The Radio Essential Series

~ Veröffentlichung von Various Artists (alle Versionen dieser Veröffentlichung ansehen, eine vorhanden)

Titelliste

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Nr.TitelKünstlerBewertungLänge
1Conga
Miami Sound Machine4:13
2Electric Boogie (Electric Slide)
Marcia Griffiths4:03
3Escape (The Piña Colada Song)
Rupert Holmes4:08
4One Love
assistierende(r) Techniker(in):
Terry Barham und Guy Bidmead
Techniker(in):
Karl Pitterson
Produzent(in):
Bob Marley & The Wailers
Mix:
Aston Barrett, Chris Blackwell (Island Records) und Karl Pitterson
Akustikgitarre:
Bob Marley (Jamaican reggae artist) (von 1977-01 bis 1977-04)
Bass:
Aston “Familyman” Barrett (von 1977-01 bis 1977-04)
Gitarre:
Aston “Familyman” Barrett (von 1977-01 bis 1977-04) und Junior Marvin (von 1977-01 bis 1977-04)
Keyboard:
Tyrone Downie (von 1977-01 bis 1977-04)
Perkussion:
Aston “Familyman” Barrett (von 1977-01 bis 1977-04), Carlton Barrett (von 1977-01 bis 1977-04), Tyrone Downie (von 1977-01 bis 1977-04), Bob Marley (Jamaican reggae artist) (von 1977-01 bis 1977-04) und Alvin “Seeco” Patterson (von 1977-01 bis 1977-04)
Schlagzeug:
Carlton Barrett (von 1977-01 bis 1977-04)
Hintergrundgesang:
Tyrone Downie (von 1977-01 bis 1977-04), Marcia Griffiths (reggae singer from Jamaica) (von 1977-01 bis 1977-04), Rita Marley (von 1977-01 bis 1977-04) und Judy Mowatt (von 1977-01 bis 1977-04)
vocals:
Bob Marley (Jamaican reggae artist) (von 1977-01 bis 1977-04)
phonographisches Urheberrecht (℗) von:
Island Records Ltd. (not for release label use! company known by this name from 1962‐05‐08 to 1999‐03‐29, and since 2014‐06‐25) (in 1977), Island Records, Inc. (US, Island holding) (in 1977) und The Island Def Jam Music Group (American holding company, not normally a release label) (in 2001)
mixed at:
Island Studios (fka Island Studios till 1975, became Sarm West Studios in 1982) in Notting Hill, Kensington and Chelsea, London (Greater London), England, Vereinigtes Königreich (von 1977-03 bis 1977-04)
recording of:
One Love / People Get Ready (von 1977-01 bis 1977-04)
Texter und Komponist(in):
Bob Marley (Jamaican reggae artist) und Curtis Mayfield
publisher:
Blackwell Fuller Music Publishing LLC, Bob Marley Music, Cayman Music, Cayman Music Inc, EMI April Music Inc., Leosong Copyright Service Ltd., Mijac Music, Rondor Music (London) Ltd., Shakat Music Publishing, TRO Essex Music Ltd., Warner Bros. Music Ltd. (UK subsidiary, so named between 1970/01/23–1971/04/26 and 1972/04/25–1988/08/23), Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label), Blue Mountain Music (in 1968), Fifty Six Hope Road Music Limited (in 1968), Odnil Music Ltd. (in 1968), EMI Tunes PLC (publisher) (vom 1991 bis heute) und Warner Chappell Music Ltd. (no slash; used 1988–1996) (vom 1991 bis heute)
basiert auf:
People Get Ready
Bob Marley4.32:50
5Paloma blanca
recording of:
Paloma blanca
Texter und Komponist(in):
Hans Bouwens
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI Music Publishing Australia Pty Ltd (not for release label use!), EMI Music Publishing Holland B.V., Musik Unserer Zeit (publisher; do NOT use as release label), RMI (publisher) und EMI Music Holland B.V. (record company currently known as EMI Music Netherlands B.V. don't use as release label) (in 1975)
George Baker Selection3:02
6Baby Love
Diana Ross & The Supremes2:34
7Jimmy Mack
Martha Reeves2:41
8Under the Boardwalk
recording of:
Under the Boardwalk
Verfasser(in):
Arthur Resnick (songwriter, producer) und Kenny Young
publisher:
Alley Music Corp., Intersong (publisher), TM Music Ltd. und Trio Music Company
The Drifters2:39
9Just the Two of Us
Assistent recording engineer:
Ed Heath
recording engineer:
Richard Alderson (Producer and engineer) (von 1980-06 bis 1980-07)
assistierende(r) Techniker(in):
Eddie Heath, Jr.
