Great Music for Babies

~ Release by Various Artists (see all versions of this release, 1 available)

Tracklist

1▼CD
#TitleArtistRatingLength
1Berceuse
recorded in:
London (Greater London), England, United Kingdom (in 1985-12)
piano:
Katia Labèque (pianist) (in 1985-12) and Marielle Labèque (pianist) (in 1985-12)
recording of:
Dolly, op. 56 : I. Berceuse (for piano four hands) (in 1985-12)
composer:
Gabriel Fauré (French composer) (from 1894 until 1897)
part of:
Dolly, op. 56 (for piano four hands)
Gabriel Fauré3:01
2Siciliano
recorded in:
La Chaux-de-Fonds, Neuchâtel (Canton of Neuchâtel), Switzerland (in 1987-08)
recording engineer:
Ko Witteveen (engineer) (in 1987-08)
producer:
Martha de Francisco (classical producer and engineer)
flute:
Irena Grafenauer (flautist) (in 1987-08)
harp:
Maria Graf (harpist) (in 1987-08)
balance engineer:
Martha de Francisco (classical producer and engineer) (in 1987-08)
phonographic copyright (℗) by:
Philips Classics Productions (not for release label use!—classical music division of Polygram, reorganized as Philips Music Group in 1997) (in 1988)
recording of:
Flute Sonata in E-flat major, BWV 1031: II. Siciliano (catch-all for arrangements) (in 1987-08)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
arrangement of:
Flute Sonata in E-flat major, BWV 1031: II. Siciliano
part of:
Flute Sonata in E-flat major, BWV 1031 (catch-all for arrangements)
recording of:
Flute Sonata in E-flat major, BWV 1031: II. Siciliano
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Flute Sonata in E-flat major, BWV 1031
Johann Sebastian Bach2:19
3The Snow Is Dancing
recording engineer:
Colin Moorfoot (engineer) (on 1979-09-20)
producer:
Richard Beswick
piano:
Pascal Rogé (pianist) (on 1979-09-20)
phonographic copyright (℗) by:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1981)
recorded at:
Rosslyn Hill Chapel in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom (on 1979-09-20)
recording of:
Children’s Corner, L. 113: IV. The Snow is Dancing (original piano version) (on 1979-09-20)
composer:
Claude Debussy (French composer) (from 1906 until 1908-07)
part of:
Children’s Corner, L. 113, CD 119 (original piano version)
Claude Debussy2:52
4The Little Shepherd
recording engineer:
Colin Moorfoot (engineer) (on 1979-09-20)
producer:
Richard Beswick
piano:
Pascal Rogé (pianist) (on 1979-09-20)
phonographic copyright (℗) by:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1981)
recorded at:
Rosslyn Hill Chapel in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom (on 1979-09-20)
recording of:
Children’s Corner, L. 113: V. The Little Shepherd (original piano version) (on 1979-09-20)
composer:
Claude Debussy (French composer) (from 1906 until 1908-07)
part of:
Children’s Corner, L. 113, CD 119 (original piano version)
Claude Debussy2:17
5Barcarolle
producer:
John Mordler (producer) and Michael Woolcock (producer)
orchestra:
Orchestre de la Suisse Romande (OSR)
conductor:
Richard Bonynge (conductor and pianist)
balance engineer:
James Lock (James Locke, engineer)
phonographic copyright (℗) by:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1972)
recorded at:
Victoria Hall (Geneva) in Genève (Geneva), Genève (Canton of Geneva), Switzerland (in 1972-06)
recording of:
Les Contes d'Hoffmann: Acte III. Entracte (Orchestre) - "Belle nuit, ô nuit d'amour" (Barcarolle) (une voix, Giulietta, Chœur)
composer:
Jacques Offenbach (German-French composer, cellist and impresario)
part of:
Les Contes d’Hoffmann: Acte III (Giulietta) (alternate order)
Jacques Offenbach4:04
6Liebesleid
piano:
Oleg Maisenberg (pianist)
violin:
Gidon Kremer (violinist)
recording of:
Liebesleid (for violin and piano)
composer:
Fritz Kreisler (Austrian‐American violinist and composer)
publisher:
Schott Music International (publisher; do not use as label) and ショット・ミュージック 株式会社 Dept. 3 (Schott Music Corporation Dept. 3)
part of:
Alt-Wiener Tanzweisen (for violin and piano)
Fritz Kreisler3:41
7Eine kleine Nachtmusik: Romance
orchestra:
Academy of St Martin in the Fields (in 1970-10)
conductor:
Neville Marriner (conductor) (in 1970-10)
phonographic copyright (℗) by:
Decca Music Group Limited (not for release label use, for ℗ & © rights holder use only) (in 1971)
recorded at:
St John’s, Smith Square in London (Greater London), England, United Kingdom (in 1970-10)
recording of:
Serenade no. 13 for Strings in G major, K. 525 „Eine kleine Nachtmusik“: II. Romance. Andante (in 1970-10)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1787)
part of:
Serenade no. 13 for Strings in G major, K. 525 „Eine kleine Nachtmusik“
Wolfgang Amadeus Mozart5:45
8Andante for Flute and Orchestra
executive producer:
Dr. Steven Paul (classical arranger/producer for Deutsche Grammophon)
producer:
Wolf Erichson (engineer/producer)
flute:
Susan Palma‐Nidel (flutist) (in 1988-12)
orchestra:
Orpheus Chamber Orchestra (US orchestra) (in 1988-12)
balance engineer:
Stephan Schellmann (classical music engineer, co-founded Tritonus Musikproduktion)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1989)
recorded at:
State University of New York at Purchase, Performing Arts Center (Purchase College) in Purchase, Harrison, New York, United States (in 1988-12)
recording of:
Andante in C major for Flute and Orchestra, K. 285e/315 (in 1988-12)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1778)
was commissioned by:
Ferdinand De Jean (flutist)
part of:
Köchelverzeichnis (Köchel catalogue, third edition, 1937, K³) (number: K. 285e), Köchelverzeichnis (Köchel catalogue, ninth edition, 2024, K⁹) (number: K. 315), Köchelverzeichnis (Köchel catalogue, original numbering) (number: 315) and Köchelverzeichnis (Köchel catalogue, sixth edition, 1964, K⁶) (number: K. 285e)
Wolfgang Amadeus Mozart6:11
912 Variations on Ah vous dirai-je maman
producer:
Hans Weber (producer/engineer)
piano:
Clara Haskil (Romanian classical pianist) (in 1960-05)
balance engineer:
Walter Alfred Wettler (in 1960-05)
recorded at:
Lukaskirche (Lucerne) in Lucerne, Luzern (Canton of Lucerne), Switzerland (in 1960-05)
recording of:
12 Variations on French Traditional: "Ah, vous dirai-je, Maman" for Piano in C major, K. 300e/265 (in 1960-05)
composer:
Wolfgang Amadeus Mozart (classical composer) (from 1781 until 1782)
part of:
Köchelverzeichnis (Köchel catalogue, original numbering) (number: 265) and Köchelverzeichnis (Köchel catalogue, sixth edition, 1964, K⁶) (number: K. 300e)
arrangement of:
Twinkle, Twinkle, Little Star
is based on:
Ah ! Vous dirai‐je, maman
Wolfgang Amadeus Mozart7:53
10Piano Concerto no. 21
engineer and balance engineer:
John Pellowe (audio engineer)
producer:
Christopher Raeburn (producer)
piano:
András Schiff (pianist) (from 1989-12-11 until 1989-12-12)
orchestra:
Camerata Salzburg (Austrian chamber orchestra) (from 1989-12-11 until 1989-12-12)
conductor:
Sándor Végh (violinist/conductor/teacher) (from 1989-12-11 until 1989-12-12)
phonographic copyright (℗) by:
Universal Music Operations Ltd. (not for release label use! UK&IE subsidiary of UMG, legal name of Universal Music UK) (in 1991)
recorded at:
Mozarteum: Großer Saal in Salzburg, Salzburg, Austria (from 1989-12-11 until 1989-12-12) and Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien (Vienna), Austria (from 1989-12-11 until 1989-12-12)
recording of:
Concerto for Piano no. 21 in C major, K. 467: II. Andante (from 1989-12-11 until 1989-12-12)
composer:
Wolfgang Amadeus Mozart (classical composer) (from 1785 until 1785-03-09)
part of:
Concerto for Piano no. 21 in C major, K. 467
Wolfgang Amadeus Mozart6:47
11Symphony no. 41 Jupiter
orchestra:
Academy of St Martin‐in‐the‐Fields (Academy of St Martin in the Fields) (in 1978-12)
conductor:
Sir Neville Marriner (conductor) (in 1978-12)
phonographic copyright (℗) by:
Philips Classics (See annotation to check it's really this label.) (in 1979)
recorded at:
Brent Town Hall (Wembley Town Hall) in Brent (London Borough of Brent), London (Greater London), England, United Kingdom (in 1978-12)
recording of:
Symphony no. 41 for Orchestra in C major, K. 551 “Jupiter”: II. Andante cantabile (in 1978-12)
composer:
Wolfgang Amadeus Mozart (classical composer) (from 1788 until 1788-08-10)
part of:
Symphony no. 41 for Orchestra in C major, K. 551 “Jupiter”
Wolfgang Amadeus Mozart8:26
12Piano Sonata no. 8 “Pathetique”
engineer:
Stanley Goodall (engineer) (on 1980-12-13)
producer:
James Walker (ballet/opera conductor, classical recordings producer for Decca) and Richard Beswick (on 1980-12-13)
piano:
Vladimir Ashkenazy (Russian‐Icelandic conductor and pianist) (in 1980)
balance engineer:
Simon Eadon (classical music engineer) and Stanley Goodall (engineer)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (on 1980-12-13)
recording of:
Sonata for Piano no. 8 in C minor, op. 13 “Pathétique”: II. Adagio cantabile (in 1980)
composer:
Ludwig van Beethoven (German composer) (in 1798)
part of:
Sonata for Piano no. 8 in C minor, op. 13 “Pathétique”
Ludwig van Beethoven5:04
13Capriol Suite: Pieds en l’air
orchestra:
Academy of St Martin in the Fields
conductor:
Sir Neville Marriner (conductor)
recording of:
Capriol Suite: V. Pieds‐en‐l’air (for orchestra)
composer:
Peter Warlock (British composer)
publisher:
Public Domain (refers to works that are in the public domain)
orchestration of:
Capriol Suite: V. Pieds-en-l’air (for piano duet)
part of:
Capriol Suite (for orchestra)
Peter Warlock2:30
14Meditation de Thaïs
violin:
Leila Josefowicz (violinist)
orchestra:
Academy of St Martin in the Fields
conductor:
Sir Neville Marriner (conductor)
recording of:
Thaïs: Acte II. Entr’acte “Méditation” (original; for solo violin and orchestra)
composer:
Jules Massenet (French Romantic composer) (in 1894)
part of:
Classic 100: Music of France (2012) (number: 14)
part of:
Thaïs: Acte II
Jules Massenet5:23
15Kinderszenen
piano:
Vladimir Ashkenazy (Russian‐Icelandic conductor and pianist) (from 1987-06 until 1987-07, in 1987-07)
recorded at:
Saalbau in Aarau, Aargau, Switzerland (from 1987-06 until 1987-07, in 1987-07)
recording of:
Kinderszenen, op. 15: No. 7. Träumerei (Scenes from Childhood: Dreaming, original for piano) (from 1987-06 until 1987-07)
composer:
Robert Schumann (German classical composer) (in 1838)
part of:
Classic 100: Piano (2004) (number: 17)
part of:
Kinderszenen, op. 15
recording of:
Kinderszenen, op. 15: No. 7. Träumerei (Scenes from Childhood: Dreaming, original for piano) (in 1987-07)
composer:
Robert Schumann (German classical composer) (in 1838)
part of:
Classic 100: Piano (2004) (number: 17)
part of:
Kinderszenen, op. 15
Robert Schumann2:53
16Apres un reve
cello:
Mischa Maisky (cellist)
piano:
Daria Hovora (pianist)
recording of:
Après un rêve, op. 7 no. 1 (for cello and piano, arr. Casals)
composer:
Gabriel Fauré (French composer)
cello and piano arranger:
Pau Casals (cellist, aka Pablo Casals)
arrangement of:
Après un rêve, op. 7 no. 1 (original; for voice and piano)
Gabriel Fauré3:24
17The Carnival of the Animals
cello:
Mischa Maisky (cellist)
orchestra:
Orpheus Chamber Orchestra (US orchestra)
recording of:
Le Carnaval des animaux: XIII. Le Cygne (catch-all for arrangements)
composer:
Camille Saint‐Saëns (composer)
arrangement of:
Le Carnaval des animaux : XIII. Le Cygne (The Carnival of the Animals: XIII. The Swan, two pianos and cello)
part of:
Le Carnaval des animaux (catch-all for arrangements)
Camille Saint‐Saëns4:10