Nineties Complete

~ Pubblicazione di Various Artists (visualizza tutte le versioni di questa pubblicazione: 1 disponibile)

Elenco tracce

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#TitoloArtistaValutazioneDurata
1Nothing Compares 2 U
tecnico:
Chris Birkett
produttore:
Nellee Hooper e Sinéad O’Connor (Irish singer‐songwriter)
tecnico di missaggio:
Chris Birkett, Fachtna Ó Ceallaigh e Sinéad O’Connor (Irish singer‐songwriter)
voce:
Sinéad O’Connor (Irish singer‐songwriter)
diritti fonografici (℗) detenuti da:
Chrysalis Records (don’t use as an imprint; please use “Chrysalis” instead) (nel 1990) e Ensign Records Ltd. (company; do NOT use as release label) (nel 1990)
video musicali:
Nothing Compares 2 U (music video) di Sinéad O’Connor (Irish singer‐songwriter)
parte di:
New York Post: 100 Greatest Covers (2007) (numero: 4), AUX: 10 Cover Songs Better Than The Orignials, Paste: The 50 Greatest NON One-Hit Wonders of All Time (numero: 38), Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 87), Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 162), Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (numero: 184) e Indie 88: Top 500 Indie Rock Songs (numero: 413)
registrazione cover di:
Nothing Compares 2 U
paroliere e compositore:
Prince (“The Artist Formerly Known as…”)
editore:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), NPG Publishing e Warner Chappell (Warner/Chappell Music, Inc.)
sub-editore:
シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.) e ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
Sinéad O’Connor4.35:10
2Beautiful in My Eyes
tecnico:
Simon Smart
produttore:
Rod Argent e Peter Van Hooke
tecnico di missaggio:
David Kershenbaum e Kevin Smith (American DJ, producer and hip hop pioneer based in New York City)
batteria e percussione :
Peter Van Hooke
chitarra acustica :
Mark Cresswell
contrabbasso :
Chris Laurence (double bassist)
pianoforte :
Joshua Kadison (US singer-songwriter, pianist & writer)
strumenti:
Helen Liebmann (cellist)
tastiera :
Rod Argent
viola :
Bob Smissen (violist), Andy Parker (violist), George Robertson (violist) e Steve Tees
violino :
Mark Berrow (violinist), Ben Cruft (violinist), Roger Garland (violinist), Roy Gillard (violinist), Tim Good, Rita Manning (violinist), Peter Oxer, Bill Penham, Barry Wilde, Wilf Gibson (UK violinist), Dave Woodcock (violinist) e Gavyn Wright (UK violinist, conductor)
violoncello :
Paul Kegg (cellist), Ben Kennard e Roger Smith (cello, Academy of St. Martin in the Fields)
cori:
Rod Argent, Adele Bertei, Lance Ellington (Production music composer), Carol Kenyan, David Lasley, Ian Shaw (UK jazz vocalist / producer), Helen Terry (UK singer) e Ruby Turner
voce:
Joshua Kadison (US singer-songwriter, pianist & writer)
arrangiatore archi :
Rod Argent
registrazione di:
Beautiful in My Eyes
paroliere e compositore:
Joshua Kadison (US singer-songwriter, pianist & writer)
editore:
EMI Blackwood Music Inc., Joshuasongs (BMI affiliated) e Seymour Glass Songs (BMI affiliated)
Joshua Kadison34:08
3Damn, I Wish I Was Your Lover
produttore:
Rick Chertoff e Ralph Schuckett (keyboard, composer, producer)
diritti fonografici (℗) detenuti da:
Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (nel 1992) e Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (nel 1992)
registrazione di:
Damn I Wish I Was Your Lover
paroliere e compositore:
Sophie B. Hawkins
editore:
EMI Music Publishing Ltd. (PRS‐affiliated), Broken Plate Music Inc. (nel 1992) e The Night Rainbow Music (publisher) (nel 1992)
Sophie B. Hawkins3.354:11
4How Deep Is Your Love
registrazione cover di:
How Deep Is Your Love (Bee Gees song)
autore:
Barry Gibb, Maurice Gibb e Robin Gibb
editore:
Abigail Music, BMG Music, BMG Music Publishing Ltd., BMG Publishing Ltd., Careers Music, Inc., Careers–BMG Music Publishing, Inc., Crompton Songs, Songs of Universal, Inc. (BMI), Universal Music Careers, Universal Music Publishing International MGB Ltd., Warner Chappell Music Ltd. (no slash; used 1988–1996) e Gibb Brothers Music (nel 1977)
