Jimmy Martin and the Sunny Mountain Boys

~ Release by Jimmy Martin and the Sunny Mountain Boys (see all versions of this release, 1 available)

Annotation

Packaging: 5 CDs in individual jewel cases, LP sized booklet and outer box.

Annotation last modified on 2018-08-03 21:01 UTC.

Tracklist

1CD
#TitleRatingLength
1Save It! Save It!
producer:
Stephen H. Sholes
banjo:
Sonny Osborne (on 1954-11-16)
double bass:
Howard Watts (bluegrass bassist, aka Cedric Rainwater) (on 1954-11-16)
fiddle:
Merle "Red" Taylor (country/bluegrass fiddler, songwriter, and singer) (on 1954-11-16)
guitar and lead vocals:
Jimmy Martin (US bluegrass musician) (on 1954-11-16)
mandolin and tenor vocals:
Bob Osborne (on 1954-11-16)
recorded at:
RCA Victor Studios (Nashville) in Nashville, Tennessee, United States (on 1954-11-16)
2:02
2Chalk Up Another One
producer:
Stephen H. Sholes
banjo and baritone vocals:
Sonny Osborne (on 1954-11-16)
double bass:
Howard Watts (bluegrass bassist, aka Cedric Rainwater) (on 1954-11-16)
fiddle:
Merle "Red" Taylor (country/bluegrass fiddler, songwriter, and singer) (on 1954-11-16)
guitar and lead vocals:
Jimmy Martin (US bluegrass musician) (on 1954-11-16)
mandolin and tenor vocals:
Bob Osborne (on 1954-11-16)
recorded at:
RCA Victor Studios (Nashville) in Nashville, Tennessee, United States (on 1954-11-16)
recording of:
Chalk Up Another One
writer:
Wilmer Neal
publisher:
EMI Unart Catalog Inc.
2:37
3I Pulled a Boo Boo
producer:
Stephen H. Sholes
banjo:
Sonny Osborne (on 1954-11-16)
double bass:
Howard Watts (bluegrass bassist, aka Cedric Rainwater) (on 1954-11-16)
fiddle:
Merle "Red" Taylor (country/bluegrass fiddler, songwriter, and singer) (on 1954-11-16)
guitar and lead vocals:
Jimmy Martin (US bluegrass musician) (on 1954-11-16)
mandolin and tenor vocals:
Bob Osborne (on 1954-11-16)
recorded at:
RCA Victor Studios (Nashville) in Nashville, Tennessee, United States (on 1954-11-16)
2:21
4They Didn’t Know the Difference but I Did)
producer:
Stephen H. Sholes
banjo:
Sonny Osborne (on 1954-11-16)
double bass:
Howard Watts (bluegrass bassist, aka Cedric Rainwater) (on 1954-11-16)
fiddle:
Merle "Red" Taylor (country/bluegrass fiddler, songwriter, and singer) (on 1954-11-16)
guitar and lead vocals:
Jimmy Martin (US bluegrass musician) (on 1954-11-16)
mandolin:
Bob Osborne (on 1954-11-16)
recorded at:
RCA Victor Studios (Nashville) in Nashville, Tennessee, United States (on 1954-11-16)
2:43
520/20 Vision
producer:
Stephen H. Sholes
banjo and tenor vocals:
Sonny Osborne (on 1954-11-16)
double bass:
Howard Watts (bluegrass bassist, aka Cedric Rainwater) (on 1954-11-16)
fiddle:
Merle "Red" Taylor (country/bluegrass fiddler, songwriter, and singer) (on 1954-11-16)
guitar and lead vocals:
Jimmy Martin (US bluegrass musician) (on 1954-11-16)
mandolin and baritone vocals [high baritone vocals]:
Bob Osborne (on 1954-11-16)
recorded at:
RCA Victor Studios (Nashville) in Nashville, Tennessee, United States (on 1954-11-16)
recording of:
20/20 Vision (on 1954-11-16)
lyricist:
Milton Estes
composer:
Joe Allison
publisher:
