Love Lights 2

~ Veröffentlichung von Various Artists (alle Versionen dieser Veröffentlichung ansehen, eine vorhanden)

Titelliste

1▼CD
Nr.TitelKünstlerBewertungLänge
1Tears in Heaven
recording engineer:
Ed Cherney und Jeff DeMorris
Produzent(in):
Russ Titelman
Mix:
Ed Cherney und Alex Haas (Trance remixer/producer. Member of Cypher 7)
Bass:
Nathan East
Cláirseach [celtic harp]:
Gayle Levant (American studio musician, harpist)
drum machine:
Jimmy Bralower
Gitarre und Resonatorgitarre [dobro]:
Eric Clapton
Pedal-Steel-Gitarre:
Jay Dee Maness (American pedal steel guitarist)
Perkussion:
Lenny Castro
Synthesizer:
Randy Kerber
vocals:
Eric Clapton
phonographisches Urheberrecht (℗) von:
Reprise Records (in 1992) und WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1992)
aufgenommen bei:
The Village (Village Studios, aka The Village Recorder) in Los Angeles, California (Kalifornien), Vereinigte Staaten
mixed at:
Power Station Studios (Power Station at BerkleeNYC, fka Power Station 1977–1996, then Avatar Studios 1996–2017) in Hell's Kitchen, New York, New York, Vereinigte Staaten und The Village (Village Studios, aka The Village Recorder) in Los Angeles, California (Kalifornien), Vereinigte Staaten
recording of:
Tears in Heaven
Verfasser(in):
Eric Clapton und Will Jennings
publisher:
Blue Sky, EC Music (UK work publisher for Eric Clapton), Rondor Music (London) Ltd. und Warner Chappell Music Ltd (no slash; used 1988–1996)
Eric Clapton3.44:32
2Crazy for You
Produzent(in):
Jellybean (US producer John Benitez)
Mix:
Michael Hutchinson und Shep Pettibone
Sologesang:
Madonna (“Queen of Pop”)
arranger:
Rob Mounsey
produced for:
Jellybean Productions, Inc.
mixed at:
Right Track Studios in Manhattan, New York, New York, Vereinigte Staaten
Remix von:
Crazy for You (soundtrack version) von Madonna (“Queen of Pop”)
recording of:
Crazy for You (Vision Quest)
Texter:
John Bettis
Komponist(in):
Jon Lind
publisher:
Universal Music Publishing Group Japan (work publisher – do NOT use as a release label), Warner Olive Music LLC, Warner-Barham Music LLC, Warner-Tamerlane Pub. Corp. (publisher; do NOT use as release label), WB Music Corp. (1929–2019), ヤマハミュージックパブリッシング (Yamaha Music Publishing) (bis 2017-03-31) und ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) (vom 2017-04-01 bis heute)
Madonna3.253:43
3Shape of My Heart
recording engineer:
Stefan Boman (Sologesang [vocal]), Max Martin (Swedish record producer) und Rami (Swedish record producer and songwriter)
Techniker(in):
John Amatiello
Produzent(in) und Mix:
Max Martin (Swedish record producer) und Rami (Swedish record producer and songwriter)
Bass:
Thomas Lindberg (Swedish bass player)
Gitarre:
Max Martin (Swedish record producer), Esbjörn Öhrwall und Peter Svensson (guitarist, composer, producer; member of The Cardigans)
phonographisches Urheberrecht (℗) von:
Zomba Recording Corporation (not strictly a label - avoid adding releases here) (in 2000)
produced for:
Cheiron Productions
aufgenommen bei:
Cheiron Studios in Stockholm, Stockholms län (Stockholm county), Schweden und Polar Studios in Stockholm, Stockholms län (Stockholm county), Schweden (Sologesang [vocals])
mixed at:
Cheiron Studios in Stockholm, Stockholms län (Stockholm county), Schweden
Musikvideos:
Shape of My Heart von Backstreet Boys
recording of:
Shape of My Heart
Verfasser(in):