Techniker(in):
Richard Alderson (Producer and engineer)
Produzent(in):
Ralph MacDonald und Grover Washington, Jr.
Bass:
Marcus Miller (jazz musician) (von 1980-06 bis 1980-07)
Gitarre:
Eric Gale (von 1980-06 bis 1980-07)
Perkussion:
Ralph MacDonald (von 1980-06 bis 1980-07)
Rhodes Piano:
Richard Tee (von 1980-06 bis 1980-07)
Saxophon:
Grover Washington, Jr. (von 1980-06 bis 1980-07)
Schlagzeug:
Steve Gadd (drummer) (von 1980-06 bis 1980-07)
Synthesizer:
William Eaton (US producer & arranger) (von 1980-06 bis 1980-07)
vocals und Interpret(in):
Bill Withers (von 1980-06 bis 1980-07)
conductor:
William Eaton (US producer & arranger) (von 1980-06 bis 1980-07)
remixer:
Elliot Scheiner
arranger:
William Eaton (US producer & arranger)
phonographisches Urheberrecht (℗) von:
Elektra Entertainment Company (validity of this label needs to be investigated…) (in 1980) und Elektra/Asylum Records (not for release label use! copyrights holder, distributor within the US) (in 1980)
aufgenommen bei:
Rosebud Recording Studio in New York, New York, Vereinigte Staaten (von 1980-06 bis 1980-07)
recording of:
Just the Two of Us (Bill Withers song) (von 1980-06 bis 1980-07)
Verfasser(in):
Ralph MacDonald, William Salter und Bill Withers
publisher:
Antisia Music Inc. und Bleunig Music
Grover Washington, Jr.57:24
10Jungle Boogie
recording of:
Jungle Boogie
Verfasser(in):
Robert “Kool” Bell, Ronald Bell, Don Boyce, George Brown (US percussionist of Kool & the Gang), Robert Spike Mickens, Claydes Smith, Dennis “D.T.” Thomas (Kool & The Gang) und Ricky West (Kool & The Gang member)
publisher:
Delightful Music Publishing Ltd.
Kool & the Gang3:02
11Mission Impossible
Lalo Schifrin0:51
12Sirius
zusätzlich recording engineer und zusätzliche(r) Produzent(in):
Chris Blair (senior mastering engineer at Abbey Road Studios, London, UK)
assistierende(r) Techniker(in):
Tony Richards (recording engineer)
Techniker(in) und Produzent(in):
Alan Parsons (of The Alan Parsons Project)
leitende(r) Produzent(in):
Eric Woolfson
Akustikgitarre und E-Gitarre:
Ian Bairnson
Bassgitarre:
David Paton (of Pilot)
Keyboard:
Alan Parsons (of The Alan Parsons Project) und Eric Woolfson
Perkussion und Schlagzeug:
Stuart Elliott (session drummer, member of Cockney Rebel)
Saxophon:
Mel Collins
Synthesizer:
Alan Parsons (of The Alan Parsons Project)
zusätzlich Keyboard:
Haydn Bendall (producer and engineer)
conductor:
Andrew Powell (known for contributions to Alan Parsons Project)
chorus master:
Bob Howes (percussionist)
phonographisches Urheberrecht (℗) von:
Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (in 1982, in 2007)
recording of:
Sirius
Orchestrator(in):
Andrew Powell (known for contributions to Alan Parsons Project)
Komponist(in):
Alan Parsons (of The Alan Parsons Project) und Eric Woolfson
The Alan Parsons Project4.41:53
13Tonight Show Theme Song
Doc Severinsen1:11
14If You Don’t Know Me by Now
assistierende(r) Techniker(in):
Clark Germain und Karl Lever
Techniker(in) und Mix:
Daren Klein
Produzent(in):
Stewart Levine (record producer and saxophonist)
zusätzliche(r) Produzent(in):
Mick Hucknall (lead singer of Simply Red)
Bass:
Tony Bowers
Gitarre:
Heitor T. P.