Golden West Melodies Inc., ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division), ヤマハミュージックパブリッシング (Yamaha Music Publishing) (until 2017-03-31) and ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) (from 2017-04-01 to present)
2:44
6That’s How I Can Count on You
producer:
Stephen H. Sholes
banjo:
Sonny Osborne (on 1954-11-16)
double bass:
Howard Watts (bluegrass bassist, aka Cedric Rainwater) (on 1954-11-16)
fiddle:
Merle "Red" Taylor (country/bluegrass fiddler, songwriter, and singer) (on 1954-11-16)
guitar and lead vocals:
Jimmy Martin (US bluegrass musician) (on 1954-11-16)
mandolin and tenor vocals:
Bob Osborne (on 1954-11-16)
recorded at:
RCA Victor Studios (Nashville) in Nashville, Tennessee, United States (on 1954-11-16)
recording of:
That’s How I Can Count on You
writer:
Shorty Long (1950s country/rockabilly artist) and Bob Newman (US country musician and songwriter)
2:48
7Before the Sun Goes Down
producer:
Paul Cohen (Nashville country producer)
banjo:
Sam "Porky" Hutchins (bluegrass banjo and guitar player) (on 1956-05-06)
double bass:
Howard Watts (bluegrass bassist, aka Cedric Rainwater) (on 1956-05-06)
fiddle:
Tommy Vaden (US country fiddler) (on 1956-05-06)
guitar and lead vocals:
Jimmy Martin (US bluegrass musician) (on 1956-05-06)
mandolin:
Earl Taylor (bluegrass musician) (on 1956-05-06)
recorded at:
Bradley Recording Studios (aka the "Quonset Hut") in Nashville, Tennessee, United States (on 1956-05-06)
recording of:
Before the Sun Goes Down
writer:
Vernon Claud (1950s Rockabilly/Country artist) and Jerry Organ (songwriting pseudonym for Troy Martin)
2:40
8Skip, Hop and Wobble
producer:
Paul Cohen (Nashville country producer)
banjo:
Sam "Porky" Hutchins (bluegrass banjo and guitar player) (on 1956-05-06)
double bass:
Howard Watts (bluegrass bassist, aka Cedric Rainwater) (on 1956-05-06)
fiddle:
Tommy Vaden (US country fiddler) (on 1956-05-06)
guitar and lead vocals:
Jimmy Martin (US bluegrass musician) (on 1956-05-06)
mandolin:
Earl Taylor (bluegrass musician) (on 1956-05-06)
recorded at:
Bradley Recording Studios (aka the "Quonset Hut") in Nashville, Tennessee, United States (on 1956-05-06)
recording of:
Skip, Hop and Wobble
writer:
Raymond L. Johnson and Jimmy Martin (US bluegrass musician)
2:17
9You’ll Be a Lost Ball
producer:
Paul Cohen (Nashville country producer)
banjo and baritone vocals:
Sam "Porky" Hutchins (bluegrass banjo and guitar player) (on 1956-05-06)
double bass:
Howard Watts (bluegrass bassist, aka Cedric Rainwater) (on 1956-05-06)
fiddle:
Tommy Vaden (US country fiddler) (on 1956-05-06)
guitar and lead vocals:
Jimmy Martin (US bluegrass musician) (on 1956-05-06)
mandolin and tenor vocals:
Earl Taylor (bluegrass musician) (on 1956-05-06)
recorded at:
Bradley Recording Studios (aka the "Quonset Hut") in Nashville, Tennessee, United States (on 1956-05-06)
recording of:
You’ll Be a Lost Ball (on 1956-05-06)
writer:
Johnny Gobel (American bluegrass musician and songwriter) and Jimmy Martin (US bluegrass musician)
2:38
10Hit Parade of Love
producer:
Paul Cohen (Nashville country producer)
banjo and baritone vocals:
Sam "Porky" Hutchins (bluegrass banjo and guitar player) (on 1956-05-06)
