Com que voz

~ Release by Amália Rodrigues (see all versions of this release, 7 available)

Annotation

Recorded over two nights (7 and 8 January 1969) but only released in March 1970.

The mystery of what happened during the 14 months between recording "Com que voz" and its launch has been resolved almost by accident. Virginia Maria Pereira, who in 69/70 worked in the graphics department of Valentim de Carvalho, adds a piece, perhaps decisive, to the puzzle: This album was delayed many months! We wanted it to have a special cover, many typography presses were dealt with, budgets discussed, we tried to have the name of Amália in relief, which turned out to be impossible. And the record failed Christmas '69? Perhaps, and if that was the case, it went to the next Easter ...
"When I went to talk to the lady of the graphical department of Valentim de Carvalho, I was looking to know who had made the album cover, which still today (the author) is unknown, despite the possibility of someone named Artur Henriques" recounts David Ferreira. "However, the moment I speak about "Com que voz" - she tells me right away that it had been delayed because my uncle (Rui Valentim de Carvalho the editor) was so fond of the record that he wanted the cover to be released with (a) sunken stop*, and so he went from press to press until he gave up", he adds.

Until they came to this conclusion several hypotheses have been put: "Although it was thought that Amalia's sister's illness had contributed to the delay, but this problem only led to the cancellation of some shows for a few weeks. Also, at the time publishers were targets of an investigation because they were accused of a pricing cartel, but I thought it did not make much sense to postpone the record because of that", he recalls.
{Translated from "Com que Voz" 2010 booklet (text by editor David Ferreira) and from article from Portal do Fado (http://www.portaldofado.net/content/view/2265/233/). }

Annotation last modified on 2015-11-28 05:32 UTC.

