Revolutions in Sound: Warner Bros. Records - The First Fifty Years

~ Veröffentlichung von Various Artists (alle Versionen dieser Veröffentlichung ansehen, 2 vorhanden)

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1I’ll Be With You in Apple Blossom Time
Tab Hunter2:13
2Try a Little Tenderness
Jack Webb2:45
377 Sunset Strip
The Warren Barker Orchestra2:08
4My Old Flame
Spike Jones4:22
5Kookie, Kookie (Lend Me Your Comb)
Edd Byrnes with Connie Stevens32:04
6Sixteen Reasons
recording of:
Sixteen Reasons
Verfasser(in):
Bill & Doree Post
Connie Stevens41:56
7Cathy’s Clown
Bass:
Floyd Chance (am 1960-03-18)
Gitarre:
Don Everly (am 1960-03-18)
Klavier:
Floyd Cramer (am 1960-03-18)
Schlagzeug:
Buddy Harman (Session drummer and songwriter) (am 1960-03-18)
Interpret(in):
The Everly Brothers (am 1960-03-18)
Teil von:
Dave Marsh: The Best of the Top 40 Singles: 1960 (Nummer: 30) und Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 149)
recording of:
Cathy’s Clown (am 1960-03-18)
Texter und Komponist(in):
Don Everly
Verfasser(in):
Don Everly und Phil Everly
publisher:
Acuff-Rose (BMI) und MCA Music (not for release label use! this is a music publisher, ASCAP-affiliated)
The Everly Brothers3.352:23
8Abe Lincoln vs Madison Avenue
Bob Newhart7:29
9Chant to the Night
Juan García Esquivel2:34
10Ya Got Trouble (From the Music Man)
Robert Preston & Ensemble3:57
11Let’s Think About Living
Bob Luman2:04
12Crying in the Rain
phonographisches Urheberrecht (℗) von:
WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1962)
recording of:
Crying in the Rain (Everly Brothers song) (am 1961-11-14)
Texter:
Howard Greenfield
Verfasser(in):
Carole King
publisher:
Screen Gems–EMI Music Ltd.
The Everly Brothers1:59
13Blowin’ in the Wind
Bass:
Edgar O. DeHaas (bassist)
Gitarre:
Paul Stookey und Peter Yarrow
vocals:
Paul Stookey, Mary Travers (American folk singer-songwriter) und Peter Yarrow
cover recording of:
Blowin’ in the Wind
Texter und Komponist(in):
Bob Dylan (in 1962-04)
publisher:
Sony Music Publishing (worldwide except Japan, ended 1995), Sony/ATV Music Publishing (UK) Ltd., Warner Bros. Music (publisher; do NOT use as release label), Warner Bros., Inc. (not for release label use!), Warner/Chappell (Warner/Chappell Music, Inc.) (von 1962 bis 1990) und Special Rider Music (vom 1990 bis heute)
Peter, Paul & Mary4.352:56
14If I Had a Hammer
Trini Lopez3:06
15Hello Muddah, Hello Faddah (A Letter From Camp)Allan Sherman42:43
16The Lonely Surfer
Jack Nitzsche2:34
17September Song
recording of:
Knickerbocker Holiday: September Song
Texter:
Maxwell Anderson
Komponist(in):
Kurt Weill (composer)
publisher:
Hampshire House Publishing Corp., Warner/Chappell (Warner/Chappell Music, Inc.), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label), ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division), Chappell & Co. (in 1938), TRO-Hampshire House Publishing Corp. (in 1938) und Crawford Music Corp. (am 1938-09-24)
Teil von:
Knickerbocker Holiday (Kurt Weill musical)
Jimmy Durante3:09
18Night Creature (First Movement): Blind Bug
Duke Ellington & His Orchestra4:05
19Dollar’s Dance
Dollar Brand Trio5:05
20Out of Limits
recording of:
Out of Limits
Verfasser(in):
Michael Z. Gordon
The Marketts2:05
21Everybody Loves Somebody
Produzent(in):
Jimmy Bowen (producer, rockabilly musician and songwriter)
cover recording of:
Everybody Loves Somebody
Texter:
Sam Coslow und Irving Taylor
Komponist(in):
Sam Coslow und Ken Lane
publisher:
Sands Music Corp. und フジパシフィックミュージック (Fujipacific Music, Inc.)
sub-publisher:
Warner Chappel Music Belgium NV
Dean Martin4.652:44
22It Was a Very Good Year
recorded in:
Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1965-04-22)
recording engineer:
Lowell Frank (engineer) (am 1965-04-22)
Produzent(in):
Sonny Burke (Joseph Francis Burke, producer, songwriter and Big Band leader)
Bass:
Meyer "Mike" Rubin (US bassist 1930s - 1960s)
Bratsche / Viola:
Alvin Dinkin, Lou Kievman (violist) und Paul Robyn
Cello:
Armand Kaproff
Fagott:
Lloyd Hildebrand (Woodwind, Bassoon, Clarinet player)
Gitarre:
Vincent Terri (Jazz Guitarist)
Harfe:
Kathryn Thompson (harpist)
Klarinette:
Clyde Hylton, Harry Klee und Wayne Songer (clarinetist and saxophonist)
Klavier:
Bill Miller (pianist)
Oboe:
Arnold Koblentz (Oboe player) und Melinda Eckels
Schlagzeug:
Nick Fatool
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (am 1965-04-22)
conductor:
Gordon Jenkins (am 1965-04-22)
arranger:
Gordon Jenkins (in 1965)
cover recording of:
It Was a Very Good Year (am 1965-04-22)
Texter und Komponist(in):
Ervin Drake (Songwriter)
publisher:
Memory Lane Music (publishing company), Reedlands Music Corp. und The Songwriters Guild
Frank Sinatra54:25
23Girl Don’t Come
recording of:
Girl Don’t Come
Texter und Komponist(in):
Chris Andrews (UK singer-songwriter)
publisher:
Glissando Music Ltd.
