The War: Sentimental Journey, Hits From the Second World War

~ Veröffentlichung von Various Artists (alle Versionen dieser Veröffentlichung ansehen, eine vorhanden)

Titelliste

1▼CD
Nr.TitelKünstlerBewertungLänge
1We'll Meet Again
recorded in:
New York, New York, Vereinigte Staaten
Klarinette:
Benny Goodman (clarinetist and bandleader) (am 1942-03-12)
Klavier:
Mel Powell (American composer and jazz pianist) (am 1942-03-12)
Tenorsaxophon:
Vido Musso (am 1942-03-12)
vocals:
Peggy Lee (jazz vocalist) (am 1942-03-12)
Orchester:
Benny Goodman and His Orchestra (am 1942-03-12)
cover recording of:
We’ll Meet Again (am 1942-03-12)
Texter:
Hugh Charles
Komponist(in):
Hugh Charles und Ross Parker
publisher:
Dash Music Co. Ltd., Music Sales Corporation (American copyright holder in both popular and classical music), World Music Co. und World Music, Inc.
sub-publisher:
ミュージック・セールス (Music Sales, Japan, subsidiary of Shinko Music Entertainment)
Benny Goodman & His Orchestra3:19
2Dancing in the Dark
recorded in:
Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1941-01-23)
Klarinette:
Artie Shaw (am 1941-01-23)
Orchester:
Artie Shaw and His Orchestra (am 1941-01-23)
recording of:
Dancing in the Dark (am 1941-01-23)
Texter:
Howard Dietz (librettist)
Komponist(in):
Arthur Schwartz
publisher:
Arthur Schwartz Music Ltd., Chappell Music Ltd., Harms, Inc., Warner Bros., Inc. (Warner Bros. Music Division) und WC Music Corp.
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) und ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
Teil von:
The Band Wagon (1953 film)
Artie Shaw & His Orchestra3:04
3Little Brown Jug
recorded in:
New York, New York, Vereinigte Staaten (am 1939-04-10)
Posaune:
Glenn Miller (jazz band leader) (am 1939-04-10)
Tenorsaxophon:
Tex Beneke (am 1939-04-10)
Trompete:
Dale McMickle (am 1939-04-10)
Orchester:
Glenn Miller & His Orchestra (am 1939-04-10)
recording of:
Little Brown Jug (arr. Finegan 1939) (am 1939-04-10)
Verfasser(in):
Joseph Eastburn Winner (composer/publisher) (in 1868)
arranger:
John Wasson und Bill Finegan (in 1939)
Arrangement von:
Little Brown Jug
Glenn Miller & His Orchestra2:51
4I'll Be Seeing You
alto saxophone:
Johnny Mintz (am 1940-02-26), Les Robinson (am 1940-02-26) und Fred Stulce (am 1940-02-26)
Gitarre:
Benny Heller (am 1940-02-26)
Klarinette:
Johnny Mintz (am 1940-02-26)
Klavier:
Bob Kitsis (am 1940-02-26)
Kontrabass:
Gene Traxler (am 1940-02-26)
Posaune:
Tommy Dorsey (swing trombone player & band leader) (am 1940-02-26), Lowell Martin (jazz trombonist) (am 1940-02-26) und Ward Silloway (US jazz trombonist) (am 1940-02-26)
Schlagzeug:
Buddy Rich (am 1940-02-26)
Tenorsaxophon:
Paul Mason (jazz saxophonist) (am 1940-02-26) und Irving “Babe” Russin (am 1940-02-26)
Trompete:
Jimmy Blake (jazz trumpeter) (am 1940-02-26), Ray Linn (am 1940-02-26) und Zeke Zarchy (am 1940-02-26)
Sologesang:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (am 1940-02-26)
conductor:
Tommy Dorsey (swing trombone player & band leader)
aufgenommen bei:
RCA Studio 2 in New York, New York, Vereinigte Staaten (am 1940-02-26)
recording of:
I’ll Be Seeing You (am 1940-02-26)
Texter:
Irving Kahal (in 1938)
Komponist(in):
Sammy Fain (in 1938)
publisher:
Fain Music (ASCAP), New Irving Kahal Music und Williamson Music Company
sub-publisher:
フジパシフィック音楽出版 (Fujipacific Music inc.) (bis 2014-12-31), ヤマハミュージックパブリッシング (Yamaha Music Publishing) (bis 2017-03-31), フジパシフィックミュージック (Fujipacific Music, Inc.) (vom 2015-01-01 bis heute) und ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) (vom 2017-04-01 bis heute)
Tommy Dorsey & His Orchestra3:06
5Moonglow
recorded in:
Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1941-01-23)
Klarinette:
Artie Shaw (am 1941-01-23)
Klavier:
Johnny Guarnieri (am 1941-01-23)
Posaune:
Jack Jenney (American jazz trombonist) (am 1941-01-23)
Schlagzeug [drums]:
Nick Fatool (am 1941-01-23)
Orchester:
Artie Shaw and His Orchestra (am 1941-01-23)
recording of:
Moonglow (am 1941-01-23)
Texter:
Eddie DeLange
Komponist(in):
Will Hudson und Irving Mills
Artie Shaw & His Orchestra3:30
6Memories of You
recorded in:
Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1930-10-16)
alto saxophone:
Les Hite (am 1930-10-16) und Marvin Johnson (US jazz saxophonist and bandleader) (am 1930-10-16)
Gitarre:
Bill Perkins (jazz guitar and banjo) (am 1930-10-16)
Klarinette und Tenorsaxophon:
Charlie Jones (jazz clarinet/sax) (am 1930-10-16)
Klavier:
Harvey Brooks (US jazz pianist and composer) (am 1930-10-16) und Henry Prince (am 1930-10-16)
Kontrabass:
Joe Bailey (US double bassist and songwriter) (am 1930-10-16)
Posaune:
Luther Craven (am 1930-10-16)
Schlagzeug und Vibraphon:
Lionel Hampton (am 1930-10-16)
Trompete:
Louis Armstrong (am 1930-10-16), George Orendorff (am 1930-10-16) und Harold Scott (am 1930-10-16)
vocals:
Louis Armstrong (am 1930-10-16)
conductor:
Les Hite (am 1930-10-16)
recording of:
Memories of You (am 1930-10-16)
Texter:
Andy Razaf (in 1930)
Komponist(in):
Eubie Blake (in 1930)
publisher:
Shapiro, Bernstein & Co., Inc.
Louis Armstrong & His Orchestra3:12
7I'll Get By
alto saxophone:
Claude Lakey (am 1941-04-07) und Sam Marowitz (saxophonist and clarinetist) (am 1941-04-07)
baritone saxophone:
Chuck Gentry (am 1941-04-07)
Geige / Violine:
Glenn Herzer (big band violinist) (am 1941-04-07), Alex Pevsner (am 1941-04-07), Sam Rosenblum (am 1941-04-07) und Leo Zorn (am 1941-04-07)
Gitarre:
Ben Heller (am 1941-04-07)
Klavier:
Al Lerner (big band composer/conductor/pianist) (am 1941-04-07)
Kontrabass:
Thurman Teague (Jazz bassist) (am 1941-04-07)
Posaune:
Hoyt Bohannon (am 1941-04-07), Harry Rogers (US big-band trombonist and arranger) (am 1941-04-07) und Dalton Rizzotto (Jazz trombonist) (am 1941-04-07)
Schlagzeug:
Mickey Scrima (jazz percussionist) (am 1941-04-07)
Tenorsaxophon:
Vido Musso (am 1941-04-07)
Trompete:
Claude Bowen (am 1941-04-07), Harry James (US big band leader, trumpeter & actor) (am 1941-04-07) und Al Stearns (am 1941-04-07)
Sologesang:
Dick Haymes (am 1941-04-07)
recording of:
I’ll Get by (as Long as I Have You) (am 1941-04-07)
Texter:
Roy Turk
Komponist(in):
Fred Ahlert
Harry James & His Orchestra2:44
8On the Alamo
recorded in:
New York, New York, Vereinigte Staaten (am 1941-01-15)
E-Gitarre:
Charlie Christian (am 1941-01-15)
Klarinette:
Benny Goodman (clarinetist and bandleader) (am 1941-01-15)
Klavier:
Count Basie (pianist) (am 1941-01-15)
Kontrabass:
Artie Bernstein (am 1941-01-15)
Schlagzeug [drums]:
Jo Jones (US jazz drummer) (am 1941-01-15)
Tenorsaxophon:
Georgie Auld (am 1941-01-15)
Trompete:
Cootie Williams (am 1941-01-15)
Orchester:
Benny Goodman & His Sextet (am 1941-01-15)
instrumental recording of:
On the Alamo (am 1941-01-15)
Texter:
Gilbert Keyes und Joe Lyons (US songwriter & arranger)
Komponist(in):
Isham Jones
publisher:
Forster Music Publisher, Inc. (vom 1922-08-02 bis heute) und Tell Taylor, Inc. (von 1922-03-17 bis 1922-08-02)
