NOW 80’s Generation Hits

~ Release by Various Artists (see all versions of this release, 1 available)

Tracklist

1Digital Media
#TitleArtistRatingLength
1The Look of Love (Pt. 1)
engineer:
Gary Langan
producer:
Trevor Horn
bass guitar:
Mark Lickley
keyboard:
Mark White (ABC/Vice Versa)
lead vocals:
Martin Fry
strings arranger:
Anne Dudley (English score composer)
phonographic copyright (℗) by:
Mercury Records Ltd. (not for release label use!) (in 1982), Mercury Records Ltd. (London) (for copyrights use only) (in 1982), Phonogram Ltd. (not for release label use!) (in 1982) and Phonogram Ltd. (London) (company name, NOT a label!) (in 1982)
mixed at:
Sarm Studios (1973–2013, fka Sarm Studios from 1973–1982) in Aldgate, Tower Hamlets, London (Greater London), England, United Kingdom (in 1982)
part of:
TV Cream: Real 100 Best Singles Ever (number: 4), The Downloader’s Music Source Book (number: 73) and VH1: 100 Greatest Songs of the 80’s (compiled in 2006) (number: 43)
partial recording of:
The Look of Love
writer:
Martin Fry, David Palmer (drummer (ABC/The The)), Stephen Singleton and Mark White (ABC/Vice Versa)
publisher:
10 Music Ltd., Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Neutron Music, Neutron Music Ltd., Virgin Music (Publishers) Ltd. and Virgin Music, Inc. (US arm of Virgin’s publishing company)
part of:
Mantrap (ABC long-form film)
ABC3.93:30
2Tainted Love
engineer:
Paul Hardiman
producer:
Mike Thorne (UK producer & keyboardist)
mixer:
Harvey Goldberg
electronic instruments and other instruments:
Dave Ball (UK electronic musician, part of Soft Cell)
saxophone:
David Tofani
background vocals:
Vicious Pink
vocals:
Marc Almond (English pop singer and songwriter)
phonographic copyright (℗) by:
Mercury Records Ltd. (London) (for copyrights use only) (in 1981)
recorded at:
Advision Studios in Fitzrovia, Camden (London Borough of Camden), Westminster, London (Greater London), England, United Kingdom
music videos:
Tainted Love by Soft Cell (1980s English synth‐pop duo)
part of:
VH1’s 100 Greatest One‐Hit Wonders of the ’80s (number: 5), Paste: The 50 Greatest NON One-Hit Wonders of All Time (number: 8), New York Post: 100 Greatest Covers (2007) (number: 10), Pitchfork: The Story of Goth in 33 Songs, VH1: 100 Greatest Songs of the 80’s (compiled in 2006) (number: 33) and Billboard: The 500 Best Pop Songs (as of October 2023) (number: 46)
cover recording of:
Tainted Love
lyricist and composer:
Ed Cobb
publisher:
Burlington Music Co., Ltd. and Embassy Music Corporation
sub-publisher:
ミュージック・セールス (Music Sales, Japan, subsidiary of Shinko Music Entertainment)
Soft Cell3.952:37
3The Tide Is High
assistant engineer:
Gary Boatner (engineer) and Doug Schwartz (mastering engineer)
engineer:
Lenise Bent
producer:
Mike Chapman (Australian producer and songwriter)
bass guitar:
Nigel Harrison (in 1980)
drums (drum set):
Clem Burke (in 1980)
guest percussion:
Alex Acuña (in 1980), Ollie E. Brown (US drummer, session musician & record producer) (in 1980) and Emil Richards (in 1980)
guitar:
Frank Infante (in 1980) and Chris Stein (in 1980)
keyboard:
Jimmy Destri (in 1980)
timpani:
Chris Stein (in 1980)
background vocals [girl-group backup vocals]:
The ‘B’ Girls and Deborah Harry
lead vocals:
Deborah Harry (in 1980)
instruments arranger:
Jimmie Haskell
phonographic copyright (℗) by:
Chrysalis Records (don’t use as an imprint; please use “Chrysalis” instead) (in 1980), Chrysalis Records Ltd. (not for release label use! company behind the Chrysalis imprint) (in 1980), Chrysalis Records, Inc. (not for release label use!) (in 1980, in 2001), Capitol Records (imprint of Capitol Records, Inc.) (in 2001), Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 2001) and Capitol Records, LLC (not for release label use! fka Capitol Records, Inc. until 2007) (in 2001)
recorded at:
Power Station Studios (Power Station at BerkleeNYC, fka Power Station 1977–1996, then Avatar Studios 1996–2017) in Hell's Kitchen, New York, New York, United States (in 1980) and United Western Recorders in Hollywood, Los Angeles, California, United States (in 1980)
cover recording of:
The Tide Is High (in 1980)
additional writer:
Howard Barrett (in 1967) and Tyrone Evans (in 1967)
writer:
John Holt (in 1967)
publisher:
B & C Music Corp., Campbell Connelly (Australia) P/L, Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Embassy Music Corporation, Gemrod Music Inc., Sparta Florida Music Group and Sparta Florida Music Group Ltd.