Sandie Shaw2:10
24Thou Shalt Not Steal
Dick & Dee Dee1:59
25Good Lovin’
The Olympics2:30
26I’m a Fool
Dino, Desi & Billy2:46
27Houston
cover recording of:
Houston
Texter und Komponist(in):
Lee Hazlewood
Dean Martin2:41
28The Vatican Rag
Techniker(in):
Don Geis
Produzent(in):
Jimmy Hilliard
Klavier:
Tom Lehrer (in 1965-07)
vocals:
Tom Lehrer (in 1965-07)
aufgenommen bei:
hungry i in San Francisco, California (Kalifornien), Vereinigte Staaten (in 1965-07)
live recording of:
The Vatican Rag (in 1965-07)
Texter und Komponist(in):
Tom Lehrer
Teil von:
Tomfoolery
Tom Lehrer42:13
29Tiny Bubbles
Don Ho2:41
30That’s Life
recording of:
That’s Life
Texter:
Kelly Gordon und Dean Kay
Komponist(in):
Dean Kay
publisher:
Four Star Television Music Co., Lichelle Music Company, PolyGram Music Publishing Ltd., Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group), Universal PolyGram International Publishing, Inc. (existed only since ca. 1998), シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.) und ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
Frank Sinatra3:05
31These Boots Are Made for Walkin’
Techniker(in):
Eddie Brackett
Produzent(in):
Lee Hazlewood
vocals:
Nancy Sinatra
conductor:
Billy Strange
arranger:
Billy Strange
Teil von:
Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 109)
recording of:
These Boots Are Made for Walkin’
Texter und Komponist(in):
Lee Hazlewood
publisher:
Lorna Music und Criterion Music Corp. (in 1966)
Version von:
Boots (original melody)
Nancy Sinatra4.052:41
32They’re Coming to Take Me Away, Ha‐Haaa!
recording of:
They’re Coming to Take Me Away, Ha-Haaa!
Texter und Komponist(in):
Jerry Samuels
publisher:
ATV Music Ltd.
Napoleon XIV3.52:11
33Purple Haze
Techniker(in):
Dave Siddle (De Lane Lea) (engineer) (am 1967-01-11) und Eddie Kramer (Olympic) (engineer) (am 1967-02-03)
Produzent(in):
Chas Chandler
E-Bass und Hintergrundgesang:
Noel Redding (von 1967-01-11 bis 1967-02-03)
E-Gitarre:
Jimi Hendrix (von 1967-01-11 bis 1967-02-03)
Schlagzeug:
Mitch Mitchell (UK drummer for Jimi Hendrix Experience, many others) (von 1967-01-11 bis 1967-02-03)
vocals:
Jimi Hendrix (von 1967-01-11 bis 1967-02-03)
phonographisches Urheberrecht (℗) von:
Polydor International GmbH (not for release label use!) (in 1968) und Experience Hendrix, L.L.C. (in 2010)
aufgenommen bei:
De Lane Lea Studios in Soho, Westminster, London (Greater London), England, Vereinigtes Königreich (am 1967-01-11) und Olympic Studios (1966–2009) in Barnes, Richmond upon Thames, London (Greater London), England, Vereinigtes Königreich (am 1967-02-03, von 1967-02-03 bis 1967-02-08)
produced at:
Olympic Studios (1966–2009) in Barnes, Richmond upon Thames, London (Greater London), England, Vereinigtes Königreich (am 1967-01-11)
Teil von:
Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 17) und Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (Nummer: 250)
recording of:
Purple Haze (von 1967-01-11 bis 1967-02-03)
Texter und Komponist(in):
Jimi Hendrix
publisher:
Bella Godiva Music, Chappell Music (UK), Chappell Musikverlag GmbH, Experience Hendrix, L.L.C., Interworld Music Ltd., Sea-Lark Enterprises, Inc. und Yameta Co. Ltd.