Keyboard:
Tim Kellett und Fritz McIntyre
Perkussion:
Lennie Castro
Saxophon:
Ian Kirkham
Schlagzeug:
Chris Joyce (drummer for Simply Red)
Trompete:
Tim Kellett
Hintergrundgesang:
Fritz McIntyre und Stephanie Spruell (American soul/disco singer, songwriter, and percussionist)
Sologesang:
Mick Hucknall (lead singer of Simply Red)
Interpret(in):
Simply Red (English soul and pop band)
phonographisches Urheberrecht (℗) von:
Eastwest Records (for copyrights, manufacturing, distributing use only!) (in 1989), Warner Music UK Ltd. (not for release label use!) (in 1989) und WEA Records Ltd. (holding company based in the UK) (in 1989)
produced for:
Oliverea Productions Ltd
cover recording of:
If You Don’t Know Me by Now
Verfasser(in):
Kenneth Gamble (songwriter for Philadelphia International) und Leon Huff (Philly soul producer, of Gamble & Huff)
publisher:
Island Music Ltd., Mighty Three Music, Sony/ATV Music Publishing Australia Pty Ltd., Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner Chappell North America und Warner/Chappell Music Australia Pty. Ltd.
Simply Red3.43:23
15Songbird
Kenny G5:01
16Don’t Let the Sun Go Down on Me
recording of:
Don’t Let the Sun Go Down on Me
Texter:
Bernie Taupin
Komponist(in):
Elton John (English singer, songwriter, pianist, and composer)
publisher:
Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group) und Big Pig Music Ltd. (publisher) (in 1991)
Elton John5:35
17Truly
recording engineer:
Calvin Harris
Techniker(in):
Jim Cassell
assistierende(r) Produzent(in):
Brenda Harvey–Richie
Produzent(in):
James Anthony Carmichael und Lionel Richie
Mix:
Calvin Harris, Michael Johnson (Motown related), Fred Law und Stephan Smith (US 70s/80s soul/funk engineer)
Akustikgitarre:
Tim May (session/jazz guitarist)
Bass:
Joe Chemay
Bratsche / Viola:
Alan DeVeritch, Allan Harshman (violist), Virginia Majewski (violist) und Gareth Nuttycombe (violist)
Cello:
Jesse Ehrlich, Paula Hochhalter, Armand Kaproff und Dennis Karmazyn
flute:
Louise DiTullio
Geige / Violine:
Bonnie Douglas, Assa Drori, Endre Granat (Hungarian violinist), Joy Lyle, Donald Palmer (US violinist and concertmaster), Henry Roth (violinist), Sheldon Sandu (violinist), Jack Shulman, Paul Shure, Mari Tsumura (aka Mari Tsumura‐Botnick) und Charles Veal Jr. (violinist, conductor and arranger)
Gitarre:
Paul Jackson, Jr. (fusion/urban jazz composer, arranger, producer and guitarist)
Harfe:
Gayle Levant (American studio musician, harpist)
Kontrabass:
Árni Egilsson und Buell Neidlinger
Rhodes Piano [Fender rhodes]:
William Payne
Saiteninstrumente:
Assa Drori, Allan Harshman (violist), Joy Lyle und Paul Shure
Schlagzeug:
Paul Leim
Waldhorn:
Arthur Maebe (US horn player), Richard Perissi und Henry Sigismonti
Hintergrundgesang:
Lionel Richie
arranger:
James Anthony Carmichael und Gene Page
vocals arranger:
Lionel Richie
concertmaster:
Harry Bluestone
aufgenommen bei:
A&M Recording Studios in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten
mixed at:
Motown / Hitsville U.S.A Recording Studios (recording and mastering studios in West Hollywood, CA) in West Hollywood, California (Kalifornien), Vereinigte Staaten
instrumental versions:
Truly (instrumental) von Lionel Richie
recording of:
Truly
Texter und Komponist(in):
Lionel Richie
Lionel Richie3.43:20
18Sweet Love
recording of:
Sweet Love
Komponist(in):
Anita Baker, Gary Bias (jazz saxophonist) und Louis A. Johnson
publisher:
EMI Music (do not use as release label! this is a music publisher) und Jobete Music (appears also as: Jobete Msc.)