sub-editore:
Universal Music Publishing Group Japan (work publisher – do NOT use as a release label), シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.), ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division), 香港商華納音樂出版有限公司台灣分公司 (Warner Chappell Music, Hong Kong Limited Taiwan Branch), ヤマハミュージックパブリッシング (Yamaha Music Publishing) (fino al 2017-03-31) e ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) (dal 2017-04-01 a oggi)
Portrait4:00
5Woman
supporto a vario titolo:
Booga Bear (incarico: sequenced by), Tony Cousins (mastering engineer) (incarico: cut by), Johnny Dollar (UK producer & songwriter) (incarico: sequenced by; incarico: cut by) e Crispin Murray (incarico: additional digital noodling)
programmazione:
Johnny Dollar (UK producer & songwriter)
tecnico:
Chris Dibble (engineer) e Johnny Dollar (UK producer & songwriter)
produttore e tecnico di missaggio:
Booga Bear e Johnny Dollar (UK producer & songwriter)
produttore aggiunto:
Dave Allen (UK producer/engineer/remixer, mainly new‐wave/synth‐pop/goth) e Wil Malone
assistente tecnico di missaggio:
Tristin "Nine Iron" Norwell e Lee Phillips (Engineer)
editor:
Tony Cousins (mastering engineer) e Johnny Dollar (UK producer & songwriter)
altri strumenti [beats] :
Booga Bear, Johnny Dollar (UK producer & songwriter) e Mickey P
corno francese :
Jeff Bryant (horn player) e Mike Butler (engineer)
strumenti:
Johnny Dollar (UK producer & songwriter)
arrangiatore archi :
Johnny Dollar (UK producer & songwriter), Wil Malone, The Session Orchestra e Gavyn Wright (UK violinist, conductor)
diritti fonografici (℗) detenuti da:
Circa Records Ltd. (not an imprint; for ©/℗ rights use only) (nel 1996)
lavorazione tecnica effettuata presso:
Coin Record in Málaga, Málaga (Province of Málaga), Andalucía (Andalusia), Spagna, CTS in Wembley, Brent (Borgo londinese di Brent), London (Greater London), England, Regno Unito, Eastcote in London (Greater London), England, Regno Unito, El Curtiju in San Pedro, Albacete (Provincia di Albacete), Castilla-La Mancha (Castiglia-La Mancia), Spagna, Mayfair (England) in London (Greater London), England, Regno Unito, Power Play in New York, New York, Stati Uniti, Roundhouse in Camden Town, Camden (Borgo londinese di Camden), London (Greater London), England, Regno Unito, Soundtrade in Solna City, Stockholms län (Stockholm county), Svezia e Westside in London (Greater London), England, Regno Unito
editing effettuato presso:
Metropolis Mastering in London (Greater London), England, Regno Unito
registrazione di:
Woman
autore:
Neneh Cherry, Cameron McVey e Jonathan Sharp (UK producer aka Jonny Dollar)
editore:
EMI Music (do not use as release label! this is a music publisher)
Neneh Cherry4.354:32
6’Til You Do Me Right
produttore:
Babyface (R&B musician Kenny Edmonds)
diritti fonografici (℗) detenuti da:
Capitol Records, LLC (not for release label use! fka Capitol Records, Inc. until 2007) (nel 1995) e Virgin Records America, Inc. (for copyrights use only; for release labels, please refer to either “Virgin” or “Virgin America”) (nel 1995)
parte di:
The Downloader’s Music Source Book (numero: 249)
After 74:55
7I Live for You
registrazione di:
I Live for You
autore:
Desmond Child e Chynna Phillips
Chynna Phillips3:45
8Hazard
Richard Marx4:47
9Hold On
produttore:
Glen Ballard
produttore esecutivo:
Charles Koppelman (American businessman and musician)
voce:
Chynna Phillips, Carnie Wilson e Wendy Wilson
diritti fonografici (℗) detenuti da:
SBK Records (nel 1990)
registrazione di:
Hold On
autore:
Glen Ballard, Chynna Phillips e Carnie Wilson
editore:
Get Out Songs, Smooshie Music, Aerostation Corporation (nel 1990), EMI Blackwood Music Inc. (nel 1990), MCA Music (not for release label use! this is a music publisher, ASCAP-affiliated) (nel 1990, nel 2003), MCA Music Publishing (renamed since c. 1996 as Universal Music Publishing Group) (nel 1990, nel 2003), Wilphill Music (nel 1990) e Universal Music Corp. (USA, affiliated with ASCAP) (nel 2003)
Wilson Phillips33:39
10Would I Lie to You?