Blondie4.154:42
4Every Breath You Take
engineer:
Hugh Padgham
producer:
Hugh Padgham and The Police (British rock band)
drums (drum set):
Stewart Copeland (in 1983)
electric bass guitar and lead vocals:
Sting (singer, songwriter & member of The Police) (in 1983)
electric guitar:
Andy Summers (in 1983)
phonographic copyright (℗) by:
A&M Records, Ltd. (in 1981, in 2003), A&M Records (in 1983, in 2016), A&M Records Limited (in 1983), Polydor Records (record company, please see the “A (x) release” / “A (x) recording” for the release label) (in 1983) and A&M Records, Inc. (in 1997)
recorded at:
AIR Studios (Lyndhurst Hall 1991–present) in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom (in 1983) and Le Studio in Morin‐Heights, Québec (Quebec), Canada (in 1983)
music videos:
Every Breath You Take by The Police (British rock band)
part of:
Billboard: Greatest of All Time Hot 100 Songs (number: 35), VH1: 100 Greatest Songs of the 80’s (compiled in 2006) (number: 46), Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 84), Billboard: The 500 Best Pop Songs (as of October 2023) (number: 287) and Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 305)
recording of:
Every Breath You Take (in 1983)
lyricist and composer:
Sting (singer, songwriter & member of The Police)
publisher:
EMI Blackwood Music Inc., EMI Music Publishing Australia Pty Ltd (not for release label use!), GM Sumner, Magnetic Publishing Ltd., Songs of Universal, Inc. (BMI) and Virgin Music (Publishers) Ltd.
sub-publisher:
Universal Music Publishing France (not for release label use!), シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.), ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division), EMI Music Publishing Japan Ltd., Sony Division (until 2021-06-30) and ソニー・ミュージックパブリッシング EMI外国事業部 (Sony Music Publishing (Japan) Inc., EMI Overseas Division, sub‐publisher for non‐Japanese works) (from 2021-07-01 to present)
The Police4.14:14
5All Night Long (All Night)
phonographic copyright (℗) by:
Motown Records (not for label use; use “Motown” instead) (in 1983)
music videos:
All Night Long (All Night) by Lionel Richie
part of:
VH1: 100 Greatest Songs of the 80’s (compiled in 2006) (number: 84) and Billboard: The 500 Best Pop Songs (as of October 2023) (number: 277)
recording of:
All Night Long (All Night)
lyricist and composer:
Lionel Richie
publisher:
Brenda Richie Publishing, Brockman Music and Rondor Music (Australia) Pty Ltd
Lionel Richie4.156:23
6Karma Chameleon (remastered 2002)
engineer:
Simon Frith, Simon Humphrey, Gordon Milne (engineer) and Mike Ross‐Trevor (engineer)
producer:
Steve Levine (producer)
mixer:
Steve Levine (producer) and Jon Moss
bass guitar:
Mikey Craig (Culture Club bassist) (in 1983)
drums (drum set) and percussion:
Jon Moss (in 1983)
electric sitar, guitar, keyboard, piano and sitar:
Roy Hay (Member of Culture Club and composer for film and television) (in 1983)
guest harmonica:
Judd Lander (in 1983)
guest keyboard:
Phil Pickett (songwriter, producer, keyboard player) (in 1983)
background vocals:
Helen Terry (UK singer) (in 1983)
lead vocals:
Boy George (in 1983)
phonographic copyright (℗) by:
