My Last Days On Earth

~ Release by Bill Monroe (see all versions of this release, 1 available)

Annotation

Packaging: 4 CDs in individual jewel cases in LP-sized box with booklet.

Annotation last modified on 2018-07-03 00:20 UTC.

Tracklist

1▶CD
2▶CD
3▶CD
4▼CD
#TitleRatingLength
1Molly and Tenbrooks
banjo:
Blake Williams (banjo player) (from 1989-05 until 1989-06)
double bass:
Billy Rose (US bluegrass musician) (from 1989-05 until 1989-06)
fiddle:
Clarence "Tater" Tate (from 1989-05 until 1989-06)
guitar:
Tom Ewing (US bluegrass guitarist and singer) (from 1989-05 until 1989-06)
mandolin and lead vocals:
Bill Monroe (“The Father of Bluegrass”) (from 1989-05 until 1989-06)
live recording of:
Molly and Tenbrooks (from 1989-05 until 1989-06)
composer:
Bill Monroe (“The Father of Bluegrass”)
publisher:
Bill Monroe Music
is based on:
Molly and Tenbrooks
2:59
2Footprints in the Snow
banjo:
Blake Williams (banjo player) (from 1989-05 until 1989-06)
double bass:
Billy Rose (US bluegrass musician) (from 1989-05 until 1989-06)
fiddle:
Clarence "Tater" Tate (from 1989-05 until 1989-06)
guitar:
Tom Ewing (US bluegrass guitarist and singer) (from 1989-05 until 1989-06)
mandolin and lead vocals:
Bill Monroe (“The Father of Bluegrass”) (from 1989-05 until 1989-06)
live recording of:
Footprints in the Snow (from 1989-05 until 1989-06)
composer:
Rupert Jones (“The Father of Bluegrass”)
is based on:
I Traced Her Little Footmarks in the Snow
2:57
3Sittin’ Alone in the Moolight
banjo:
Blake Williams (banjo player) (from 1989-05 until 1989-06)
double bass:
Billy Rose (US bluegrass musician) (from 1989-05 until 1989-06)
fiddle:
Clarence "Tater" Tate (from 1989-05 until 1989-06)
guitar and lead vocals:
Tom Ewing (US bluegrass guitarist and singer) (from 1989-05 until 1989-06)
mandolin and tenor vocals:
Bill Monroe (“The Father of Bluegrass”) (from 1989-05 until 1989-06)
live recording of:
Sitting Alone in the Moonlight (from 1989-05 until 1989-06)
lyricist and composer:
Bill Monroe (“The Father of Bluegrass”)
3:04
4Precious Memories
banjo and baritone vocals:
Blake Williams (banjo player) (from 1989-05 until 1989-06)
double bass:
Billy Rose (US bluegrass musician) (from 1989-05 until 1989-06)
fiddle and bass vocals:
Clarence "Tater" Tate (from 1989-05 until 1989-06)
guitar and lead vocals:
Tom Ewing (US bluegrass guitarist and singer) (from 1989-05 until 1989-06)
mandolin and tenor vocals:
Bill Monroe (“The Father of Bluegrass”) (from 1989-05 until 1989-06)
live recording of:
Precious Memories (from 1989-05 until 1989-06)
writer:
J.B.F. Wright (Hymn songwriter)
5:00
5Rawhide
banjo:
Blake Williams (banjo player) (from 1989-05 until 1989-06)
double bass:
Billy Rose (US bluegrass musician) (from 1989-05 until 1989-06)
fiddle:
Clarence "Tater" Tate (from 1989-05 until 1989-06)
guitar:
Tom Ewing (US bluegrass guitarist and singer) (from 1989-05 until 1989-06)
mandolin:
Bill Monroe (“The Father of Bluegrass”) (from 1989-05 until 1989-06)
live recording of:
Rawhide (mandolin instrumental) (from 1989-05 until 1989-06)
composer:
Bill Monroe (“The Father of Bluegrass”)
2:54
6My Sweet Darlin’
banjo and baritone vocals:
Blake Williams (banjo player) (from 1989-05 until 1989-06)
double bass:
Billy Rose (US bluegrass musician) (from 1989-05 until 1989-06)
fiddle:
Clarence "Tater" Tate (from 1989-05 until 1989-06)
