CTI Records: The Cool Revolution

~ Release by Various Artists (see all versions of this release, 2 available)

Tracklist

1▶CD: Straight Up
2▼CD: Deep Grooves / Big Hits
#TitleArtistRatingLength
1Red Clay
recording engineer:
Rudy van Gelder (on 1970-01-27)
engineer:
Rudy van Gelder
producer:
Creed Taylor
bass:
Bob Bushnell and Ron Carter (US jazz double-bassist)
double bass:
Ron Carter (US jazz double-bassist) (on 1970-01-27)
drums (drum set):
Lenny White (on 1970-01-27)
percussion:
Ed Shaughnessy
piano:
Herbie Hancock (US jazz pianist, keyboardist, bandleader and composer) (on 1970-01-27)
saxophone:
Joe Henderson (US jazz tenor saxophonist) (on 1970-01-27)
trumpet:
Freddie Hubbard (on 1970-01-27)
recorded at:
Van Gelder Studio (Englewood Cliffs, July 20, 1959 –) in Englewood Cliffs, New Jersey, United States (from 1970-01-27 until 1970-01-29)
recording of:
Red Clay (on 1970-01-27)
composer:
Freddie Hubbard
Freddie Hubbard12:09
2It's Too Late
engineer:
Rudy van Gelder
producer:
Creed Taylor
alto saxophone:
Hank Crawford (from 1971-06-03 until 1971-06-04)
drums (drum set):
Billy Cobham (from 1971-06-03 until 1971-06-04)
electric bass guitar [Fender]:
Johnny Williams (bassist, born 1941) (from 1971-06-03 until 1971-06-04)
guitar:
Eric Gale (from 1971-06-03 until 1971-06-04)
organ:
Johnny “Hammond” Smith (from 1971-06-03 until 1971-06-04)
percussion:
Airto Moreira (percussionist) (from 1971-06-03 until 1971-06-04)
tenor saxophone:
Grover Washington, Jr. (from 1971-06-03 until 1971-06-04)
trumpet:
Danny Moore (from 1971-06-03 until 1971-06-04)
arranger:
Grover Washington
recorded at:
Van Gelder Studio (Englewood Cliffs, July 20, 1959 –) in Englewood Cliffs, New Jersey, United States (from 1971-06-03 until 1971-06-04)
instrumental cover recording of:
It’s Too Late (from 1971-06-03 until 1971-06-04)
lyricist:
Toni Stern
composer:
Carole King
dedicated to:
James Taylor (singer-songwriter and guitarist)
publisher:
Colgems-EMI Music Inc., イーエムアイ音楽出版 フジパシフィック事業部 (EMI Music Publishing Japan, Fujipacific Division) (until 2021-06-30) and ソニー・ミュージックパブリッシング フジパシフィック事業部 (Sony Music Publishing (Japan) Inc., Fujipacific Division) (from 2021-07-01 to present)
Johnny “Hammond” Smith10:58
3Home Is Where the Hatred Is
cover recording of:
Home Is Where the Hatred Is
lyricist and composer:
Gil Scott‐Heron
Esther Phillips3:26
4We Got a Good Thing Going
alto saxophone:
Hank Crawford (in 1972)
electric bass guitar:
Gordon Edwards (funk/soul bassist) (in 1972)
electric guitar:
George Benson (jazz guitarist/singer) (in 1972)
electric piano:
Richard Tee (in 1972)
instrumental cover recording of:
We’ve Got a Good Thing Going (in 1972)
writer:
The Corporation (Motown songwriters), Berry Gordy, Fonce Mizell, Freddie Perren and Deke Richards (American songwriter and record producer)
publisher:
Jobete Music (UK) Ltd.
Hank Crawford6:00
5White Rabbit
engineer:
Rudy van Gelder (in 1971-11)
producer:
Creed Taylor
acoustic guitar:
Jay Berliner (in 1971-11)
alto flute:
Phil Bodner (Woodwind player) (in 1971-11), Hubert Laws (in 1971-11), George Marge (in 1971-11) and Romeo Penque (in 1971-11)
baritone horn and trombone:
Wayne Andre (in 1971-11)
bass:
Ron Carter (US jazz double-bassist) (in 1971-11)
bass clarinet:
Romeo Penque (in 1971-11)
bassoon:
Jane Taylor (bassoonist) (in 1971-11)
clarinet:
George Marge (in 1971-11) and Romeo Penque (in 1971-11)
cor anglais and oboe:
Phil Bodner (Woodwind player) (in 1971-11), George Marge (in 1971-11) and Romeo Penque (in 1971-11)
drums (drum set):
Billy Cobham (in 1971-11)
electric piano:
Herbie Hancock (US jazz pianist, keyboardist, bandleader and composer) (in 1971-11)
flugelhorn:
John Frosk (in 1971-11) and Al Rubin (in 1971-11)
flute:
Phil Bodner (Woodwind player) (in 1971-11) and George Marge (in 1971-11)
French horn:
Jim Buffington (US jazz, studio and classical hornist) (in 1971-11)
guitar:
George Benson (jazz guitarist/singer) (in 1971-11)
harp:
Gloria Agostini (Harp) (in 1971-11)
percussion:
Airto Moreira (percussionist) (in 1971-11)
percussion and vibraphone and vibraphone [vibes]:
Phil Kraus (in 1971-11)
piccolo and solo flute:
Hubert Laws (in 1971-11)
solo trumpet:
John Frosk (in 1971-11)
trumpet:
Al Rubin (in 1971-11)
vocals:
Airto Moreira (percussionist) (in 1971-11)
conductor:
Don Sebesky (in 1971-11)
arranger:
Don Sebesky