Max Martin (Swedish record producer), Lisa Miskovsky und Rami (Swedish record producer and songwriter)
publisher:
Artifact AB, GV-MXM, Universal Music Publishing AB (Sweden) (vom 2000 bis ????), Universal–Songs of PolyGram International, Inc. (vom 2000 bis ????), Zomba Enterprises Inc. (von 2000 bis 2006-12-13), Zomba Music Publishers Ltd. (UK subsidiary of Zomba Music Publishing) (von 2000 bis 2008-04-01) und Imagem London Ltd. (vom 2008-04-01 bis heute)
Backstreet Boys3.753:50
4There Must Be an Angel
assistierende(r) Techniker(in):
Jay Willis
Techniker(in):
Don Smith (producer, engineer and mixer) und Adam Williams
Produzent(in):
Dave Stewart (UK guitarist/singer for Eurythmics)
Mix:
Dave Stewart (UK guitarist/singer for Eurythmics) und Adam Williams
Bassgitarre:
Dean Garcia (English multi-instrumentalist; Curve)
Gast-Mundharmonika:
Stevie Wonder
Keyboard:
Annie Lennox (Scottish singer-songwriter, member of Eurythmics and The Tourists) und Dave Stewart (UK guitarist/singer for Eurythmics)
Saiteninstrumente:
Michael Kamen (American score composer)
Schlagzeug:
Olle Romo (Swedish music producer, songwriter, and drummer)
Hintergrundgesang:
Angel Cross
Sologesang:
Annie Lennox (Scottish singer-songwriter, member of Eurythmics and The Tourists)
phonographisches Urheberrecht (℗) von:
BMG Records (UK) Limited (1987–1996) (in 1991)
Remaster:
There Must Be an Angel (Playing With My Heart) von Eurythmics
recording of:
There Must Be an Angel (Playing With My Heart)
Verfasser(in):
Annie Lennox (Scottish singer-songwriter, member of Eurythmics and The Tourists) und Dave Stewart (UK guitarist/singer for Eurythmics)
publisher:
BMG Music Publishing Ltd., D’n’A Ltd., Universal Music Publishing MGB Ltd., シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.) und ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
Eurythmics45:21
5Against All Odds
Techniker(in):
Jeremy Smith (producer/engineer) und Lewis Hahn
Produzent(in):
Arif Mardin
Keyboard:
Rob Mounsey
Schlagzeug und Sologesang:
Phil Collins (of Genesis)
conductor:
Arif Mardin
phonographisches Urheberrecht (℗) von:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1999)
recording of:
Against All Odds (Take a Look at Me Now)
Texter und Komponist(in):
Phil Collins (of Genesis)
publisher:
Concord Music GmbH, Concord Sounds, EMI April Music Inc., EMI Entertainment World Inc US, EMI Golden Torch Music Corp., EMI Music Publishing (do not use as a release label!), EMI Worldtrax Music Inc., Filmtrax Copyright Holdings Inc, Imagem CV, Imagem Sounds Collins, Philip Collins Ltd., Effectsound Ltd. (publisher) (in 1984), EMI Music Publishing Ltd. (PRS‐affiliated) (in 1984), Golden Torch Music Corp. (in 1984) und Hit & Run Music (Publishing) Ltd (in 1984)
sub-publisher:
EMI Music Publishing Germany GmbH (2008–today), Imagem Music GmbH (subsidiary of Dutch music publishers Imagem), Sony Music Publishing (Japan) Inc. (song publisher, never a release label), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label), コンソーシアム音楽出版 C・F事業部 (Consortium Music Publishing, CF Division) (bis 2021-06-30) und ソニー・ミュージックパブリッシング CMP外国事業部 (sub‐publisher for foreign (non‐Japanese) works) (vom 2021-07-01 bis heute)
Teil von:
The 57th Academy Award for Best Original Song (Nummer: 2)
Phil Collins3.83:23
6Almost Paradise
Produzent(in):
Keith Olsen (US producer and engineer)
Mix:
Brian Foraker, Keith Olsen (US producer and engineer) und Dennis Sager (engineer)