guitar and lead vocals:
Tom Ewing (US bluegrass guitarist and singer) (from 1989-05 until 1989-06)
mandolin and tenor vocals:
Bill Monroe (“The Father of Bluegrass”) (from 1989-05 until 1989-06)
live recording of:
My Sweet Blue Eyed Darlin' (from 1989-05 until 1989-06)
lyricist and composer:
Bill Monroe (“The Father of Bluegrass”)
2:23
7In the Pines
banjo:
Blake Williams (banjo player) (from 1989-05 until 1989-06)
double bass:
Billy Rose (US bluegrass musician) (from 1989-05 until 1989-06)
fiddle:
Clarence "Tater" Tate (from 1989-05 until 1989-06)
guitar:
Tom Ewing (US bluegrass guitarist and singer) (from 1989-05 until 1989-06)
mandolin and tenor vocals:
Bill Monroe (“The Father of Bluegrass”) (from 1989-05 until 1989-06)
lead vocals:
Tom Ewing (US bluegrass guitarist and singer) (from 1989-05 until 1989-06) and Bill Monroe (“The Father of Bluegrass”) (from 1989-05 until 1989-06)
live recording of:
In the Pines (Black Girl) (from 1989-05 until 1989-06)
lyricist and composer:
[traditional] (special purpose artist)
part of:
Roud Folk Song Index (number: 3421)
3:43
8Love, Please Come Home
banjo:
Blake Williams (banjo player) (from 1989-05 until 1989-06)
double bass:
Billy Rose (US bluegrass musician) (from 1989-05 until 1989-06)
fiddle:
Clarence "Tater" Tate (from 1989-05 until 1989-06)
guitar and lead vocals:
Tom Ewing (US bluegrass guitarist and singer) (from 1989-05 until 1989-06)
mandolin and tenor vocals:
Bill Monroe (“The Father of Bluegrass”) (from 1989-05 until 1989-06)
live recording of:
Love, Please Come Home (from 1989-05 until 1989-06)
lyricist and composer:
Leon Jackson (bluegrass artist)
2:21
9Pike County Breakdown
banjo:
Blake Williams (banjo player) (from 1989-05 until 1989-06)
double bass:
Billy Rose (US bluegrass musician) (from 1989-05 until 1989-06)
fiddle:
Clarence "Tater" Tate (from 1989-05 until 1989-06)
guitar:
Tom Ewing (US bluegrass guitarist and singer) (from 1989-05 until 1989-06)
mandolin:
Bill Monroe (“The Father of Bluegrass”) (from 1989-05 until 1989-06)
live recording of:
Pike County Breakdown (from 1989-05 until 1989-06)
composer:
Rupert Jones (“The Father of Bluegrass”)
2:43
10I’m Working on a Building
banjo and baritone vocals:
Blake Williams (banjo player) (from 1989-05 until 1989-06)
double bass:
Billy Rose (US bluegrass musician) (from 1989-05 until 1989-06)
fiddle and bass vocals:
Clarence "Tater" Tate (from 1989-05 until 1989-06)
guitar:
Tom Ewing (US bluegrass guitarist and singer) (from 1989-05 until 1989-06)
mandolin and tenor vocals:
Bill Monroe (“The Father of Bluegrass”) (from 1989-05 until 1989-06)
lead vocals:
Tom Ewing (US bluegrass guitarist and singer) (from 1989-05 until 1989-06) and Bill Monroe (“The Father of Bluegrass”) (from 1989-05 until 1989-06)
live recording of:
I’m Working on the Building (Carter version, verses begin "If I was...") (from 1989-05 until 1989-06)
lyricist and composer:
A.P. Carter
publisher:
APRS (American Performing Rights Society, Inc.(BMI))
version of:
Working on the Building
2:54
11Watermelon Hanging on the Vine
banjo:
Blake Williams (banjo player) (from 1989-05 until 1989-06)
double bass:
Billy Rose (US bluegrass musician) (from 1989-05 until 1989-06)
fiddle:
Clarence "Tater" Tate (from 1989-05 until 1989-06)
guitar:
Tom Ewing (US bluegrass guitarist and singer) (from 1989-05 until 1989-06)
