70 Hits of the 70s

~ Pubblicazione di Various Artists (visualizza tutte le versioni di questa pubblicazione: 3 disponibili)

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1Go Your Own Way
assistente tecnico:
Chris Morris (LA engineer & producer (late ’70s))
tecnico:
Ken Caillat e Richard Dashut
produttore:
Ken Caillat, Richard Dashut e Fleetwood Mac
produttore aggiunto:
Ken Caillat e Richard Dashut
batteria e percussione :
Mick Fleetwood
chitarra :
Lindsey Buckingham (guitarist, singer, songwriter and producer)
chitarra basso :
John McVie
tastiera e sintetizzatore :
Christine McVie
voce:
Lindsey Buckingham (guitarist, singer, songwriter and producer), Christine McVie e Stevie Nicks
diritti fonografici (℗) detenuti da:
Warner Bros. (holding: file NO releases) (nel 2004)
mixata presso:
Producer’s Workshop in Hollywood, Los Angeles, California, Stati Uniti
parte di:
Rock and Roll Hall of Fame – 500 Songs That Shaped Rock, Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 119) e Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (numero: 401)
registrazione di:
Go Your Own Way
paroliere e compositore:
Lindsey Buckingham (guitarist, singer, songwriter and producer)
editore:
Gentoo Music, Inc. e Now Sounds Music
Fleetwood Mac4.353:38
2Make Me Smile (Come Up and See Me)
produttore:
Steve Harley e Alan Parsons (of The Alan Parsons Project)
diritti fonografici (℗) detenuti da:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (nel 1975)
parte di:
TV Cream: Real 100 Best Singles Ever (numero: 18)
registrazione di:
Make Me Smile (Come Up and See Me)
paroliere e compositore:
Steve Harley
editore:
EMI Music Publishing (do not use as a release label!), Finchley Music Corp., RAK Publishing Ltd. e Trigram Music Management Ltd.
Steve Harley & Cockney Rebel43:57
3Listen to the Music (edit)
diritti fonografici (℗) detenuti da:
WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) e Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (nel 1972)
edit di:
Listen to the Music di The Doobie Brothers
registrazione di:
Listen to the Music
paroliere e compositore:
Tom Johnston (guitarist and vocalist with “The Doobie Brothers”)
editore:
Warner Bros. Music (publisher; do NOT use as release label) e Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label)
sub-editore:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) e ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
The Doobie Brothers43:48
4Tiger Feet
co-produttore:
Mike Chapman (Australian producer and songwriter) e Nicky Chinn
esecutore:
Mud (UK glam rock band)
diritti fonografici (℗) detenuti da:
RAK (nel 1974)
registrazione di:
Tiger Feet
paroliere e compositore:
Mike Chapman (Australian producer and songwriter) e Nicky Chinn
editore:
BMG Music Publishing (NYC‐based headquarters, with national subsidiaries under it) e BMG Music Publishing Ltd.
Mud53:50
5We Are Family (single edit)
registrazione di:
We Are Family
autore:
Bernard Edwards (American bassist and record producer) e Nile Rodgers
editore:
Bernard’s Other Music, Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Sony/ATV Songs LLC e Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label)
Sister Sledge3:21
6Disco Inferno (single edit)
parte di:
Billboard Year-End Hot 100 singles of 1978 (numero: 54)
registrazione di:
Disco Inferno
autore:
Leroy Green (disco/soul songwriter) e Ron Kersey
editore:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), peermusic (“Peermusic—the global independent”), Reservoir 416, Reservoir Media Management, Inc. e Six Strings Music
The Trammps4.353:12
7Jealous Mind
registrazione di:
Jealous Mind
paroliere e compositore:
Peter Shelley (British 1970s pop singer/songwriter)
Alvin Stardust52:42
8Chuck E’s in Love
tecnico:
Loyd Clifft e Lee Herschberg
tecnico aggiunto:
Tom Knox e Roger Nichols (US mastering, recording engineer and producer)
produttore:
Russ Titelman e Lenny Waronker
tecnico di missaggio:
Lee Herschberg
voce:
Rickie Lee Jones
diritti fonografici (℗) detenuti da:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (nel 1979) e WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (nel 1979)
registrata presso:
The Burbank Studios in Burbank, California, Stati Uniti e Warner Bros. Recording Studios (North Hollywood, a/k/a Amigo Studios) in North Hollywood, Los Angeles, California, Stati Uniti
mixata presso:
Warner Bros. Recording Studios (North Hollywood, a/k/a Amigo Studios) in North Hollywood, Los Angeles, California, Stati Uniti
registrazione di:
Chuck E.’s in Love
paroliere e compositore:
Rickie Lee Jones
editore:
Blue Raincoat Songs Ltd., Easy Money Music, Reservoir Media Music, Rondor Music (Australia) Pty Ltd, Sony Music Publishing (Japan) Inc. (song publisher, never a release label), ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division), ヤマハミュージックEH(CM) (Yamaha Music EH(CM)) e ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label)
Rickie Lee Jones4.253:30
9Crazy Love (1999 remaster)
produttore:
Van Morrison
produttore esecutivo:
Lewis Merenstein
tecnico di missaggio:
Elliot Scheiner (nel 1969-12)
voce di accompagnamento:
Judy Clay (American soul and gospel singer) (nel 1969), Emily Houston (nel 1969) e Jackie Verdell (nel 1969)
voce principale:
Van Morrison (nel 1969)
diritti fonografici (℗) detenuti da:
Warner Bros. Records (1958–2019; “WB” logo, with or without “records” beneath or on banner across) (nel 1970)
è stato produttore per:
Inherit Productions
registrata presso:
A&R Recording Studio (third studio, 322 West 48th Street, closed in 1989) in New York, New York, Stati Uniti (nel 1969)
mixata presso:
A & R Recording (Second studio, 799 7th Avenue) in Manhattan, New York, New York, Stati Uniti (nel 1969-12)
registrazione di:
Crazy Love (nel 1969)
paroliere e compositore:
Van Morrison
editore:
Caledonia Soul Music (, nel 1970), Van-Jan Music, Warner Bros. Music (publisher; do NOT use as release label), Warner Bros. Music Ltd. (UK subsidiary, so named between 1970/01/23–1971/04/26 and 1972/04/25–1988/08/23), Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner/Chappell North America e WB Music Corp. (1929–2019) (nel 1970)
Van Morrison3.652:37
10Guitar Man
tecnico:
Armin Steiner
produttore:
David Gates (singer/songwriter, lead singer of Bread)
produttore associato:
James Griffin (soft rock singer/songwriter/guitarist)
batteria e percussione :
Michael Botts
chitarra :
David Gates (singer/songwriter, lead singer of Bread) e James Griffin (soft rock singer/songwriter/guitarist)
chitarra basso :
David Gates (singer/songwriter, lead singer of Bread)
pianoforte :
James Griffin (soft rock singer/songwriter/guitarist)
arrangiatore:
David Gates (singer/songwriter, lead singer of Bread)
diritti fonografici (℗) detenuti da:
WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US), Elektra Entertainment (company, DO NOT USE as release label, for releases use “Elektra”) (nel 1972), Elektra Records (not for release label use! please use its imprint “Elektra” instead) (nel 1972) e Warner Music International (trademark of Warner Music International the company) (nel 1973)
registrata presso:
Elektra Sound Recorders in Los Angeles, California, Stati Uniti
registrazione di:
The Guitar Man
paroliere e compositore:
David Gates (singer/songwriter, lead singer of Bread)
editore:
EMI Music Publishing (do not use as a release label!) e Screen Gems–Columbia Music, Inc.