Akustikgitarre und Bassgitarre:
Keith Olsen (US producer and engineer)
E-Gitarre:
Chas Sandford
Keyboard und Synthesizer:
Bill Cuomo
Saxophon:
Jerry Peterson
Schlagzeug:
Jim Keltner
Sologesang:
Mike Reno und Ann Wilson (lead singer of Heart)
phonographisches Urheberrecht (℗) von:
CBS, Inc. (US broadcasting company; file no releases here!) (in 1984) und Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1984)
recording of:
Almost Paradise
Texter:
Dean Pitchford
Komponist(in):
Eric Carmen
publisher:
Ensign Music Corporation
Mike Reno and Ann Wilson53:48
7Arthur's Theme
assistierende(r) Techniker(in):
Stuart Gitlin und Margaret Gwynne (engineer)
zusätzliche(r) Techniker(in):
John Guess, Lee Herschberg, Mark Linett und Richard Mullen
Produzent(in):
Michael Omartian
Mix:
Chet Himes
Sologesang:
Christopher Cross (US singer‐songwriter)
conductor:
Michael Omartian
Saiteninstrumente arranger:
Michael Omartian
arranger:
Christopher Cross (US singer‐songwriter), Rob Meurer und Michael Omartian
concertmaster:
Assa Drori
phonographisches Urheberrecht (℗) von:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (in 1981, in 1983)
aufgenommen bei und mixed at:
Warner Bros. Recording Studios (North Hollywood, a/k/a Amigo Studios) in North Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten
Teil von:
Paste: The 25 Greatest Yacht Rock Songs of All Time (Nummer: 19)
recording of:
Arthur’s Theme (Best That You Can Do)
Verfasser(in):
Peter Allen (Australian singer‐songwriter), Burt Bacharach, Carole Bayer Sager und Christopher Cross (US singer‐songwriter)
publisher:
Begonia Melodies Inc., New Hidden Valley Music Co., Universal Music–MGB Songs, Warner Chappell Music Publishing (Warner/Chappell Music, Inc.), Warner Olive Music LLC, Warner-Barham Music LLC, Warner/Chappell North America, Woolnough Music, ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) und ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
Teil von:
The 54th Academy Award for Best Original Song (Nummer: 1) und Academy Award for Best Original Song (Nummer: 1981 winner)
Christopher Cross53:52
8I Need You
Koproduzent(in):
Robbie Buchanan (Canadian producer)
Partner-Produzent(in):
Brian Fairweather (producer) und Martin Page
Produzent(in):
Maurice White (Earth, Wind & Fire)
Mix:
Bill Bottrell
Bassgitarre:
Abraham Laboriel
Gitarre:
Paul Jackson, Jr. (fusion/urban jazz composer, arranger, producer and guitarist)
Keyboard und Synthesizer:
Robbie Buchanan (Canadian producer)
Perkussion:
Paulinho da Costa (Brazilian percussionist)
Schlagzeug:
John Robinson (session drummer)
Hintergrundgesang:
Marva Holcolm, Julia Tillman und Maxine Willard
Sologesang:
Maurice White (Earth, Wind & Fire)
arranger:
Robbie Buchanan (Canadian producer)
phonographisches Urheberrecht (℗) von:
CBS, Inc. (US broadcasting company; file no releases here!) (in 1985)
co-produced for:
Robbie Buchanan, Inc.
produced for:
Kalimba Productions
mixed at:
Soundcastle (former LA location) in Silver Lake, Los Angeles, California (Kalifornien), Vereinigte Staaten
Musikvideos:
I Need You von Maurice White (Earth, Wind & Fire)
recording of:
I Need You
Verfasser(in):
Priscilla Coolidge (American folk, rock and pop singer), William D. “Smitty” Smith (organist/keyboardist) und Mary Unobsky
publisher:
Delfern Music (publisher), Pris C. Music, Salamani Music, Unobsky Songs, Victor Music Arts und エイベックス・ミュージック・パブリッシング (Avex Music Publishing Inc.)