double bass:
Howard Watts (bluegrass bassist, aka Cedric Rainwater) (on 1956-05-06)
fiddle:
Tommy Vaden (US country fiddler) (on 1956-05-06)
guitar and lead vocals:
Jimmy Martin (US bluegrass musician) (on 1956-05-06)
mandolin and tenor vocals:
Earl Taylor (bluegrass musician) (on 1956-05-06)
recorded at:
Bradley Recording Studios (aka the "Quonset Hut") in Nashville, Tennessee, United States (on 1956-05-06)
recording of:
Hit Parade of Love (on 1956-05-06)
lyricist and composer:
Wade Birchfield (US bluegrass musician)
2:33
11Grand Ole Opry Song
producer:
Paul Cohen (Nashville country producer)
banjo and baritone vocals:
J.D. Crowe (on 1956-12-01)
double bass:
Howard Watts (bluegrass bassist, aka Cedric Rainwater) (on 1956-12-01)
fiddle:
Gordon Terry (Bluegrass/Country artist, guitarist and fiddle player.) (on 1956-12-01)
guitar and lead vocals:
Jimmy Martin (US bluegrass musician) (on 1956-12-01)
mandolin and tenor vocals:
Earl Taylor (bluegrass musician) (on 1956-12-01)
recorded at:
Bradley Recording Studios (aka the "Quonset Hut") in Nashville, Tennessee, United States (on 1956-12-01)
recording of:
Grand Ole Opry Song (on 1956-12-01)
lyricist and composer:
Hylo Brown
2:43
12I’m the Boss (of This Here House)
producer:
Paul Cohen (Nashville country producer)
banjo and baritone vocals:
J.D. Crowe (on 1956-12-01)
double bass:
Howard Watts (bluegrass bassist, aka Cedric Rainwater) (on 1956-12-01)
fiddle and bass vocals:
Gordon Terry (Bluegrass/Country artist, guitarist and fiddle player.) (on 1956-12-01)
guitar and lead vocals:
Jimmy Martin (US bluegrass musician) (on 1956-12-01)
mandolin and tenor vocals:
Earl Taylor (bluegrass musician) (on 1956-12-01)
recorded at:
Bradley Recording Studios (aka the "Quonset Hut") in Nashville, Tennessee, United States (on 1956-12-01)
2:12
13Dog Bite Your Hide
producer:
Paul Cohen (Nashville country producer)
banjo and baritone vocals:
J.D. Crowe (on 1956-12-01)
double bass:
Howard Watts (bluegrass bassist, aka Cedric Rainwater) (on 1956-12-01)
fiddle:
Gordon Terry (Bluegrass/Country artist, guitarist and fiddle player.) (on 1956-12-01)
guitar and lead vocals:
Jimmy Martin (US bluegrass musician) (on 1956-12-01)
mandolin and tenor vocals:
Earl Taylor (bluegrass musician) (on 1956-12-01)
recorded at:
Bradley Recording Studios (aka the "Quonset Hut") in Nashville, Tennessee, United States (on 1956-12-01)
2:26
14I’ll Drink No More Wine
producer:
Paul Cohen (Nashville country producer)
banjo and baritone vocals:
J.D. Crowe (on 1956-12-01)
double bass:
Howard Watts (bluegrass bassist, aka Cedric Rainwater) (on 1956-12-01)
fiddle:
Gordon Terry (Bluegrass/Country artist, guitarist and fiddle player.) (on 1956-12-01)
guitar and lead vocals:
Jimmy Martin (US bluegrass musician) (on 1956-12-01)
mandolin and tenor vocals:
Earl Taylor (bluegrass musician) (on 1956-12-01)
recorded at:
Bradley Recording Studios (aka the "Quonset Hut") in Nashville, Tennessee, United States (on 1956-12-01)
recording of:
I’ll Drink No More Wine
writer:
Jimmy Gobel and Jimmy Martin (US bluegrass musician)
2:38
15Ocean of Diamonds
