Into the Light (BMG club edition)

~ Release by The Sixteen, Harry Christophers, Kaori Muraji (see all versions of this release, 2 available)

Tracklist

1▼CD
#TitleArtistRatingLength
1Con amores, la mi madre
executive producer:
Christopher Pope (producer)
producer and editor:
Mark Brown (operatic bass, early music singer, conductor, and producer)
guitar:
Kaori Muraji (Japanese classical guitarist) (from 2006-07-17 until 2006-07-20)
choir vocals:
The Sixteen (UK choir) (from 2006-07-17 until 2006-07-20)
solo soprano vocals:
Grace Davidson (soprano) (from 2006-07-17 until 2006-07-20)
chorus master:
Harry Christophers (conductor) (from 2006-07-17 until 2006-07-20)
arranger:
Bob Chilcott
balance engineer:
Mike Hatch (engineer/editor)
recorded at:
St. Giles’ without Cripplegate in City of London, London (Greater London), England, United Kingdom (from 2006-07-17 until 2006-07-20)
recording of:
Con amores, la mi madre (arr. Chilcott) (from 2006-07-17 until 2006-07-20)
composer:
Juan de Anchieta
arranger:
Bob Chilcott
arrangement of:
Con amores, la mi madre
Juan de Anchieta2:40
2Canon
executive producer:
Christopher Pope (producer)
producer and editor:
Mark Brown (operatic bass, early music singer, conductor, and producer)
guitar:
Kaori Muraji (Japanese classical guitarist) (from 2006-07-17 until 2006-07-20)
choir vocals:
The Sixteen (UK choir) (from 2006-07-17 until 2006-07-20)
chorus master:
Harry Christophers (conductor) (from 2006-07-17 until 2006-07-20)
arranger:
Bob Chilcott
balance engineer:
Mike Hatch (engineer/editor)
recorded at:
St. Giles’ without Cripplegate in City of London, London (Greater London), England, United Kingdom (from 2006-07-17 until 2006-07-20)
recording of:
Canon and Gigue in D major, P. 37, T. 337: I. Canon (catch-all for arrangements) (from 2006-07-17 until 2006-07-20)
composer:
Johann Pachelbel (composer)
arrangement of:
Canon and Gigue in D major, P. 37, T. 337: I. Canon
Johann Pachelbel3:44
3O quam gloriosum est regnum: Part I
executive producer:
Christopher Pope (producer)
producer and editor:
Mark Brown (operatic bass, early music singer, conductor, and producer)
guitar:
Kaori Muraji (Japanese classical guitarist) (from 2006-07-17 until 2006-07-20)
solo bass vocals:
Jonathan Arnold (from 2006-07-17 until 2006-07-20)
solo soprano vocals:
Libby Crabtree (from 2006-07-17 until 2006-07-20)
balance engineer:
Mike Hatch (engineer/editor)
recorded at:
St. Giles’ without Cripplegate in City of London, London (Greater London), England, United Kingdom (from 2006-07-17 until 2006-07-20)
recording of:
O quam gloriosum est regnum: Part 1 (from 2006-07-17 until 2006-07-20)
composer:
Tomás Luis de Victoria (Spanish Renaissance composer)
Tomás Luis de Victoria4:13
4O quam gloriosum est regnum: Part II
executive producer:
Christopher Pope (producer)
producer and editor:
Mark Brown (operatic bass, early music singer, conductor, and producer)
guitar:
Kaori Muraji (Japanese classical guitarist) (from 2006-07-17 until 2006-07-20)
solo bass vocals:
Jonathan Arnold (from 2006-07-17 until 2006-07-20)
solo soprano vocals:
Libby Crabtree (from 2006-07-17 until 2006-07-20)
balance engineer:
Mike Hatch (engineer/editor)
recorded at:
St. Giles’ without Cripplegate in City of London, London (Greater London), England, United Kingdom (from 2006-07-17 until 2006-07-20)
recording of:
O quam gloriosum est regnum: Part 2 (from 2006-07-17 until 2006-07-20)
composer:
Tomás Luis de Victoria (Spanish Renaissance composer)
Tomás Luis de Victoria2:33
5Five Preludes: No. 1 in E minor
executive producer:
