Anytime (Deluxe Edition)

~ Veröffentlichung von Brian McKnight (alle Versionen dieser Veröffentlichung ansehen, 16 vorhanden)

Titelliste

1▼Digitales Medium
Nr.TitelKünstlerBewertungLänge
1Anytime
recording engineer:
Chris Wood (recording engineer)
drum machine-Programmierung:
Anthony Nance
assistierende(r) Techniker(in):
Mary Ann Souza
leitende(r) Produzent(in):
Bruce Carbone und Herb Trawick
Produzent(in):
Brian McKnight
assistierende(r) Mix:
Ed Rasso
Mix:
Bassy Bob Brockmann (engineer, producer, remixer)
Hintergrundgesang und Sologesang:
Brian McKnight
phonographisches Urheberrecht (℗) von:
UMG Recordings, Inc. (operational headquarters of Universal Music Group, based in Santa Monica, USA; read annotations) (in 1997)
aufgenommen bei:
Backroom Studios in Glendale, California (Kalifornien), Vereinigte Staaten
mixed at:
Sound on Sound Recording Studios (New York) in New York, New York, Vereinigte Staaten
Samples:
Outside Your Door von Me’Shell NdegéOcello (US singer-songwriter/poet/bassist Michelle Lynn Johnson)
Musikvideos:
Anytime von Brian McKnight
recording of:
Anytime
Texter:
Brian McKnight
Komponist(in):
Brandon Barnes (songwriter, formerly of Byrne & Barnes)
publisher:
Brandon Barnes Music, Cancelled Lunch Music, PolyGram International Publishing, Inc. (renamed Universal PolyGram International Publishing, Inc. circa 1998), Songs of PolyGram International, Inc., Universal PolyGram International Publishing, Inc. (existed only since ca. 1998) und Universal–Songs of PolyGram International, Inc.
Brian McKnight44:36
2Could
recording engineer:
Chris Wood (recording engineer)
sonstige Unterstützung:
Suzie Katayama (Aufgabe: orchestra contractor / coordinator)
drum machine-Programmierung:
Anthony Nance
assistierende(r) Techniker(in):
Mary Ann Souza
Techniker(in):
David Reitzas (andere Instrumente [orchestra])
leitende(r) Produzent(in):
Bruce Carbone und Herb Trawick
Produzent(in):
Brian McKnight
assistierende(r) Mix:
Tom Bender (engineer)
Mix:
Mick Guzauski
Bass:
Oscar Meza, Jr. und David Young (bass)
Bratsche / Viola:
Bob Becker (strings), Denyse Buffum, Scott Haupert (violinist), Janet Lakatos, Maria Newman und John Scanlon
Cello:
Chris Ermacoff, Larry Corbett, Suzie Katayama, Steve Richards (cellist), Dan Smith (cello) und Rudy Stein
Geige / Violine:
Murray Adler, Susan Chatman, Ron Clark (violinist), Bruce Dukov, Armen Garabedian, Berj Garabedian, James Getzoff (American concertmaster and violinist), Harris Goldman, Endre Granat (Hungarian violinist), Peter Kent (violinist), Joy Lyle, Mike Markman, Ralph Morrison, Bob Peterson (violinist), Barbra Porter (violinist, photographer), Jay Rosen (violinist), Anatoly Rosinsky, John Wittenberg und Ken Yerke
Keyboard und Hintergrundgesang und Sologesang:
Brian McKnight
Waldhorn:
David Duke (horn), Joe Meyer (French horn player) und Brad Warnaar (American composer)
Orchestrator(in):
Bill K. Meyers (pianist, composer, producer, arranger, and conductor)
phonographisches Urheberrecht (℗) von:
UMG Recordings, Inc. (operational headquarters of Universal Music Group, based in Santa Monica, USA; read annotations) (in 1997)
aufgenommen bei:
Backroom Studios in Glendale, California (Kalifornien), Vereinigte Staaten und Capitol Studios (Hollywood, CA, founded 1956) in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten
mixed at:
Barking Doctor Recording in Mount Kisco, New York, Vereinigte Staaten
recording of:
Could (in 1997)
Verfasser(in):
Brandon Barnes (songwriter, formerly of Byrne & Barnes) und Brian McKnight
publisher:
Brandon Barnes Music, Cancelled Lunch Music und Universal–Songs of PolyGram International, Inc.