Anita Baker4:21
19You Are So Beautiful
recording of:
You Are So Beautiful
Verfasser(in):
Bruce Fisher und Billy Preston
publisher:
Almo Music Corporation (USA, affiliated with ASCAP) und Preston Songs (ASCAP)
sub-publisher:
Universal Music Publishing Ltd. (Hong Kong)
Joe Cocker2:39
20One Moment in Time
leitende(r) Produzent(in):
Clive Davis (record producer, A&R executive and music industry chief executive)
Produzent(in):
Narada Michael Walden
vocals und Interpret(in):
Whitney Houston
conductor:
Michael Gibbs
arranger:
Narada Michael Walden
vocals arranger:
Whitney Houston
recording of:
One Moment in Time
Texter:
John Bettis
Komponist(in):
Albert Hammond
Whitney Houston4.54:42
21Spanish Eyes
Produzent(in):
Tom Morgan (producer)
conductor:
Peter de Angelis (in 1965)
arranger:
Peter de Angelis
phonographisches Urheberrecht (℗) von:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1965)
cover recording of:
Spanish Eyes (Moon Over Naples) (in 1965)
Texter:
Charles Singleton (composer/lyricist) und Eddie Snyder
Komponist(in):
Bert Kaempfert (Berthold Heinrich Kämpfert, German orchestra leader, producer and songwriter)
publisher:
Carlin Music Corporation, Columbia Music (Publisher. Do not use as a release label.) und Screen Gems–EMI Music, Inc. (USA, affiliated with BMI)
Version von:
Moon Over Naples
Al Martino2.52:43
22My Way
recorded in:
Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1968-12-30)
Techniker(in):
Lee Herschberg
Produzent(in):
Sonny Burke (Joseph Francis Burke, producer, songwriter and Big Band leader) und Don Costa (US pop music arranger & producer)
Instrumente:
Buddy Saltzman
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (am 1968-12-30)
conductor:
Don Costa (US pop music arranger & producer) (am 1968-12-30)
arranger:
Don Costa (US pop music arranger & producer)
phonographisches Urheberrecht (℗) von:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (in 1969)
Teil von:
Helsingin Sanomat: 100 maailman parasta laulua (2022-1-15) (Nummer: 79)
cover recording of:
My Way (Frank Sinatra song) (am 1968-12-30)
Texter:
Paul Anka (Canadian singer, songwriter and actor)
Komponist(in):
Claude François und Jacques Revaux
vorher zugeschrieben zu:
Gilles Thibaut
Übersetzer:
Bobby Cruz
publisher:
Babel Music S.A., Chrysalis Standards Inc., Don C. Publications Inc., Eddie Barclay, Jeune Musique Éditions, Shapiro, Bernstein & Co., Inc., Sony Music Publishing (Japan) Inc. (song publisher, never a release label), Spanka Music, Spanka Music Corp., Thibout Music, Warner Chappell Music France, Warner Chappell Music Ltd. (no slash; used 1988–1996), ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division), ヤマハミュージックパブリッシング (Yamaha Music Publishing) (bis 2017-03-31) und ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) (vom 2017-04-01 bis heute)
übersetzte Version von:
Comme d’habitude
Frank Sinatra3.954:36
35CD
36CD
37CD
38CD
39CD
40CD
41CD
42CD
43CD
44CD
45CD
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47CD
48CD
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