quotes music from:
The Ballad of Jimi Hendrix
The Jimi Hendrix Experience4.452:51
34The Golden Road (to Unlimited Devotion)
recording of:
The Golden Road (to Unlimited Devotion)
Verfasser(in):
Jerry Garcia (guitarist / vocalist in Grateful Dead), Bill Kreutzmann, Phil Lesh, Ron “Pigpen” McKernan und Bob Weir
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Ice Nine Publishing Company, Inc. und Warner Bros. Music Ltd. (UK subsidiary, so named between 1970/01/23–1971/04/26 and 1972/04/25–1988/08/23)
Grateful Dead2:10
35I Had Too Much to Dream (Last Night)The Electric Prunes42:57
36Double Yellow Line
The Music Machine2:12
37Just Dropped In (to See What Condition My Condition Is In)
Produzent(in):
Mike Post
Sologesang:
Kenny Rogers (US country singer, songwriter, actor, record producer & entrepreneur)
arranger:
Mike Post
phonographisches Urheberrecht (℗) von:
Mercury Records (or just “Mercury”; a UMG imprint, do not use it for ©/℗ credits) (in 1998)
recording of:
Just Dropped In (to See What Condition My Condition Was In)
Texter, Verfasser(in) und Komponist(in):
Mickey Newbury (American songwriter)
publisher:
Acuff-Rose Publications, Inc. (BMI)
cover recording of:
Just Dropped In (to See What Condition My Condition Was In)
Texter, Verfasser(in) und Komponist(in):
Mickey Newbury (American songwriter)
publisher:
Acuff-Rose Publications, Inc. (BMI)
Kenny Rogers & The First Edition4.353:19
38If You’re a Viper
Jim Kweskin & The Jug Band1:59
39Sit Down, I Think I Love You
The Mojo Men2:21
40Pata Pata
Miriam Makeba3:00
4159th Street Bridge Song (Feelin’ Groovy)
Produzent(in):
Lenny Waronker
cover recording of:
The 59th Street Bridge Song (Feelin’ Groovy)
Texter und Komponist(in):
Paul Simon (of Simon & Garfunkel)
Harpers Bizarre2:36
42It’s a Happening World
The Tokens2:38
43Never My Love
recording of:
Never My Love
Verfasser(in):
Dick Addrisi und Don Addrisi
publisher:
Universal Music (plain logo: “Universal Music”), Universal Music Careers, Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label), Warner/Chappell North America, ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) und ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
The Association3:08
44If Ever I Would Leave You (From Camelot)
Franco Nero5:53
45While Drifting
The San Sebastian Strings1:44
46Magic Hollow
The Beau Brummels2:51
47Some Velvet Morning
Produzent(in):
Lee Hazlewood
vocals:
Lee Hazlewood und Nancy Sinatra
recording of:
Some Velvet Morning
Texter und Komponist(in):
Lee Hazlewood
publisher:
Carlin Music Corporation
Lee Hazlewood & Nancy Sinatra4.63:39
48The All Golden
Van Dyke Parks3:47
49Crystal Liaison
The Fugs3:06
50Don’t Think Twice, It’s Alright
Ramblin’ Jack Elliott3:49
51Morning Girl
The Neon Philharmonic2:11
52Tip Toe Thru’ the Tulips With Me
cover recording of:
Tiptoe Through the Tulips
Texter:
Al Dubin
Komponist(in):
Joe Burke (American composer)
Tiny Tim1:59
53Classical Gas
recording of:
Classical Gas
Komponist(in):
Mason Williams (US classical guitarist, composer, writer, comedian & poet)
Mason Williams3:03
54Oh Well
recording of:
Oh Well
Texter und Komponist(in):
Peter Green (former member of Fleetwood Mac)
publisher:
Crosstown Downtown Songs, Fleetwood Music, Leosong (publisher), Palan Music America, Rachel Music, Rachel Music Ltd. und Melodie der Welt (publisher) (in 1989)
Fleetwood Mac9:00
55Spirit in the Sky
Produzent(in):
Erik Jacobsen
phonographisches Urheberrecht (℗) von:
Reprise Records (in 1969), Seven Arts Records, Inc. (not a label) (in 1969) und Transtone Productions (in 1970)
Teil von:
Paste: The 50 Greatest NON One-Hit Wonders of All Time (Nummer: 5), Billboard Year-End Hot 100 singles of 1970 (Nummer: 22) und Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 333)
recording of:
Spirit in the Sky (in 1969)
Texter und Komponist(in):
Norman Greenbaum
publisher:
Great Honesty Music Inc., Warner Chappell Music Publishing (Warner/Chappell Music, Inc.), Warner Chappell Music, Inc., Warner/Chappell Music Ltd. (1996–2019) und Westminster Music Ltd.
Norman Greenbaum4.053:59
56But It’s Alright
recording of:
But It’s Alright
Verfasser(in):
J.J. Jackson (soul/R&B singer/songwriter Jerome Louis Jackson) und Pierre Tubbs
J.J. Jackson2:51
57Stay With Me
Produzent(in):
Jerry Ragovoy
conductor:
Garry Sherman (mid-20th century composer, arranger & conductor)
arranger:
Jerry Ragovoy und Garry Sherman (mid-20th century composer, arranger & conductor)
recording of:
Stay With Me (in 1966-07)
Verfasser(in):
Jerry Ragovoy und George David Weiss
publisher:
TRO Essex Music Ltd.
Lorraine Ellison43:28
58I’ve Gotta Be Me
cover recording of:
I’ve Gotta Be Me
Texter und Komponist(in):
Walter Marks
Sammy Davis Jr.2:54
59Leaving on a Jet Plane
Peter, Paul & Mary3:27
60Box of Rain
recording of:
Box of Rain
Texter:
Robert Hunter (American lyricist, non‐performing member of the Grateful Dead)
Komponist(in):
Phil Lesh
publisher:
Ice Nine Publishing Company, Inc.