Virgin Records Ltd. (not for release label use! for company relationships only) (in 1983, in 2002, in 2003)
recorded at:
CBS Studios (London, 1972–1989) in London (Greater London), England, United Kingdom (in 1983) and Red Bus Studios in London (Greater London), England, United Kingdom (in 1983)
music videos:
Karma Chameleon by Culture Club (English pop group)
recording of:
Karma Chameleon (in 1983)
writer:
Mikey Craig (Culture Club bassist), George O’Dowd, Roy Hay (Member of Culture Club and composer for film and television), Jon Moss and Phil Pickett (songwriter, producer, keyboard player)
publisher:
BMG Music Publishing Ltd., Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI Virgin Music Ltd. (do not use this as a release label!), EMI Virgin Music Publishing Australia P/L, J. Albert & Son Pty. Ltd., Pendulum Music Ltd., Universal Music Publishing Pty Ltd. (Australian subsidiary of Universal Music Publishing Group), Virgin Music (Publishers) Ltd., Warner Bros. Music Ltd. (UK subsidiary, so named between 1970/01/23–1971/04/26 and 1972/04/25–1988/08/23) and BMG VM Music Ltd. (from 2013-05 to present)
Culture Club44:16
7Don’t You Want Me
assistant programming:
David M. Allen (UK producer/engineer/remixer, mainly new‐wave/synth‐pop/goth) (in 1981)
programming:
Martin Rushent (in 1981)
assistant engineer:
David M. Allen (UK producer/engineer/remixer, mainly new‐wave/synth‐pop/goth)
producer:
The Human League and Martin Rushent
synthesizer:
Ian Burden (in 1981), Jo Callis (in 1981) and Philip Oakey (in 1981)
background vocals:
Joanne Catherall (in 1981) and Susan Ann Sulley (in 1981)
lead vocals:
Philip Oakey (in 1981) and Susan Ann Sulley (in 1981)
phonographic copyright (℗) by:
Virgin Records Ltd. (not for release label use! for company relationships only)
recorded at:
Genetic Studios in West Berkshire, England, United Kingdom (in 1981)
music videos:
Don’t You Want Me by The Human League
part of:
TV Cream: Real 100 Best Singles Ever (number: 1), VH1: 100 Greatest Songs of the 80’s (compiled in 2006) (number: 79) and Billboard: The 500 Best Pop Songs (as of October 2023) (number: 82)
recording of:
Don’t You Want Me (Human League song) (in 1981)
lyricist:
Philip Oakey
composer:
Jo Callis, Philip Oakey and Philip Adrian Wright (Human League)
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships)
The Human League3.853:57
8I Just Called to Say I Love You (single version)Stevie Wonder4.354:21
9I Didn’t Mean to Turn You On
producer:
Bernard Edwards (American bassist and record producer)
cover recording of:
I Didn’t Mean to Turn You On
writer:
James Harris III (James Harris of Jam & Lewis) and Terry Lewis (US hip-hop/soul songwriter, producer & label owner)
publisher:
Avant Garde Music Publishing (in 1985) and Flyte Tyme Tunes (in 1985)
Robert Palmer43:45
10Come On Eileen
recording of:
Come On Eileen
writer:
Kevin Adams, James Mitchell Paterson and Kevin Rowland (UK singer and songwriter, in Dexy’s Midnight Runners)
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI Music Publishing Australia Pty Ltd (not for release label use!), EMI Music Publishing Co. Ltd., EMI Music Publishing Ltd. (PRS‐affiliated) and Kevin Adams Music Ltd.
