Let’s Face the Music and Dance

~ Veröffentlichung von Fred Astaire (alle Versionen dieser Veröffentlichung ansehen, eine vorhanden)

Titelliste

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1Let’s Face the Music and Dance
recorded in:
Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1936-01-30)
vocals:
Fred Astaire (am 1936-01-30)
Orchester:
Johnny Green and His Orchestra (am 1936-01-30)
recording of:
Let’s Face the Music and Dance (from “Follow the Fleet”) (am 1936-01-30)
Texter und Komponist(in):
Irving Berlin (in 1936)
publisher:
Irving Berlin Music Company, Irving Berlin Music Corp. und Williamson Music Company
Teil von:
Follow the Fleet (1936 film)
2:28
2Top Hat, White Tie and Tails
recording of:
Top Hat, White Tie and Tails (from “Top Hat”)
Texter und Komponist(in):
Irving Berlin (in 1935)
Teil von:
Top Hat (1935 film)
2:34
3Things Are Looking Up
recording of:
Things Are Looking Up (A Damsel in Distress) (am 1937-10-17)
Texter:
Ira Gershwin (in 1937)
Komponist(in):
George Gershwin (composer) (in 1937)
Teil von:
A Damsel in Distress (1937 film score)
Teil von:
Crazy for You (1992 musical)
3:07
4A Foggy Day (in London Town)
recorded in:
Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1937-10-17)
vocals:
Fred Astaire (am 1937-10-17)
Orchester:
Ray Noble and His Orchestra (am 1937-10-17)
recording of:
A Foggy Day (in London Town) (am 1937-10-17)
Texter:
Ira Gershwin (in 1937)
Komponist(in):
George Gershwin (composer) (in 1937)
publisher:
Chappell & Co., Inc. (USA), Chappell Music Ltd., Gershwin Publishing Corp, Warner Chappell North America Ltd. und WB Music Corp. (1929–2019) (bis 2019-05-28)
Teil von:
A Damsel in Distress (1937 film score)
2:50
5Nice Work If You Can Get It
recorded in:
Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1937-10-19)
vocals:
Fred Astaire (am 1937-10-19)
Orchester:
Ray Noble and His Orchestra (am 1937-10-19)
recording of:
Nice Work If You Can Get It (am 1937-10-19)
Texter:
Ira Gershwin (in 1937)
Komponist(in):
George Gershwin (composer) (in 1937)
publisher:
Chappell & Co., Inc. (USA) und Gershwin Publishing Corp (in 1937)
Teil von:
A Damsel in Distress (1937 film score)
Teil von:
Crazy for You (1992 musical)
Teil von:
My One and Only (1983 Broadway musical)
2:43
6The Way You Look Tonight
recorded in:
Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1936-07-26)
vocals:
Fred Astaire (am 1936-07-26)
Orchester:
Johnny Green and His Orchestra (am 1936-07-26)
recording of:
The Way You Look Tonight (from “Swing Time”) (am 1936-07-26)
publisher:
Jerome Kern (am 1936-07-24)
Texter:
Dorothy Fields (American librettist and lyricist) (in 1936)
Komponist(in):
Jerome Kern (in 1936)
publisher:
Aldi Music Company, Chappell & Co., Inc. (USA), Chappell Music Ltd., Polygram Music, PolyGram Music Publishing Ltd., Shapiro Bernstein & Co. Ltd., Shapiro, Bernstein & Co., Inc., The Songwriters Guild und Universal PolyGram International Publishing, Inc. (existed only since ca. 1998) (in 1936)
sub-publisher:
シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.) und ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
Teil von:
The 9th Academy Award for Best Original Song (Nummer: 1) und Academy Award for Best Original Song (Nummer: 1936 winner)
Teil von:
Swing Time (film)
3:07
7They All Laughed
recorded in:
Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1937-03-18)
vocals:
Fred Astaire (am 1937-03-18)
Orchester:
Johnny Green and His Orchestra (am 1937-03-18)
recording of:
They All Laughed (from “Shall We Dance”) (am 1937-03-18)
Texter:
Ira Gershwin (in 1937)
Komponist(in):
George Gershwin (composer) (in 1937)
publisher:
Chappell & Co., Inc. (USA), Chappell Music (UK) und Gershwin Publishing Corp (in 1937)
Teil von:
Shall We Dance (1937 film soundtrack)
2:45
8They Can’t Take That Away From Me