Grateful Dead5:17
61Fire and Rain
Techniker(in):
Bill Lazerus (in 1969-12)
Produzent(in):
Peter Asher (in 1969-12)
Akustikgitarre und Sologesang:
James Taylor (singer-songwriter and guitarist) (in 1969-12)
Klavier:
Carole King (in 1969-12)
Kontrabass:
Bobby ‘Wild, Wild’ West (in 1969-12)
Schlagzeug:
Russ Kunkel (session drummer) (in 1969-12)
phonographisches Urheberrecht (℗) von:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (in 1969)
aufgenommen bei:
Sunset Sound in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (in 1969-12)
Teil von:
Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (Nummer: 146) und Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 227)
recording of:
Fire and Rain (in 1969-12)
Texter und Komponist(in):
James Taylor (singer-songwriter and guitarist)
publisher:
Country Road Music, Inc. (ASCAP-affiliated) (beendet), EMI Blackwood Music Inc. und フジパシフィックミュージック SBK事業部 (Fujipacific Music SBK Department)
James Taylor4.33:23
62If You Could Read My Mind
recording engineer:
Gary Brandt und Lee Herschberg
Produzent(in):
Lenny Waronker und Joe Wissert
Mix:
Lee Herschberg
vocals:
Gordon Lightfoot
Saiteninstrumente arranger:
Nick de Caro
phonographisches Urheberrecht (℗) von:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (in 1970)
Teil von:
Huffington Post: 100 Best Canadian Songs Ever (Nummer: 8)
recording of:
If You Could Read My Mind
Texter und Komponist(in):
Gordon Lightfoot
publisher:
ATV Kirshner (publisher) (beendet), Early Morning Music (beendet), Laetrec Music (beendet), WB Music Corp. (1929–2019) (bis 2019-05-28) und WC Music Corp. (vom 2019-05-28 bis heute)
Gordon Lightfoot4.63:49
63Rock Gently
recording of:
Rock Gently
Texter und Komponist(in):
Rod McKuen
Rod McEuen2:59
64She’s a Lady
recording of:
She’s a Lady
Texter und Komponist(in):
John Sebastian
publisher:
United Artists Music
John Sebastian1:45
65P.F. Sloan
Jimmy Webb4:03
66Vehicle
The Ides of March2:54
67Express Yourself
Produzent(in):
Charles Wright
phonographisches Urheberrecht (℗) von:
Island Records (NOT for release label use! A division of UMG Recordings, Inc.) (in 2022)
Teil von:
Billboard Year-End Hot 100 singles of 1970 (Nummer: 57)
recording of:
Express Yourself
Texter und Komponist(in):
Charles Wright (in 1970)
Charles Wright & the Watts 103rd Street Rhythm Band4.53:51
68Speed King
Techniker(in):
Andy Knight (UK engineer)
Produzent(in):
Deep Purple
E-Bass:
Roger Glover (von 1969-10 bis 1970-04)
E-Gitarre:
Ritchie Blackmore (von 1969-10 bis 1970-04)
Hammond-Orgel:
Jon Lord (von 1969-10 bis 1970-04)
Schlagzeug:
Ian Paice (von 1969-10 bis 1970-04)
Sologesang:
Ian Gillan (von 1969-10 bis 1970-04)
aufgenommen bei:
IBC Studios in London (Greater London), England, Vereinigtes Königreich (von 1969-10 bis 1970-04)
recording of:
Speed King (von 1969-10 bis 1970-04)
Verfasser(in):
Ritchie Blackmore, Ian Gillan, Roger Glover, Jon Lord und Ian Paice
publisher:
EMI Music Publishing (do not use as a release label!), EMI Music Publishing France, HEC Music, Henrees Music co. und EMI Music Publishing Japan C.F. division (bis 2021-06-30)
sub-publisher:
イーエムアイ音楽出版 ソニー事業部 (EMI Music Publishing Japan Ltd., Sony Division) (bis 2021-06-30) und ソニー・ミュージックパブリッシング EMI外国事業部 (Sony Music Publishing (Japan) Inc., EMI Overseas Division, sub‐publisher for non‐Japanese works) (vom 2021-07-01 bis heute)
basiert auf:
Ricochet
Deep Purple3.255:00
69Locomotive Breath
Techniker(in):
John Burns (engineer/producer for Genesis)
leitende(r) Produzent(in):
Terry Ellis (UK producer & band manager)
Produzent(in):
Ian Anderson (of Jethro Tull) und Terry Ellis (UK producer & band manager)
Akustikgitarre und flute und Sologesang:
Ian Anderson (of Jethro Tull) (am 1971-02-12)
Bassgitarre und Altblockflöte:
Jeffrey Hammond Hammond (am 1971-02-12)
E-Gitarre und soprano recorder:
Martin Barre (am 1971-02-12)
Hammond-Orgel, Klavier, Pianoakkordeon und Synthesizer und mellotron, Orgel und Klavier:
John Evan (am 1971-02-12)
Schlagzeug und Perkussion:
Clive Bunker (am 1971-02-12)
conductor:
Dee Palmer (aka David Palmer, of Jethro Tull) (am 1971-02-12)
remixer:
Robin Black (engineer)
Orchestrator(in):
Dee Palmer (aka David Palmer, of Jethro Tull)
phonographisches Urheberrecht (℗) von:
Chrysalis Records Ltd. (not for release label use! company behind the Chrysalis imprint) (in 1971)
aufgenommen bei:
Island Studios (fka Island Studios till 1975, became Sarm West Studios in 1982) in Notting Hill, Kensington and Chelsea, London (Greater London), England, Vereinigtes Königreich (am 1971-02-12)