Brian McKnight54:27
3You Should Be Mine (Don't Waste Your Time)
recording engineer:
Andy Cardenas, Joe Pererra und Axel Niehaus (German-born engineer and producer)
Programmierung:
v.d. Toorn
Ko-Techniker(in):
Jon "JM" Meredith (US producer/engineer aka "JM") und Pierre Smith (US engineer)
Techniker(in):
Jon "JM" Meredith (US producer/engineer aka "JM") und Pierre Smith (US engineer)
leitende(r) Produzent(in):
Bruce Carbone und Herb Trawick
Produzent(in):
Ron Lawrence (US hip-hop producer aka Amen-Ra), Sean Combs (Sean Combs, aka Puff Daddy, P. Diddy) und Stevie J. (US hip-hop producer/songwriter Steven Jordan)
Gast Hintergrundgesang und Hintergrundgesang:
Kelly Price
Gast vocals, sonstiger Gesang [rap vocals] und Gast-Interpret(in):
Mase (US rapper)
Sologesang:
Brian McKnight
vocals:
Mase (US rapper) und Kelly Price
vocals arranger:
Kelly Price
phonographisches Urheberrecht (℗) von:
UMG Recordings, Inc. (operational headquarters of Universal Music Group, based in Santa Monica, USA; read annotations) (in 1997)
produced for:
Bad Boy Entertainment, Inc. und The Mystery System, Inc.
aufgenommen bei:
Caribbean Sound Basin in Port of Spain, Trinidad und Tobago und Daddy’s House Recording Studio in New York, New York, Vereinigte Staaten
Samples:
I Got Ants in My Pants, Part 1 von James Brown (The Godfather of Soul)
recording of:
You Should Be Mine (Don't Waste Your Time)
Verfasser(in):
James Brown (The Godfather of Soul), Ron Lawrence (US hip-hop producer aka Amen-Ra), Mason Betha (US rapper), Brian McKnight, Kelly Price, Sean Combs (Sean Combs, aka Puff Daddy, P. Diddy) und Steven Jordan (US hip-hop producer/songwriter Steven Jordan)
publisher:
AUSAR Music, Dynatone Publishing Co., EMI April Music Inc., Justin Combs Publishing, Price Is Right Publishing, Songs of Universal, Inc. (BMI), Steven A. Jordan Music, Inc. und Universal Music Careers
Brian McKnight feat. Mase3.654:47
4Show Me the Way Back to Your Heart
recording engineer:
Bill Whittington
sonstige Unterstützung:
Shaun Shankel (Aufgabe: production coordinator)
Bass-Programmierung und Bass, Klavier und Synthesizer-Programmierung:
Keith Thomas (CCM, country, pop producer & songwriter)
drum machine-Programmierung und Schlagzeug [drum]-Programmierung:
Mark Hammond (US drummer/producer/drum programmer)
assistierende(r) Techniker(in):
Greg Parker (engineer)
leitende(r) Produzent(in):
Bruce Carbone und Herb Trawick
Produzent(in):
Keith Thomas (CCM, country, pop producer & songwriter)
assistierende(r) Mix:
Tom Bender (engineer)
Mix:
Mick Guzauski
guitar family:
Dann Huff und Jerry McPherson
klassiche Gitarre:
Tom Hemby
Hintergrundgesang:
Lisa Cochran und Kim Fleming
Hintergrundgesang und Sologesang:
Brian McKnight
arranger:
Keith Thomas (CCM, country, pop producer & songwriter)
phonographisches Urheberrecht (℗) von:
UMG Recordings, Inc. (operational headquarters of Universal Music Group, based in Santa Monica, USA; read annotations) (in 1997)
aufgenommen bei:
The Bennett House in Franklin, Tennessee, Vereinigte Staaten
mixed at:
Barking Doctor Recording in Mount Kisco, New York, Vereinigte Staaten
cover recording of:
Show Me the Way Back to Your Heart (in 1997)
Verfasser(in):
Diane Warren (US songwriter)
publisher:
Realsongs
Brian McKnight43:56
5Everytime We Say Goodbye
recording engineer:
Chris Wood (recording engineer)
