| # | Title | Artist | Rating | Length |
|---|
| 1 | Storms Never Last | Waylon Jennings with Jessi Colter | | 3:06 |
| 2 | Shine | Waylon Jennings | | 2:50 |
| 3 | Just to Satisfy You- engineer:
- Don Cartee and Chips Moman
- producer:
- Chips Moman
- bass:
- Mike Leech (from 1981-09-21 until 1981-11-16)
- drums (drum set):
- Gene Chrisman (from 1981-09-21 until 1981-11-16)
- guitar:
- Johnny Christopher (from 1981-09-21 until 1981-11-16), Waylon Jennings (from 1981-09-21 until 1981-11-16) and Reggie Young (from 1981-09-21 until 1981-11-16)
- keyboard:
- Bobby Emmons (from 1981-09-21 until 1981-11-16)
- piano:
- Bobby Wood (from 1981-09-21 until 1981-11-16)
- lead vocals:
- Waylon Jennings (from 1981-09-21 until 1981-11-16) and Willie Nelson (from 1981-09-21 until 1981-11-16)
- phonographic copyright (℗) by:
- BMG Music (in 1982), RCA Corporation (in 1982) and RCA Records (in 1982)
- recorded at:
- Cartee 3 Studio in Nashville, Tennessee, United States and Moman's Recording Studio in Nashville, Tennessee, United States (on 1981-09-21, on 1981-11-16)
- cover recording of:
- Just to Satisfy You (from 1981-09-21 until 1981-11-16)
- writer:
- Don Bowman and Waylon Jennings
- publisher:
- Acuff-Rose , Acuff-Rose Music Limited , Irving Music , Irving Music, Inc. and Parody Publishing
- recording of:
- Just to Satisfy You
- writer:
- Don Bowman and Waylon Jennings
- publisher:
- Acuff-Rose , Acuff-Rose Music Limited , Irving Music , Irving Music, Inc. and Parody Publishing
| Waylon Jennings & Willie Nelson | 4 | 2:49 |
| 4 | Women Do Know How to Carry On | Waylon Jennings | | 3:17 |
| 5 | (Sittin’ on) The Dock of the Bay- producer:
- Chips Moman
- bass:
- Mike Leech (on 1981-12-15)
- drums (drum set):
- Gene Chrisman (on 1981-12-15)
- guitar:
- Johnny Christopher (on 1981-12-15), Waylon Jennings (on 1981-12-15) and Reggie Young (on 1981-12-15)
- keyboard:
- Bobby Emmons (on 1981-12-15)
- piano:
- Bobby Wood (on 1981-12-15)
- lead vocals:
- Waylon Jennings (on 1981-12-15) and Willie Nelson (on 1981-12-15)
- phonographic copyright (℗) by:
- BMG Entertainment (in 1982), BMG Music (in 1982), RCA Corporation (in 1982) and RCA Records (in 1982)
- recorded at:
- Moman's Recording Studio in Nashville, Tennessee, United States (on 1981-12-15)
- cover recording of:
- (Sittin’ on) the Dock of the Bay (on 1981-12-15)
- writer:
- Steve Cropper and Otis Redding
- publisher:
- East Publishing Inc., East/Memphis Music Corp., Irving Music , Irving Music, Inc., Rondor Music (Australia), Universal Music Publishing, Synch Division, Warner Bros. , Warner Bros. Music Ltd. , Warner Chappell Music , Warner/Chappell Music Japan, Synch division , Yamaha Music EH(CM) and Yamaha Music Entertainment Holdings, Inc.