remixed at:
Morgan Studios (Morgan Sound Studios) in Willesden, Brent (London Borough of Brent), London (Greater London), England, Vereinigtes Königreich
recording of:
Locomotive Breath (am 1971-02-12)
Texter und Komponist(in):
Ian Anderson (of Jethro Tull)
Jethro Tull4.454:23
70Stay With Me
Produzent(in):
Faces (successor of “Small Faces”, members Rod Stewart, Ron Wood) und Glyn Johns
Bassgitarre:
Ronnie Lane
Gitarre:
Ronnie Wood (UK guitarist, member of The Rolling Stones, also goes by Ron Wood)
Schlagzeug:
Kenney Jones (drummer for Small Faces, Faces, and The Who)
Wurlitzer Electric Piano:
Ian McLagan
Sologesang:
Rod Stewart
phonographisches Urheberrecht (℗) von:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (in 1971) und WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1971)
recording of:
Stay With Me
Verfasser(in):
Rod Stewart und Ronnie Wood (UK guitarist, member of The Rolling Stones, also goes by Ron Wood)
publisher:
EMI April Music Inc., EMI Music Publishing Ltd. (PRS‐affiliated), Warner Bros. Music Co., Ltd., Warner Chappell Music Ltd. (no slash; used 1988–1996) und WB Music Corp. (1929–2019)
Faces4.54:39
71Bang a Gong (Get It On)
Techniker(in):
Roy Thomas Baker (producer), Malcolm Cecil, Rik Pekkonen und Martin Rushent
Produzent(in):
Tony Visconti
E-Bass:
Steve Currie (von 1971-03 bis 1971-06)
E-Gitarre und Sologesang:
Marc Bolan (von 1971-03 bis 1971-06)
Keyboard:
Rick Wakeman (von 1971-03 bis 1971-06)
Perkussion:
Mickey Finn (musician and T. Rex member) (von 1971-03 bis 1971-06)
Schlagzeug:
Bill Legend (von 1971-03 bis 1971-06)
Hintergrundgesang:
Howard Kaylan (von 1971-03 bis 1971-06) und Mark Volman (von 1971-03 bis 1971-06)
phonographisches Urheberrecht (℗) von:
Essex Music International Ltd. (in 1971), Straight Ahead Productions Ltd. (in 1971, in 2001) und Tarantula Productions (in 1971)
Teil von:
Paste: The 50 Greatest NON One-Hit Wonders of All Time (Nummer: 22), Rock and Roll Hall of Fame – 500 Songs That Shaped Rock und NME: 50 Greatest Guitar Riffs of All Time (2012-10-25) (Nummer: 41)
recording of:
Get It On (Bang a Gong) (von 1971-03 bis 1971-06)
Texter und Komponist(in):
Marc Bolan
publisher:
Essex Music International, Essex Music International, Inc., Essex Musikförlaget, Essex Musikvertrieb GmbH, The Richmond Organization, TRO Essex Music International, Inc. und Westminster Music Ltd.
T. Rex4.654:24
72I’m Eighteen
Techniker(in):
Brian Christian
leitende(r) Produzent(in):
Jack Richardson
Produzent(in):
Bob Ezrin und Jack Richardson
Bassgitarre:
Dennis Dunaway (original bass player for Alice Cooper)
Gitarre:
Michael Bruce (of Alice Cooper) und Glen Buxton (American guitarist)
Keyboard:
Michael Bruce (of Alice Cooper) und Bob Ezrin
Mundharmonika und Sologesang:
Alice Cooper (the musician born Vincent Damon Furnier, changed his name legally to Alice Cooper in 1974)
Schlagzeug:
Neal Smith (former Alice Cooper drummer)
Hintergrundgesang:
Michael Bruce (of Alice Cooper), Dennis Dunaway (original bass player for Alice Cooper) und Neal Smith (former Alice Cooper drummer)
arranger:
Alice Cooper (1964–1975 American rock band) und Bob Ezrin
phonographisches Urheberrecht (℗) von:
WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1971) und Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (in 1974)
aufgenommen bei:
RCA Mid-America in Chicago, Illinois, Vereinigte Staaten
Musikvideos:
I’m Eighteen (live, 1971: German TV music show, Beat Club) von Alice Cooper (1964–1975 American rock band)
Teil von:
Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 482)
recording of:
I’m Eighteen
Verfasser(in):
Michael Bruce (of Alice Cooper), Glen Buxton (American guitarist), Alice Cooper (the musician born Vincent Damon Furnier, changed his name legally to Alice Cooper in 1974), Dennis Dunaway (original bass player for Alice Cooper) und Neal Smith (former Alice Cooper drummer)
publisher:
Bizarre Music Co. (US work publisher), BMG Platinum Songs US, Carlin Music Corporation, EMI Blackwood Music Inc., Ezra Music Corp., Famous Chappell, Opus 19 Music, Primary Wave Music Publishing, Third Palm Music, Universal Music Publishing Group und Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label)
sub-publisher:
フジパシフィックミュージック (Fujipacific Music, Inc.) und ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
Alice Cooper4.22:57
73Back Street Luv
recording of:
Back Street Luv
Verfasser(in):
Ian Eyre, Sonja Kristina (Sonja Kristina Linwood) und Darryl Way
Curved Air3:35
74Song to the Siren