recorded in:
Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1937-03-14)
vocals:
Fred Astaire (am 1937-03-14)
Orchester:
Johnny Green and His Orchestra (am 1937-03-14)
recording of:
They Can’t Take That Away From Me (from “Shall We Dance”) (am 1937-03-14)
Texter:
Ira Gershwin (in 1937)
Komponist(in):
George Gershwin (composer) (in 1937)
publisher:
Chappell & Co., Inc. (USA), Chappell Music (UK), Chappell Music Ltd., Ira Gershwin Music, Warner/Chappell Music Holland BV, Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09), WB Music Corp. (1929–2019) (bis 2019-05-28) und Gershwin Publishing Corp (in 1937)
Teil von:
The 10th Academy Award for Best Original Song (Nummer: 2) und Academy Award for Best Original Song (Nummer: 1937 nominee)
enthalten in:
An American in Paris (2015 Broadway musical)
Teil von:
Crazy for You (1992 musical)
Teil von:
Shall We Dance (1937 film soundtrack)
3:04
9Let’s Call the Whole Thing Off
recording of:
Let’s Call the Whole Thing Off (from “Shall We Dance”) (am 1937-03-03)
Texter:
Ira Gershwin (in 1937)
Komponist(in):
George Gershwin (composer) (in 1937)
publisher:
Gershwin Publishing Corp (in 1937)
übersetzte Version von:
Vamos a dejarlo ya (Let's Call the Whole Thing Off)
Teil von:
Shall We Dance (1937 film soundtrack)
33:13
10Dearly Beloved
2:43
11I’m Putting All My Eggs in One Basket
recorded in:
Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1936-01-30)
vocals:
Fred Astaire (am 1936-01-30)
Orchester:
Johnny Green and His Orchestra (am 1936-01-30)
recording of:
I’m Putting All My Eggs in One Basket (from “Follow the Fleet”) (am 1936-01-30)
Texter und Komponist(in):
Irving Berlin (in 1936)
2:47
12Cheek to Cheek
recorded in:
New York, New York, Vereinigte Staaten (am 1935-06-26)
vocals:
Fred Astaire (am 1935-06-26)
Orchester:
Leo Reisman and His Orchestra (am 1935-06-26)
recording of:
Cheek to Cheek (from “Top Hat”) (am 1935-06-26)
Texter und Komponist(in):
Irving Berlin (in 1935)
publisher:
Irving Berlin (England) Music Ltd., Irving Berlin Music Company, Irving Berlin Music Corp., シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.) und ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
Teil von:
Academy Award for Best Original Song (Nummer: 1935 nominee)
Teil von:
Top Hat (1935 film)
3:20
13You Were Never Lovelier
recorded in:
Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1942-07-27)
vocals:
Fred Astaire (am 1942-07-27)
Orchester:
John Scott Trotter and His Orchestra (am 1942-07-27)
recording of:
You Were Never Lovelier (from “You Were Never Lovelier”) (am 1942-07-27)
Texter:
Johnny Mercer
Komponist(in):
Jerome Kern
publisher:
Chappell Music Ltd.
2:43
14Pick Yourself Up
recorded in:
Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1936-07-26)
vocals:
Fred Astaire (am 1936-07-26)
Orchester:
Johnny Green and His Orchestra (am 1936-07-26)
recording of:
Pick Yourself Up (from “Swing Time”) (am 1936-07-26)
Texter:
Dorothy Fields (American librettist and lyricist)
Komponist(in):
Jerome Kern
Teil von:
Swing Time (film)
2:54
15A Fine Romance
2:50
16Never Gonna Dance
recorded in:
Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1936-07-26)
vocals:
Fred Astaire (am 1936-07-26)
Orchester:
Johnny Green and His Orchestra (am 1936-07-26)
recording of:
Never Gonna Dance (from “Swing Time”) (am 1936-07-26)
Texter:
Dorothy Fields (American librettist and lyricist)
Komponist(in):
Jerome Kern
Teil von:
Swing Time (film)
3:09
17Slap That Bass
recorded in:
Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1937-03-21)
vocals:
Fred Astaire (am 1937-03-21)
Orchester:
Johnny Green and His Orchestra (am 1937-03-21)
recording of:
Slap That Bass (from “Shall We Dance”) (am 1937-03-21)
Texter:
Ira Gershwin (in 1937)
Komponist(in):
George Gershwin (composer) (in 1937)
publisher:
Gershwin Publishing Corp (in 1937)
Teil von:
Crazy for You (1992 musical)
Teil von:
Shall We Dance (1937 film soundtrack)
2:55
18Shall We Dance
recording of:
Shall We Dance (am 1937-03-21)
Texter:
Ira Gershwin
Komponist(in):
George Gershwin (composer)
publisher:
Gershwin Publishing Corp (in 1937)
enthalten in:
An American in Paris (2015 Broadway musical)
Teil von:
Crazy for You (1992 musical)
Teil von:
Shall We Dance (1937 film soundtrack)
2:30
19One for My Baby (And One More for the Road)
recording of:
One for My Baby (and One More for the Road)
Texter:
Johnny Mercer (in 1943)
Komponist(in):
Harold Arlen (in 1943)
publisher:
Chappell/Morris Ltd. und Harwin Music
Teil von:
The Sky’s the Limit (1943 film)
2:36
20Beginner’s Luck
recorded in:
Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1937-03-18)
vocals:
Fred Astaire (am 1937-03-18)
Orchester:
Johnny Green and His Orchestra (am 1937-03-18)
recording of:
(I’ve Got) Beginner’s Luck (from “Shall We Dance”) (am 1937-03-18)
Texter:
Ira Gershwin (in 1937)
Komponist(in):
George Gershwin (composer) (in 1937)
publisher:
Gershwin Publishing Corp (in 1937)
enthalten in:
An American in Paris (2015 Broadway musical)
Teil von:
Shall We Dance (1937 film soundtrack)
2:51
21Change Partners
recorded in:
Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1938-03-24)
vocals:
Fred Astaire (am 1938-03-24)
Orchester:
Ray Noble and His Orchestra (am 1938-03-24)
recording of:
Change Partners (from “Carefree”) (am 1938-03-24)
Texter und Komponist(in):
Irving Berlin (in 1938)
publisher:
Irving Berlin Music Corp. und Williamson Music Company
Teil von:
The 11th Academy Award for Best Original Song (Nummer: 2) und Academy Award for Best Original Song (Nummer: 1938 nominee)
3:08
22Isn’t This a Lovely Day
recorded in:
New York, New York, Vereinigte Staaten (am 1935-06-27)
vocals:
Fred Astaire (am 1935-06-27)
Orchester:
Johnny Green and His Orchestra (am 1935-06-27)
recording of:
Isn’t This a Lovely Day? (from “Top Hat”) (am 1935-06-27)
Texter und Komponist(in):
Irving Berlin (in 1935)
Teil von:
Top Hat (1935 film)
3:14
23Let Yourself Go
recorded in:
Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1936-01-30)
vocals:
Fred Astaire (am 1936-01-30)
Orchester:
Johnny Green and His Orchestra with Chorus (am 1936-01-30)
recording of:
Let Yourself Go (from “Follow the Fleet”) (am 1936-01-30)
Texter und Komponist(in):
Irving Berlin (in 1936)
2:35
24Night and Day
Geige / Violine:
Lew Conrad (am 1932-11-22) und Sammy Schklar (am 1932-11-22)
Posaune:
Ernie Gibbs (am 1932-11-22)
Rohrblattinstrumente:
Jess Smith (reeds in Leo Reisman & His Orchestra) (am 1932-11-22) und Burt Williams (am 1932-11-22)
Trompete:
Lew Sherwood (am 1932-11-22)
vocals:
Fred Astaire (am 1932-11-22)
Orchester:
Leo Reisman and His Orchestra (am 1932-11-22)
conductor:
Leo Reisman (violinist, bandleader, arranger) (am 1932-11-22)
aufgenommen bei:
Victor Studio #1 (Cherokee A) in New York, New York, Vereinigte Staaten (am 1932-11-22)
recording of:
Night and Day (Cole Porter; from “The Gay Divorce”) (am 1932-11-22)
Texter und Komponist(in):
Cole Porter (composer) (in 1932)
publisher:
Chappell & Co., Inc. (USA), Chappell Music Ltd., Warner Bros. (holding: file NO releases), Warner Bros. Music (publisher; do NOT use as release label), Warner Bros., Inc. (not for release label use!), Warner Bros., Inc. (Warner Bros. Music Division), Warner/Chappell (Warner/Chappell Music, Inc.), WB Music Corp. (1929–2019) (bis 2019-05-28) und Harms, Inc. (am 1932-11-18)
Teil von:
Gay Divorce
53:27
25Puttin’ On the Ritz
vocals:
Fred Astaire (in 1937)
recording of:
Puttin’ On the Ritz (in 1937)
Texter und Komponist(in):
Irving Berlin (in 1929)
publisher:
Berlin Irving Music Corp und Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group)
Teil von:
Idiot’s Delight (film)
2:10