Classic Rock 70’s

~ Veröffentlichung von Various Artists (alle Versionen dieser Veröffentlichung ansehen, eine vorhanden)

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Anmerkung zuletzt geändert am 2020-04-02 20:36 UTC.

Titelliste

1▼Digitales Medium
Nr.TitelKünstlerBewertungLänge
1School’s Out
Techniker(in):
Roy Cicala und Shelly Yakus
Produzent(in):
Bob Ezrin
E-Bass:
Dennis Dunaway (original bass player for Alice Cooper)
E-Gitarre:
Michael Bruce (of Alice Cooper) und Glen Buxton (American guitarist)
Gitarre und Hintergrundgesang:
Reggie Vincent
Keyboard:
Michael Bruce (of Alice Cooper) und Bob Ezrin
Schlagzeug:
Neil Smith (former Alice Cooper drummer)
Sologesang:
Alice Cooper (the musician born Vincent Damon Furnier, changed his name legally to Alice Cooper in 1974)
phonographisches Urheberrecht (℗) von:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (in 1972, in 1974) und WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1972)
produced for:
Alive Enterprises Incorporated und Nimbus 9 Productions
aufgenommen bei:
The Record Plant (New York) in Midtown Manhattan, New York, New York, Vereinigte Staaten
Teil von:
VH1: 100 Greatest Hard Rock Songs (2008-12-29) (Nummer: 35), Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (Nummer: 293) und Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 319)
recording of:
School’s Out
Verfasser(in):
Michael Bruce (of Alice Cooper), Glen Buxton (American guitarist), Alice Cooper (the musician born Vincent Damon Furnier, changed his name legally to Alice Cooper in 1974), Dennis Dunaway (original bass player for Alice Cooper) und Neal Smith (former Alice Cooper drummer)
publisher:
Bizarre Music Co. (US work publisher), BMG Platinum Songs US, Carlin Music Corporation, Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Ezra Music, Ezra Music Corp., Opus 19 Music, Primary Wave Music Publishing, Sony/ATV Music Publishing, Third Palm Music, Universal Music Publishing Group, Warner Bros. Music (publisher; do NOT use as release label) und Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label)
sub-publisher:
フジパシフィックミュージック (Fujipacific Music, Inc.) und ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
Alice Cooper4.253:30
2I Got the Fire
Montrose3:10
3Wonderous Stories
assistierende(r) Techniker(in):
David Richards (Swiss-based producer and engineer)
Techniker(in):
John Timperley
leitende(r) Produzent(in):
Brian Lane (producer)
Produzent(in):
Yes (British progressive rock band)
Bassgitarre:
Chris Squire (Yes bassist) (von 1976 bis 1977)
Moog [Polymoog]:
Rick Wakeman (von 1976 bis 1977)
portugiesische Gitarre [Vachalia] und E-Gitarre:
Steve Howe (von 1976 bis 1977)
Schlagzeug und Perkussion:
Alan White (Yes drummer) (von 1976 bis 1977)
Hintergrundgesang:
Steve Howe (von 1976 bis 1977) und Chris Squire (Yes bassist) (von 1976 bis 1977)
Sologesang:
Jon Anderson (Yes/Jon & Vangelis) (von 1976 bis 1977)
arranger:
Yes (British progressive rock band)
phonographisches Urheberrecht (℗) von:
Atlantic (Warner Music imprint) (in 1977), Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1977) und WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1977)
aufgenommen bei:
Mountain Recording Studios (original Montreux location, 1975–2002) in Montreux, Vaud (Kanton Waadt), Schweiz (von 1976 bis 1977)
teilweise recording of:
Wonderous Stories (von 1976 bis 1977)
Texter und Komponist(in):
Jon Anderson (Yes/Jon & Vangelis)
publisher:
Rondor Music (London) Ltd., Topographic Music (publisher), Warner Bros. Music (publisher; do NOT use as release label), Warner Bros. Music Ltd. (UK subsidiary, so named between 1970/01/23–1971/04/26 and 1972/04/25–1988/08/23), Warner Chappell Music (publisher as Warner/Chappell Music), Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner Chappell Music, Inc., Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09) und Topographic Music, Ltd. (in 1977)
Yes4.353:49
4Take It On Down the Road
Techniker(in):
Rhett Davies
Produzent(in):
Neil Slaven, Trapeze (British rock drummer), Trapeze, Trapeze und Trapeze (bass player)
Mix:
Steve Nye (producer, engineer and pianist)
Bassgitarre:
Pete Wright (bass player)
Conga:
John Ogden (percussionist)