| Waylon Jennings & Willie Nelson | 3 | 3:23 |
| 6 | Lucille (You Won’t Do Your Daddy’s Will)- producer:
- Waylon Jennings
- bass:
- Jerry Bridges (from 1983-01-17 until 1983-01-18)
- congas and drums (drum set):
- J.I. Allison (from 1983-01-17 until 1983-01-18)
- guitar:
- Jerry Bridges (from 1983-01-17 until 1983-01-18), Waylon Jennings (from 1983-01-17 until 1983-01-18) and Gary Scruggs (from 1983-01-17 until 1983-01-18)
- keyboard:
- Jimmy Haber (from 1983-01-17 until 1983-01-18)
- lead vocals:
- Waylon Jennings (from 1983-01-17 until 1983-01-18)
- phonographic copyright (℗) by:
- BMG Music (in 1983) and RCA Records (in 1983)
- recorded at:
- Cartee 3 Studio in Nashville, Tennessee, United States (from 1983-01-17 until 1983-01-18)
- cover recording of:
- Lucille (from 1983-01-17 until 1983-01-18)
- writer:
- Albert Collins , Albert Collins and Richard Wayne Penniman
- publisher:
- Leeds Music Ltd., MCA Music Inc. , MCA Music Ltd., Sony Music Publishing (Japan), Inc., A Division , Sony/ATV Music Publishing France, Universal/MCA Music Ltd. and Venice Music
| Waylon Jennings | 3 | 3:25 |
| 7 | Breakin’ Down | Waylon Jennings | 3 | 3:21 |
| 8 | Take It to the Limit- producer:
- Chips Moman
- bass:
- Mike Leech (in 1983) and Bee Spears (in 1983)
- drums (drum set):
- Gene Chrisman (in 1983) and Paul English (in 1983)
- guitar:
- Johnny Christopher (in 1983), Waylon Jennings (in 1983), Grady Martin (in 1983), Chips Moman (in 1983), Willie Nelson (in 1983) and Reggie Young (in 1983)
- harmonica:
- Mickey Raphael (in 1983)
- keyboard:
- Bobbie Nelson (in 1983) and Bobby Wood (in 1983)
- background vocals:
- Johnny Christopher (in 1983), David Allan Coe (in 1983), Sherilyn Huffman (in 1983), Chips Moman (in 1983), Lisa Silver (in 1983), Gary Talley (in 1983) and Toni Wine (in 1983)
- lead vocals:
- Waylon Jennings (in 1983) and Willie Nelson (in 1983)
- performer:
- Waylon Jennings
- phonographic copyright (℗) by:
- Sony BMG Music Entertainment (in 1983)
- recorded at:
- Moman's Recording Studio in Nashville, Tennessee, United States (in 1983)
- part of:
- Grammy Award: Best Country Performance by a Duo or Group nominees (number: 1984)
- cover recording of:
- Take It to the Limit (in 1983)
- writer:
- Glenn Frey , Don Henley and Randy Meisner
- publisher:
- Cass County Music, Nebraska Music, Red Cloud Music, シンコーミュージック・エンタテイメント , ヤマハミュージックエンタテインメントホールディングス , ユニバーサル・ミュージック・パブリッシング Synch事業部 and ワーナー・チャペル音楽出版 Synch事業部
| Waylon Jennings & Willie Nelson | 3 | 3:50 |
| 9 | The Conversation- recorded in:
- Muscle Shoals, Alabama, United States (in 1979)
- engineer:
- Don Cartee
- producer:
- Jimmy Bowen
- bass:
- Joe Osborne (in 1979)
- drums (drum set) and percussion:
- Larry Londin (in 1979)
- guitar:
- James Burton (in 1979), Waylon Jennings (in 1979), Rock Killough (in 1979) and Reggie Young (in 1979)
- harmonica:
- Rock Killough (in 1979)
- keyboard:
- David Briggs (in 1979) and Larry Knechtel (in 1979)
- mandolin:
- Kieran Kane (in 1979)
- lead vocals:
- Waylon Jennings (in 1979) and Hank Williams, Jr. (in 1979)
- performer:
- Waylon Jennings
- phonographic copyright (℗) by:
- BMG Music (in 1983) and RCA Records (in 1983)
- recorded at:
- Cartee 3 Studio in Nashville, Tennessee, United States
- recording of:
- The Conversation (in 1979)
- writer:
- Richie Albright, Waylon Jennings and Hank Williams, Jr.
- publisher:
- Bocephus Music, Inc. and Richway Music, Inc.