Bread43:46
11Willin’
tecnico di registrazione e tecnico di missaggio:
Donn Landee
produttore:
Ted Templeman
batteria e percussione :
Richie Hayward
chitarra e voce principale:
Lowell George
chitarra basso :
Roy Estrada
chitarra steel ospite :
Sneaky Pete Kleinow
tastiera :
Bill Payne
voce di accompagnamento:
Roy Estrada e Richie Hayward
diritti fonografici (℗) detenuti da:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (nel 1972)
registrazione di:
Willin’
paroliere e compositore:
Lowell George
editore:
Abraham Music e Naked Snake Music
Little Feat2:55
12I Saw the Light
produttore:
Todd Rundgren
strumenti e voce:
Todd Rundgren
arrangiatore:
Todd Rundgren
diritti fonografici (℗) detenuti da:
Bearsville Records (nel 1972)
parte di:
Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 452)
registrazione di:
I Saw the Light
paroliere e compositore:
Todd Rundgren
editore:
Earmark Music Inc. e Screen Gems–EMI Music, Inc. (USA, affiliated with BMI)
sub-editore:
イーエムアイ音楽出版 フジパシフィック事業部 (EMI Music Publishing Japan, Fujipacific Division) (fino al 2021-06-30) e ソニー・ミュージックパブリッシング フジパシフィック事業部 (Sony Music Publishing (Japan) Inc., Fujipacific Division) (dal 2021-07-01 a oggi)
Todd Rundgren53:03
13The Air That I Breathe
tecnico:
Mike Jarratt (Recording, mixing and lacquer cutting engineer) e Alan Parsons (of The Alan Parsons Project)
produttore:
The Hollies e Ron Richards
voce:
Allan Clarke (of The Hollies) (dal 1973-11-15 al 1973-11-22), Tony Hicks (dal 1973-11-15 al 1973-11-22) e Terry Sylvester (dal 1973-11-15 al 1973-11-22)
diritti fonografici (℗) detenuti da:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012), Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (nel 1973), The Hollies Ltd. (nel 1973, nel 1974, nel 2008) e Polydor International GmbH (not for release label use!) (nel 1974)
registrata presso:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, Regno Unito (dal 1973-11-15 al 1973-11-22)
registrazione cover di:
The Air That I Breathe (dal 1973-11-15 al 1973-11-22)
autore:
Albert Hammond e Mike Hazlewood
editore:
April Music Inc., Concord Songs Ltd., EMI April Music Inc., Landers‐Roberts Music, Rondor Music (Australia) P/L, Rondor Music (London) Ltd., Universal Music Publishing Pty Ltd. (Australian subsidiary of Universal Music Publishing Group), ヤマハミュージックEH(CM) (Yamaha Music EH(CM)) e ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
registrazione di:
The Air That I Breathe
autore:
Albert Hammond e Mike Hazlewood
editore:
April Music Inc., Concord Songs Ltd., EMI April Music Inc., Landers‐Roberts Music, Rondor Music (Australia) P/L, Rondor Music (London) Ltd., Universal Music Publishing Pty Ltd. (Australian subsidiary of Universal Music Publishing Group), ヤマハミュージックEH(CM) (Yamaha Music EH(CM)) e ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
The Hollies4.54:04
14She’s Gone (single version)
parte di:
Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 413)
registrazione di:
She’s Gone
paroliere e compositore:
Daryl Hall e John Oates
editore:
Unichappell Music, Inc., ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) e ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
Daryl Hall & John Oates4.53:24
15Cat’s in the Cradle
produttore:
Paul Leka
arrangiatore:
Paul Leka
diritti fonografici (℗) detenuti da:
Elektra Records (not for release label use! please use its imprint “Elektra” instead), Elektra/Asylum/Nonesuch Records (not for release label use! a division of Warner Communications Inc.) e WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (nel 1974)
registrata presso:
Connecticut Recording Studios in Connecticut, Stati Uniti
registrazione di:
Cat’s in the Cradle
autore:
Sandra Campbell Chapin e Harry F Chapin
editore:
Neue Welt Musikverlag GmbH & Co. KG (– 2017), Story Songs, Ltd, Warner Bros., Inc. (not for release label use!), Warner Chappell Music (publisher as Warner/Chappell Music), Warner Chappell Music, Inc., Warner/Chappell Music Australia Pty. Ltd. e Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09)
Harry Chapin3.83:43
16The Man With the Child in His Eyes
tecnico:
Jon Kelly (engineer at Air London Studios)
produttore:
Andrew Powell (known for contributions to Alan Parsons Project)
produttore esecutivo:
David Gilmour (Pink Floyd)
pianoforte , voce di accompagnamento e voce principale:
Kate Bush (nel 1975-06)
arrangiatore:
Andrew Powell (known for contributions to Alan Parsons Project)
diritti fonografici (℗) detenuti da:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (nel 1977, nel 1978), EMI Records USA (formerly EMI USA, renamed since early 1990s) (nel 1977, nel 1978), EMI‐USA Records (a division of Capitol Records, Inc.) (nel 1977, nel 1978) e EMI France (nel 1995)
registrata presso:
AIR London Studios (Oxford Street, London. 1970–1991 recordings only) in London (Greater London), England, Regno Unito (dal 1977-07 al 1977-08)
registrazione di:
The Man With the Child in His Eyes (nel 1975-06)
editore:
Kate Bush (dal 1978 a oggi)
paroliere e compositore:
Kate Bush
arrangiatore:
Stefan Lievestro (Dutch jazz bassist)
eseguita per la prima volta presso:
Saturday Night Live: Season 4, Episode 8 (1978-12-09 – 1978-12-10)
editore:
Beechwood Music Corp., Castle (publisher), Ed. Itaipu, EMI Music Publishing (do not use as a release label!), EMI Music Publishing Ltd. (PRS‐affiliated) (, dal 1978 a oggi) e Kate Bush Music Ltd.