Techniker(in):
Stan Agol
Produzent(in):
Tim Buckley (1960s–1970s US vocalist, songwriter, guitarist & producer)
zwölfsaitige Gitarre:
Tim Buckley (1960s–1970s US vocalist, songwriter, guitarist & producer) (am 1970-09-16)
vocals:
Tim Buckley (1960s–1970s US vocalist, songwriter, guitarist & producer) (am 1970-09-16)
aufgenommen bei:
The Record Plant (aka “Record Plant” Los Angeles) in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1970-09-16)
recording of:
Song to the Siren (am 1970-09-16)
Texter:
Larry Beckett und Tim Buckley (1960s–1970s US vocalist, songwriter, guitarist & producer)
Komponist(in):
Tim Buckley (1960s–1970s US vocalist, songwriter, guitarist & producer)
arranger:
Cul de Sac (Boston-based instrumental rock group)
publisher:
Carlin Music Corporation, Third Story Music, Inc. und Tim Buckley Music
Tim Buckley53:26
75Surf’s Up
recording of:
Surf's Up
Komponist(in):
Van Dyke Parks und Brian Wilson (Beach Boys co‐founder)
The Beach Boys4:11
76I Don’t Want to Talk About It
Crazy Horse5:19
77You Can Close Your Eyes
recording of:
You Can Close Your Eyes
Texter und Komponist(in):
James Taylor (singer-songwriter and guitarist)
publisher:
Country Road Music, Inc. (ASCAP-affiliated)
James Taylor2:29
78Heart of Gold
recording engineer:
Elliot Mazer (am 1971-02-08)
Produzent(in):
Elliot Mazer und Neil Young (Canadian singer, songwriter & musician)
Akustikgitarre und Sologesang:
Neil Young (Canadian singer, songwriter & musician) (am 1971-02-08)
Bass:
Tim Drummond (am 1971-02-08)
Gitarre:
Teddy Irwin (guitarist) (am 1971-02-08)
Pedal-Steel-Gitarre:
Ben Keith (am 1971-02-08)
Schlagzeug:
Kenny Buttrey (am 1971-02-08)
Gast Hintergrundgesang:
Linda Ronstadt (am 1971-02-08) und James Taylor (singer-songwriter and guitarist) (am 1971-02-08)
Gast-Interpret(in):
The Stray Gators
phonographisches Urheberrecht (℗) von:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (in 1972) und Reprise Records (in 2022)
aufgenommen bei:
Quadrafonic Sound Studio in Nashville, Tennessee, Vereinigte Staaten (am 1971-02-08)
Teil von:
Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (Nummer: 259) und Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 297)
recording of:
Heart of Gold (am 1971-02-08)
Texter und Komponist(in):
Neil Young (Canadian singer, songwriter & musician)
publisher:
Hipgnosis Songs Fund Limited, Sony Music Publishing (Japan) Inc. (song publisher, never a release label), ヤマハミュージックEH(CM) (Yamaha Music EH(CM)) und Silver Fiddle Music (in 1971)
Neil Young4.33:07
79Willin’
recording engineer und Mix:
Donn Landee
Produzent(in):
Ted Templeman
Bassgitarre:
Roy Estrada
Gast-Steel-Gitarre:
Sneaky Pete Kleinow
Gitarre und Sologesang:
Lowell George
Keyboard:
Bill Payne
Perkussion und Schlagzeug:
Richie Hayward
Hintergrundgesang:
Roy Estrada und Richie Hayward
phonographisches Urheberrecht (℗) von:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (in 1972)
recording of:
Willin’
Texter und Komponist(in):
Lowell George
publisher:
Abraham Music und Naked Snake Music
Little Feat2:55
80Love Me Like a Man
recording engineer:
Kendall “Do the Dog” Pacios
Techniker(in):
Nick Jameson und Kendall “Do the Dog” Pacios
Produzent(in):
Michael Cuscuna
Akustikgitarre:
Bonnie Raitt (in 1972-06)
Fretless Bass [Fender fretless bass]:
Freebo (in 1972-06)
Schlagzeug:
Dennis Whitted (in 1972-06)
vocals:
Bonnie Raitt (in 1972-06)
remixer:
Nick Jameson und Kendall “Do the Dog” Pacios
aufgenommen bei:
Bearsville Studios in Bearsville, New York, Vereinigte Staaten (in 1972-06)
recording of:
Love Me Like a Man (in 1972-06)
Texter und Komponist(in):
Chris Smither (folk musician)
zusätzlicher Texter:
Bonnie Raitt
publisher:
Homunculus Music und Poppy Music
Version von:
Love You Like a Man
Bonnie Raitt33:10
81The Poor Ditching Boy
Produzent(in):
Richard Thompson (UK folk rock singer/songwriter/guitarist) und John Wood (UK producer)
Akustikgitarre und Gitarre:
Richard Thompson (UK folk rock singer/songwriter/guitarist)
Appalachian dulcimer und Appalachian dulcimer [dulcimer]:
Andy Roberts (UK folk singer/songwriter)
Bassgitarre:
Pat Donaldson
Fiddle:
Sue Draheim und Barry Dransfield
Geige / Violine:
Sue Draheim
Schlagzeug:
Timi Donald
vocals:
Richard Thompson (UK folk rock singer/songwriter/guitarist)
aufgenommen bei:
Sound Techniques in Chelsea, Kensington and Chelsea, London (Greater London), England, Vereinigtes Königreich
recording of:
The Ditching Boy
Verfasser(in):
Richard Thompson (UK folk rock singer/songwriter/guitarist)
publisher:
Warlock Music Ltd.