Christopher Pope (producer)
producer and editor:
Mark Brown (operatic bass, early music singer, conductor, and producer)
guitar:
Kaori Muraji (Japanese classical guitarist) (from 2006-07-17 until 2006-07-20)
balance engineer:
Mike Hatch (engineer/editor)
recorded at:
St. Giles’ without Cripplegate in City of London, London (Greater London), England, United Kingdom (from 2006-07-17 until 2006-07-20)
recording of:
Cinco prelúdios, W419, nº 1: Andante espressivo (from 2006-07-17 until 2006-07-20)
composer:
Heitor Villa‐Lobos (Brazilian composer, conductor, cellist and classical guitarist) (in 1940)
part of:
Cinco prelúdios, W419 (Five Preludes, W419, for guitar)
Heitor Villa‐Lobos4:54
6Five Preludes: No. 3 in A minor
executive producer:
Christopher Pope (producer)
producer and editor:
Mark Brown (operatic bass, early music singer, conductor, and producer)
guitar:
Kaori Muraji (Japanese classical guitarist) (from 2006-07-17 until 2006-07-20)
choir vocals:
The Sixteen (UK choir) (from 2006-07-17 until 2006-07-20)
solo soprano vocals:
Grace Davidson (soprano) (from 2006-07-17 until 2006-07-20)
chorus master:
Harry Christophers (conductor) (from 2006-07-17 until 2006-07-20)
arranger:
Bob Chilcott
balance engineer:
Mike Hatch (engineer/editor)
recorded at:
St. Giles’ without Cripplegate in City of London, London (Greater London), England, United Kingdom (from 2006-07-17 until 2006-07-20)
recording of:
Cinco prelúdios, W419, nº 3: Andante (from 2006-07-17 until 2006-07-20)
composer:
Heitor Villa‐Lobos (Brazilian composer, conductor, cellist and classical guitarist) (in 1940)
part of:
Cinco prelúdios, W419 (Five Preludes, W419, for guitar)
Heitor Villa‐Lobos3:48
7Five Preludes: No. 2 in E major
executive producer:
Christopher Pope (producer)
producer and editor:
Mark Brown (operatic bass, early music singer, conductor, and producer)
guitar:
Kaori Muraji (Japanese classical guitarist) (from 2006-07-17 until 2006-07-20)
balance engineer:
Mike Hatch (engineer/editor)
recorded at:
St. Giles’ without Cripplegate in City of London, London (Greater London), England, United Kingdom (from 2006-07-17 until 2006-07-20)
recording of:
Cinco prelúdios, W419, nº 2: Andantino (from 2006-07-17 until 2006-07-20)
composer:
Heitor Villa‐Lobos (Brazilian composer, conductor, cellist and classical guitarist) (in 1940)
part of:
Cinco prelúdios, W419 (Five Preludes, W419, for guitar)
Heitor Villa‐Lobos3:03
8Five Preludes: No. 4 in E minor
executive producer:
Christopher Pope (producer)
producer and editor:
Mark Brown (operatic bass, early music singer, conductor, and producer)
guitar:
Kaori Muraji (Japanese classical guitarist) (from 2006-07-17 until 2006-07-20)
choir vocals:
The Sixteen (UK choir) (from 2006-07-17 until 2006-07-20)
solo soprano vocals:
Grace Davidson (soprano) (from 2006-07-17 until 2006-07-20)
chorus master:
Harry Christophers (conductor) (from 2006-07-17 until 2006-07-20)
arranger:
Bob Chilcott
balance engineer:
Mike Hatch (engineer/editor)
recorded at:
St. Giles’ without Cripplegate in City of London, London (Greater London), England, United Kingdom (from 2006-07-17 until 2006-07-20)
recording of:
Cinco prelúdios, W419, nº 4: Lento (from 2006-07-17 until 2006-07-20)
composer:
Heitor Villa‐Lobos (Brazilian composer, conductor, cellist and classical guitarist) (in 1940)
part of:
Cinco prelúdios, W419 (Five Preludes, W419, for guitar)
Heitor Villa‐Lobos3:58
9Five Preludes: No. 5 in D major
executive producer:
Christopher Pope (producer)
producer and editor:
Mark Brown (operatic bass, early music singer, conductor, and producer)