Kate Bush3.652:39
17Never Let Her Slip Away
assistente tecnico:
George Ybara
tecnico:
Dennis Kirk e Greg Ladanyi
produttore:
Andrew Gold e Brock Walsh (singer, producer, songwriter)
percussione :
Andrew Gold (nel 1978) e Brock Walsh (singer, producer, songwriter) (nel 1978)
sassofono :
Ernie Watts (Ernest James Watts, jazz and blues saxophonist) (nel 1978)
sintetizzatore :
Andrew Gold (nel 1978)
voce di accompagnamento:
Andrew Gold (nel 1978), John David Souther (nel 1978) e Brock Walsh (singer, producer, songwriter) (nel 1978)
diritti fonografici (℗) detenuti da:
Elektra/Asylum Records (not for release label use! copyrights holder, distributor within the US) (nel 1978)
registrata presso e mixata presso:
Sound Factory (1969–1980) in Los Angeles, California, Stati Uniti (nel 1978)
registrazione di:
Never Let Her Slip Away (nel 1978)
paroliere e compositore:
Andrew Gold
editore:
Luckyu Music
Andrew Gold53:28
18Undercover Angel
Alan O’Day3:31
19You Are My Love (2012 collection remaster)
registrazione di:
You Are My Love
autore:
Roger Scott Craig e Billy Kinsley (singer, songwriter and bassist)
Liverpool Express3:15
20I’d Really Love to See You Tonight
diritti fonografici (℗) detenuti da:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (nel 1976)
registrazione di:
I’d Really Love to See You Tonight
paroliere e compositore:
Parker McGee
editore:
Clearbox Rights LLC, Dawnbreaker Music, Faizilu Publishing e Sutjujo Music
England Dan & John Ford Coley52:38
21Dance With Me
diritti fonografici (℗) detenuti da:
Elektra/Asylum Records (not for release label use! copyrights holder, distributor within the US) (nel 1975)
registrazione di:
Dance With Me
paroliere:
Johanna Hall
compositore:
John Hall (US guitarist/vocalist for Orleans, later US congressman)
editore:
EMI Blackwood Music Inc., Siren Songs, イーエムアイ音楽出版 ソニー事業部 (EMI Music Publishing Japan Ltd., Sony Division) (fino al 2021-06-30) e ソニー・ミュージックパブリッシング EMI外国事業部 (Sony Music Publishing (Japan) Inc., EMI Overseas Division, sub‐publisher for non‐Japanese works) (dal 2021-07-01 a oggi)
Orleans53:00
22Softly Whispering I Love You
tecnico:
Peter Vince (engineer, producer)
esecutore:
Brian Keith e Alan Parker (guitarist & composer)
arrangiatore:
Ken Woodman (British trumpeter, music director, arranger and composer)
diritti fonografici (℗) detenuti da:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (nel 1971)
registrata presso:
EMI Studios (London) in St John's Wood, Westminster, London (Greater London), England, Regno Unito
registrazione cover di:
Softly Whispering I Love You
autore:
Roger Frederick Cook (US‐based British singer, songwriter and producer) e Roger John Reginald Greenaway
editore:
Cookaway Music Ltd. (publisher, likely UK-based), Universal Music Publishing Pty Ltd. (Australian subsidiary of Universal Music Publishing Group) e Universal/Dick James Music Ltd. (fka Dick James Music Ltd.)
The Congregation23:02
23If You Could Read My Mind
tecnico di registrazione:
Gary Brandt e Lee Herschberg
produttore:
Lenny Waronker e Joe Wissert
tecnico di missaggio:
Lee Herschberg
voce:
Gordon Lightfoot
arrangiatore archi :
Nick de Caro
diritti fonografici (℗) detenuti da:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (nel 1970)
parte di:
Huffington Post: 100 Best Canadian Songs Ever (numero: 8)
registrazione di:
If You Could Read My Mind
paroliere e compositore:
Gordon Lightfoot
editore:
ATV Kirshner (publisher) (conclusa), Early Morning Music (conclusa), Laetrec Music (conclusa), WB Music Corp. (1929–2019) (fino al 2019-05-28) e WC Music Corp. (dal 2019-05-28 a oggi)
Gordon Lightfoot4.63:49
24A Message to You Rudy
produttore:
Elvis Costello
trombone ospite :
Rico Rodriguez (Jamaican trombonist)
parte di:
Indie 88: Top 500 Indie Rock Songs (numero: 132)
registrazione cover di:
A Message to You, Rudy
paroliere e compositore:
Dandy Livingstone
registrazione di:
A Message to You, Rudy
paroliere e compositore:
Dandy Livingstone
The Specials feat. Rico42:54
25Cold as Ice
tecnico:
Gary Lyons (UK engineer & producer)
tecnico associato:
Jimmy Douglass (engineer), Michael Getlin, Kevin Herron e Randy Mason
co-produttore:
Mick Jones (Foreigner/Spooky Tooth, worked in France) e Ian McDonald (UK multi‐instrumentalist, formerly of King Crimson and Foreigner)
produttore:
Gary Lyons (UK engineer & producer) e John Sinclair (engineer)
tecnico di missaggio:
Jimmy Douglass (engineer), Mick Jones (Foreigner/Spooky Tooth, worked in France) e Ian McDonald (UK multi‐instrumentalist, formerly of King Crimson and Foreigner)
batteria :
Dennis Elliott
chitarra :
Mick Jones (Foreigner/Spooky Tooth, worked in France) e Ian McDonald (UK multi‐instrumentalist, formerly of King Crimson and Foreigner)
chitarra basso :
Ed Gagliardi (bass player (Foreigner))
corno :
Ian McDonald (UK multi‐instrumentalist, formerly of King Crimson and Foreigner)
sintetizzatore :
Al Greenwood
tastiera :
Al Greenwood e Ian McDonald (UK multi‐instrumentalist, formerly of King Crimson and Foreigner)
voce:
Ed Gagliardi (bass player (Foreigner)), Mick Jones (Foreigner/Spooky Tooth, worked in France) e Ian McDonald (UK multi‐instrumentalist, formerly of King Crimson and Foreigner)
voce di accompagnamento:
Ed Gagliardi (bass player (Foreigner)), Mick Jones (Foreigner/Spooky Tooth, worked in France), Ian Lloyd (of Stories) e Ian McDonald (UK multi‐instrumentalist, formerly of King Crimson and Foreigner)
voce principale:
Lou Gramm (American rock singer-songwriter; Black Sheep, Foreigner & Shadow King)
diritti fonografici (℗) detenuti da:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (nel 1977), WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (nel 1977) e Rhino Entertainment Company (not for release label use!) (nel 2009)
registrazione di:
Cold as Ice
autore:
Lou Gramm (American rock singer-songwriter; Black Sheep, Foreigner & Shadow King) e Mick Jones (Foreigner/Spooky Tooth, worked in France)
editore:
Intersong Music Ltd., MVA Music, Somerset Songs Publishing Inc., Universal Music Publishing Pty Ltd. (Australian subsidiary of Universal Music Publishing Group), Warner/Chappell Music Ltd. (1996–2019), WB Music Corp. (1929–2019) (fino al 2019-05-28) e WC Music Corp. (dal 2019-05-28 a oggi)
sub-editore:
Warner/Chappell Music Japan, Synch division (Warner/Chappell Music Japan K.K., Synch Division), Fuji Pacific Music inc. (Fujipacific Music inc.) (fino al 2014-12-31), Yamaha Music Publishing (fino al 2017-03-31), Fujipacific Music, Inc. (dal 2015-01-01 a oggi) e Yamaha Music Entertainment Holdings, Inc. (holding company – do not use as release label) (dal 2017-04-01 a oggi)
Foreigner43:20
26Baker Street (edit)
basso :
Gary Taylor (UK bassist/songwriter/vocalist, member of Herd/Fox/Stealers Wheel) (nel 1977)
batteria :
Henry Spinetti (nel 1977)
chitarra [lead guitar] :
Hugh Burns (nel 1977)
chitarra [rhythm guitar] :
Nigel Jenkins (nel 1977)
percussione :
Glen LeFleur (nel 1977)
sassofono :
Raphael Ravenscroft (nel 1977)
tastiera :
Tommy Eyre (nel 1977)
voce principale:
Gerry Rafferty (nel 1977)
diritti fonografici (℗) detenuti da:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (nel 1978, nel 1980), Parlophone Records Ltd. (not for release label use! a Warner Music Group company) (nel 1978) e United Artists Music and Records Group, Inc. (UAMARG, Inc.) (nel 1978)
registrata presso:
Chipping Norton Recording Studios in Chipping Norton, Oxfordshire, England, Regno Unito (nel 1977)
edit di:
Baker Street di Gerry Rafferty
registrazione di:
Baker Street (nel 1977)
paroliere e compositore:
Gerry Rafferty
editore:
B Music, Belfern Ltd., EMI Music Publishing (do not use as a release label!), EMI Publishing Ltd., Icon Music Ltd., Island Music Ltd., Mushroom Music Pty. Ltd., Music of Stage Three, PolyGram Music Publishing, PolyGram Music Publishing Ltd., Screen Gems–EMI Music, Inc. (USA, affiliated with BMI), Stage Three Music Ltd., Stage Three Music Publishing Limited, Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group), Universal Songs (publisher) e Universal–Songs of PolyGram International, Inc.
Gerry Rafferty4.154:08
27Magic
produttore:
Alan Parsons (of The Alan Parsons Project)
diritti fonografici (℗) detenuti da:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (nel 1974, nel 1975, nel 2003)
parte di:
Paste: The 50 Greatest NON One-Hit Wonders of All Time (numero: 41)
registrazione di:
Magic
autore:
Billy Lyall e David Paton (of Pilot)
editore:
Beechwood Music Corp., EMI (EMI Records, or EMI Music only if there is no other imprint), EMI Music Publishing (do not use as a release label!), EMI Music Publishing Australia Pty Ltd (not for release label use!), EMI Music Publishing Ltd. (PRS‐affiliated) e Robbins Music Corp. Ltd.
Pilot4.753:06
28December, 1963 (Oh What a Night!)
tecnico di registrazione:
Steve Maslow
produttore:
Bob Gaudio
tecnico di missaggio:
Val Garay
basso :
Don Ciccone
batteria :
Gerry Polci
chitarra :
John Paiva
pianoforte :
Bob Gaudio
tastiera :
Bob Gaudio e Lee Shapiro
voce:
Bob Gaudio, Don Ciccone, Frankie Valli (American singer and actor, best known as the frontman of The Four Seasons), Gerry Polci e John Paiva
arrangiatore archi e arrangiatore ottoni [horns] :
Lee Shapiro
diritti fonografici (℗) detenuti da:
WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US)
registrata presso:
Sound Factory (1969–1980) in Los Angeles, California, Stati Uniti
parte di:
Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 64)
registrazione di:
December, 1963 (Oh, What a Night)
paroliere:
Bob Gaudio e Judy Parker
compositore:
Bob Gaudio
editore:
EMI Songs, EMI Songs Australia, Jobete Music Co., Inc. e Seasons Music Co.
Frankie Vallie & The Four Seasons3.853:32
29Every 1’s a Winner
diritti fonografici (℗) detenuti da:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (nel 1978) e Infinity Records Inc. (nel 1978)
registrazione di:
Every 1’s a Winner
paroliere e compositore:
Errol Brown (British‐Jamaican singer and songwriter, in Hot Chocolate)
editore:
EMI Music Publishing (PRS‐affiliated) e RAK Music Publishing Ltd.
Hot Chocolate4.154:04
30Everybody Dance (edit version)
registrazione di:
Everybody Dance
autore:
Bernard Edwards (American bassist and record producer) e Nile Rodgers
editore:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships)
Chic53:58
31That’s the Way (I Like It) (edit)
diritti fonografici (℗) detenuti da:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (nel 1975, nel 1976) e T.K. Records (Miami‐based disco label) (nel 1975)
edit di:
That’s the Way (I Like It) di KC and the Sunshine Band (US funk, R&B & disco band)
registrazione di:
That’s the Way (I Like It)
autore:
Harry Wayne Casey e Richard Finch
editore:
EMI Longitude Music, EMI Music (do not use as release label! this is a music publisher), EMI Music Publishing Australia Pty Ltd (not for release label use!) e Mushroom Music (Mushroom label’s publishing company)
KC and the Sunshine Band4.33:04
32Spacer
produttore:
Bernard Edwards (American bassist and record producer) e Nile Rodgers
registrazione di:
Spacer
autore:
Bernard Edwards (American bassist and record producer) e Nile Rodgers
Sheila33:47
33Street Player
registrazione cover di:
Street Player
autore:
Danny Seraphine e David “Hawk” Wolinski
Chicago4:22
34I’m Every Woman
tecnico:
James Douglass (engineer)
produttore:
Arif Mardin
voce di accompagnamento:
Will Lee (US jazz/rock bassist) (nel 1978) e Hamish Stuart (Scottish guitarist, bassist, singer composer & producer) (nel 1978)
voce di accompagnamento e voce principale:
Chaka Khan (nel 1978)
arrangiatore archi , arrangiatore legni e arrangiatore ottoni :
Arif Mardin
diritti fonografici (℗) detenuti da:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (nel 1978)
parte di:
RuPaul’s Drag Race Lip Sync Performances (season 6) (numero: 4)
registrazione di:
I’m Every Woman (nel 1978)
autore:
Nickolas Ashford e Valerie Simpson
editore:
Nick‐O‐Val Music Co., Inc.