esecutore:
Charles & Eddie
diritti fonografici (℗) detenuti da:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (nel 1992)
registrazione di:
Would I Lie to You?
autore:
Michael Leeson e Peter Vale (writer/arranger)
editore:
EMI Virgin Music Publishing Australia P/L e BMG VM Music Ltd. (dal 2013-05-16 a oggi)
Charles & Eddie4.254:35
11If You Love Me
tecnico audio:
Rob Paustian (altri strumenti [tracking])
tecnico audio:
Brownstone (US female R&B group) (altra voce [vocal production]), Gordon Chambers (American singer-songwriter, and producer) (altra voce [vocal production]) e Dave Hall (producer a.k.a. Jam) (altra voce [vocal production])
produttore e tecnico di missaggio:
Dave "Jam" Hall (producer a.k.a. Jam)
produttore esecutivo:
Jerry Greenberg (producer, engineer) e Michael Jackson (“King of Pop”)
arrangiatore voci:
Brownstone (US female R&B group) e Gordon Chambers (American singer-songwriter, and producer)
mixata per e è stato produttore per:
Untouchables Entertainment
registrata presso:
The Hit Factory Studios, NY (The Hit Factory) in Manhattan, New York, New York, Stati Uniti
mixata presso:
The Hit Factory, NY (The Hit Factory) in Manhattan, New York, New York, Stati Uniti
video musicali:
If You Love Me di Brownstone (US female R&B group)
registrazione di:
If You Love Me
paroliere:
Gordon Chambers (American singer-songwriter, and producer) e Nichole Gilbert
compositore:
Dave "Jam" Hall (producer a.k.a. Jam)
editore:
Brown Girl Music, Orisha Music, Paisley Park, Stone Jam Publishing Inc., The Night Rainbow Music (publisher) e WC Music Corp.
Brownstone4.55:03
12Let There Be Love
tecnico:
Heff Moraes
produttore:
Stephen Lipson
tecnico di missaggio:
Julian Mendelsohn (Australian record producer and engineer)
editor:
Stephen Lipson, Julian Mendelsohn (Australian record producer and engineer) e Heff Moraes
esecutore:
Lou Reed
registrazione di:
Let There Be Love
autore:
Charlie Burchill e Jim Kerr (of Simple Minds)
editore:
EMI Publishing Ltd.
Simple Minds4:44
13Rush Rush
produttore:
Peter Lord e V. Jeffrey Smith (Vernon Jeffrey Smith, producer, writer, musician)
diritti fonografici (℗) detenuti da:
Virgin Records America, Inc. (for copyrights use only; for release labels, please refer to either “Virgin” or “Virgin America”) (nel 1991)
campionamenti:
Kisses in the Moonlight di George Benson (jazz guitarist/singer)
parte di:
The Downloader’s Music Source Book (numero: 89)
registrazione di:
Rush Rush
paroliere e compositore:
Peter Lord Moreland
editore:
EMI April Music Inc.
Paula Abdul34:55
14Anything
produttore:
3T (Taj, Taryll and TJ Jackson)
diritti fonografici (℗) detenuti da:
MJJ Music (nel 1995)
registrazione di:
Anything
autore:
T. Jackson (Tito of Jackson 5's son (Tito Joe Jackson)), T. Jackson e T. Jackson
editore:
Lindseyanne Music Co., Longitude Music Co., The Music Force e To the T
3T45:21
15Walking Wounded
tecnico di registrazione, programmazione, produttore e tecnico di missaggio:
Spring Heel Jack
tecnico:
Mads Bjerke (engineer)
voce:
Tracey Thorn (of Everything but the Girl) (nel 1995)
registrazione di:
Walking Wounded (nel 1995)
paroliere:
Spring Heel Jack e Ben Watt
compositore:
John Coxon, Spring Heel Jack, Ashley Wales e Ben Watt
compositore aggiunto:
Ben Watt
editore:
Redemption Songs Ltd., SM Publishing (UK) Limited (Sony Music, 2009–2020) e WCM Ltd. (John Coxon)
sub-editore:
ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division), フジパシフィックミュージック BMG事業部 (Fujipacific Music Inc., BMG Division), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) e ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
Everything but the Girl3.66:05