mandolin:
Bill Monroe (“The Father of Bluegrass”) (from 1989-05 until 1989-06)
live instrumental recording of:
Watermelon on the Vine (from 1989-05 until 1989-06)
writer:
[traditional] (special purpose artist)
0:40
12Just a Little Talk With Jesus
producer:
Steve Buchanan (Nashville producer)
banjo and baritone vocals:
Blake Williams (banjo player) (on 1990-05-15)
double bass:
Billy Rose (US bluegrass musician) (on 1990-05-15)
fiddle and bass vocals:
Clarence "Tater" Tate (on 1990-05-15)
guitar and lead vocals:
Tom Ewing (US bluegrass guitarist and singer) (on 1990-05-15)
mandolin and tenor vocals:
Bill Monroe (“The Father of Bluegrass”) (on 1990-05-15)
recorded at:
Reflections Studios in Nashville, Tennessee, United States (on 1990-05-15)
recording of:
Just a Little Talk With Jesus (on 1990-05-15)
lyricist and composer:
Cleavant Derricks (pastor, choir director, and songwriter)
publisher:
Songs of Universal, Inc. (BMI) and Stamps-Baxter Music and Printing Co. (on 1937-01-01)
2:28
13Harbor of Love
producer:
Steve Buchanan (Nashville producer)
banjo:
Blake Williams (banjo player) (on 1990-05-21)
double bass:
Billy Rose (US bluegrass musician) (on 1990-05-21)
fiddle:
Jimmy Campbell (US bluegrass fiddler) (on 1990-05-21) and Clarence "Tater" Tate (on 1990-05-21)
guitar:
Tom Ewing (US bluegrass guitarist and singer) (on 1990-05-21) and Ricky Skaggs (on 1990-05-21)
mandolin and tenor vocals:
Bill Monroe (“The Father of Bluegrass”) (on 1990-05-21)
baritone vocals:
Ricky Skaggs (on 1990-05-21)
bass vocals:
Clarence "Tater" Tate (on 1990-05-21)
lead vocals:
Ralph Stanley (US bluegrass singer and banjo player) (on 1990-05-21)
recorded at:
Reflections Studios in Nashville, Tennessee, United States (on 1990-05-21)
recording of:
Harbor of Love (on 1990-05-21)
lyricist and composer:
Carter Stanley
3:30
14Are You Lost in Sin?
producer:
Steve Buchanan (Nashville producer)
banjo:
Blake Williams (banjo player) (on 1990-06-12)
double bass:
Billy Rose (US bluegrass musician) (on 1990-06-12)
fiddle:
Jimmy Campbell (US bluegrass fiddler) (on 1990-06-12) and Clarence "Tater" Tate (on 1990-06-12)
guitar:
Tom Ewing (US bluegrass guitarist and singer) (on 1990-06-12)
mandolin:
Jesse McReynolds (on 1990-06-12) and Bill Monroe (“The Father of Bluegrass”) (on 1990-06-12)
baritone vocals:
Jesse McReynolds (on 1990-06-12)
bass vocals:
Clarence "Tater" Tate (on 1990-06-12)
lead vocals:
Jim McReynolds (on 1990-06-12)
tenor vocals:
Bill Monroe (“The Father of Bluegrass”) (on 1990-06-12)
recorded at:
Reflections Studios in Nashville, Tennessee, United States (on 1990-06-12)
recording of:
Are You Lost in Sin? (on 1990-06-12)
writer:
Jesse McReynolds and Jim McReynolds
publisher:
Central Songs
3:08
15He’ll Take You In
producer:
Steve Buchanan (Nashville producer)
banjo and baritone vocals:
Blake Williams (banjo player) (on 1990-06-12)
double bass:
Billy Rose (US bluegrass musician) (on 1990-06-12)
fiddle and bass vocals:
Clarence "Tater" Tate (on 1990-06-12)
guitar and lead vocals:
Tom Ewing (US bluegrass guitarist and singer) (on 1990-06-12)
mandolin and tenor vocals:
Bill Monroe (“The Father of Bluegrass”) (on 1990-06-12)
recorded at:
Reflections Studios in Nashville, Tennessee, United States (on 1990-06-12)
recording of:
He’ll Take You In (on 1990-06-12)
writer:
Billy Smith (US bluegrass guitarist and songwriter)