producer:
Paul Cohen (Nashville country producer)
banjo and baritone vocals:
J.D. Crowe (on 1958-02-19)
double bass:
Floyd D. 'Lightnin'' Chance (on 1958-02-19)
drums (drum set):
Unknown, probably Buddy Harman ([unknown], Special Purpose Artist – Do not add releases here, if possible.) (on 1958-02-19)
fiddle:
Gordon Terry (Bluegrass/Country artist, guitarist and fiddle player.) (on 1958-02-19)
guitar and lead vocals:
Jimmy Martin (US bluegrass musician) (on 1958-02-19)
mandolin and tenor vocals:
Paul Williams (US bluegrass/gospel mandolin player, tenor vocalist) (on 1958-02-19)
recorded at:
Bradley Recording Studios (aka the "Quonset Hut") in Nashville, Tennessee, United States (on 1958-02-19)
recording of:
Ocean of Diamonds (on 1958-02-19)
composer:
Cliff Carnahan
2:35
16Sophronie
producer:
Paul Cohen (Nashville country producer)
banjo and baritone vocals:
J.D. Crowe (on 1958-02-19)
double bass:
Floyd D. 'Lightnin'' Chance (on 1958-02-19)
drums (drum set):
Unknown, probably Buddy Harman ([unknown], Special Purpose Artist – Do not add releases here, if possible.) (on 1958-02-19)
fiddle:
Gordon Terry (Bluegrass/Country artist, guitarist and fiddle player.) (on 1958-02-19)
guitar and lead vocals:
Jimmy Martin (US bluegrass musician) (on 1958-02-19)
mandolin and tenor vocals:
Paul Williams (US bluegrass/gospel mandolin player, tenor vocalist) (on 1958-02-19)
recorded at:
Bradley Recording Studios (aka the "Quonset Hut") in Nashville, Tennessee, United States (on 1958-02-19)
recording of:
Sophronie
writer:
Alton Delmore and D.C. Mullins (US songwriter)
32:38
17I’ll Never Take No for an Answer
producer:
Paul Cohen (Nashville country producer)
banjo and baritone vocals:
J.D. Crowe (on 1958-02-19)
double bass:
Floyd D. 'Lightnin'' Chance (on 1958-02-19)
drums (drum set):
Unknown, probably Buddy Harman ([unknown], Special Purpose Artist – Do not add releases here, if possible.) (on 1958-02-19)
fiddle:
Gordon Terry (Bluegrass/Country artist, guitarist and fiddle player.) (on 1958-02-19)
guitar and lead vocals:
Jimmy Martin (US bluegrass musician) (on 1958-02-19)
mandolin and tenor vocals:
Paul Williams (US bluegrass/gospel mandolin player, tenor vocalist) (on 1958-02-19)
recorded at:
Bradley Recording Studios (aka the "Quonset Hut") in Nashville, Tennessee, United States (on 1958-02-19)
2:43
18Rock Hearts
producer:
Paul Cohen (Nashville country producer)
banjo and baritone vocals:
J.D. Crowe (on 1958-02-19)
double bass:
Floyd D. 'Lightnin'' Chance (on 1958-02-19)
drums (drum set):
Unknown, probably Buddy Harman ([unknown], Special Purpose Artist – Do not add releases here, if possible.) (on 1958-02-19)
fiddle:
Gordon Terry (Bluegrass/Country artist, guitarist and fiddle player.) (on 1958-02-19)
guitar and lead vocals:
Jimmy Martin (US bluegrass musician) (on 1958-02-19)
mandolin and tenor vocals:
Paul Williams (US bluegrass/gospel mandolin player, tenor vocalist) (on 1958-02-19)
recorded at:
Bradley Recording Studios (aka the "Quonset Hut") in Nashville, Tennessee, United States (on 1958-02-19)
recording of:
Rock Hearts
composer:
Bill Otis
publisher:
Universal Cedarwood Publishing
2:03
19I Like to Hear ’Em Preach It
producer:
Paul Cohen (Nashville country producer)
banjo and baritone vocals:
J.D. Crowe (on 1958-02-19)
double bass:
Floyd D. 'Lightnin'' Chance (on 1958-02-19)
drums (drum set):
Unknown, probably Buddy Harman ([unknown], Special Purpose Artist – Do not add releases here, if possible.) (on 1958-02-19)
fiddle and bass vocals:
Gordon Terry (Bluegrass/Country artist, guitarist and fiddle player.) (on 1958-02-19)
guitar and lead vocals:
Jimmy Martin (US bluegrass musician) (on 1958-02-19)
mandolin and tenor vocals:
Paul Williams (US bluegrass/gospel mandolin player, tenor vocalist) (on 1958-02-19)
recorded at:
Bradley Recording Studios (aka the "Quonset Hut") in Nashville, Tennessee, United States (on 1958-02-19)
3:03
20Voice of My Savior
producer:
Paul Cohen (Nashville country producer)
banjo and baritone vocals:
J.D. Crowe (on 1958-02-19)
double bass:
Floyd D. 'Lightnin'' Chance (on 1958-02-19)
drums (drum set):
Unknown, probably Buddy Harman ([unknown], Special Purpose Artist – Do not add releases here, if possible.) (on 1958-02-19)
fiddle and bass vocals:
Gordon Terry (Bluegrass/Country artist, guitarist and fiddle player.) (on 1958-02-19)
guitar and lead vocals:
Jimmy Martin (US bluegrass musician) (on 1958-02-19)
mandolin and tenor vocals:
Paul Williams (US bluegrass/gospel mandolin player, tenor vocalist) (on 1958-02-19)
recorded at:
Bradley Recording Studios (aka the "Quonset Hut") in Nashville, Tennessee, United States (on 1958-02-19)
2:38
21Night
producer:
Owen Bradley
banjo and baritone vocals:
J.D. Crowe (on 1958-11-20)
double bass:
Floyd D. 'Lightnin'' Chance (on 1958-11-20)
drums (drum set):
Unknown, probably Buddy Harman ([unknown], Special Purpose Artist – Do not add releases here, if possible.) (on 1958-11-20)
fiddle:
Chubby Wise (on 1958-11-20)
guitar and lead vocals:
Jimmy Martin (US bluegrass musician) (on 1958-11-20)
mandolin and tenor vocals:
Paul Williams (US bluegrass/gospel mandolin player, tenor vocalist) (on 1958-11-20)
recorded at:
Bradley Recording Studios (aka the "Quonset Hut") in Nashville, Tennessee, United States (on 1958-11-20)
2:31
22It’s Not Like Home
producer:
Owen Bradley
banjo:
J.D. Crowe (on 1958-11-20)
double bass:
Floyd D. 'Lightnin'' Chance (on 1958-11-20)
drums (drum set):
Unknown, probably Buddy Harman ([unknown], Special Purpose Artist – Do not add releases here, if possible.) (on 1958-11-20)
fiddle:
Chubby Wise (on 1958-11-20)
guitar and lead vocals:
Jimmy Martin (US bluegrass musician) (on 1958-11-20)
mandolin:
Paul Williams (US bluegrass/gospel mandolin player, tenor vocalist) (on 1958-11-20)
recorded at:
Bradley Recording Studios (aka the "Quonset Hut") in Nashville, Tennessee, United States (on 1958-11-20)
2:41
23She’s Left Me Again
producer:
Owen Bradley
banjo and baritone vocals:
J.D. Crowe (on 1958-11-20)
double bass:
Floyd D. 'Lightnin'' Chance (on 1958-11-20)
drums (drum set):
Unknown, probably Buddy Harman ([unknown], Special Purpose Artist – Do not add releases here, if possible.) (on 1958-11-20)
fiddle:
Chubby Wise (on 1958-11-20)