guitar:
Kaori Muraji (Japanese classical guitarist) (from 2006-07-17 until 2006-07-20)
balance engineer:
Mike Hatch (engineer/editor)
recorded at:
St. Giles’ without Cripplegate in City of London, London (Greater London), England, United Kingdom (from 2006-07-17 until 2006-07-20)
recording of:
Cinco prelúdios, W419, nº 5: Poco animato (from 2006-07-17 until 2006-07-20)
composer:
Heitor Villa‐Lobos (Brazilian composer, conductor, cellist and classical guitarist) (in 1940)
part of:
Cinco prelúdios, W419 (Five Preludes, W419, for guitar)
Heitor Villa‐Lobos3:52
10A negrito de cucurumbé
executive producer:
Christopher Pope (producer)
producer and editor:
Mark Brown (operatic bass, early music singer, conductor, and producer)
guitar:
Kaori Muraji (Japanese classical guitarist) (from 2006-07-17 until 2006-07-20)
choir vocals:
The Sixteen (UK choir) (from 2006-07-17 until 2006-07-20)
solo alto vocals:
Frances Bourne (British classical mezzo-soprano) (from 2006-07-17 until 2006-07-20)
solo soprano vocals:
Libby Crabtree (from 2006-07-17 until 2006-07-20)
chorus master:
Harry Christophers (conductor) (from 2006-07-17 until 2006-07-20)
arranger:
Bob Chilcott
balance engineer:
Mike Hatch (engineer/editor)
recorded at:
St. Giles’ without Cripplegate in City of London, London (Greater London), England, United Kingdom (from 2006-07-17 until 2006-07-20)
recording of:
A negrito de cucurumbé (from 2006-07-17 until 2006-07-20)
composer:
Gaspar Fernandes
Gaspar Fernandes2:59
11Bachiana Brasiliera no. 5: Aria (Cantilena)
executive producer:
Christopher Pope (producer)
producer and editor:
Mark Brown (operatic bass, early music singer, conductor, and producer)
guitar:
Kaori Muraji (Japanese classical guitarist) (from 2006-07-17 until 2006-07-20)
choir vocals:
The Sixteen (UK choir) (from 2006-07-17 until 2006-07-20)
chorus master:
Harry Christophers (conductor) (from 2006-07-17 until 2006-07-20)
arranger:
Bob Chilcott
balance engineer:
Mike Hatch (engineer/editor)
recorded at:
St. Giles’ without Cripplegate in City of London, London (Greater London), England, United Kingdom (from 2006-07-17 until 2006-07-20)
recording of:
Bachianas Brasileiras nº 5, W391: I. Aria (Cantilena) (for voice and guitar) (from 2006-07-17 until 2006-07-20)
composer:
Heitor Villa‐Lobos (Brazilian composer, conductor, cellist and classical guitarist) (in 1938)
arranger:
Heitor Villa‐Lobos (Brazilian composer, conductor, cellist and classical guitarist) (in 1947)
version of:
Bachianas Brasileiras nº 5, W389: I. Aria (Cantilena) (for voice and cellos)
part of:
Bachianas Brasileiras nº 5, W391 (for voice and guitar)
Heitor Villa‐Lobos7:17
12Recuerdos de la Alhambra
executive producer:
Christopher Pope (producer)
producer and editor:
Mark Brown (operatic bass, early music singer, conductor, and producer)
guitar:
Kaori Muraji (Japanese classical guitarist) (from 2006-07-17 until 2006-07-20)
balance engineer:
Mike Hatch (engineer/editor)
recorded at:
St. Giles’ without Cripplegate in City of London, London (Greater London), England, United Kingdom (from 2006-07-17 until 2006-07-20)
recording of:
Recuerdos de la Alhambra (Memories of the Alhambra) (from 2006-07-17 until 2006-07-20)
composer:
Francisco Tárrega (Spanish composer and guitarist)
arrangement of:
FINE ON THE OUTSIDE
Francisco Tárrega4:16
13Romancero gitano: No. 3. Procesión
executive producer:
Christopher Pope (producer)
producer and editor:
Mark Brown (operatic bass, early music singer, conductor, and producer)
guitar:
Kaori Muraji (Japanese classical guitarist) (from 2006-07-17 until 2006-07-20)
choir vocals:
The Sixteen (UK choir) (from 2006-07-17 until 2006-07-20)
solo bass vocals:
Eamonn Dougan (bass (vocal) & conductor) (from 2006-07-17 until 2006-07-20)
chorus master:
Harry Christophers (conductor) (from 2006-07-17 until 2006-07-20)
balance engineer:
Mike Hatch (engineer/editor)
recorded at:
St. Giles’ without Cripplegate in City of London, London (Greater London), England, United Kingdom (from 2006-07-17 until 2006-07-20)
recording of:
Romancero gitano, op. 152: IV. Procesión: a) Procesión (from 2006-07-17 until 2006-07-20)
lyricist:
Federico García Lorca (Spanish poet, playwright and composer)
composer:
Mario Castelnuovo‐Tedesco (Italian composer) (in 1951)
part of:
Romancero gitano, op. 152: IV. Procesión
Mario Castelnuovo‐Tedesco1:57
14Romancero gitano: No. 4. Paso
executive producer:
Christopher Pope (producer)
producer and editor:
Mark Brown (operatic bass, early music singer, conductor, and producer)
guitar:
Kaori Muraji (Japanese classical guitarist) (from 2006-07-17 until 2006-07-20)
choir vocals:
The Sixteen (UK choir) (from 2006-07-17 until 2006-07-20)
chorus master:
Harry Christophers (conductor) (from 2006-07-17 until 2006-07-20)
balance engineer:
Mike Hatch (engineer/editor)
recorded at:
St. Giles’ without Cripplegate in City of London, London (Greater London), England, United Kingdom (from 2006-07-17 until 2006-07-20)
recording of:
Romancero gitano, op. 152: IV. Procesión: b) Paso (from 2006-07-17 until 2006-07-20)
lyricist:
Federico García Lorca (Spanish poet, playwright and composer)
composer:
Mario Castelnuovo‐Tedesco (Italian composer) (in 1951)
part of:
Romancero gitano, op. 152: IV. Procesión
Mario Castelnuovo‐Tedesco2:25
15Romancero gitano: No. 5. Saeta
executive producer:
Christopher Pope (producer)
producer and editor:
Mark Brown (operatic bass, early music singer, conductor, and producer)
guitar:
Kaori Muraji (Japanese classical guitarist) (from 2006-07-17 until 2006-07-20)
choir vocals:
The Sixteen (UK choir) (from 2006-07-17 until 2006-07-20)
chorus master:
Harry Christophers (conductor) (from 2006-07-17 until 2006-07-20)
balance engineer:
Mike Hatch (engineer/editor)
recorded at:
St. Giles’ without Cripplegate in City of London, London (Greater London), England, United Kingdom (from 2006-07-17 until 2006-07-20)
recording of:
Romancero gitano, op. 152: IV. Procesión: c) Saeta (from 2006-07-17 until 2006-07-20)
lyricist:
Federico García Lorca (Spanish poet, playwright and composer)
composer:
Mario Castelnuovo‐Tedesco (Italian composer) (in 1951)
part of:
Romancero gitano, op. 152: IV. Procesión
Mario Castelnuovo‐Tedesco2:35
16God Grant We Grace (Canon)
executive producer:
Christopher Pope (producer)
producer and editor:
Mark Brown (operatic bass, early music singer, conductor, and producer)
guitar:
Kaori Muraji (Japanese classical guitarist) (from 2006-07-17 until 2006-07-20)
choir vocals:
The Sixteen (UK choir) (from 2006-07-17 until 2006-07-20)
chorus master:
Harry Christophers (conductor) (from 2006-07-17 until 2006-07-20)
arranger:
Bob Chilcott
balance engineer:
Mike Hatch (engineer/editor)
recorded at:
St. Giles’ without Cripplegate in City of London, London (Greater London), England, United Kingdom (from 2006-07-17 until 2006-07-20)
recording of:
Nine Psalm Tunes for Archbishop Parker’s Psalter: No. 8 “God Grant We Grace” (Psalm 67) (from 2006-07-17 until 2006-07-20)
composer:
Thomas Tallis (composer)
part of:
Nine Psalm Tunes for Archbishop Parker’s Psalter
Thomas Tallis2:23
17Alma redemptoris mater: Part I