recorded at:
Van Gelder Studio (Englewood Cliffs, July 20, 1959 –) in Englewood Cliffs, New Jersey, United States (in 1971-11)
instrumental cover recording of:
White Rabbit (in 1971-11)
lyricist and composer:
Grace Slick
publisher:
Irving Music, Inc. and Rondor Music (London) Ltd.
is based on:
Alice’s Adventures in Wonderland (novel)
is based on:
Through the Looking‐Glass, and What Alice Found There (novel)
George Benson46:58
6Fire and Rain
recording engineer:
Rudy van Gelder (from 1970-12-01 until 1970-12-11)
producer:
Creed Taylor
bass:
Ron Carter (US jazz double-bassist) (from 1970-12-01 until 1970-12-11)
bassoon:
Fred Alston Jr. (from 1970-12-01 until 1970-12-11)
drums (drum set):
Freddy Waits (from 1970-12-01 until 1970-12-11)
electric piano:
Bob James (US jazz keyboardist, arranger and producer) (from 1970-12-01 until 1970-12-11)
flute:
Hubert Laws (from 1970-12-01 until 1970-12-11)
guitar:
Gene Bertoncini (guitar player) (from 1970-12-01 until 1970-12-11)
percussion:
Richard Landrum (from 1970-12-01 until 1970-12-11) and Airto Moreira (percussionist) (from 1970-12-01 until 1970-12-11)
vibraphone:
David Friedman (US jazz percussionist, mainly vibraphone and marimba) (from 1970-12-01 until 1970-12-11)
arranger:
Don Sebesky
recorded at:
Van Gelder Studio (Englewood Cliffs, July 20, 1959 –) in Englewood Cliffs, New Jersey, United States (from 1970-12-01 until 1970-12-11)
cover recording of:
Fire and Rain (from 1970-12-01 until 1970-12-11)
lyricist and composer:
James Taylor (singer-songwriter and guitarist)
publisher:
Country Road Music, Inc. (ASCAP-affiliated) (ended), EMI Blackwood Music Inc. and フジパシフィックミュージック SBK事業部 (Fujipacific Music SBK Department)
Hubert Laws7:57
7What a Diff’rence a Day Makes
engineer:
Rudy van Gelder (on 1975-04-24)
producer:
Creed Taylor
vocals:
Esther Phillips (Little Esther) (on 1975-04-24)
cover recording of:
What a Diff’rence a Day Made (on 1975-04-24)
lyricist:
Stanley Adams (US lyricist & songwriter)
composer:
María Grever
publisher:
EMI Music Publishing (do not use as a release label!), Estate of Stanley Adams, Maurice Music, Peter Maurice Music Co. Ltd., Stanley Adams Music, Universal Music–Z Tunes LLC and Zomba Golden Sands Enterprises, Inc.
is based on:
Cuando vuelva a tu lado
Esther Phillips34:31
8Follow Your Heart
recording of:
Follow Your Heart
composer:
John McLaughlin (guitarist)
version of:
Arjen’s Bag
Joe Farrell6:52
9Also Sprach Zarathustra (2001)
recording of:
Also sprach Zarathustra (2001) (arr. Deodato jazz-funk style)
composer:
Richard Strauss (German composer)
arranger:
Eumir Deodato
publisher:
EMI Full Keel Music and Publishing One's Music
version of:
Also sprach Zarathustra, op. 30: I. Einleitung (Sonnenaufgang)
Eumir Deodato9:03
10Mister Magic
engineer:
Rudy van Gelder (in 1974-11)
producer:
Creed Taylor
alto saxophone and soprano saxophone:
Grover Washington, Jr. (in 1974-11)
baritone saxophone:
Phil Bodner (Woodwind player) (in 1974-11)
bass:
Gary King (jazz bassist, arranger and songwriter) (in 1974-11)
bass trombone:
Tony Studd (in 1974-11)
cello:
Charles McCracken (cellist) (in 1974-11) and Alan Shulman (cellist and composer) (in 1974-11)
drums (drum set):
Harvey Mason (jazz drummer) (in 1974-11)
electric piano and piano:
Bob James (US jazz keyboardist, arranger and producer) (in 1974-11)
flugelhorn and trumpet:
Jon Faddis (in 1974-11) and Marvin Stamm (in 1974-11)
guitar:
Eric Gale (in 1974-11)
percussion:
Ralph MacDonald (in 1974-11)
tenor saxophone:
Jerry Dodgion (in 1974-11) and Grover Washington, Jr. (in 1974-11)
trombone:
Wayne Andre (in 1974-11)
viola:
Al Brown (viola) (in 1974-11) and Manny Vardi (in 1974-11)
violin:
Max Ellen (in 1974-11), Paul Gershman (in 1974-11), Harry Glickman (in 1974-11), Harold Kohon (in 1974-11), Harry Lookofsky (in 1974-11), Joe Malin (in 1974-11), David Nadien (in 1974-11) and Matthew Raimondi (in 1974-11)
conductor:
Bob James (US jazz keyboardist, arranger and producer) (in 1974-11)
arranger:
Bob James (US jazz keyboardist, arranger and producer)
recorded at:
Van Gelder Studio (Englewood Cliffs, July 20, 1959 –) in Englewood Cliffs, New Jersey, United States (in 1974-11)
recording of:
Mister Magic (Mr. Magic) (in 1974-11)
composer:
Ralph MacDonald and William Salter
Grover Washington, Jr.8:59
3▶CD: The Brazilian Connection
4▶CD: Cool And Classic