elektronische Orgel:
Terry Rowley
Gitarre:
Mel Galley und Rob Kendrick
Saxophon:
Chris Mercer (British saxophonist)
Schlagzeug:
Dave Holland (British rock drummer)
Hintergrundgesang:
Rob Kendrick und Pete Wright (bass player)
Sologesang:
Mel Galley
recording of:
Take It on Down the Road
Verfasser(in):
Trapeze
Komponist(in):
Tom Galley
Trapeze4:46
5Rock and Roll
Techniker(in):
Adrian Barber (producer/engineer) und Geoffrey Haslam
Produzent(in):
Geoffrey Haslam und Shel Kagan
Bassgitarre und Schlagzeug:
Doug Yule
E-Gitarre:
Sterling Morrison
E-Gitarre [rhythm guitar] und Sologesang:
Lou Reed
phonographisches Urheberrecht (℗) von:
Warner Special Products
aufgenommen bei:
Atlantic Studios (1841 Broadway, New York, 1957–1991) in Midtown Manhattan, New York, New York, Vereinigte Staaten (von 1970-04 bis 1970-08)
recording of:
Rock ’n’ Roll
Texter und Komponist(in):
Lou Reed
publisher:
Oakfield Avenue Music Ltd.
The Velvet Underground4.14:43
6Guitar Man
Techniker(in):
Armin Steiner
Partner-Produzent(in):
James Griffin (soft rock singer/songwriter/guitarist)
Produzent(in):
David Gates (singer/songwriter, lead singer of Bread)
Bassgitarre:
David Gates (singer/songwriter, lead singer of Bread)
Gitarre:
David Gates (singer/songwriter, lead singer of Bread) und James Griffin (soft rock singer/songwriter/guitarist)
Klavier:
James Griffin (soft rock singer/songwriter/guitarist)
Perkussion und Schlagzeug:
Michael Botts
arranger:
David Gates (singer/songwriter, lead singer of Bread)
phonographisches Urheberrecht (℗) von:
WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US), Elektra Entertainment (company, DO NOT USE as release label, for releases use “Elektra”) (in 1972), Elektra Records (not for release label use! please use its imprint “Elektra” instead) (in 1972) und Warner Music International (trademark of Warner Music International the company) (in 1973)
aufgenommen bei:
Elektra Sound Recorders in Los Angeles, California (Kalifornien), Vereinigte Staaten
recording of:
The Guitar Man
Texter und Komponist(in):
David Gates (singer/songwriter, lead singer of Bread)
publisher:
EMI Music Publishing (do not use as a release label!) und Screen Gems–Columbia Music, Inc.
Bread43:44
7For What It’s Worth
Produzent(in):
Charles Greene (producer) und Brian Stone (producer)
Hintergrundgesang:
Richie Furay und Dewey Martin
vocals:
Stephen Stills
phonographisches Urheberrecht (℗) von:
Warner Music International (trademark of Warner Music International the company) (in 1967) und Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1969)
Teil von:
Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 63)
recording of:
For What It’s Worth (am 1966-12-05)
Texter und Komponist(in):
Stephen Stills
publisher:
Cotillion, Cotillion Music Inc. (BMI), Richie Furay Music (BMI), Springalo Toones (BMI), Ten East und Ten‐East Music (BMI)
Buffalo Springfield4.252:41
8Love Hurts
recording engineer:
Michael Boshears
assistierende(r) Techniker(in):
Jeff Hawks
Techniker(in):
Val Garay
Produzent(in):
Charles Plotkin
Bass, Gitarre, Klavier, Orgel, Perkussion und Schlagzeug:
Andrew Gold
Hintergrundgesang:
Kenny Edwards (Bryndle/Stone Poneys/Linda Ronstadt) und Linda Ronstadt
vocals:
Andrew Gold
recording of:
Love Hurts
Texter und Komponist(in):
Andrew Gold
publisher:
Luckyu Music
Andrew Gold53:48
9Willin’
recording engineer und Mix:
Donn Landee
Produzent(in):
Ted Templeman
Bassgitarre:
Roy Estrada
Gast-Steel-Gitarre:
Sneaky Pete Kleinow
Gitarre und Sologesang:
Lowell George
Keyboard:
Bill Payne
Perkussion und Schlagzeug:
Richie Hayward
Hintergrundgesang:
Roy Estrada und Richie Hayward
phonographisches Urheberrecht (℗) von:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (in 1972)
recording of:
Willin’
Texter und Komponist(in):
Lowell George
publisher:
Abraham Music und Naked Snake Music
Little Feat2:55
10Slow Ride
phonographisches Urheberrecht (℗) von:
Bearsville Records Inc. (in 1975) und Rhino Records, Inc. (company credits only; not for release label use!) (in 1976)
Bearbeitung von:
Slow Ride (long version) von Foghat
recording of:
Slow Ride
Texter und Komponist(in):
Dave Peverett
publisher:
Kohaw Music Inc. und WC Music Corp.