sub-publisher:
Pubco
Richard Thompson3:02
82Spare Me a Little of Your Love
recording of:
Spare Me a Little of Your Love
Texter und Komponist(in):
Christine McVie
Fleetwood Mac3:44
83Summer Breeze
Produzent(in):
Louie Shelton
phonographisches Urheberrecht (℗) von:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (in 1972) und Warner Records Inc. (not for release label use; fka Warner Bros. Records Inc. until 2019) (in 1972)
Teil von:
Paste: The 25 Greatest Yacht Rock Songs of All Time (Nummer: 10)
recording of:
Summer Breeze
Texter:
James Seals
Komponist(in):
Dash Crofts und James Seals
publisher:
Dawnbreaker Mus. Co. Ltd USA, Faizilu Publishing, MCA Music Ltd., Songs of Universal, Inc. (BMI), Sutjujo Music, Universal Duchess Music Corp., シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.) und ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
Seals & Crofts4.353:24
84A Horse With No Name
Techniker(in):
Robin Black (engineer) und Ken Scott (UK record producer & engineer)
Produzent(in):
America (US folk/soft rock band), Jeff Dexter, George Martin (producer, arranger, composer, conductor, audio engineer, and musician) und Ian Samwell
zusätzliche(r) Produzent(in):
America (US folk/soft rock band) und Jeff Dexter
Mix:
George Martin (producer, arranger, composer, conductor, audio engineer, and musician)
Akustikgitarre und Sologesang:
Dewey Bunnell (in 1971)
Bassgitarre:
Dan Peek (in 1971)
Perkussion:
Ray Cooper (percussionist) (in 1971)
Schlagzeug:
Kim Haworth (in 1971)
zwölfsaitige Gitarre:
Gerry Beckley (in 1971)
phonographisches Urheberrecht (℗) von:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (in 1971, in 1972), Warner Music (global imprint of Warner Music Group, ‘W’ logo either with “Warner Music” or no text) (in 1972) und Rhino Entertainment Company (not for release label use!) (in 2011)
aufgenommen bei:
Morgan Studios (Morgan Sound Studios) in Willesden, Brent (London Borough of Brent), London (Greater London), England, Vereinigtes Königreich (in 1971)
recording of:
A Horse With No Name (in 1971)
Texter und Komponist(in):
Dewey Bunnell
publisher:
Warner Bros. Music Ltd. (UK subsidiary, so named between 1970/01/23–1971/04/26 and 1972/04/25–1988/08/23), Warner Chappell Music Ltd. (no slash; used 1988–1996) und WB Music Corp. (1929–2019)
America4.34:07
85Sanctuary
Dion2:49
86Sail Away
Techniker(in) und Mix:
Lee Herschberg
Produzent(in):
Russ Titelman und Lenny Waronker
Geige / Violine:
Louis Kauffman
Klavier:
Randy Newman (American singer‐songwriter and score composer)
conductor:
Emil Newman
arranger:
Randy Newman (American singer‐songwriter and score composer)
Teil von:
Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 264) und Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (Nummer: 275)
recording of:
Sail Away
Texter und Komponist(in):
Randy Newman (American singer‐songwriter and score composer)
publisher:
Randy Newman (publisher) (in 1972), Randy Newman Music (in 1972) und WB Music Corp. (1929–2019) (in 1972)
Randy Newman2:52
87City of New Orleans
cover recording of:
City of New Orleans
Texter und Komponist(in):
Steve Goodman (folk musician)
publisher:
Sony/ATV Tunes LLC (ASCAP)
Arlo Guthrie4:30
88On Your Way Down
Allen Toussaint3:59
89Low Yo Yo Stuff
Captain Beefheart & His Magic Band3:39
90Virginia Plain
Techniker(in):
Andy Hendriksen (in 1972-03)
Produzent(in):
Peter Sinfield
Bass:
Rik Kenton (production music composer) (in 1972-03)
arranger:
Roxy Music
phonographisches Urheberrecht (℗) von:
E.G. Records Ltd. (company credits only; do NOT use as release label) (in 1972), Virgin EG Records Ltd. (in 1972), Virgin EMI Records (division of Universal Music UK, 2013–2020) (in 1999) und Virgin Records Ltd. (not for release label use! for company relationships only) (in 1999)
aufgenommen bei:
Command Studios in London (Greater London), England, Vereinigtes Königreich (in 1972-03)
Teil von:
TV Cream: Real 100 Best Singles Ever (Nummer: 3) und Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (Nummer: 348)
recording of:
Virginia Plain (in 1972-03)
Texter und Komponist(in):
Bryan Ferry
arranger:
Roxy Music
publisher:
BMG Music Publishing Ltd., BMG Songs Ltd., Careers‐BMG Music Publishing, E.G. Music Inc., E.G. Music Ltd. (publisher), TRO-Total Music, Inc. und Buggane Music, Ltd. (in 1972)