executive producer:
Christopher Pope (producer)
producer and editor:
Mark Brown (operatic bass, early music singer, conductor, and producer)
guitar:
Kaori Muraji (Japanese classical guitarist) (from 2006-07-17 until 2006-07-20)
choir vocals:
The Sixteen (UK choir) (from 2006-07-17 until 2006-07-20)
solo soprano vocals:
Libby Crabtree (from 2006-07-17 until 2006-07-20)
chorus master:
Harry Christophers (conductor) (from 2006-07-17 until 2006-07-20)
balance engineer:
Mike Hatch (engineer/editor)
recorded at:
St. Giles’ without Cripplegate in City of London, London (Greater London), England, United Kingdom (from 2006-07-17 until 2006-07-20)
recording of:
Alma redemptoris mater: Part 1 (from 2006-07-17 until 2006-07-20)
composer:
Tomás Luis de Victoria (Spanish Renaissance composer)
part of:
Alma Redemptoris a 5
Tomás Luis de Victoria2:13
18Alma redemptoris mater: Part II
executive producer:
Christopher Pope (producer)
producer and editor:
Mark Brown (operatic bass, early music singer, conductor, and producer)
guitar:
Kaori Muraji (Japanese classical guitarist) (from 2006-07-17 until 2006-07-20)
choir vocals:
The Sixteen (UK choir) (from 2006-07-17 until 2006-07-20)
chorus master:
Harry Christophers (conductor) (from 2006-07-17 until 2006-07-20)
balance engineer:
Mike Hatch (engineer/editor)
recorded at:
St. Giles’ without Cripplegate in City of London, London (Greater London), England, United Kingdom (from 2006-07-17 until 2006-07-20)
recording of:
Alma redemptoris mater: Part 2 (from 2006-07-17 until 2006-07-20)
composer:
Tomás Luis de Victoria (Spanish Renaissance composer)
part of:
Alma Redemptoris a 5
Tomás Luis de Victoria2:56
1913 Catalan Folksongs: Canço del Lladre
executive producer:
Christopher Pope (producer)
producer and editor:
Mark Brown (operatic bass, early music singer, conductor, and producer)
guitar:
Kaori Muraji (Japanese classical guitarist) (from 2006-07-17 until 2006-07-20)
balance engineer:
Mike Hatch (engineer/editor)
recorded at:
St. Giles’ without Cripplegate in City of London, London (Greater London), England, United Kingdom (from 2006-07-17 until 2006-07-20)
recording of:
Cançó del lladre (Miguel Llobet guitar arrangement) (from 2006-07-17 until 2006-07-20)
composer:
[traditional] (special purpose artist)
arranger:
Miguel Llobet Solés (composer for guitar)
arrangement of:
Cançó del lladre
Miguel Llobet2:05
20Prince Igor: Polovtsian Dance
executive producer:
Christopher Pope (producer)
producer and editor:
Mark Brown (operatic bass, early music singer, conductor, and producer)
guitar:
Kaori Muraji (Japanese classical guitarist) (from 2006-07-17 until 2006-07-20)
choir vocals:
The Sixteen (UK choir) (from 2006-07-17 until 2006-07-20)
chorus master:
Harry Christophers (conductor) (from 2006-07-17 until 2006-07-20)
arranger:
Bob Chilcott
balance engineer:
Mike Hatch (engineer/editor)
recorded at:
St. Giles’ without Cripplegate in City of London, London (Greater London), England, United Kingdom (from 2006-07-17 until 2006-07-20)
recording of:
Polovtsian Dances no. 17, “Polovtsian Dance with Chorus” (from 2006-07-17 until 2006-07-20)
orchestrator:
Александр Константинович Глазунов (Alexander Glazunov, Russian composer, 1865–1936) and Николай Андреевич Римский‐Корсаков (Nikolai Rimsky‐Korsakov, Russian composer)
composer:
Александр Порфирьевич Бородин (Alexander Borodin, Russian composer)
arrangement of:
Prince Igor: Act II. Polovtsian Dance with Choir
part of:
Polovtsian Dances (from Prince Igor, completed after Borodin's death, ca. 1890)
Alexander Borodin4:15