| Waylon Jennings with Hank Williams, Jr. | 3.5 | 3:50 |
| 10 | I May Be Used (But Baby I Ain’t Used Up) | Waylon Jennings | | 3:01 |
| 11 | Never Could Toe the Mark | Waylon Jennings | | 2:58 |
| 12 | America | Waylon Jennings | | 3:45 |
| 13 | Waltz Me to Heaven | Waylon Jennings | | 3:06 |
| 14 | Highwayman- recorded in:
- Nashville, Tennessee, United States (on 1984-10-03)
- assistant engineer:
- Ken Criblez and Larry Greenhill
- engineer:
- David Cherry and Chips Moman
- producer:
- Chips Moman
- bass:
- Mike Leech (on 1984-10-03) and Jimmy Tittle (on 1984-10-03)
- drums (drum set):
- Gene Chrisman (on 1984-10-03)
- guitar:
- Paul Davis (on 1984-10-03), Waylon Jennings (on 1984-10-03), Kris Kristofferson (on 1984-10-03), Chips Moman (on 1984-10-03), Willie Nelson (on 1984-10-03) and Johnny Rodriguez (on 1984-10-03)
- harmonica:
- Mickey Raphael (on 1984-10-03)
- keyboard:
- Paul Davis (on 1984-10-03), Bobby Emmons (on 1984-10-03) and Bobby Wood (on 1984-10-03)
- mandolin:
- Marty Stuart (on 1984-10-03)
- background vocals:
- Johnny Cash (on 1984-10-03), Paul Davis (on 1984-10-03), Waylon Jennings (on 1984-10-03), Kris Kristofferson (on 1984-10-03), Chips Moman (on 1984-10-03), Willie Nelson (on 1984-10-03) and Johnny Rodriguez (on 1984-10-03)
- vocals:
- Johnny Cash (on 1984-10-03), Waylon Jennings (on 1984-10-03), Kris Kristofferson (on 1984-10-03) and Willie Nelson (on 1984-10-03)
- performer:
- Johnny Cash , Waylon Jennings , Kris Kristofferson and Willie Nelson
- phonographic copyright (℗) by:
- CBS Records Inc. (in 1985), CBS, Inc. (in 1985), Sony BMG Music Entertainment (in 1985), Sony Music Entertainment (in 1985) and Sony Music Entertainment Inc. (in 1985, in 2003)
- recorded at:
- Moman's Recording Studio in Nashville, Tennessee, United States (on 1984-10-03) and Woodland Sound Studios in Nashville, Tennessee, United States (on 1984-10-03)
- part of:
- Grammy Award: Best Country Performance by a Duo or Group nominees (number: 1986)
- cover recording of:
- The Highwayman (on 1984-10-03)
- lyricist and composer:
- Jimmy Webb
- publisher:
- White Oak Songs
- recording of:
- The Highwayman
- lyricist and composer:
- Jimmy Webb
- publisher:
- White Oak Songs
| Willie Nelson, Waylon Jennings, Kris Kristofferson & Johnny Cash | 4.45 | 3:03 |
| 15 | Drinkin’ and Dreamin’ | Waylon Jennings | 4 | 3:01 |
| 16 | Working Without a Net- recording engineer:
- Ron Treat
- producer:
- Jimmy Bowen and Waylon Jennings
- mixer:
- Bob Bullock
- bass:
- Jerry Bridges (on 1985-11-01)
- drums (drum set):
- Matt Betton (on 1985-11-01)
- guitar:
- Richard Bennett (on 1985-11-01), Waylon Jennings (on 1985-11-01), Gary Scruggs (on 1985-11-01), Billy Joe Walker, Jr. (on 1985-11-01) and Reggie Young (on 1985-11-01)
- mandolin:
- Mark O’Connor (on 1985-11-01)
- piano and synthesizer [DX-7]:
- John Barlow Jarvis (on 1985-11-01)
- synclavier:
- Hollis Halford (on 1985-11-01) and Mat Morse (on 1985-11-01)
- synthesizer:
- David Innis (on 1985-11-01)
- lead vocals:
- Waylon Jennings (on 1985-11-01)
- vocals:
- Gary Scruggs (on 1985-11-01)
- phonographic copyright (℗) by:
- MCA Nashville (in 1986) and MCA Records, Inc. (in 1986)
- recorded at:
- Emerald Studio in Nashville, Tennessee, United States (on 1985-11-01)
- mixed at:
- Sound Stage Studio in Hollywood, Los Angeles, California, United States
- recording of:
- Working Without a Net (on 1985-11-01)
- writer:
- Don Cook , John Barlow Jarvis and Gary Nicholson
- publisher:
- Cross Keys Pub. Co. Inc. and Tree Publishing Co., Inc.
- cover recording of:
- Working Without a Net
- writer:
- Don Cook , John Barlow Jarvis and Gary Nicholson
- publisher:
- Cross Keys Pub. Co. Inc. and Tree Publishing Co., Inc.