publisher:
Bats and Crows
3:03
16Just Over in the Glory Land
producer:
Steve Buchanan (Nashville producer) (on 1990-06-27)
banjo:
Sonny Osborne (on 1990-06-27) and Blake Williams (banjo player) (on 1990-06-27)
double bass:
Billy Rose (US bluegrass musician) (on 1990-06-27)
fiddle and bass vocals:
Clarence "Tater" Tate (on 1990-06-27)
guitar:
Tom Ewing (US bluegrass guitarist and singer) (on 1990-06-27)
mandolin:
Bill Monroe (“The Father of Bluegrass”) (on 1990-06-27) and Bobby Osborne (on 1990-06-27)
baritone vocals:
Sonny Osborne (on 1990-06-27)
lead vocals:
Bobby Osborne (on 1990-06-27)
tenor vocals:
Bill Monroe (“The Father of Bluegrass”) (on 1990-06-27)
recorded at:
Sound Emporium Studios in Nashville, Tennessee, United States (on 1990-06-27)
recording of:
Over in the Gloryland (on 1990-06-27)
lyricist and composer:
Ralph Stanley (US bluegrass singer and banjo player)
3:01
17Baptize Me in the Cumberland River
producer:
Steve Buchanan (Nashville producer) (on 1990-06-27)
banjo:
Blake Williams (banjo player) (on 1990-06-27)
double bass:
Billy Rose (US bluegrass musician) (on 1990-06-27)
fiddle:
Clarence "Tater" Tate (on 1990-06-27)
guitar:
Tom Ewing (US bluegrass guitarist and singer) (on 1990-06-27)
mandolin and lead vocals:
Bill Monroe (“The Father of Bluegrass”) (on 1990-06-27)
recorded at:
Sound Emporium Studios in Nashville, Tennessee, United States (on 1990-06-27)
recording of:
Baptize Me in the Cumberland River (on 1990-06-27)
lyricist and composer:
Bill Monroe (“The Father of Bluegrass”)
2:37
18You’re Drifting Away
producer:
Steve Buchanan (Nashville producer)
double bass:
Billy Rose (US bluegrass musician) (on 1990-07-17)
guitar and lead vocals:
Ricky Skaggs (on 1990-07-17)
mandolin and tenor vocals:
Bill Monroe (“The Father of Bluegrass”) (on 1990-07-17)
baritone vocals:
Tom Ewing (US bluegrass guitarist and singer) (on 1990-07-17)
bass vocals:
Clarence "Tater" Tate (on 1990-07-17)
recorded at:
Digital Recorders in Nashville, Tennessee, United States (on 1990-07-17)
recording of:
You're Drifting Away (on 1990-07-17)
lyricist and composer:
Bill Monroe (“The Father of Bluegrass”)
2:39
19This World Is Not My Home
producer:
Steve Buchanan (Nashville producer)
banjo:
Blake Williams (banjo player) (on 1990-07-24)
double bass:
Billy Rose (US bluegrass musician) (on 1990-07-24)
fiddle and baritone vocals:
Clarence "Tater" Tate (on 1990-07-24)
guitar:
Tom Ewing (US bluegrass guitarist and singer) (on 1990-07-24)
mandolin and tenor vocals:
Bill Monroe (“The Father of Bluegrass”) (on 1990-07-24)
lead vocals:
Mac Wiseman (on 1990-07-24)
recorded at:
Reflections (on 1990-07-24)
recording of:
This World Is Not My Home (on 1990-07-24)
lyricist and composer:
J.R. Baxter
writer:
[traditional] (special purpose artist)
2:37
20Cryin’ Holy Unto the Lord
producer:
Steve Buchanan (Nashville producer)
banjo and baritone vocals:
Blake Williams (banjo player) (on 1990-07-24)
double bass:
Billy Rose (US bluegrass musician) (on 1990-07-24)
fiddle and bass vocals:
Clarence "Tater" Tate (on 1990-07-24)
guitar and lead vocals:
Tom Ewing (US bluegrass guitarist and singer) (on 1990-07-24)
mandolin and tenor vocals:
Bill Monroe (“The Father of Bluegrass”) (on 1990-07-24)
recorded at:
Reflections (on 1990-07-24)
recording of:
On the Rock Where Moses Stood (on 1990-07-24)