zusätzliche drum machine-Programmierung:
Rodney Jerkins
assistierende(r) Techniker(in):
Mary Ann Souza
leitende(r) Produzent(in):
Bruce Carbone und Herb Trawick
Produzent(in):
Brian McKnight
assistierende(r) Mix:
Ed Rasso
Mix:
Bassy Bob Brockmann (engineer, producer, remixer)
andere Instrumente [all instruments performed by]:
Anthony Nance
zusätzlich Keyboard und Hintergrundgesang und Sologesang:
Brian McKnight
phonographisches Urheberrecht (℗) von:
UMG Recordings, Inc. (operational headquarters of Universal Music Group, based in Santa Monica, USA; read annotations) (in 1997)
aufgenommen bei:
Backroom Studios in Glendale, California (Kalifornien), Vereinigte Staaten
mixed at:
Sound on Sound Recording Studios (New York) in New York, New York, Vereinigte Staaten
Samples:
Goodbye Love von Guy (US hip hop/r&b/soul/new jack swing group)
recording of:
Everytime We Say Goodbye (in 1997)
Verfasser(in):
Brian McKnight und Anthony Nance
publisher:
ANTHONY NANCE MUZIK, Cancelled Lunch Music, EMI April Music Inc. und PolyGram International Publishing, Inc. (renamed Universal PolyGram International Publishing, Inc. circa 1998)
Brian McKnight34:05
6You Got the Bomb
recording engineer:
Chris Wood (recording engineer)
drum machine-Programmierung:
Anthony Nance
assistierende(r) Techniker(in):
Doug "The Colonel" Kern
leitende(r) Produzent(in):
Bruce Carbone und Herb Trawick
Produzent(in):
Brian McKnight
assistierende(r) Mix:
Ed Rasso
Mix:
Bassy Bob Brockmann (engineer, producer, remixer)
andere Instrumente [all instruments performed by] und Hintergrundgesang und Sologesang:
Brian McKnight
phonographisches Urheberrecht (℗) von:
UMG Recordings, Inc. (operational headquarters of Universal Music Group, based in Santa Monica, USA; read annotations) (in 1997)
aufgenommen bei:
Backroom Studios in Glendale, California (Kalifornien), Vereinigte Staaten
mixed at:
Sound on Sound Recording Studios (New York) in New York, New York, Vereinigte Staaten
recording of:
You Got the Bomb (in 1997)
Verfasser(in):
Brian McKnight
publisher:
Cancelled Lunch Music und PolyGram International Publishing, Inc. (renamed Universal PolyGram International Publishing, Inc. circa 1998)
Brian McKnight34:42
7Hold Me
sonstige Unterstützung:
Rich Travali (Aufgabe: recorder)
drum machine-Programmierung:
Poke (hip hop producer Jean Olivier, of Poke and Tone) und Tone (hip-hop producer Samuel Barnes (Poke & Tone/Trackmasters))
leitende(r) Produzent(in):
Bruce Carbone und Herb Trawick
Produzent(in):
Poke (hip hop producer Jean Olivier, of Poke and Tone), Poke and Tone und Tone (hip-hop producer Samuel Barnes (Poke & Tone/Trackmasters))
Mix:
Rich Travali
Keyboard:
Cory Rooney
Hintergrundgesang:
DJ Clue? und Willie Max
Sologesang:
Brian McKnight
phonographisches Urheberrecht (℗) von:
UMG Recordings, Inc. (operational headquarters of Universal Music Group, based in Santa Monica, USA; read annotations) (in 1997)
aufgenommen bei:
Crave Studios in New York, Vereinigte Staaten und The Hit Factory in Manhattan, New York, New York, Vereinigte Staaten
Samples:
I Get Around von 2Pac (US rapper)
recording of:
Hold Me (in 1997)
Verfasser(in):
Mary J. Blige, Gregory Edward Jacobs, Shirley Murdock, Poke (hip hop producer Jean Olivier, of Poke and Tone), Ronald R. Brooks (Money B, of Digital Underground), Cory Rooney, Samuel J. “Tone” Barnes (hip-hop producer Samuel Barnes (Poke & Tone/Trackmasters)), Tupac Shakur (2Pac’s personal identity) und Larry Troutman