Chaka Khan3.34:05
35Wear It Out (edit)
registrazione di:
Wear It Out
autore:
Charles Fearing, Rochelle Runnells e Robert Wright (disco/funk producer)
Stargard53:40
36The Rubberband Man (single version)
The Spinners4.653:33
37Then Came You
voce ospite:
Dionne Warwick
esecutore:
The Spinners (The Detroit Spinners, US R&B/soul group, aka The Detroit Spinners)
registrazione cover di:
Then Came You
autore:
Sherman Marshall e Philip Pugh
editore:
Mijac Double Diamond Music e Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label)
Dionne Warwick & The Spinners4.54:01
38Wishing on a Star (edit)
registrazione di:
Wishing on a Star
paroliere e compositore:
Billie Calvin (Billie Rae Calvin)
editore:
Warner/Chappell North America
Rose Royce43:57
39Ghetto Child
tecnico di registrazione:
Joe Tarsia (engineer)
produttore:
Thom Bell (keyboards, songwriter, producer)
basso :
Ron Baker (record producer, bassist, arranger and songwriter) (nel 1973)
batteria :
Earl Young (nel 1973)
percussione [vibraphone, marimba] :
Vince Montana (nel 1973)
pianoforte :
Thom Bell (keyboards, songwriter, producer) (nel 1973)
voce di accompagnamento:
Yvette Benson (nel 1973), Carla Benton (nel 1973) e Barbara Ingram (nel 1973)
voce di baritono:
Henry Fambrough (A member of the R&B quintet The Spinners) (nel 1973)
voce di basso:
Pervis Jackson (The bass singer for The Spinners) (nel 1973)
voce di tenore:
Billy Henderson (founding member of The Spinners) (nel 1973), Bobbie Smith (US R&B lead singer for The Spinners) (nel 1973) e Philippé Wynne (A lead vocalist of The Spinners) (nel 1973)
direttore d'orchestra:
Thom Bell (keyboards, songwriter, producer) (nel 1973)
remixer:
Joe Tarsia (engineer)
arrangiatore:
Thom Bell (keyboards, songwriter, producer)
diritti fonografici (℗) detenuti da:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US)
registrata presso:
Sigma Sound Studios in Philadelphia, Pennsylvania, Stati Uniti (nel 1973)
mixata presso:
Sigma Sound Studios in Philadelphia, Pennsylvania, Stati Uniti
registrazione di:
Ghetto Child (nel 1973)
compositore:
Thom Bell (keyboards, songwriter, producer) e Linda Creed
editore:
Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label)
The Spinners53:47
40Supernatural Thing
Ben E. King43:24
41The Mexican (edit)
registrazione di:
The Mexican
paroliere e compositore:
Alan Shacklock
compositore aggiunto:
Ennio Morricone (Italian classical and score composer)
Babe Ruth3:27
42I’m Gonna Run Away From You
registrazione di:
I’m Gonna Run Away From You
paroliere e compositore:
Bert Russell Berns
Tami Lynn2:49
43Dancing in the City
diritti fonografici (℗) detenuti da:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (nel 1978) e Harvest (UK based sub‐label of EMI, re‐activated in 2013 under Capitol Music Group in Hollywood, CA) (nel 1978)
registrazione di:
Dancing in the City (nel 1978)
autore:
Kit Hain e Julian Marshall
editore:
EMI Music Publishing (do not use as a release label!), Gallo Music Publishers, Hornall Brothers Music Ltd. (limited company) e Rondor Music (London) Ltd.
Marshall Hain3:47
44Midnight at the Oasis
tecnico:
Lee Herschberg e Donn Landee
produttore:
Joe Boyd (US producer, founder of Hannibal Records) e Lenny Waronker
tecnico di missaggio:
Lee Herschberg
batteria :
Jim Gordon (US drummer with Derek and the Dominos)
chitarra acustica :
David Nichtern
chitarra basso :
Freebo
chitarra elettrica :
Amos Garrett
pianoforte :
Mark T. Jordan
voce:
Maria Muldaur
voce parlata:
Greg Prestopino
arrangiatore archi :
Nick de Caro
diritti fonografici (℗) detenuti da:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint)
mixata presso:
Warner Bros. Recording Studios (North Hollywood, a/k/a Amigo Studios) in North Hollywood, Los Angeles, California, Stati Uniti
registrazione di:
Midnight at the Oasis
paroliere e compositore:
David Nichtern
editore:
Space Potato Music (nel 1974)
Maria Muldaur43:50
45Breezin’
tecnico di registrazione:
Al Schmitt (dal 1976-01-06 al 1976-01-08)
assistente tecnico:
Don Henderson (engineer)
assistente produttore:
Noel Newbolt
produttore:
Tommy LiPuma
tecnico di missaggio:
Al Schmitt
batteria :
Harvey Mason (jazz drummer) (dal 1976-01-06 al 1976-01-08)
chitarra [lead guitar] :
George Benson (jazz guitarist/singer) (dal 1976-01-06 al 1976-01-08)
chitarra basso e chitarra [rhythm guitar] :
Phil Upchurch (dal 1976-01-06 al 1976-01-08)
clavinet e pianoforte :
Jorge Dalto (dal 1976-01-06 al 1976-01-08)
minimoog [mini-moog] e pianoforte elettrico :
Ronnie Foster (dal 1976-01-06 al 1976-01-08)
percussione :
Ralph MacDonald (dal 1976-01-06 al 1976-01-08)
direttore d'orchestra:
Claus Ogerman (dal 1976-01-06 al 1976-01-08)
orchestratore:
Claus Ogerman
diritti fonografici (℗) detenuti da:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (nel 1976)
registrata presso:
Capitol Studios (Hollywood, CA, founded 1956) in Hollywood, Los Angeles, California, Stati Uniti (dal 1976-01-06 al 1976-01-08)
mixata presso:
Capitol Studios (Hollywood, CA, founded 1956) in Hollywood, Los Angeles, California, Stati Uniti
registrazione cover di:
Breezin’ (dal 1976-01-06 al 1976-01-08)
compositore:
Bobby Womack
editore:
Unart Music Corp. (conclusa), ABKCO Music, Inc. (this is a music publisher; for release labels, please use “ABKCO”), EMI Unart Catalog Inc., Tracebob Music Co., フジパシフィックミュージック SBK事業部 (Fujipacific Music SBK Department), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) e 日本アブコ音楽出版 (ABKCO Japan Publishing)
George Benson45:42
46Until You Come Back to Me (That’s What I’m Gonna Do)
tecnico:
Lew Hahn
produttore:
Aretha Franklin, Arif Mardin e Jerry Wexler
tecnico di missaggio:
Arif Mardin
basso :
Chuck Rainey (American bassist) (il 1973-09-07)
batteria :
Bernard “Pretty” Purdie (il 1973-09-07)
chitarra :
Hugh McCracken (il 1973-09-07)
flauto solista :
Joe Farrell (il 1973-09-07)
organo :
Richard Tee (il 1973-09-07)
pianoforte e voce principale:
Aretha Franklin (il 1973-09-07)
pianoforte elettrico :
Donny Hathaway (il 1973-09-07)
sintetizzatore :
Ken Bichel (keyboardist) (il 1973-09-07)
voce di accompagnamento:
Margaret Branch (il 1973-09-07), Ann S. Clark (il 1973-09-07) e Pat Smith (soul vocalist) (il 1973-09-07)
arrangiatore:
Arif Mardin
diritti fonografici (℗) detenuti da:
WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (nel 1973) e Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (nel 1974)
registrata presso:
Atlantic Studios (1841 Broadway, New York, 1957–1991) in Midtown Manhattan, New York, New York, Stati Uniti (il 1973-09-07)
registrazione di:
Until You Come Back to Me (That’s What I’m Gonna Do) (il 1973-09-07)
autore:
Morris Broadnax (Soul and R&B music songwriter), Clarence Paul e Stevie Wonder
editore:
Blackbull Music, Jobete Music (appears also as: Jobete Msc.), Jobete Music (UK) Ltd., Sawandi Music, Solo Copyright Bureau e Stone Agate Music
Aretha Franklin4.353:26
47Can the Can
produttore:
Mike Chapman (Australian producer and songwriter) e Nicky Chinn
diritti fonografici (℗) detenuti da:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (nel 1973) e RAK Records (copyrights holder) (nel 1975)
registrata presso:
Audio International Studios in London (Greater London), England, Regno Unito
registrazione di:
Can the Can
paroliere:
Nicky Chinn
compositore:
Mike Chapman (Australian producer and songwriter)
editore:
BMG Music, Chinnichap (production company and publisher) e Universal Music Publishing MGB Australia
Suzi Quatro4.23:34
48Just What I Needed
assistente tecnico:
Nigel Walker (UK producer/engineer/guitarist)
tecnico:
Geoff Workman
produttore:
Roy Thomas Baker (producer)
diritti fonografici (℗) detenuti da:
Elektra Entertainment Group (not for release label use! a division of Warner Communications, Inc. for the United States, and WEA International Inc. for the world outside the United States) (nel 1978), Elektra Records (not for release label use! please use its imprint “Elektra” instead) (nel 1978), Elektra/Asylum Records (not for release label use! copyrights holder, distributor within the US) (nel 1978) e WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (nel 1978)
registrata presso e mixata presso:
Air Studios (Oxford Street, London. 1970–1991 recordings only) in London (Greater London), England, Regno Unito (nel 1978-02)
parte di:
Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 112) e Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (numero: 369)
registrazione di:
Just What I Needed (nel 1978-02)
paroliere e compositore:
Ric Ocasek
editore:
BMG Music Publishing Ltd., Lido Music, Inc. e Lido Music (not for release label use!) (nel 1978)
The Cars4.33:46
49Can’t Get Enough (single version)
Bad Company3:26
50Life’s Been Good
registrazione di:
Life’s Been Good
paroliere e compositore:
Joe Walsh (Eagles/James Gang)
editore:
Wow & Flutter Music
Joe Walsh44:39
51Cindy Incidentally
assistente tecnico:
Phil Chapman (engineer)
tecnico e produttore:
Glyn Johns
batteria :
Kenney Jones (drummer for Small Faces, Faces, and The Who)
chitarra :
Ronnie Wood (UK guitarist, member of The Rolling Stones, also goes by Ron Wood)
chitarra basso :
Ronnie Lane
pianoforte :
Ian McLagan
voce principale:
Rod Stewart
diritti fonografici (℗) detenuti da:
WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (nel 1973)
registrata presso:
Olympic Studios (1966–2009) in Barnes, Richmond upon Thames, London (Greater London), England, Regno Unito
registrazione di:
Cindy Incidentally
editore:
Rod Stewart BMI - United States of America
autore:
Ian McLagan, Rod Stewart e Ronnie Wood (UK guitarist, member of The Rolling Stones, also goes by Ron Wood)
editore:
Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label) e WB Music Corp. (1929–2019)
Faces42:39
52Tush
basso elettrico :
Dusty Hill
batteria e percussione :
Frank Beard (ZZ Top drummer)
chitarra elettrica :
Billy Gibbons
voce:
Billy Gibbons e Dusty Hill
registrazione di:
Tush
autore:
Frank Beard (ZZ Top drummer), Billy Gibbons e Dusty Hill
editore:
Music of Stage Three e Songs of Mosaic
ZZ Top4.52:17
53Wishing Well
registrazione cover di:
Wishing Well (Free song)
autore:
John “Rabbit” Bundrick, Simon Kirke, Paul Kossoff, Paul Rodgers e Tetsu Yamauchi
editore:
Cayman Music Inc, Keepers Cottage Music Ltd. e Universal/Island Music Ltd. (for music publishing use only, formerly Island Music Ltd.)
sub-editore:
Universal Music Publishing France (not for release label use!)