writer:
The Carter Family (the original Carter Family, 1927–1943)
2:57
21Shine Hallelujah Shine
producer:
Steve Buchanan (Nashville producer)
banjo and baritone vocals:
Blake Williams (banjo player) (on 1990-07-24)
double bass:
Billy Rose (US bluegrass musician) (on 1990-07-24)
fiddle and bass vocals:
Clarence "Tater" Tate (on 1990-07-24)
guitar and lead vocals:
Tom Ewing (US bluegrass guitarist and singer) (on 1990-07-24)
mandolin and tenor vocals:
Bill Monroe (“The Father of Bluegrass”) (on 1990-07-24)
recorded at:
Reflections (on 1990-07-24)
recording of:
Shine Hallelujah Shine (on 1990-07-24)
lyricist and composer:
Bill Monroe (“The Father of Bluegrass”)
2:32
22Boston Boy
producer:
Vic Gabany (recording engineer and producer)
banjo:
Dana Cupp (US bluegrass musician) (on 1994-01-09)
double bass:
Clarence "Tater" Tate (on 1994-01-09)
fiddle:
Robert Bowlin (guitar / mandolin) (on 1994-01-09)
guitar:
Tom Ewing (US bluegrass guitarist and singer) (on 1994-01-09)
mandolin:
Bill Monroe (“The Father of Bluegrass”) (on 1994-01-09)
recording of:
Boston Boy (on 1994-01-09)
composer:
Bill Monroe (“The Father of Bluegrass”)
publisher:
Bill Monroe Music
2:35
23Southern Flavor
producer:
Tim Riley (Producer, promoter, and label executive)
guitar:
Marty Stuart (in 1994)
mandolin:
Bill Monroe (“The Father of Bluegrass”) (in 1994)
recorded at:
Audio Productions in Nashville, Tennessee, United States (in 1994)
recording of:
Southern Flavor (in 1994)
composer:
Bill Monroe (“The Father of Bluegrass”)
1:30
24Never Leave the A String
producer:
Tim Riley (Producer, promoter, and label executive)
mandolin:
Bill Monroe (“The Father of Bluegrass”) (in 1994)
recorded at:
Audio Productions in Nashville, Tennessee, United States (in 1994)
recording of:
Never Leave the A String (in 1994)
composer:
Bill Monroe (“The Father of Bluegrass”)
0:43
25Tennessee Blues
producer:
Tim Riley (Producer, promoter, and label executive)
guitar:
Marty Stuart (in 1994)
mandolin:
Bill Monroe (“The Father of Bluegrass”) (in 1994)
recorded at:
Audio Productions in Nashville, Tennessee, United States (in 1994)
recording of:
Tennessee Blues (in 1994)
composer:
Bill Monroe (“The Father of Bluegrass”)
2:13
26I’d Love to Be Over Yonder
producer:
Tim Riley (Producer, promoter, and label executive)
guitar:
Marty Stuart (in 1994)
mandolin:
Bill Monroe (“The Father of Bluegrass”) (in 1994)
recorded at:
Audio Productions in Nashville, Tennessee, United States (in 1994)
recording of:
I’d Love to Be Over Yonder (in 1994)
composer:
Bill Monroe (“The Father of Bluegrass”)
0:41
27Rawhide
producer:
Tim Riley (Producer, promoter, and label executive)
guitar:
Marty Stuart (in 1994)
mandolin:
Bill Monroe (“The Father of Bluegrass”) (in 1994)
recorded at:
Audio Productions in Nashville, Tennessee, United States (in 1994)
recording of:
Rawhide (mandolin instrumental) (in 1994)
composer:
Bill Monroe (“The Father of Bluegrass”)
0:49
28Sally Goodin
producer:
Tim Riley (Producer, promoter, and label executive)
mandolin:
Bill Monroe (“The Father of Bluegrass”) (in 1994)
recorded at:
Audio Productions in Nashville, Tennessee, United States (in 1994)
recording of:
Sally Goodin’ (in 1994)
lyricist and composer:
[traditional] (special purpose artist)
part of:
Roud Folk Song Index (number: 739)
0:25

Credits

Release

ASIN:US: B000L43NB8 [info]