Dexys Midnight Runners4:47
11Stuck With You (single edit)
recording of:
Stuck with You
lyricist and composer:
Chris Hayes (US rock guitarist & singer (Huey Lewis & The News)) and Huey Lewis
publisher:
Chrysalis Music Ltd. (music publisher, affiliated with PRS), Copyright Control (not for release label use! this is only for copyrights and publishing relationships) and Hulex Music (publisher) (in 1986)
Huey Lewis & the News4:27
12Something About You (single version)
engineer and mixer:
Julian Mendelsohn (Australian record producer and engineer)
assistant producer:
Julian Mendelsohn (Australian record producer and engineer)
producer:
Wally Badarou and Level 42
music videos:
Something About You by Level 42
recording of:
Something About You
writer:
Wally Badarou, Boon Gould, Phil Gould, Mark King (bass guitarist and vocalist) and Mike Lindup
publisher:
BMG Music Publishing Ltd., Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Island Visual Arts Ltd., Music of Windswept, Peermusic III, Ltd. (BMI), Universal–Songs of PolyGram International, Inc., Warner Chappell Music Ltd. (no slash; used 1988–1996), WB Music Corp. (1929–2019) (until 2019-05-28) and WC Music Corp. (from 2019-05-28 to present)
Level 422.53:46
13Don’t You (Forget About Me)
producer:
Keith Forsey (drummer, producer and songwriter)
mixer:
Jez Coad
performer:
Simple Minds (Scottish rock band) (on 1984-07-10)
phonographic copyright (℗) by:
Simple Minds Ltd, Virgin Records Ltd. (not for release label use! for company relationships only) (in 2001), Union Square Music Ltd. (for copyright use only, holding company of Union Square Music) (in 2018) and Universal Music Operations Ltd. (not for release label use! UK&IE subsidiary of UMG, legal name of Universal Music UK) (in 2018)
part of:
Paste: The 50 Greatest NON One-Hit Wonders of All Time (number: 25) and Billboard: The 500 Best Pop Songs (as of October 2023) (number: 340)
recording of:
Don’t You (Forget About Me) (on 1984-07-10)
writer:
Keith Forsey (drummer, producer and songwriter) and Steve Schiff
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), MCA Music Ltd. and Universal Music (plain logo: “Universal Music”)
Simple Minds4.254:21
14Shattered Dreams
producer:
Calvin Hayes (Actor, keyboard player and drummer with 80s pop band, Johnny Hates Jazz) and Mike Nocito
phonographic copyright (℗) by:
Virgin Records Ltd. (not for release label use! for company relationships only) (in 1987)
recording of:
Shattered Dreams
lyricist and composer:
Clark Datchler
publisher:
BMG Music Publishing (NYC‐based headquarters, with national subsidiaries under it), Copyright Control (not for release label use! this is only for copyrights and publishing relationships) and Sweet Oily Music
Johnny Hates Jazz4.53:31
15(I Just) Died in Your Arms
engineer:
Terry Brown (producer)
producer:
Terry Brown (producer), Cutting Crew and John Jansen (US recording engineer and producer)
mixer:
Tim Palmer (British producer/mixer)
acoustic guitar, electric guitar and synthesizer [E-mu Emulator]:
Kevin MacMichael
bass:
Colin Farley
drums (drum set), percussion and tambourine:
Martin Beedle
piano:
Peter-John Vettese (British keyboardist, songwriter, arranger and record producer)
background vocals:
Peter Birch
lead vocals:
Nick Van Eede
phonographic copyright (℗) by:
Virgin Records Ltd. (not for release label use! for company relationships only) and Siren Records Ltd. (company and copyrights holder. File NO releases) (in 1986)
recorded at:
AIR Studios (Oxford Street, London. 1970–1991 recordings only) in London (Greater London), England, United Kingdom
mixed at:
Utopia Studios (London) in London (Greater London), England, United Kingdom
part of:
VH1’s 100 Greatest One‐Hit Wonders of the ’80s (number: 26)
recording of:
(I Just) Died in Your Arms
lyricist and composer:
Nick Van Eede
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI Virgin Songs, Inc. and Sony/ATV Music Publishing (UK) Ltd.