Benny Goodman & His Sextet3:26
9Pennies From Heaven
recorded in:
New York, New York, Vereinigte Staaten (am 1936-11-19)
Gitarre:
Allan Reuss (am 1936-11-19)
Klarinette:
Benny Goodman (clarinetist and bandleader) (am 1936-11-19)
Klavier:
Teddy Wilson (am 1936-11-19)
Kontrabass:
John Kirby (jazz bass/trombone/tuba player) (am 1936-11-19)
Schlagzeug [drums]:
Cozy Cole (am 1936-11-19)
Tenorsaxophon:
Ben Webster (am 1936-11-19)
Trompete:
Jonah Jones (am 1936-11-19)
vocals:
Billie Holiday (am 1936-11-19)
Orchester:
Teddy Wilson and His Orchestra (am 1936-11-19)
recording of:
Pennies From Heaven (am 1936-11-19)
Texter:
Johnny Burke (American lyricist, 1908–1964) (in 1936)
Komponist(in):
Arthur Johnston (American composer and songwriter) (in 1936)
publisher:
Anne-Rachel Music Corp., Campbell Connelly & Co., Campbell Connelly & Co. Ltd., Chappell Music (UK) und Joy Music Inc.
Teil von:
The 9th Academy Award for Best Original Song (Nummer: 2) und Academy Award for Best Original Song (Nummer: 1936 nominee)
Teddy Wilson & His Orchestra3:18
10Body and Soul
recorded in:
New York, New York, Vereinigte Staaten (am 1939-10-11)
alto saxophone:
Jackie Fields (am 1939-10-11) und Eustis Moore (am 1939-10-11)
Gitarre:
William Oscar Smith (am 1939-10-11)
Klavier:
Gene Rodgers (am 1939-10-11)
Posaune:
Earl Hardy (am 1939-10-11)
Schlagzeug [drums]:
Arthur Herbert (Jazz drummer) (am 1939-10-11)
Tenorsaxophon:
Coleman Hawkins (am 1939-10-11)
Trompete:
Joe Guy (trumpet) (am 1939-10-11) und Tommy Lindsay (am 1939-10-11)
Orchester:
Coleman Hawkins and His Orchestra (am 1939-10-11)
instrumental recording of:
Body and Soul (am 1939-10-11)
Texter:
Frank Eyton (in 1930), Edward Heyman (in 1930) und Robert Sour (in 1930)
Komponist(in):
Edward Heyman, Robert Sour und John Green (composer and conductor, often credited as John Green) (in 1930)
publisher:
Bug Music, Inc., Chappell & Co Ltd., Druropetal Music, Quartet Music Inc., Range Road Music Inc., Warner Bros., Inc. (not for release label use!), WB Music Corp. (1929–2019) (bis 2019-05-28) und WC Music Corp. (vom 2019-05-28 bis heute)
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) und ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
Coleman Hawkins & His Orchestra3:03
11Let's Get Lost
recorded in:
New York, New York, Vereinigte Staaten (am 1943-05-22)
Sologesang:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (am 1943-05-22)
Orchester:
Lucky Strike Orchestra (am 1943-05-22)
conductor:
Mark Warnow (am 1943-05-22)
cover recording of:
Let’s Get Lost (am 1943-05-22)
Texter:
Frank Loesser
Komponist(in):
Jimmy McHugh (songwriter)
publisher:
Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody) und Sony/ATV Harmony (ASCAP)
Frank Sinatra3:00
12Blues in the Night
vocals:
Cab Calloway (am 1941-09-10)
Orchester:
Cab Calloway and His Orchestra (am 1941-09-10)
recording of:
Blues in the Night (My Mama Done Tol’ Me) (am 1941-09-10)
Texter:
Johnny Mercer (in 1941)
Komponist(in):
Harold Arlen (in 1941)
publisher:
Warner Bros., Inc. (not for release label use!) und WB Music Corp. (1929–2019)
Teil von:
The 14th Academy Award for Best Original Song (Nummer: 2) und Academy Award for Best Original Song (Nummer: 1941 nominee)
Cab Calloway & His Orchestra3:08
13There Shall Be No Night
recorded in:
Chicago, Illinois, Vereinigte Staaten (am 1940-09-05)
Klavier:
Duke Ellington (US composer, pianist & jazz bandleader) (am 1940-09-05)