Blackfoot53:13
54I Hear You Knocking
produttore:
Dave Edmunds
diritti fonografici (℗) detenuti da:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (nel 1971)
registrazione cover di:
I Hear You Knocking
paroliere e compositore:
Dave Bartholomew e Pearl King
editore:
Commodore Music Corp., EMI Music (do not use as release label! this is a music publisher), EMI Music Publishing (do not use as a release label!), Francis, Day & Hunter Ltd., Succemelodier e World Music (publisher)
parte di:
Million Dollar Quartet (jukebox musical, book by Floyd Mutrux and Colin Escott)
Dave Edmunds42:48
55Doctor Doctor (edit)
registrazione di:
Doctor Doctor
autore:
Phil Mogg e Michael Schenker
editore:
Intersong Music Ltd. e Rudolf Slezak Musikverlag GmbH (publisher)
sub-editore:
Schubert Music Europe GmbH e Warner Chappell Music France
UFO42:45
56Milk and Alcohol
diritti fonografici (℗) detenuti da:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (nel 1978)
registrazione di:
Milk and Alcohol (nel 1978-09)
autore:
Nick Lowe (UK singer/songwriter/instrumentalist/producer) e Gypie Mayo
editore:
Plangent Visions Music Ltd. e Rock Music Co., Ltd.
Dr. Feelgood4.22:49
57Elected (single version)
produttore:
Bob Ezrin
voce principale:
Alice Cooper (the musician born Vincent Damon Furnier, changed his name legally to Alice Cooper in 1974)
diritti fonografici (℗) detenuti da:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (nel 1972, nel 1974) e WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (nel 1972)
remix di:
Elected di Alice Cooper (1964–1975 American rock band)
registrazione di:
Elected
autore:
Michael Bruce (of Alice Cooper), Glen Buxton (American guitarist), Alice Cooper (the musician born Vincent Damon Furnier, changed his name legally to Alice Cooper in 1974), Dennis Dunaway (original bass player for Alice Cooper) e Neal Smith (former Alice Cooper drummer)
editore:
Sony Songs Inc. (conclusa), Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Ezra Music Corp., Sony/ATV Music Publishing (UK) Ltd., Sony/ATV Songs LLC e Ezra Music (nel 1973)
sub-editore:
ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
revisione di:
Reflected
Alice Cooper4.353:43
58No More Heroes (radio edit)
diritti fonografici (℗) detenuti da:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012)
registrazione di:
No More Heroes
autore:
Jet Black (UK drummer Brian Duffy, member of The Stranglers), Jean‐Jacques Burnel, Hugh Cornwell (English rock musician) e Dave Greenfield
editore:
Complete Music Ltd.
The Stranglers52:56
59Whole Lotta Love
produttore:
Mickie Most (English record producer)
arrangiatore:
John Cameron (British composer, arranger and conductor)
registrazione strumentale cover di:
Whole Lotta Love
paroliere aggiunto:
Willie Dixon
autore:
John Bonham, John Paul Jones (UK rock musician of Led Zeppelin & Them Crooked Vultures), Jimmy Page e Robert Plant (of Led Zeppelin)
editore:
Flames of Albion Music, Inc., Succubus Music Ltd., Superhype Music, Inc., Superhype Publishing, Inc., Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner/Chappell Music Scandinavia AB e WB Music Corp. (1929–2019)
sub-editore:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) e ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
si basa su:
You Need Love
C.C.S.53:33
60Venus
assistente tecnico:
Jim Boyer (producer/engineer)
tecnico e tecnico di missaggio:
Andy Johns
produttore:
Andy Johns e Tom Verlaine
assistente tecnico di missaggio:
Jimmy Douglass (engineer) e Randy Mason
batteria :
Billy Ficca
chitarra basso :
Fred Smith (bassist)
chitarra elettrica :
Richard Lloyd (American guitarist and singer, Television)
chitarra elettrica solista e voce principale:
Tom Verlaine
voce:
Richard Lloyd (American guitarist and singer, Television) e Fred Smith (bassist)
voce di accompagnamento:
Richard Lloyd (American guitarist and singer, Television) e Fred Smith (bassist)
registrata presso:
A&R Studios (third studio, 322 West 48th Street, closed in 1989) in New York, New York, Stati Uniti
mixata presso:
Atlantic Studios (1841 Broadway, New York, 1957–1991) in Midtown Manhattan, New York, New York, Stati Uniti
registrazione di:
Venus
paroliere e compositore:
Tom Verlaine
Television53:49
61Ships in the Night
produttore:
John Leckie e Bill Nelson (English experimental musician)
diritti fonografici (℗) detenuti da:
Cherry Red Records Ltd. (do not use as label, for copyrights and distribution credits only) (nel 1976), Union Square Music Ltd. (for copyright use only, holding company of Union Square Music) (nel 2018) e Universal Music Operations Ltd. (not for release label use! UK&IE subsidiary of UMG, legal name of Universal Music UK) (nel 2018)
registrata presso:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, Regno Unito (nel 1975-10)
registrazione di:
Ships in the Night (nel 1975-10)
paroliere e compositore:
Bill Nelson (English experimental musician)
editore:
B. Feldman & Co. Ltd. (publisher est. 1946), Beechwood Music Corp., EMI Music Publishing Germany GmbH (2008–today), EMI Music Publishing Ltd. (PRS‐affiliated) e Henrees Music co.
Be Bop Deluxe54:03
62Black Night
basso elettrico :
Roger Glover (nel 1970-05)
batteria :
Ian Paice (nel 1970-05)
chitarra elettrica :
Ritchie Blackmore (nel 1970-05)
organo Hammond :
Jon Lord (nel 1970-05)
voce principale:
Ian Gillan (nel 1970-05)
registrata presso:
De Lane Lea Studios in Soho, Westminster, London (Greater London), England, Regno Unito (nel 1970-05)
registrazione di:
Black Night (nel 1970-05)
autore:
Ritchie Blackmore, Ian Gillan, Roger Glover, Jon Lord e Ian Paice
editore:
EMI Music Publishing (do not use as a release label!), Glenwood Music Corp., HEC Music e Henrees Music co.
sub-editore:
EMI Music Publishing France, EMI Music Publishing Japan C.F. division (fino al 2021-06-30), イーエムアイ音楽出版 ソニー事業部 (EMI Music Publishing Japan Ltd., Sony Division) (fino al 2021-06-30) e ソニー・ミュージックパブリッシング EMI外国事業部 (Sony Music Publishing (Japan) Inc., EMI Overseas Division, sub‐publisher for non‐Japanese works) (dal 2021-07-01 a oggi)
Deep Purple4.453:27
63Bang Bang (2012 remaster)
registrazione di:
Bang Bang
autore:
Terry Britten e B.A. Robertson
editore:
Kongride Music Ltd., Mews Music Ltd., My Axe Music Ltd. e United Artists Music Ltd.