Maurice White44:35
9Glory of Love
Techniker(in) und Mix:
Terry Christian (US recording and mixing engineer) und John Guess
Produzent(in):
Michael Omartian
Gast Hintergrundgesang:
Kenny Cetera
Sologesang:
Peter Cetera
phonographisches Urheberrecht (℗) von:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (in 1986) und Warner Music International (trademark of Warner Music International the company) (in 1986)
aufgenommen bei und mixed at:
Lion Share Studios in Los Angeles, California (Kalifornien), Vereinigte Staaten
recording of:
Glory of Love
Verfasser(in):
Peter Cetera, David Foster (Canadian music producer, arranger and composer) und Diane Nini
publisher:
EMI Gold Horizon Music Corp., EMI Golden Torch Music Corp., Rondor Music Publishing, Universal Music–MGB Songs, Warner Chappell Music Ltd. (no slash; used 1988–1996), シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.), ピアーミュージック (Peer Music Japan, Japan, subsidiary of Nichion), ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division), コンソーシアム音楽出版 C・F事業部 (Consortium Music Publishing, CF Division) (bis 2021-06-30), Air Bear Music (in 1986), Fall Line Orange Music (in 1986), Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label) (in 1986), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) (vom 2017-04-01 bis heute) und ソニー・ミュージックパブリッシング CMP外国事業部 (sub‐publisher for foreign (non‐Japanese) works) (vom 2021-07-01 bis heute)
Teil von:
The 59th Academy Award for Best Original Song (Nummer: 2)
Peter Cetera4.24:20
10Lost in Your Eyes
recording engineer:
Phil Castellano (brother of John, uncle of Richie) und Don Feinberg
Schlagzeug und Keyboard-Programmierung:
Fred Zarr
Techniker(in):
Bill Esses, Jim Goatley und Matt Malles
Produzent(in):
Debbie Gibson
Mix:
Debbie Gibson, Bob Rosa und Tom Vercillo
E-Gitarre:
Tommy Williams (former Debbie Gibson musical director)
Keyboard:
Fred Zarr
Klavier und Hintergrundgesang:
Debbie Gibson
Perkussion:
Bashiri Johnson
arranger:
Debbie Gibson und Fred Zarr
phonographisches Urheberrecht (℗) von:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1989) und WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1989)
recording of:
Lost in Your Eyes
Texter und Komponist(in):
Debbie Gibson
publisher:
Music Sales Corporation (American copyright holder in both popular and classical music) und ミュージック・セールス (Music Sales, Japan, subsidiary of Shinko Music Entertainment)
Debbie Gibson53:33
11This I Promise You
recording engineer:
Adam Barber (Sologesang [vocals]) und David Cole (American recording engineer and producer)
drum machine und Keyboard-Programmierung:
Jeffery CJ Vanston
assistierende(r) Techniker(in):
Toby Dearborn, Ok Hee Kim und Cesar Ramirez (editor/engineer)
Produzent(in):
Richard Marx
Mix:
David Cole (American recording engineer and producer)
Gitarre [guitars]:
Michael Thompson (session guitarist)
vocals:
Lance Bass, JC Chasez, Joey Fatone, Chris Kirkpatrick und Justin Timberlake
Interpret(in):
*NSYNC (US boy band)
Hintergrundgesang arranger:
*NSYNC (US boy band)
vocals arranger:
Richard Marx
aufgenommen bei:
Parc Studios (Altamonte Springs) in Altamonte Springs, Florida, Vereinigte Staaten (Sologesang [vocals]), The Treehouse in North Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten und Westlake Audio (former name of Westlake Recording Studios) in Los Angeles, California (Kalifornien), Vereinigte Staaten
mixed at:
Village Recorders (Village Studios, aka The Village Recorder) in Los Angeles, California (Kalifornien), Vereinigte Staaten
recording of:
This I Promise You
Texter und Komponist(in):
Richard Marx
publisher:
BMG Monarch und Chi‐Boy Music
*NSYNC54:43
12If You Don't Know Me by Now
assistierende(r) Techniker(in):
Clark Germain und Karl Lever
Techniker(in) und Mix:
Daren Klein
Produzent(in):
Stewart Levine (record producer and saxophonist)
zusätzliche(r) Produzent(in):
Mick Hucknall (lead singer of Simply Red)
Bass:
Tony Bowers
Gitarre:
Heitor T. P.