guitar and lead vocals:
Jimmy Martin (US bluegrass musician) (on 1958-11-20)
mandolin and tenor vocals:
Paul Williams (US bluegrass/gospel mandolin player, tenor vocalist) (on 1958-11-20)
recorded at:
Bradley Recording Studios (aka the "Quonset Hut") in Nashville, Tennessee, United States (on 1958-11-20)
recording of:
She's Left Me Again
lyricist and composer:
Jimmy Martin (US bluegrass musician)
3:00
24Hold Whatcha Got
producer:
Owen Bradley
banjo:
J.D. Crowe (on 1958-11-20)
double bass:
Floyd D. 'Lightnin'' Chance (on 1958-11-20)
drums (drum set):
Unknown, probably Buddy Harman ([unknown], Special Purpose Artist – Do not add releases here, if possible.) (on 1958-11-20)
fiddle:
Chubby Wise (on 1958-11-20)
guitar and lead vocals:
Jimmy Martin (US bluegrass musician) (on 1958-11-20)
mandolin and tenor vocals:
Paul Williams (US bluegrass/gospel mandolin player, tenor vocalist) (on 1958-11-20)
recorded at:
Bradley Recording Studios (aka the "Quonset Hut") in Nashville, Tennessee, United States (on 1958-11-20)
recording of:
Hold Whatcha Got (on 1958-11-20)
lyricist and composer:
Jimmy Martin (US bluegrass musician)
2:27
25Bear Tracks
producer:
Owen Bradley
banjo and baritone vocals:
J.D. Crowe (on 1958-11-20)
double bass:
Floyd D. 'Lightnin'' Chance (on 1958-11-20)
drums (drum set):
Unknown, probably Buddy Harman ([unknown], Special Purpose Artist – Do not add releases here, if possible.) (on 1958-11-20)
fiddle:
Chubby Wise (on 1958-11-20)
guitar:
Jimmy Martin (US bluegrass musician) (on 1958-11-20)
mandolin and tenor vocals:
Paul Williams (US bluegrass/gospel mandolin player, tenor vocalist) (on 1958-11-20)
recorded at:
Bradley Recording Studios (aka the "Quonset Hut") in Nashville, Tennessee, United States (on 1958-11-20)
2:07
26Cripple Creek
producer:
Owen Bradley
banjo and baritone vocals:
J.D. Crowe (on 1958-11-20)
double bass:
Floyd D. 'Lightnin'' Chance (on 1958-11-20)
drums (drum set):
Unknown, probably Buddy Harman ([unknown], Special Purpose Artist – Do not add releases here, if possible.) (on 1958-11-20)
fiddle:
Chubby Wise (on 1958-11-20)
guitar and lead vocals:
Jimmy Martin (US bluegrass musician) (on 1958-11-20)
mandolin and tenor vocals:
Paul Williams (US bluegrass/gospel mandolin player, tenor vocalist) (on 1958-11-20)
recorded at:
Bradley Recording Studios (aka the "Quonset Hut") in Nashville, Tennessee, United States (on 1958-11-20)
recording of:
Cripple Creek (on 1958-11-20)
lyricist and composer:
[traditional] (special purpose artist)
part of:
Roud Folk Song Index (number: 3434)
1:51
27In Foggy Old London
producer:
Owen Bradley
banjo and baritone vocals:
J.D. Crowe (on 1960-01-13)
double bass:
Junior Huskey (father of Roy Huskey, Jr.) (on 1960-01-13)
drums (drum set):
Buddy Harman (Session drummer and songwriter) (on 1960-01-13)
fiddle:
Benny Martin (bluegrass fiddler and guitar player) (on 1960-01-13)
guitar and lead vocals:
Jimmy Martin (US bluegrass musician) (on 1960-01-13)
mandolin and tenor vocals:
Paul Williams (US bluegrass/gospel mandolin player, tenor vocalist) (on 1960-01-13)
bass vocals:
Country Johnny Mathis (US country singer and songwriter) (on 1960-01-13)