Tracklist

112" Vinyl
#TitleRatingLength
A1Naufrágio
sound engineer and mixer:
Hugo Ribeiro ("Senhor gravação da Valentim de Carvalho")
editor:
Rui Valentim de Carvalho
classical guitar [viola]:
Pedro Leal (Fado musician, accompanist on 'Viola' guitar) (from 1969-01-07 until 1969-01-08)
Portuguese guitar:
Fontes Rocha (Fado musician, accompanist and composer) (from 1969-01-07 until 1969-01-08)
vocals:
Amália Rodrigues (“Queen of Fado”) (from 1969-01-07 until 1969-01-08)
recorded at:
Estúdios de Paço d'Arcos in Lisboa (Lisbon District), Portugal (from 1969-01-07 until 1969-01-08)
mixed at:
Estúdios de Paço d'Arcos in Lisboa (Lisbon District), Portugal
recording of:
Naufrágio (from 1969-01-07 until 1969-01-08)
writer:
Cecília Meireles
composer:
Alain Oulman
2:48
A2Maria Lisboa
sound engineer and mixer:
Hugo Ribeiro ("Senhor gravação da Valentim de Carvalho")
editor:
Rui Valentim de Carvalho
classical guitar [viola]:
Pedro Leal (Fado musician, accompanist on 'Viola' guitar) (from 1969-01-07 until 1969-01-08)
Portuguese guitar:
Fontes Rocha (Fado musician, accompanist and composer) (from 1969-01-07 until 1969-01-08)
vocals:
Amália Rodrigues (“Queen of Fado”) (from 1969-01-07 until 1969-01-08)
recorded at:
Estúdios de Paço d'Arcos in Lisboa (Lisbon District), Portugal (from 1969-01-07 until 1969-01-08)
mixed at:
Estúdios de Paço d'Arcos in Lisboa (Lisbon District), Portugal
recording of:
Maria Lisboa (from 1969-01-07 until 1969-01-08)
lyricist:
David Mourão-Ferreira
composer:
Alain Oulman
2:42
A3Trova do vento que passa
sound engineer and mixer:
Hugo Ribeiro ("Senhor gravação da Valentim de Carvalho")
editor:
Rui Valentim de Carvalho
classical guitar [viola]:
Pedro Leal (Fado musician, accompanist on 'Viola' guitar) (from 1969-01-07 until 1969-01-08)
Portuguese guitar:
Fontes Rocha (Fado musician, accompanist and composer) (from 1969-01-07 until 1969-01-08)
vocals:
Amália Rodrigues (“Queen of Fado”) (from 1969-01-07 until 1969-01-08)
recorded at:
Estúdios de Paço d'Arcos in Lisboa (Lisbon District), Portugal (from 1969-01-07 until 1969-01-08)
mixed at:
Estúdios de Paço d'Arcos in Lisboa (Lisbon District), Portugal
recording of:
Trova do vento que passa (from 1969-01-07 until 1969-01-08)
writer:
Manuel Alegre (Portuguese poet, writer and politician)
composer:
Alain Oulman
recording of:
Trova do vento que passa
writer:
Manuel Alegre (Portuguese poet, writer and politician)
composer:
Alain Oulman
3:18
A4Com que voz
sound engineer and mixer:
Hugo Ribeiro ("Senhor gravação da Valentim de Carvalho")
editor:
Rui Valentim de Carvalho
classical guitar [viola]:
Pedro Leal (Fado musician, accompanist on 'Viola' guitar) (from 1969-01-07 until 1969-01-08)
Portuguese guitar:
Fontes Rocha (Fado musician, accompanist and composer) (from 1969-01-07 until 1969-01-08)
vocals:
Amália Rodrigues (“Queen of Fado”) (from 1969-01-07 until 1969-01-08)
recorded at:
Estúdios de Paço d'Arcos in Lisboa (Lisbon District), Portugal (from 1969-01-07 until 1969-01-08)
mixed at:
Estúdios de Paço d'Arcos in Lisboa (Lisbon District), Portugal
recording of:
Com que voz (from 1969-01-07 until 1969-01-08)
lyricist:
Luís Vaz de Camões
composer:
Alain Oulman
is based on:
[Com que voz chorarei meu triste fado] (Camões sonnet)
3:20
A5Cravos de papel
sound engineer and mixer:
Hugo Ribeiro ("Senhor gravação da Valentim de Carvalho")
editor:
Rui Valentim de Carvalho
classical guitar [viola]:
Pedro Leal (Fado musician, accompanist on 'Viola' guitar) (from 1969-01-07 until 1969-01-08)
Portuguese guitar:
Fontes Rocha (Fado musician, accompanist and composer) (from 1969-01-07 until 1969-01-08)
vocals:
Amália Rodrigues (“Queen of Fado”) (from 1969-01-07 until 1969-01-08)
recorded at:
Estúdios de Paço d'Arcos in Lisboa (Lisbon District), Portugal (from 1969-01-07 until 1969-01-08)
mixed at:
Estúdios de Paço d'Arcos in Lisboa (Lisbon District), Portugal
recording of:
Cravos de papel (from 1969-01-07 until 1969-01-08)
writer:
António de Sousa (Portuguese poet, pseudonym António of Portucale)
composer:
Alain Oulman
1:39
A6As mãos que trago
sound engineer and mixer:
Hugo Ribeiro ("Senhor gravação da Valentim de Carvalho")
editor:
Rui Valentim de Carvalho
classical guitar [viola]:
Pedro Leal (Fado musician, accompanist on 'Viola' guitar) (from 1969-01-07 until 1969-01-08)
Portuguese guitar:
Fontes Rocha (Fado musician, accompanist and composer) (from 1969-01-07 until 1969-01-08)
vocals:
Amália Rodrigues (“Queen of Fado”) (from 1969-01-07 until 1969-01-08)
recorded at:
Estúdios de Paço d'Arcos in Lisboa (Lisbon District), Portugal (from 1969-01-07 until 1969-01-08)
mixed at:
Estúdios de Paço d'Arcos in Lisboa (Lisbon District), Portugal
recording of:
As mãos que trago (from 1969-01-07 until 1969-01-08)
writer:
Cecília Meireles
composer:
Alain Oulman
3:07
B1Gaivota
sound engineer and mixer:
Hugo Ribeiro ("Senhor gravação da Valentim de Carvalho")
editor:
Rui Valentim de Carvalho
classical guitar [viola]:
Pedro Leal (Fado musician, accompanist on 'Viola' guitar) (from 1969-01-07 until 1969-01-08)
Portuguese guitar:
Fontes Rocha (Fado musician, accompanist and composer) (from 1969-01-07 until 1969-01-08)
vocals:
Amália Rodrigues (“Queen of Fado”) (from 1969-01-07 until 1969-01-08)
recorded at:
Estúdios de Paço d'Arcos in Lisboa (Lisbon District), Portugal (from 1969-01-07 until 1969-01-08)
mixed at:
Estúdios de Paço d'Arcos in Lisboa (Lisbon District), Portugal
recording of:
Gaivota (from 1969-01-07 until 1969-01-08)
lyricist:
Alexandre O’Neill
composer:
Alain Oulman
4:34
B2Havemos de ir a Viana
sound engineer and mixer:
Hugo Ribeiro ("Senhor gravação da Valentim de Carvalho")
editor:
Rui Valentim de Carvalho
classical guitar [viola]:
Pedro Leal (Fado musician, accompanist on 'Viola' guitar) (from 1969-01-07 until 1969-01-08)
Portuguese guitar:
Fontes Rocha (Fado musician, accompanist and composer) (from 1969-01-07 until 1969-01-08)
vocals:
Amália Rodrigues (“Queen of Fado”) (from 1969-01-07 until 1969-01-08)
recorded at:
Estúdios de Paço d'Arcos in Lisboa (Lisbon District), Portugal (from 1969-01-07 until 1969-01-08)
mixed at:
Estúdios de Paço d'Arcos in Lisboa (Lisbon District), Portugal
recording of:
Havemos de ir a Viana (from 1969-01-07 until 1969-01-08)
lyricist:
Pedro Homem de Mello
composer:
Alain Oulman
3:13
B3Cuidei que tinha morrido
sound engineer and mixer:
Hugo Ribeiro ("Senhor gravação da Valentim de Carvalho")
editor:
Rui Valentim de Carvalho
classical guitar [viola]:
Pedro Leal (Fado musician, accompanist on 'Viola' guitar) (from 1969-01-07 until 1969-01-08)
Portuguese guitar:
Fontes Rocha (Fado musician, accompanist and composer) (from 1969-01-07 until 1969-01-08)
vocals:
Amália Rodrigues (“Queen of Fado”) (from 1969-01-07 until 1969-01-08)
recorded at:
Estúdios de Paço d'Arcos in Lisboa (Lisbon District), Portugal (from 1969-01-07 until 1969-01-08)
mixed at:
Estúdios de Paço d'Arcos in Lisboa (Lisbon District), Portugal
recording of:
Cuidei que tinha morrido (from 1969-01-07 until 1969-01-08)
lyricist:
Pedro Homem de Mello
composer:
Alain Oulman
3:05
B4Formiga bossa nova
sound engineer and mixer:
Hugo Ribeiro ("Senhor gravação da Valentim de Carvalho")
editor:
Rui Valentim de Carvalho
classical guitar [viola]:
Pedro Leal (Fado musician, accompanist on 'Viola' guitar) (from 1969-01-07 until 1969-01-08)
guest classical guitar [Viola]:
Fernando Alvim (from 1969-01-07 until 1969-01-08)
guest Portuguese guitar:
Carlos Gonçalves (Fado musician and composer) (from 1969-01-07 until 1969-01-08)
Portuguese guitar:
Fontes Rocha (Fado musician, accompanist and composer) (from 1969-01-07 until 1969-01-08)
vocals:
Amália Rodrigues (“Queen of Fado”) (from 1969-01-07 until 1969-01-08)
recorded at:
Estúdios de Paço d'Arcos in Lisboa (Lisbon District), Portugal (from 1969-01-07 until 1969-01-08)
mixed at:
Estúdios de Paço d'Arcos in Lisboa (Lisbon District), Portugal
recording of:
Formiga bossa nova (from 1969-01-07 until 1969-01-08)
lyricist:
Alexandre O’Neill
composer:
Alain Oulman
2:35
B5Meu limão de amargura
sound engineer and mixer:
Hugo Ribeiro ("Senhor gravação da Valentim de Carvalho")
editor:
Rui Valentim de Carvalho
classical guitar [viola]:
Pedro Leal (Fado musician, accompanist on 'Viola' guitar) (from 1969-01-07 until 1969-01-08)
Portuguese guitar:
Fontes Rocha (Fado musician, accompanist and composer) (from 1969-01-07 until 1969-01-08)
vocals:
Amália Rodrigues (“Queen of Fado”) (from 1969-01-07 until 1969-01-08)
recorded at:
Estúdios de Paço d'Arcos in Lisboa (Lisbon District), Portugal (from 1969-01-07 until 1969-01-08)
mixed at:
Estúdios de Paço d'Arcos in Lisboa (Lisbon District), Portugal
3:19
B6Madrugada de Alfama
sound engineer and mixer:
Hugo Ribeiro ("Senhor gravação da Valentim de Carvalho")
editor:
Rui Valentim de Carvalho
classical guitar [viola]:
Pedro Leal (Fado musician, accompanist on 'Viola' guitar) (from 1969-01-07 until 1969-01-08)
Portuguese guitar:
Fontes Rocha (Fado musician, accompanist and composer) (from 1969-01-07 until 1969-01-08)
vocals:
Amália Rodrigues (“Queen of Fado”) (from 1969-01-07 until 1969-01-08)
recorded at:
Estúdios de Paço d'Arcos in Lisboa (Lisbon District), Portugal (from 1969-01-07 until 1969-01-08)
mixed at:
Estúdios de Paço d'Arcos in Lisboa (Lisbon District), Portugal
recording of:
Madrugada de Alfama (from 1969-01-07 until 1969-01-08)
lyricist:
David Mourão-Ferreira
composer:
Alain Oulman
2:53