Cutting Crew4.14:29
16Satisfied
engineer and mixer:
David Cole (American recording engineer and producer)
producer:
David Cole (American recording engineer and producer) and Richard Marx
bass:
Randy Jackson (former bassist with Journey and American Idol judge)
drums (drum set):
Mike Baird (drummer)
guitar:
Bruce Gaitsch (American guitarist, producer, engineer and arranger) and Michael Landau
keyboard:
Jeffery (C. J.) Vanston
organ [B3]:
Bill Payne
percussion:
Paulinho da Costa (Brazilian percussionist)
solo guitar:
Michael Landau
background vocals:
Richard Marx and Cynthia Rhodes
lead vocals:
Richard Marx
arranger:
Richard Marx
phonographic copyright (℗) by:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1989) and EMI USA (renamed EMI Records USA in the beginning of the 1990s) (in 1989)
recording of:
Satisfied
lyricist and composer:
Richard Marx
Richard Marx54:14
17Kingston Town
phonographic copyright (℗) by:
Virgin Records Ltd. (not for release label use! for company relationships only) (in 1989)
cover recording of:
Kingston Town
lyricist and composer:
Kenrick Patrick
UB404.53:51
18Don’t Turn Around
producer:
Aswad (British reggae group)
cover recording of:
Don’t Turn Around
lyricist and composer:
Albert Hammond and Diane Warren (US songwriter)
publisher:
Albert Hammond Music, BMG Music, Edition Sunset Publishing, EMI Music (do not use as release label! this is a music publisher), Empire Music Ltd., Intersong Music Ltd., Realsongs and Warner Chappell
Aswad43:38
19My PrerogativeBobby Brown4:31
20Celebration
background vocals:
Kelly Barretto, Ronald Bell, George Brown (US percussionist of Kool & the Gang), Dee Dee Bryant, Gwen Hester, Cynthia Huggins, Joan Motley, Meekaeel Muhammad, Robert Bell, Robert Mickens, Elaine Sims, James “J.T.” Taylor (US R&B vocalist for Kool & the Gang), Cedric Toon and Earl Toon, Jr.
lead vocals:
James “J.T.” Taylor (US R&B vocalist for Kool & the Gang)
performer:
Kool & the Gang
phonographic copyright (℗) by:
UMG Recordings, Inc. (operational headquarters of Universal Music Group, based in Santa Monica, USA; read annotations) (in 1980, in 2020)
part of:
Billboard: The 500 Best Pop Songs (as of October 2023) (number: 298)
recording of:
Celebration
writer:
Robert “Kool” Bell, Ronald Bell, George Brown (US percussionist of Kool & the Gang), Eumir Deodato, Robert Spike Mickens, Claydes Smith, James “J.T.” Taylor (US R&B vocalist for Kool & the Gang), Dennis “D.T.” Thomas (Kool & The Gang) and Earl Toon, Jr.
publisher:
Delightful Music Publishing Ltd., Double F Music Co., EMI Music Publishing Australia Pty Ltd (not for release label use!), EMI Music Publishing WP Ltd., Fresh Start Music, Intersong-Förlagen AB, Planetary Nom (London) Ltd., Warner/Chappell Music Ltd. (1996–2019), Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label) (in 1980) and WB Music Corp. (1929–2019) (in 1980)
Kool & the Gang4.54:59
21Push It (radio version)
recording of:
Push It
writer:
Hurby Azor and Ray Davies (UK singer/songwriter, member of The Kinks)
publisher:
Next Plateau Music Inc. and Turn Out Brothers Publishing
Salt‐n‐Pepa3:27
22Buffalo Stance
programming and engineer:
Mark Saunders (UK record producer)
producer and mixer:
Tim Simenon
lead vocals:
Neneh Cherry
arranger:
Booga Bear, Neneh Cherry, Mark Saunders (UK record producer) and Tim Simenon
phonographic copyright (℗) by:
Circa Records Ltd. (not an imprint; for ©/℗ rights use only) (in 1988)
recorded at:
Hot nights Ltd in London (Greater London), England, United Kingdom
mixed at:
Roundhouse Studios in London (Greater London), England, United Kingdom
part of:
TV Cream: Real 100 Best Singles Ever (number: 14), VH1’s 100 Greatest One‐Hit Wonders of the ’80s (number: 50), Billboard: The 500 Best Pop Songs (as of October 2023) (number: 238) and Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 412)
recording of:
Buffalo Stance
writer:
Neneh Cherry, Cameron McVey, Jamie J. Morgan (Director, Photographer, Musician) and Phil Ramacon (soul/R&B/reggae songwriter)
is based on:
Looking Good Diving With The Wild Bunch
Neneh Cherry45:42
23Higher Love
mixer:
Tom Lord‐Alge
guitar:
Nile Rodgers
keyboard:
David Frank (American keyboardist, producer, writer; The System)
vocals:
Chaka Khan
recording of:
Higher Love
writer:
Will Jennings and Steve Winwood
publisher:
Blue Sky Rider (BMI-affiliated; associated with Will Jennings), CBS Songs Ltd., F.S. Music Ltd., Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group), Warner Chappell North America and Willin' David Music
Steve Winwood4.55:49
24Every Rose Has It’s Thorn (remastered 1996)
engineer:
Duane Baron
producer:
Tom Werman
mixer:
Duane Baron, John Purdell and Tom Werman
bass guitar:
Bobby Dall
drums (drum set):
Rikki Rockett
guitar:
C.C. DeVille
lead vocals:
Bret Michaels
performer:
Poison (US glam metal band)
phonographic copyright (℗) by:
Capitol Records (imprint of Capitol Records, Inc.) (in 1988), Capitol Records, LLC (not for release label use! fka Capitol Records, Inc. until 2007) (in 1988), Enigma (1980s US rock & alternative) (in 1988) and Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1996)
part of:
VH1: 100 Greatest Songs of the 80’s (compiled in 2006) (number: 34)
recording of:
Every Rose Has Its Thorn
writer:
Bobby Dall, C.C. DeVille, Bret Michaels and Rikki Rockett
publisher:
Cyanide Publishing, Sweet Cyanide Music, Zomba Music Publishers Ltd. (UK subsidiary of Zomba Music Publishing) and Zomba Songs Inc.