| Waylon Jennings | 3 | 2:42 |
| 17 | Will the Wolf Survive | Waylon Jennings | | 3:29 |
| 18 | What You’ll Do When I’m Gone- recording engineer:
- Ron Treat
- producer:
- Jimmy Bowen and Waylon Jennings
- mixer:
- Bob Bullock
- bass:
- Jerry Bridges (on 1985-10-31)
- drums (drum set):
- Matt Betton (on 1985-10-31)
- guitar:
- Richard Bennett (on 1985-10-31), Waylon Jennings (on 1985-10-31), Gary Scruggs (on 1985-10-31), Billy Joe Walker, Jr. (on 1985-10-31) and Reggie Young (on 1985-10-31)
- mandolin:
- Mark O’Connor (on 1985-10-31)
- piano and synthesizer [DX-7]:
- John Barlow Jarvis (on 1985-10-31)
- synclavier:
- Hollis Halford (on 1985-10-31) and Mat Morse (on 1985-10-31)
- synthesizer:
- David Innis (on 1985-10-31)
- lead vocals:
- Waylon Jennings (on 1985-10-31)
- vocals:
- Gary Scruggs (on 1985-10-31)
- phonographic copyright (℗) by:
- MCA Nashville (in 1986) and MCA Records, Inc. (in 1986)
- recorded at:
- Emerald Studio in Nashville, Tennessee, United States (on 1985-10-31)
- mixed at:
- Sound Stage Studio in Hollywood, Los Angeles, California, United States
- recording of:
- What You’ll Do When I’m Gone (on 1985-10-31)
- writer:
- Larry Butler
- publisher:
- Blackwood Music Inc. and Larry Butler Music Co.
| Waylon Jennings | 3 | 2:57 |
| 19 | Rose in Paradise- recording engineer:
- Ron Treat
- assistant producer:
- Chip Hardy
- producer:
- Jimmy Bowen and Waylon Jennings
- mixer:
- Chuck Ainlay and Bob Bullock
- bass:
- Jerry Bridges (from 1986-09-10 until 1986-09-20)
- drums (drum set):
- Matt Betton (from 1986-09-10 until 1986-09-20)
- guitar:
- Larry Byrom (from 1986-09-10 until 1986-09-20), Waylon Jennings (from 1986-09-10 until 1986-09-20), Gary Scruggs (from 1986-09-10 until 1986-09-20), Billy Joe Walker, Jr. (from 1986-09-10 until 1986-09-20) and Reggie Young (from 1986-09-10 until 1986-09-20)
- piano and synthesizer:
- John Barlow Jarvis (from 1986-09-10 until 1986-09-20)
- lead vocals:
- Waylon Jennings (from 1986-09-10 until 1986-09-20)
- phonographic copyright (℗) by:
- MCA Nashville (in 1987) and MCA Records, Inc. (in 1987)
- produced for:
- Lynwood Productions and WGJ Productions, Inc.
- recorded at:
- Groundstar Studios in Nashville, Tennessee, United States (on 1986-09-10, on 1986-09-19, on 1986-09-20)
- recording of:
- Rose in Paradise (from 1986-09-10 until 1986-09-20)
- writer:
- Stewart Harris and Jim McBride
- publisher:
- April Music Inc., Blackwood Music Inc. , SBK April Music Inc. and SBK Blackwood Music Inc.
| Waylon Jennings | 3.5 | 3:42 |
| 20 | Rough and Rowdy Days | Waylon Jennings | | 2:34 |
| 21 | Wrong- recording engineer and mixer:
- Joe Scaife
- producer:
- Richie Albright and Bob Montgomery
- bass:
- Jerry Bridges (on 1990-02-01) and Michael Hogan (on 1990-02-01)
- drums (drum set):
- Jeff Hale (on 1990-02-01)
- guitar:
- Jerry Bridges (on 1990-02-01), Jimmy Capps (on 1990-02-01), Waylon Jennings (on 1990-02-01) and Brent Mason (on 1990-02-01)
- keyboard:
- Barry Walsh (on 1990-02-01)
- resonator guitar [dobro] and steel guitar:
- Paul Franklin (on 1990-02-01)
- lead vocals:
- Waylon Jennings (on 1990-02-01)
- phonographic copyright (℗) by:
- CBS Records Inc. (in 1990), CBS, Inc. (in 1990) and Sony BMG Music Entertainment (in 1990)
- recorded at:
- Eleven Eleven Studio in Nashville, Tennessee, United States (on 1990-02-01) and The Music Mill in Nashville, Tennessee, United States (on 1990-02-01)
- mixed at:
- Eleven Eleven Sound in Nashville, Tennessee, United States
- recording of:
- Wrong (on 1990-02-01)
- writer:
- André Pessis and Steve Seskin
- publisher:
- Bob‐a‐Lew Songs , Endless Frogs Music and Love This Town Music
| Waylon Jennings | 4 | 2:58 |
| 22 | I Do Believe | The Highwaymen | | 3:25 |