publisher:
12 & Under Music, BMG Platinum Songs US, Cancelled Lunch Music, Joshua’s Dream, PolyGram International Publishing, Inc. (renamed Universal PolyGram International Publishing, Inc. circa 1998), Pubhowyalike Publishing, R2M Music (BMI), Round Hill Compositions, Slamuwell Productions, Songs of Lastrada (BMI-affiliated), Sony/ATV Songs LLC, Tricky Track Music Inc., Twelve and Under Music und Universal Music–Z Songs
Brian McKnight43:49
8The Only One For Me
recording engineer:
Chris Wood (recording engineer)
drum machine-Programmierung:
Anthony Nance
assistierende(r) Techniker(in):
Mary Ann Souza
leitende(r) Produzent(in):
Bruce Carbone und Herb Trawick
Produzent(in):
Brian McKnight
assistierende(r) Mix:
Ed Rasso
Mix:
Bassy Bob Brockmann (engineer, producer, remixer)
andere Instrumente [all instruments performed by] und Hintergrundgesang und Sologesang:
Brian McKnight
phonographisches Urheberrecht (℗) von:
UMG Recordings, Inc. (operational headquarters of Universal Music Group, based in Santa Monica, USA; read annotations) (in 1997)
aufgenommen bei:
Backroom Studios in Glendale, California (Kalifornien), Vereinigte Staaten
mixed at:
Sound on Sound Recording Studios (New York) in New York, New York, Vereinigte Staaten
recording of:
The Only One for Me (in 1997)
Verfasser(in):
Brian McKnight
publisher:
Cancelled Lunch Music, PolyGram International Publishing, Inc. (renamed Universal PolyGram International Publishing, Inc. circa 1998) und Universal PolyGram International Publishing, Inc. (existed only since ca. 1998)
Brian McKnight45:13
9Til I Get Over You
recording engineer:
Chris Wood (recording engineer)
drum machine-Programmierung:
Anthony Nance
assistierende(r) Techniker(in):
Doug "The Colonel" Kern
leitende(r) Produzent(in):
Bruce Carbone und Herb Trawick
Produzent(in):
Brian McKnight
assistierende(r) Mix:
Ed Rasso
Mix:
Bassy Bob Brockmann (engineer, producer, remixer)
andere Instrumente [all instruments performed by] und Hintergrundgesang und Sologesang:
Brian McKnight
phonographisches Urheberrecht (℗) von:
UMG Recordings, Inc. (operational headquarters of Universal Music Group, based in Santa Monica, USA; read annotations) (in 1997)
aufgenommen bei:
Backroom Studios in Glendale, California (Kalifornien), Vereinigte Staaten
mixed at:
Sound on Sound Recording Studios (New York) in New York, New York, Vereinigte Staaten
recording of:
Til I Get Over You (in 1997)
Verfasser(in):
Brian McKnight
publisher:
Cancelled Lunch Music und PolyGram International Publishing, Inc. (renamed Universal PolyGram International Publishing, Inc. circa 1998)
Brian McKnight34:57
10I Belong to You
recording engineer:
Chris Wood (recording engineer)
assistierende(r) Techniker(in):
Doug Elkins
leitende(r) Produzent(in):
Bruce Carbone und Herb Trawick
Produzent(in):
Peter Black (rock/soul artist on Hidden Beach Recordings)
Mix:
Brant Biles und Peter Black (rock/soul artist on Hidden Beach Recordings)
andere Instrumente [all instruments performed by] und Hintergrundgesang und Sologesang:
Brian McKnight
arranger:
Peter Black (rock/soul artist on Hidden Beach Recordings)
phonographisches Urheberrecht (℗) von:
UMG Recordings, Inc. (operational headquarters of Universal Music Group, based in Santa Monica, USA; read annotations) (in 1997)
aufgenommen bei:
Backroom Studios in Glendale, California (Kalifornien), Vereinigte Staaten
mixed at:
Enterprise in North Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten
recording of:
I Belong to You (in 1997)
Verfasser(in):
Peter Black (US acid house producer/guitarist aka Jackmaster Black)
Brian McKnight34:45
11Jam Knock
recording engineer:
Carl Nappa und Chris Wood (recording engineer)
drum machine-Programmierung und Koproduzent(in):
The Characters (US production duo Charles Farrar & Troy Taylor)
Keyboard-Programmierung:
Brian McKnight
assistierende(r) Techniker(in):
Mary Ann Souza
leitende(r) Produzent(in):
Bruce Carbone und Herb Trawick
Produzent(in):
Brian McKnight
Mix:
Paul Logus
Hintergrundgesang:
Troy Taylor
Hintergrundgesang und Sologesang:
Brian McKnight
andere Instrumente [rhythm] arranger:
Brian McKnight und Troy Taylor
vocals arranger:
Brian McKnight und Troy Taylor
phonographisches Urheberrecht (℗) von:
UMG Recordings, Inc. (operational headquarters of Universal Music Group, based in Santa Monica, USA; read annotations) (in 1997)
aufgenommen bei:
Backroom Studios in Glendale, California (Kalifornien), Vereinigte Staaten und The Hit Factory in Manhattan, New York, New York, Vereinigte Staaten
mixed at:
Barking Doctor Recording in Mount Kisco, New York, Vereinigte Staaten
Samples:
I Can’t Wait von Nu Shooz
recording of:
Jam Knock (in 1997)
Verfasser(in):
Brian McKnight und John Smith (Nu Shooz)
publisher:
Cancelled Lunch Music, Nu Shooz Orchestra LLC und PolyGram International Publishing, Inc. (renamed Universal PolyGram International Publishing, Inc. circa 1998)
Brian McKnight34:34
12When the Chariot Comes
recording engineer:
Chris Wood (recording engineer)
sonstige Unterstützung:
Suzie Katayama (Aufgabe: orchestra contractor / coordinator)
assistierende(r) Techniker(in):
Doug Elkins
Techniker(in):
David Reitzas (andere Instrumente [orchestra])
leitende(r) Produzent(in):
Bruce Carbone und Herb Trawick
Produzent(in):
Brian McKnight
assistierende(r) Mix:
Tom Bender (engineer)
Mix:
Mick Guzauski
Altflöte:
Gerry Rotella (flutist) und Louise De Tullio
Bass:
Oscar Meza, Jr. und David Young (bass)
Bratsche / Viola:
Bob Becker (strings), Denyse Buffum, Scott Haupert (violinist), Janet Lakatos, Maria Newman und John Scanlon
Cello:
Chris Ermacoff, Larry Corbett, Suzie Katayama, Steve Richards (cellist), Dan Smith (cello) und Rudy Stein
Englischhorn [english horn]:
Jon Clarke
Geige / Violine:
Murray Adler, Susan Chatman, Ron Clark (violinist), Bruce Dukov, Armen Garabedian, Berj Garabedian, James Getzoff (American concertmaster and violinist), Harris Goldman, Endre Granat (Hungarian violinist), Peter Kent (violinist), Joy Lyle, Mike Markman, Ralph Morrison, Bob Peterson (violinist), Barbra Porter (violinist, photographer), Jay Rosen (violinist), Anatoly Rosinsky, John Wittenberg und Ken Yerke
Instrumente:
Don Williams (US percussionist, composer, arranger)
Keyboard und Hintergrundgesang und Sologesang:
Brian McKnight
Kornett [coronet / trumpet]:
Rick Baptist
Perkussion:
Dan Greco und Bob Zimmitti
Waldhorn:
David Duke (horn), Joe Meyer (French horn player) und Brad Warnaar (American composer)
Orchestrator(in):