Keyboard:
Tim Kellett und Fritz McIntyre
Perkussion:
Lennie Castro
Saxophon:
Ian Kirkham
Schlagzeug:
Chris Joyce
Trompete:
Tim Kellett
Hintergrundgesang:
Fritz McIntyre und Stephanie Spruell (American soul/disco singer, songwriter, and percussionist)
Sologesang:
Mick Hucknall (lead singer of Simply Red)
Interpret(in):
Simply Red (English soul and pop band)
phonographisches Urheberrecht (℗) von:
Eastwest Records (for copyrights, manufacturing, distributing use only!) (in 1989), Warner Music UK Ltd. (not for release label use!) (in 1989) und WEA Records Ltd. (holding company based in the UK) (in 1989)
produced for:
Oliverea Productions Ltd
cover recording of:
If You Don’t Know Me by Now
Verfasser(in):
Kenneth Gamble (songwriter for Philadelphia International) und Leon Huff (Philly soul producer, of Gamble & Huff)
publisher:
Island Music Ltd., Mighty Three Music, Sony/ATV Music Publishing Australia Pty Ltd., Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner Chappell North America und Warner/Chappell Music Australia Pty. Ltd.
Simply Red3.43:24
13Dance With Me
phonographisches Urheberrecht (℗) von:
ABC Records, Inc (in 1973)
recording of:
Dance With Me
Texter:
Johanna Hall
Komponist(in):
John Hall (US guitarist/vocalist for Orleans, later US congressman)
publisher:
EMI Blackwood Music Inc., Siren Songs, イーエムアイ音楽出版 ソニー事業部 (EMI Music Publishing Japan Ltd., Sony Division) (bis 2021-06-30) und ソニー・ミュージックパブリッシング EMI外国事業部 (Sony Music Publishing (Japan) Inc., EMI Overseas Division, sub‐publisher for non‐Japanese works) (vom 2021-07-01 bis heute)
Orleans3:20
14Unchained Melody
Techniker(in):
Larry Levine
Produzent(in):
Phil Spector
Solo Sologesang:
Bobby Hatfield (in 1965-03)
arranger:
Jack Nitzsche (American musician and score composer)
phonographisches Urheberrecht (℗) von:
Spectrum Music (Universal Music Group budget label), PolyGram Records, Inc. (not for release label use! US division of PolyGram) (in 1965, in 1968) und Universal Records (UMG subsidiary, “RECORDS” must be a part of the logo; read annotation) (in 1966)
aufgenommen bei:
Radio Recorders Studios (Santa Monica Blvd. location since 1949) in West Hollywood, California (Kalifornien), Vereinigte Staaten (in 1965-03)
Teil von:
The Co-Op: Top 10 British Funeral Songs (Nummer: 8), Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (Nummer: 269) und Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 366)
cover recording of:
Unchained Melody (in 1965-03)
publisher:
Hy Zaret
Texter:
Hy Zaret
Komponist(in):
Alex North (US composer)
publisher:
Frank Music Corp. (beendet), HZUM Publishing, MPL Communication Ltd. (not for release label use! Paul McCartney-related, London-based company), MPL Communications Australia, MPL Musik Verlags GmbH, North Melody Publishing und Unchained Melody Publishing, LLC
sub-publisher:
日音 Synch事業部 (NICHION, INC. Synch Division)
Teil von:
The 28th Academy Award for Best Original Song (Nummer: 2)
The Righteous Brothers33:36
15The Things We Do for Love
assistierende(r) Techniker(in) und assistierende(r) Mix:
Tony Spath
Techniker(in), Mix und Editing:
Eric Stewart
Produzent(in):
10cc, Graham Gouldman, Mastermix Music Limited und Eric Stewart
Akustikgitarre, Bassgitarre, E-Gitarre, Händeklatschen und Tamburin:
Graham Gouldman (in 1976)
Gitarre, Orgel und Klavier und Hintergrundgesang und Sologesang:
Eric Stewart (in 1976)
Schlagzeug, gong, Händeklatschen und Tamburin:
Paul Burgess (UK rock drummer) (in 1976)
Hintergrundgesang:
Graham (in 1976)
phonographisches Urheberrecht (℗) von:
Mercury Records Ltd. (not for release label use!) (in 1976, in 1977, in 1997), Mercury Records Ltd. (London) (for copyrights use only) (in 1976), Phonogram Ltd. (not for release label use!) (in 1976, in 1977), PolyGram Records, Inc. (not for release label use! US division of PolyGram) (in 1977) und The Island Def Jam Music Group (American holding company, not normally a release label) (in 1977)
aufgenommen bei:
Strawberry Studios South in Dorking, Surrey, England, Vereinigtes Königreich (in 1976)
Musikvideos:
The Things We Do for Love von 10cc und The Things We Do for Love von 10cc
recording of:
The Things We Do for Love (in 1976)
Verfasser(in):
Graham Gouldman und Eric Stewart
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI Music Publishing (do not use as a release label!), EMI Music Publishing Australia Pty Ltd (not for release label use!), EMI Music Publishing Ltd. (PRS‐affiliated), St. Anne’s Music Ltd. und Man-Ken Music Ltd. (in 1977)
10cc4.553:30
16I Don't Want to Wait
phonographisches Urheberrecht (℗) von:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (in 1996) und WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1996)
recording of:
I Don’t Want to Wait
Texter und Komponist(in):
Paula Cole
publisher:
Ensign Music Publishing (in 1996) und Hingface Music (in 1996)
Paula Cole4:06
17From a Distance
Produzent(in):
Arif Mardin und Bette Midler
Sologesang:
Bette Midler (in 1990)
arranger:
Arif Mardin und Steve Skinner
vocals arranger:
Marc Shaiman (American score composer and lyricist)
phonographisches Urheberrecht (℗) von:
Atlantic Recording Corp. (not for release label use! copyrights holder, distributor within the US)
cover recording of:
From a Distance (in 1990)
Texter und Komponist(in):
Julie Gold (in 1985)
publisher:
Grow Your Own Music, Wing and Wheel Music, ビクターミュージックアーツ 第四事業部, ヤマハミュージックEH(CM) (Yamaha Music EH(CM)) und ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
Bette Midler2.54:38
18Baby, Come to Me
Gast vocals:
Patti Austin
recording of:
Baby, Come to Me
Texter und Komponist(in):
Rod Temperton
publisher:
Almo Music Corp. (USA, affiliated with ASCAP), Rodsongs (publisher) und Rondor Music (London) Ltd.
Patti Austin & James Ingram3:36
19We're All Alone
Techniker(in):
Tom Perry (engineer)
Produzent(in):
Joe Wissert
Akustikgitarre:
Louie Shelton (in 1975-09)
Bassgitarre:
David Hungate (in 1975-09)
Blasinstrumente:
Jim Horn (saxophonist, hornist, flutist and oboist) (in 1975-09), Plas Johnson (in 1975-09), Tom Scott (saxophonist, Blues Brothers, LA Express, Starsky & Hutch) (in 1975-09) und Bud Shank (in 1975-09)
Blechblasinstrumente:
Dick Hyde (in 1975-09)
Gitarre:
Fred Tackett (in 1975-09)
Horn:
Vincent DeRosa (in 1975-09)
Keyboard:
David Paich (in 1975-09)
Schlagzeug:
Jeff Porcaro (in 1975-09)
Trompete:
Chuck Findley (trumpet, trombone, horn player) (in 1975-09) und Paul Hubinon (in 1975-09)
Sologesang:
Boz Scaggs (in 1975-09)
conductor:
Sid Sharp (in 1975-09)
arranger:
David Paich
phonographisches Urheberrecht (℗) von:
Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (in 1976)
recording of:
We’re All Alone (in 1975-09)
Texter und Komponist(in):
Boz Scaggs
publisher:
BMG Songs, Inc., EMI Music Publishing Ltd. (PRS‐affiliated), Kobalt Music Publishing Ltd. (UK) und Boz Scaggs Music (publisher) (vom 1975 bis heute)
sub-publisher:
Sony Music Publishing (Japan) Inc. (song publisher, never a release label) und ヤマハミュージックEH(CM) (Yamaha Music EH(CM))
Boz Scaggs24:11

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Veröffentlichung

ASIN:JP: B00005OOHI [Info]