (US soul funk singer), John Valentine (Valentine Brothers) und Carolyn Wiggins
publisher:
Songs for Today Ltd
Simply Red3:40
17I Found Lovin’
recording of:
I Found Lovin’
Verfasser(in):
Johnny Flippin und Michael Walker (lead singer of The Fatback Band)
basiert auf:
If You Want to Party (I Found Lovin’) (All Saints)
Fatback Band4.54:09
18The Finest
recording of:
The Finest
Verfasser(in):
James Harris III (James Harris of Jam & Lewis) und Terry Lewis (US hip-hop/soul songwriter, producer & label owner)
publisher:
Avant Garde Music Publishing, Inc., EMI April Music Inc., Flyte Tyme Tunes, Kobalt Music Publishing Ltd. (UK), Sony Music Publishing (Japan) Inc. (song publisher, never a release label), シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.), ヤマハミュージックEH(CM) (Yamaha Music EH(CM)) und ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
The S.O.S. Band4:42
19I Can’t Wait
Produzent(in):
John Smith (Nu Shooz) und Rick Waritz (producer)
phonographisches Urheberrecht (℗) von:
Injection (Netherlands) (in 1986)
Teil von:
VH1’s 100 Greatest One‐Hit Wonders of the ’80s (Nummer: 60)
recording of:
I Can’t Wait
Texter und Komponist(in):
John Smith (Nu Shooz)
publisher:
Poolside Music
Nu Shooz43:39
20Goin’ to the Bank
recording of:
Goin’ to the Bank
Verfasser(in):
Franne Golde, Andy Goldmark und Dennis Lambert
Commodores3:55
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