Tenorsaxophon:
Ben Webster (am 1940-09-05)
vocals:
Herb Jeffries (am 1940-09-05)
Orchester:
Duke Ellington & His Famous Orchestra (am 1940-09-05)
recording of:
There Shall Be No Night (am 1940-09-05)
Verfasser(in):
Gladys Shelley und Abner Silver
Duke Ellington & His Famous Orchestra3:12
14Echoes of Harlem
recorded in:
New York, New York, Vereinigte Staaten (am 1938-01-19)
alto saxophone:
Johnny Hodges (am 1938-01-19)
baritone saxophone:
Harry Carney (am 1938-01-19)
Klarinette und Tenorsaxophon:
Barney Bigard (am 1938-01-19)
Klavier:
Duke Ellington (US composer, pianist & jazz bandleader) (am 1938-01-19)
Kontrabass:
Billy Taylor (jazz bassist) (am 1938-01-19)
Posaune:
Joe Nanton (am 1938-01-19)
Schlagzeug [drums]:
Sonny Greer (am 1938-01-19)
Trompete:
Cootie Williams (am 1938-01-19)
Orchester:
Cootie Williams and His Rug Cutters (am 1938-01-19)
recording of:
Echoes of Harlem (am 1938-01-19)
Komponist(in):
Duke Ellington (US composer, pianist & jazz bandleader)
Cootie Williams & His Rug Cutters3:14
15Skylark
recorded in:
New York, New York, Vereinigte Staaten (am 1942-03-19)
Klavier:
Earl Hines (jazz pianist and bandleader) (am 1942-03-19)
vocals:
Billy Eckstine (am 1942-03-19)
Orchester:
Earl Hines and His Orchestra (am 1942-03-19)
recording of:
Skylark (am 1942-03-19)
Texter:
Johnny Mercer
Komponist(in):
Hoagy Carmichael (in 1941)
publisher:
Frank Music Corp., George Simon Music Co., George Simon, Inc., Hoagy Publishing Co., Songs of Peer, Ltd. (ASCAP), The Johnny Mercer Foundation, Warner Bros. Music (publisher; do NOT use as release label), WB Music Corp. (1929–2019) (bis 2019-05-28) und WC Music Corp. (vom 2019-05-28 bis heute)
sub-publisher:
日音 Synch事業部 (NICHION, INC. Synch Division)
Earl Hines & His Orchestra3:10
16Saturday Night Is the Loneliest Night of the Week
Bass:
Ward Lay (am 1944-11-14)
Bratsche / Viola:
Morris Kahn (am 1944-11-14), Sol Paeff (am 1944-11-14) und Sol Rumberg (am 1944-11-14)
Cello:
E. Gara (am 1944-11-14), George Polikian (am 1944-11-14) und Avron Twerdowsky (am 1944-11-14)
Geige / Violine:
Julius Brand (am 1944-11-14), Fred Buldrini (am 1944-11-14), Sid Harris (am 1944-11-14), L. Kanter (am 1944-11-14), Murray Kellner (am 1944-11-14), Bernard Kundell (am 1944-11-14), William Lockwood (violinist) (am 1944-11-14), Arthur Loesserman (violinist) (am 1944-11-14), Harold Micklin (violinist) (am 1944-11-14), Seymour Miroff (am 1944-11-14), Gene Orloff (am 1944-11-14) und Raoul Polikian (am 1944-11-14)
Gitarre:
Matty Golizio (am 1944-11-14)
Harfe:
Ruth Hill (harpist) (am 1944-11-14)
Klarinette:
Arthur Baker (saxophonist, flutist and clarinetist)
Klavier:
Billy Rowland (am 1944-11-14)
Posaune:
Charles Small (trombone) (am 1944-11-14), John D'Agostino (trombonist) (am 1944-11-14) und Andy Russo (Jazz trombonist) (am 1944-11-14)
Saxophon:
Arthur Baker (saxophonist, flutist and clarinetist) (am 1944-11-14), Harold Feldman (woodwind player) (am 1944-11-14), Bernard Kaufman (am 1944-11-14), Peter Pumiglio (am 1944-11-14) und Henry Ross (am 1944-11-14)
Schlagzeug:
Johnny Blowers (am 1944-11-14)
Trompete:
Carl Poole (am 1944-11-14), Sammy Shapiro (Sandy Spears, Big Band-era trumpeter) (am 1944-11-14) und Melvin "Red" Solomon (am 1944-11-14)
Waldhorn:
Karl Chlupse (French horn player) (am 1944-11-14)
Sologesang:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (am 1944-11-14)
conductor:
Axel Stordahl (am 1944-11-14)
arranger:
George Siravo
recording of:
Saturday Night (Is the Loneliest Night in the Week) (am 1944-11-14)
Texter:
Sammy Cahn
Komponist(in):
Jule Styne
publisher:
Barton Music Corp., Cahn Music Company, Chappell Music Ltd., Producers Music Publishing Co., Quaytor Productions LLC, Sony Music Publishing (Japan) Inc. (song publisher, never a release label), WC Music Corp., フジパシフィックミュージック (Fujipacific Music, Inc.), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) und ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
Frank Sinatra42:43
17Paper Doll
vocals:
Donald Mills (am 1942-02-18), Harry Mills (am 1942-02-18), Herbert Mills (am 1942-02-18) und John Mills, Sr. (am 1942-02-18)
recording of:
Paper Doll (am 1942-02-18)
Texter und Komponist(in):
Johnny S. Black (in 1915)
publisher:
Edward B. Marks Music Co. (founded originally as J. Stern & Co. in 1894, renamed in 1919)
The Mills Brothers2:36
18Long Ago and Far Away
recorded in:
Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1944-02-09)
Sologesang:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (am 1944-02-09)
conductor:
Axel Stordahl (am 1944-02-09)
arranger:
Axel Stordahl
cover recording of:
Long Ago (and Far Away) (am 1944-02-09)
Texter:
Ira Gershwin
Komponist(in):
Jerome Kern
publisher:
Universal PolyGram International Publishing, Inc. (existed only since ca. 1998) und T.B. Harms Co. (in 1944)
Teil von:
The 17th Academy Award for Best Original Song (Nummer: 2)
enthalten in:
Cover Girl (1944)
recording of:
Long Ago (and Far Away)
Texter:
Ira Gershwin
Komponist(in):
Jerome Kern
publisher:
Universal PolyGram International Publishing, Inc. (existed only since ca. 1998) und T.B. Harms Co. (in 1944)
Teil von:
The 17th Academy Award for Best Original Song (Nummer: 2)
enthalten in:
Cover Girl (1944)
Frank Sinatra2:43
19Sentimental Journey
recorded in:
New York, New York, Vereinigte Staaten (am 1944-11-20)
vocals:
Doris Day (am 1944-11-20)
Orchester:
Les Brown and His Orchestra (am 1944-11-20)
recording of:
Sentimental Journey (am 1944-11-20)
Texter:
Bud Green (in 1944)
Komponist(in):
Les Brown (American big band & jazz musician) (in 1944) und Ben Homer (in 1944)
publisher:
Chappell/Morris Ltd., Holliday Publishing, Morley Music Co. Inc., Morley Music Corp., Sony Music Publishing (Japan) Inc. (song publisher, never a release label) und ヤマハミュージックEH(CM) (Yamaha Music EH(CM))
Les Brown & His Orchestra3:50
20Waiting for the Train to Come In
recorded in:
New York, New York, Vereinigte Staaten (am 1945-08-20)
Trompete:
Harry James (US big band leader, trumpeter & actor) (am 1945-08-20)
vocals:
Kitty Kallen (am 1945-08-20)
Orchester:
Harry James and His Orchestra (am 1945-08-20)
recording of:
Waiting for the Train to Come In (am 1945-08-20)
Verfasser(in):
Martin Block (composer) und Sunny Skylar
Harry James & His Orchestra3:07

Nennungen

Veröffentlichung

art direction:Howard Fritzson
Techniker(in):Maria Triana (Aufgabe: digital sound restoration)
Mark Wilder (US recording/mastering engineer) (Aufgabe: digital sound restoration)
Produzent(in):Duncan Allardyce (Aufgabe: produced for CD)
Steve Berkowitz (A&R executive at Sony, also credited as reissue producer) (Aufgabe: produced for CD)
Sarah Botstein
Ken Burns (US documentary filmmaker)
Lynn Novick
mastering:Maria Triana
Mark Wilder (US recording/mastering engineer)
design:Phil Yarnall (Graphist)
transferrer:Matt Cavaluzzo
Teil von:The War: A Ken Burns Film (From PBS World War II miniseries) (Nummer: 2) (Reihenfolge: 2)