Foghat4.53:58
11A Horse With No Name
Techniker(in):
Robin Black (engineer) und Ken Scott (UK record producer & engineer)
Produzent(in):
America (US folk/soft rock band), Jeff Dexter, George Martin (producer, arranger, composer, conductor, audio engineer, and musician) und Ian Samwell
zusätzliche(r) Produzent(in):
America (US folk/soft rock band) und Jeff Dexter
Mix:
George Martin (producer, arranger, composer, conductor, audio engineer, and musician)
Akustikgitarre und Sologesang:
Dewey Bunnell (in 1971)
Bassgitarre:
Dan Peek (in 1971)
Perkussion:
Ray Cooper (percussionist) (in 1971)
Schlagzeug:
Kim Haworth (in 1971)
zwölfsaitige Gitarre:
Gerry Beckley (in 1971)
phonographisches Urheberrecht (℗) von:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (in 1971, in 1972), Warner Music (global imprint of Warner Music Group, ‘W’ logo either with “Warner Music” or no text) (in 1972) und Rhino Entertainment Company (not for release label use!) (in 2011)
aufgenommen bei:
Morgan Studios (Morgan Sound Studios) in Willesden, Brent (London Borough of Brent), London (Greater London), England, Vereinigtes Königreich (in 1971)
recording of:
A Horse With No Name (in 1971)
Texter und Komponist(in):
Dewey Bunnell
publisher:
Warner Bros. Music Ltd. (UK subsidiary, so named between 1970/01/23–1971/04/26 and 1972/04/25–1988/08/23), Warner Chappell Music Ltd. (no slash; used 1988–1996) und WB Music Corp. (1929–2019)
America4.34:12
12Never Let Her Slip Away
assistierende(r) Techniker(in):
George Ybara
Techniker(in):
Dennis Kirk und Greg Ladanyi
Produzent(in):
Andrew Gold und Brock Walsh (singer, producer, songwriter)
Perkussion:
Andrew Gold (in 1978) und Brock Walsh (singer, producer, songwriter) (in 1978)
Saxophon:
Ernie Watts (Ernest James Watts, jazz and blues saxophonist) (in 1978)
Synthesizer:
Andrew Gold (in 1978)
Hintergrundgesang:
Andrew Gold (in 1978), John David Souther (in 1978) und Brock Walsh (singer, producer, songwriter) (in 1978)
phonographisches Urheberrecht (℗) von:
Elektra/Asylum Records (not for release label use! copyrights holder, distributor within the US) (in 1978)
aufgenommen bei und mixed at:
Sound Factory (1969–1980) in Los Angeles, California (Kalifornien), Vereinigte Staaten (in 1978)
recording of:
Never Let Her Slip Away (in 1978)
Texter und Komponist(in):
Andrew Gold
publisher:
Luckyu Music
Andrew Gold53:22
13She’s Gone
recorded in:
New York, New York, Vereinigte Staaten (in 1973)
Produzent(in):
Arif Mardin
Bass:
Steve Gelfand (bassist a/k/a Steve “Fontz” Gelfand) (in 1973)
E-Gitarre, mellotron und Synthesizer:
Chris Bond (producer, active circa 1970s) (in 1973)
Gitarre:
John Oates (in 1973)
Hybrid-Piano:
Daryl Hall (in 1973)
Perkussion:
Ralph MacDonald (in 1973)
Schlagzeug:
Bernard “Pretty” Purdie (in 1973)
Tenorsaxophon:
Joe Farrell (in 1973)
Sologesang:
Daryl Hall (in 1973) und John Oates (in 1973)
phonographisches Urheberrecht (℗) von:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1973)
Teil von:
Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (Nummer: 336)
recording of:
She’s Gone (in 1973)
Texter und Komponist(in):