Bill K. Meyers (pianist, composer, producer, arranger, and conductor)
phonographisches Urheberrecht (℗) von:
UMG Recordings, Inc. (operational headquarters of Universal Music Group, based in Santa Monica, USA; read annotations) (in 1997)
aufgenommen bei:
Backroom Studios in Glendale, California (Kalifornien), Vereinigte Staaten und Capitol Studios (Hollywood, CA, founded 1956) in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten
mixed at:
Barking Doctor Recording in Mount Kisco, New York, Vereinigte Staaten
recording of:
When the Chariot Comes (in 1997)
Verfasser(in):
Brandon Barnes (songwriter, formerly of Byrne & Barnes) und Brian McKnight
publisher:
Cancelled Lunch Music und PolyGram International Publishing, Inc. (renamed Universal PolyGram International Publishing, Inc. circa 1998)
Brian McKnight34:32
13Anytime (Acoustic)
assistierende(r) Techniker(in):
Nathan Hernando
Techniker(in):
Larry Bartlett
Produzent(in):
Brian McKnight
Instrumente:
Brian McKnight
Hintergrundgesang:
Brian McKnight
engineered at:
Imagination Studios in London (Greater London), England, Vereinigtes Königreich
recording of:
Anytime
Texter:
Brian McKnight
Komponist(in):
Brandon Barnes (songwriter, formerly of Byrne & Barnes)
publisher:
Brandon Barnes Music, Cancelled Lunch Music, PolyGram International Publishing, Inc. (renamed Universal PolyGram International Publishing, Inc. circa 1998), Songs of PolyGram International, Inc., Universal PolyGram International Publishing, Inc. (existed only since ca. 1998) und Universal–Songs of PolyGram International, Inc.
Brian McKnight3:36
14Anytime (Cibola Mix Show Bass)
recording engineer:
Chris Wood (recording engineer)
drum machine-Programmierung:
Anthony Nance
assistierende(r) Techniker(in):
Mary Ann Souza
leitende(r) Produzent(in):
Bruce Carbone und Herb Trawick
Produzent(in):
Brian McKnight
Hintergrundgesang und Sologesang:
Brian McKnight
aufgenommen bei:
Backroom Studios in Glendale, California (Kalifornien), Vereinigte Staaten
recording of:
Anytime
Texter:
Brian McKnight
Komponist(in):
Brandon Barnes (songwriter, formerly of Byrne & Barnes)
publisher:
Brandon Barnes Music, Cancelled Lunch Music, PolyGram International Publishing, Inc. (renamed Universal PolyGram International Publishing, Inc. circa 1998), Songs of PolyGram International, Inc., Universal PolyGram International Publishing, Inc. (existed only since ca. 1998) und Universal–Songs of PolyGram International, Inc.
Brian McKnight5:16
15Anytime (Suave House remix)
recording engineer:
Chris Wood (recording engineer)
drum machine-Programmierung:
Anthony Nance
assistierende(r) Techniker(in):
Mary Ann Souza
leitende(r) Produzent(in):
Bruce Carbone und Herb Trawick
Produzent(in):
Brian McKnight
Instrumente:
Brian McKnight
Hintergrundgesang und Sologesang:
Brian McKnight
aufgenommen bei:
Backroom Studios in Glendale, California (Kalifornien), Vereinigte Staaten
recording of:
Anytime
Texter:
Brian McKnight
Komponist(in):
Brandon Barnes (songwriter, formerly of Byrne & Barnes)
publisher:
Brandon Barnes Music, Cancelled Lunch Music, PolyGram International Publishing, Inc. (renamed Universal PolyGram International Publishing, Inc. circa 1998), Songs of PolyGram International, Inc., Universal PolyGram International Publishing, Inc. (existed only since ca. 1998) und Universal–Songs of PolyGram International, Inc.