recorded at:
Bradley Recording Studios (aka the "Quonset Hut") in Nashville, Tennessee, United States (on 1960-01-13)
2:14
28The Joke’s on You
producer:
Owen Bradley
banjo and baritone vocals:
J.D. Crowe (on 1960-01-13)
double bass:
Junior Huskey (father of Roy Huskey, Jr.) (on 1960-01-13)
drums (drum set):
Buddy Harman (Session drummer and songwriter) (on 1960-01-13)
fiddle:
Benny Martin (bluegrass fiddler and guitar player) (on 1960-01-13)
guitar and lead vocals:
Jimmy Martin (US bluegrass musician) (on 1960-01-13)
mandolin and tenor vocals:
Paul Williams (US bluegrass/gospel mandolin player, tenor vocalist) (on 1960-01-13)
recorded at:
Bradley Recording Studios (aka the "Quonset Hut") in Nashville, Tennessee, United States (on 1960-01-13)
2:52
29Wooden Shoes
producer:
Owen Bradley
banjo and baritone vocals:
J.D. Crowe (on 1960-01-13)
double bass:
Junior Huskey (father of Roy Huskey, Jr.) (on 1960-01-13)
drums (drum set):
Buddy Harman (Session drummer and songwriter) (on 1960-01-13)
fiddle:
Benny Martin (bluegrass fiddler and guitar player) (on 1960-01-13)
guitar and lead vocals:
Jimmy Martin (US bluegrass musician) (on 1960-01-13)
mandolin and tenor vocals:
Paul Williams (US bluegrass/gospel mandolin player, tenor vocalist) (on 1960-01-13)
bass vocals:
Country Johnny Mathis (US country singer and songwriter) (on 1960-01-13)
recorded at:
Bradley Recording Studios (aka the "Quonset Hut") in Nashville, Tennessee, United States (on 1960-01-13)
2:55
30Home Run Man
producer:
Owen Bradley
banjo and baritone vocals:
J.D. Crowe (on 1960-01-13)
double bass:
Junior Huskey (father of Roy Huskey, Jr.) (on 1960-01-13)
drums (drum set):
Buddy Harman (Session drummer and songwriter) (on 1960-01-13)
fiddle:
Benny Martin (bluegrass fiddler and guitar player) (on 1960-01-13)
guitar and lead vocals:
Jimmy Martin (US bluegrass musician) (on 1960-01-13)
mandolin and tenor vocals:
Paul Williams (US bluegrass/gospel mandolin player, tenor vocalist) (on 1960-01-13)
recorded at:
Bradley Recording Studios (aka the "Quonset Hut") in Nashville, Tennessee, United States (on 1960-01-13)
2:17
31Who’ll Sing for Me
producer:
Owen Bradley
banjo and baritone vocals:
J.D. Crowe (on 1960-01-14)
double bass:
Junior Huskey (father of Roy Huskey, Jr.) (on 1960-01-14)
drums (drum set):
Buddy Harman (Session drummer and songwriter) (on 1960-01-14)
fiddle:
Benny Martin (bluegrass fiddler and guitar player) (on 1960-01-14)
guitar and lead vocals:
Jimmy Martin (US bluegrass musician) (on 1960-01-14)
mandolin and tenor vocals:
Paul Williams (US bluegrass/gospel mandolin player, tenor vocalist) (on 1960-01-14)
bass vocals:
Johnny Mathis (US country singer and songwriter) (on 1960-01-14)
recorded at:
Bradley Recording Studios (aka the "Quonset Hut") in Nashville, Tennessee, United States (on 1960-01-14)
recording of:
Who Will Sing for Me
lyricist and composer:
J.T. Ely (gospel songwriter)
previously attributed to:
Gladys Stacey, Jerry Organ (songwriting pseudonym for Troy Martin), Louise Certain and Carter Stanley
1:58
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