Daryl Hall und John Oates
publisher:
Unichappell Music, Inc., ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) und ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
Daryl Hall & John Oates3.655:15
14Truckin’
Koproduzent(in):
Steve Barncard
Produzent(in):
Grateful Dead
Bassgitarre:
Phil Lesh (in 1970-09)
Gitarre:
Jerry Garcia (guitarist / vocalist in Grateful Dead) (in 1970-09), Phil Lesh (in 1970-09) und Bob Weir (in 1970-09)
Klavier:
Jerry Garcia (guitarist / vocalist in Grateful Dead) (in 1970-09) und Phil Lesh (in 1970-09)
Mundharmonika:
Ron “Pigpen” McKernan (in 1970-09)
Orgel:
Howard Wales (in 1970-09)
Pedal-Steel-Gitarre:
Jerry Garcia (guitarist / vocalist in Grateful Dead) (in 1970-09)
Perkussion:
Mickey Hart (drummer for The Grateful Dead) (in 1970-09)
Schlagzeug:
Bill Kreutzmann (in 1970-09)
vocals:
Jerry Garcia (guitarist / vocalist in Grateful Dead) (in 1970-09), Phil Lesh (in 1970-09), Ron “Pigpen” McKernan (in 1970-09) und Bob Weir (in 1970-09)
aufgenommen bei:
Wally Heider Studios (@ 245 Hyde Street, San Francisco) in San Francisco, California (Kalifornien), Vereinigte Staaten (in 1970-09)
recording of:
Truckin’ (in 1970-09)
Texter:
Robert Hunter (American lyricist, non‐performing member of the Grateful Dead)
Komponist(in):
Jerry Garcia (guitarist / vocalist in Grateful Dead), Phil Lesh und Bob Weir
publisher:
Ice Nine Publishing Company, Inc.
Grateful Dead3.85:07
15I Saw the Light
Produzent(in):
Todd Rundgren
Instrumente und vocals:
Todd Rundgren
arranger:
Todd Rundgren
phonographisches Urheberrecht (℗) von:
Bearsville Records (in 1972)
Teil von:
Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 452)
recording of:
I Saw the Light
Texter und Komponist(in):
Todd Rundgren
publisher:
Earmark Music Inc. und Screen Gems–EMI Music, Inc. (USA, affiliated with BMI)
sub-publisher:
イーエムアイ音楽出版 フジパシフィック事業部 (EMI Music Publishing Japan, Fujipacific Division) (bis 2021-06-30) und ソニー・ミュージックパブリッシング フジパシフィック事業部 (Sony Music Publishing (Japan) Inc., Fujipacific Division) (vom 2021-07-01 bis heute)
Todd Rundgren53:00
16Diamond Girl
Produzent(in):
Louie Shelton
phonographisches Urheberrecht (℗) von:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (in 1973)
recording of:
Diamond Girl
Texter:
James Seals
Komponist(in):
Dash Crofts und James Seals
Seals & Crofts44:13
17Cats in the Cradle
recording of:
Cat’s in the Cradle
Verfasser(in):
Sandra Campbell Chapin und Harry F Chapin
publisher:
Neue Welt Musikverlag GmbH & Co. KG (– 2017), Story Songs, Ltd, Warner Bros., Inc. (not for release label use!), Warner Chappell Music (publisher as Warner/Chappell Music), Warner Chappell Music, Inc., Warner/Chappell Music Australia Pty. Ltd. und Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09)
Harry Chapin33:32
18Milk and Alcohol
phonographisches Urheberrecht (℗) von:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1978)
recording of:
Milk and Alcohol (in 1978-09)
Verfasser(in):
Nick Lowe (UK singer/songwriter/instrumentalist/producer) und Gypie Mayo
publisher:
Plangent Visions Music Ltd. und Rock Music Co., Ltd.