Poison44:18
25Love Is a Battlefield
recording of:
Love Is a Battlefield
writer:
Mike Chapman (Australian producer and songwriter) and Holly Knight
publisher:
BMG Gold Songs, BMG Music, BMG Music Pbl. Ltd., Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI Music Publishing Ltd. (PRS‐affiliated), Island Music Ltd., Universal Music–MGB Songs, Warner Chappell, Warner/Chappell Music Ltd. (1996–2019), Zomba Music Publishers Ltd. (UK subsidiary of Zomba Music Publishing) and Zomba Music Publishing Ltd.
Pat Benatar5:19
26Eyes Without a Face (remastered)
engineer and mixer:
Dave Wittman
producer:
Keith Forsey (drummer, producer and songwriter)
bass guitar:
Sal Cuevas
drums (drum set):
Thommy Price
guitar:
Steve Stevens (US guitarist and songwriter)
background vocals:
Perri Lister
lead vocals:
Billy Idol (English rock singer‐songwriter)
arranger:
Billy Idol (English rock singer‐songwriter) and Steve Stevens (US guitarist and songwriter)
phonographic copyright (℗) by:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1983) and Chrysalis Records, Inc. (not for release label use!) (in 1999)
recorded at and mixed at:
Electric Lady Studios in Greenwich Village, New York, New York, United States
music videos:
Eyes Without a Face by Billy Idol (English rock singer‐songwriter)
recording of:
Eyes Without a Face
lyricist and composer:
Billy Idol (English rock singer‐songwriter) and Steve Stevens (US guitarist and songwriter)
publisher:
Boneidol Music, Chrysalis Music Group Inc., Chrysalis Music Ltd. (music publisher, affiliated with PRS), Chrysalis Music Publishing Ltd., Rare Blue Music, Rock Steady Music, Sitting Pretty Music and Warner Chappell Music Ltd. (no slash; used 1988–1996)
Billy Idol4.74:58
27The One I Love
additional recording engineer:
Gary Laney
engineer:
Scott Litt (producer and engineer)
producer:
Scott Litt (producer and engineer) and R.E.M. (American rock band)
additional mixer:
Steve Catania
bass guitar:
Mike Mills (R.E.M. bass player)
drums (drum set):
Bill Berry (R.E.M. drummer)
guitar:
Peter Buck (R.E.M. guitarist)
lead vocals:
Michael Stipe
phonographic copyright (℗) by:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1987)
recorded at:
Sound Emporium Studios in Nashville, Tennessee, United States
mixed at:
Master Control in Burbank, California, United States
part of:
Indie 88: Top 500 Indie Rock Songs (number: 149)
recording of:
The One I Love
writer:
Bill Berry (R.E.M. drummer), Peter Buck (R.E.M. guitarist), Mike Mills (R.E.M. bass player) and Michael Stipe
publisher:
Night Garden Music, Universal Music Publishing International Ltd., Universal Tunes and Universal/MCA Music Ltd. (not for release label use!)
R.E.M.4.253:18

Credits

Release

copyrighted (©) by and phonographic copyright (℗) by:UMG Recordings, Inc. (operational headquarters of Universal Music Group, based in Santa Monica, USA; read annotations) (in 2019)
stream for free:https://open.spotify.com/album/5pa7T39x3UxPb8NfmYxIOp [info]
https://www.deezer.com/album/122677442 [info]