Brian McKnight feat. Eightball4:19
16Hold Me (Trackmasters remix)
Brian McKnight feat. Samuel J. "Tone" Barnes & Kobe Bryant4:01
17You Should Be Mine (Don't Waste Your Time) (Mickey P. remix)
recording engineer:
Andy Cardenas, Axel Niehaus (German-born engineer and producer) und Joe Perrera
Techniker(in):
Jon "JM" Meredith (US producer/engineer aka "JM"), Mickey P. (Michael Mark Power) und Pierre Smith (US engineer)
leitende(r) Produzent(in):
Bruce Carbone und Herb Trawick
Produzent(in):
Ron Lawrence (US hip-hop producer aka Amen-Ra), Sean "Puffy" Combs (Sean Combs, aka Puff Daddy, P. Diddy) und Stevie J. (US hip-hop producer/songwriter Steven Jordan)
zusätzliche(r) Produzent(in):
Mickey P. (Michael Mark Power)
Hintergrundgesang:
Kelly Price
vocals:
Mase (US rapper)
remixer:
Mickey P. (Michael Mark Power)
vocals arranger:
Kelly Price
produced for:
Bad Boy Entertainment, Inc., Jerve Management und The Mystery System, Inc.
remixed for:
Jerve Management
aufgenommen bei:
Caribbean Sound Basin in Port of Spain, Trinidad und Tobago und Daddy’s House Recording Studio in New York, New York, Vereinigte Staaten
recording of:
You Should Be Mine (Don't Waste Your Time)
Verfasser(in):
James Brown (The Godfather of Soul), Ron Lawrence (US hip-hop producer aka Amen-Ra), Mason Betha (US rapper), Brian McKnight, Kelly Price, Sean Combs (Sean Combs, aka Puff Daddy, P. Diddy) und Steven Jordan (US hip-hop producer/songwriter Steven Jordan)
publisher:
AUSAR Music, Dynatone Publishing Co., EMI April Music Inc., Justin Combs Publishing, Price Is Right Publishing, Songs of Universal, Inc. (BMI), Steven A. Jordan Music, Inc. und Universal Music Careers
Brian McKnight5:34
18You Should Be Mine (Don't Waste Your Time) (Booya remix)
recording engineer:
Andy Cardenas, Axel Niehaus (German-born engineer and producer) und Joe Perrera
Techniker(in):
Jon "JM" Meredith (US producer/engineer aka "JM") und Pierre Smith (US engineer)
leitende(r) Produzent(in):
Bruce Carbone und Herb Trawick
Produzent(in):
Ron Lawrence (US hip-hop producer aka Amen-Ra), Sean "Puffy" Combs (Sean Combs, aka Puff Daddy, P. Diddy) und Stevie J. (US hip-hop producer/songwriter Steven Jordan)
Mix:
v.d. Toorn
Hintergrundgesang:
Kelly Price
vocals:
Mase (US rapper)
remixer:
v.d. Toorn
vocals arranger:
Kelly Price
produced for:
Bad Boy Entertainment, Inc. und The Mystery System, Inc.
aufgenommen bei:
Caribbean Sound Basin in Port of Spain, Trinidad und Tobago und Daddy’s House Recording Studio in New York, New York, Vereinigte Staaten
recording of:
You Should Be Mine (Don't Waste Your Time)
Verfasser(in):
James Brown (The Godfather of Soul), Ron Lawrence (US hip-hop producer aka Amen-Ra), Mason Betha (US rapper), Brian McKnight, Kelly Price, Sean Combs (Sean Combs, aka Puff Daddy, P. Diddy) und Steven Jordan (US hip-hop producer/songwriter Steven Jordan)
publisher:
AUSAR Music, Dynatone Publishing Co., EMI April Music Inc., Justin Combs Publishing, Price Is Right Publishing, Songs of Universal, Inc. (BMI), Steven A. Jordan Music, Inc. und Universal Music Careers
Brian McKnight4:49