BA Robertson3:21
64Brass in Pocket
tecnico di registrazione aggiunto:
Steve Nye (producer, engineer and pianist)
tecnico:
Bill Price (UK producer/engineer)
produttore:
Chris Thomas (UK record producer / remixer)
tecnico di missaggio:
Michael Paul Stavrou (producer/engineer)
diritti fonografici (℗) detenuti da:
Warner Music UK Ltd. (not for release label use!) (nel 1979, nel 1987, nel 2000)
registrata in aggiunta presso:
Air Studios (Oxford Street, London. 1970–1991 recordings only) in London (Greater London), England, Regno Unito
registrata presso:
Wessex Sound Studios in Highbury, Islington, London (Greater London), England, Regno Unito
mixata presso:
Air Studios (Oxford Street, London. 1970–1991 recordings only) in London (Greater London), England, Regno Unito
parte di:
VH1: 100 Greatest Songs of the 80’s (compiled in 2006) (numero: 89) e Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (numero: 389)
registrazione di:
Brass in Pocket
autore:
James Honeyman‐Scott e Chrissie Hynde (rock singer-songwriter and founder of Pretenders)
editore:
ATV Music Ltd., Banks Clive Music, EMI Music Publishing (do not use as a release label!), EMI Music Publishing Australia Pty Ltd (not for release label use!), Hynde House of Hits Music e Modern Music Publishing Co., Inc.
Pretenders4.33:04
65Werewolves of London
tecnico:
Dennis Kirk e Greg Ladanyi
produttore:
Jackson Browne (American singer-songwriter) e Waddy Wachtel
basso :
John McVie
batteria :
Mick Fleetwood
chitarra [guitars] :
Waddy Wachtel
pianoforte :
Warren Zevon
diritti fonografici (℗) detenuti da:
Elektra Entertainment (company, DO NOT USE as release label, for releases use “Elektra”) (nel 1978), Elektra Records (not for release label use! please use its imprint “Elektra” instead) (nel 1978), Elektra/Asylum Records (not for release label use! copyrights holder, distributor within the US) (nel 1978) e Rhino Entertainment Company (not for release label use!) (dal 2007 a oggi)
registrata presso:
The Sound Factory in Tucson, Arizona, Stati Uniti (nel 2007)
registrazione di:
Werewolves of London
autore:
LeRoy P. Marinell, Waddy Wachtel e Warren Zevon
editore:
Leadsheet Land Music, Polite Music, Tiny Tunes e Zevon Music Inc. (BMI)
Warren Zevon4.93:28
66Journey
registrazione di:
The Journey
paroliere e compositore:
Duncan Browne (English singer-songwriter)
Duncan Browne53:16
67Jesus Was a Cross Maker
produttore:
John Beck (producer & member of The Leaves), Henry Lewy e Jim Pons
chitarra e voce principale:
Judee Sill
voce di accompagnamento:
Rita Coolidge, Venetta Fields e Clydie King
orchestratore:
Don Bagley e Bob Harris (pianist/songwriter, played keyboards with Frank Zappa in May–Aug 1971)
registrazione di:
Jesus Was a Crossmaker
paroliere e compositore:
Judee Sill
editore:
EMI Blackwood Music Inc.
Judee Sill3:27
68Wonderous Stories
assistente tecnico:
David Richards (Swiss-based producer and engineer)
tecnico:
John Timperley
produttore:
Yes (British progressive rock band)
produttore esecutivo:
Brian Lane (producer)
batteria e percussione :
Alan White (Yes drummer) (dal 1976 al 1977)
chitarra basso :
Chris Squire (Yes bassist) (dal 1976 al 1977)
chitarra portoghese [Vachalia] e chitarra elettrica :
Steve Howe (dal 1976 al 1977)
moog [Polymoog] :
Rick Wakeman (dal 1976 al 1977)
voce di accompagnamento:
Steve Howe (dal 1976 al 1977) e Chris Squire (Yes bassist) (dal 1976 al 1977)
voce principale:
Jon Anderson (Yes/Jon & Vangelis) (dal 1976 al 1977)
arrangiatore:
Yes (British progressive rock band)
diritti fonografici (℗) detenuti da:
Atlantic (Warner Music imprint) (nel 1977), Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (nel 1977) e WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (nel 1977)
registrata presso:
Mountain Recording Studios (original Montreux location, 1975–2002) in Montreux, Vaud (Canton Vaud), Svizzera (dal 1976 al 1977)
registrazione parziale di:
Wonderous Stories (dal 1976 al 1977)
paroliere e compositore:
Jon Anderson (Yes/Jon & Vangelis)
editore:
Rondor Music (London) Ltd., Topographic Music (publisher), Warner Bros. Music (publisher; do NOT use as release label), Warner Bros. Music Ltd. (UK subsidiary, so named between 1970/01/23–1971/04/26 and 1972/04/25–1988/08/23), Warner Chappell Music (publisher as Warner/Chappell Music), Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner Chappell Music, Inc., Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09) e Topographic Music, Ltd. (nel 1977)
Yes4.353:49
69Mr Radio (7″ single version)
tecnico:
Peter Olliff e Roger Wake (engineer)
produttore:
Jeff Lynne e Roy Wood (multi-instrumentalist singer-songwriter, The Move, ELO & Wizzard)
batteria e percussione :
Bev Bevan (English rock drummer) (dal 1970-11-18 al 1971-06)
corno francese :
Bill Hunt (UK keyboards, horn player) (dal 1970-11-18 al 1971-06)
pianoforte :
Jeff Lynne (dal 1970-11-18 al 1971-06)
violino :
Steve Woolam (dal 1970-11-18 al 1971-06)
violoncello :
Roy Wood (multi-instrumentalist singer-songwriter, The Move, ELO & Wizzard) (il 1970-11-18)
voce:
Jeff Lynne (dal 1970-11-18 al 1971-06)
diritti fonografici (℗) detenuti da:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (nel 1971, nel 2005)
registrata presso:
Philips Studios in London (Greater London), England, Regno Unito (dal 1970-11-18 al 1971-06)
registrazione di:
Mr. Radio (dal 1970-11-18 al 1971-06)
paroliere e compositore:
Jeff Lynne
Electric Light Orchestra3:54
70The Prince
produttore:
Clive Langer
registrazione di:
The Prince
paroliere e compositore:
Lee “Kix” Thompson (Madness)
dedicata a:
Prince Buster
editore:
EMI Music Publishing Ltd. (PRS‐affiliated)
Madness22:30

Accreditamenti

Pubblicazione

diritti fonografici (℗) detenuti da:Rhino UK (company credits only; do NOT use as release label) (nel 2016)
scaricare a pagamento:https://itunes.apple.com/mx/album/id1099111888 [info]
streaming gratuito:https://www.deezer.com/album/12803588 [info]