Dr. Feelgood4.22:49
19Still the One
Sologesang:
Larry Hoppen
phonographisches Urheberrecht (℗) von:
Elektra Entertainment (company, DO NOT USE as release label, for releases use “Elektra”) (in 1976) und Elektra/Asylum Records (not for release label use! copyrights holder, distributor within the US) (in 1976)
Teil von:
Paste: The 25 Greatest Yacht Rock Songs of All Time (Nummer: 18)
recording of:
Still the One
Verfasser(in):
Johanna Hall und John Hall (US guitarist/vocalist for Orleans, later US congressman)
publisher:
Siren Songs
Orleans53:53
20Magic
Produzent(in):
Alan Parsons (of The Alan Parsons Project)
phonographisches Urheberrecht (℗) von:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1974, in 1975, in 2003)
Teil von:
Paste: The 50 Greatest NON One-Hit Wonders of All Time (Nummer: 41)
recording of:
Magic
Verfasser(in):
Billy Lyall und David Paton (of Pilot)
publisher:
Beechwood Music Corp., EMI (EMI Records, or EMI Music only if there is no other imprint), EMI Music Publishing (do not use as a release label!), EMI Music Publishing Australia Pty Ltd (not for release label use!), EMI Music Publishing Ltd. (PRS‐affiliated) und Robbins Music Corp. Ltd.
Pilot4.753:07
21Stay With Me
Produzent(in):
Faces (successor of “Small Faces”, members Rod Stewart, Ron Wood) und Glyn Johns
Bassgitarre:
Ronnie Lane
Gitarre:
Ronnie Wood (UK guitarist, member of The Rolling Stones, also goes by Ron Wood)
Schlagzeug:
Kenney Jones (drummer for Small Faces, Faces, and The Who)
Wurlitzer Electric Piano:
Ian McLagan
Sologesang:
Rod Stewart
phonographisches Urheberrecht (℗) von:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (in 1971) und WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1971)
recording of:
Stay With Me
Verfasser(in):
Rod Stewart und Ronnie Wood (UK guitarist, member of The Rolling Stones, also goes by Ron Wood)
publisher:
EMI April Music Inc., EMI Music Publishing Ltd. (PRS‐affiliated), Warner Bros. Music Co., Ltd., Warner Chappell Music Ltd. (no slash; used 1988–1996) und WB Music Corp. (1929–2019)
Faces4.54:40
22Highway Song
Blackfoot47:30
23Blitzkrieg Bop
recording of:
Blitzkrieg Bop
Verfasser(in):
Douglas Glenn Colvin, Thomas Erdelyi (Tommy Ramone), Jeffrey Hyman und John Cummings
publisher:
Bleu Disque Music Co., Inc. (publisher) und Taco Tunes Inc.
Ramones2:05
24Marquee Moon
assistierende(r) Techniker(in):
Jim Boyer (producer/engineer)
Techniker(in) und Mix:
Andy Johns
Produzent(in):
Andy Johns und Tom Verlaine
assistierende(r) Mix:
Jimmy Douglass (engineer) und Randy Mason
Bassgitarre:
Fred Smith (bassist)
Gitarre:
Richard Lloyd (American guitarist and singer, Television) und Tom Verlaine
Schlagzeug:
Billy Ficca
Solo-Gitarre [after the second chorus]:
Richard Lloyd (American guitarist and singer, Television)
Solo-Gitarre [after the third chorus] und Sologesang:
Tom Verlaine
aufgenommen bei:
A&R Studios (third studio, 322 West 48th Street, closed in 1989) in New York, New York, Vereinigte Staaten
mixed at:
Atlantic Studios (1841 Broadway, New York, 1957–1991) in Midtown Manhattan, New York, New York, Vereinigte Staaten
recording of:
Marquee Moon
Texter und Komponist(in):
Tom Verlaine
Television4.510:38