Roxy Music3.652:57
91Smoke on the Water
recorded in:
Montreux, Vaud (Kanton Waadt), Schweiz (in 1971-12)
assistierende(r) Techniker(in):
Jeremy Gee
Techniker(in):
Martin Birch
Produzent(in):
Deep Purple
E-Bass:
Roger Glover (in 1971-12)
E-Gitarre:
Ritchie Blackmore (in 1971-12)
Hammond-Orgel:
Jon Lord (in 1971-12)
Schlagzeug:
Ian Paice (in 1971-12)
Sologesang:
Ian Gillan (in 1971-12)
phonographisches Urheberrecht (℗) von:
Deep Purple (Overseas) Ltd. (in 1973)
aufgenommen bei:
Rolling Stones Mobile Studio in Vereinigtes Königreich (in 1971-12)
Teil von:
SWR1 Hitparade 2004 der Männer (Baden-Württemberg) (Nummer: 8), SWR1 Hitparade 2008 (Baden-Württemberg) (Nummer: 10), SWR1 Hitparade 2009 (Baden-Württemberg) (Nummer: 10), SWR1 Hitparade 2012 (Baden-Württemberg) (Nummer: 10), VH1: 100 Greatest Hard Rock Songs (2008-12-29) (Nummer: 11), NME: 50 Greatest Guitar Riffs of All Time (2012-10-25) (Nummer: 13), Rolling Stone: The 100 Greatest Heavy Metal Songs of All Time (Nummer: 34) und Rock and Roll Hall of Fame – 500 Songs That Shaped Rock
recording of:
Smoke on the Water (in 1971-12)
Verfasser(in):
Ritchie Blackmore, Ian Gillan, Roger Glover, Jon Lord und Ian Paice
publisher:
B. Feldman & Co. Ltd. (publisher est. 1946), EMI Music Publishing (do not use as a release label!), Glenwood Music Corp., HEC Music und Henrees Music co.
sub-publisher:
EMI Music Publishing France, EMI Music Publishing Scandinavia AB, EMI Music Publishing Japan C.F. division (bis 2021-06-30) und ソニー・ミュージックパブリッシング EMI外国事業部 (Sony Music Publishing (Japan) Inc., EMI Overseas Division, sub‐publisher for non‐Japanese works) (vom 2021-07-01 bis heute)
Deep Purple4.155:40
92School’s Out
Techniker(in):
Roy Cicala und Shelly Yakus
Produzent(in):
Bob Ezrin
E-Bass:
Dennis Dunaway (original bass player for Alice Cooper)
E-Gitarre:
Michael Bruce (of Alice Cooper) und Glen Buxton (American guitarist)
Gitarre und Hintergrundgesang:
Reggie Vincent
Keyboard:
Michael Bruce (of Alice Cooper) und Bob Ezrin
Schlagzeug:
Neil Smith (former Alice Cooper drummer)
Sologesang:
Alice Cooper (the musician born Vincent Damon Furnier, changed his name legally to Alice Cooper in 1974)
phonographisches Urheberrecht (℗) von:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (in 1972, in 1974) und WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1972)
produced for:
Alive Enterprises Incorporated und Nimbus 9 Productions
aufgenommen bei:
The Record Plant (New York) in Midtown Manhattan, New York, New York, Vereinigte Staaten
Teil von:
VH1: 100 Greatest Hard Rock Songs (2008-12-29) (Nummer: 35), Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (Nummer: 293) und Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 319)
recording of:
School’s Out
Verfasser(in):
Michael Bruce (of Alice Cooper), Glen Buxton (American guitarist), Alice Cooper (the musician born Vincent Damon Furnier, changed his name legally to Alice Cooper in 1974), Dennis Dunaway (original bass player for Alice Cooper) und Neal Smith (former Alice Cooper drummer)
publisher:
Bizarre Music Co. (US work publisher), BMG Platinum Songs US, Carlin Music Corporation, Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Ezra Music, Ezra Music Corp., Opus 19 Music, Primary Wave Music Publishing, Sony/ATV Music Publishing, Third Palm Music, Universal Music Publishing Group, Warner Bros. Music (publisher; do NOT use as release label) und Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label)
sub-publisher:
フジパシフィックミュージック (Fujipacific Music, Inc.) und ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
Alice Cooper4.23:29
93Bertha
recording of:
Bertha
Texter:
Robert Hunter (American lyricist, non‐performing member of the Grateful Dead)
Komponist(in):
Jerry Garcia (guitarist / vocalist in Grateful Dead)
publisher:
Ice Nine Publishing Company, Inc.
Grateful Dead5:40
94Blue Sky
Techniker(in):
Howard Albert und Ron Albert
Produzent(in):
Tom Dowd
Akustikgitarre und Slide-Gitarre:
Duane Allman (von 1971-09 bis 1971-12)
Bass:
Berry Oakley (US bassist, The Allman Brothers Band) (von 1971-09 bis 1971-12)
Gitarre und Sologesang:
Dickey Betts (von 1971-09 bis 1971-12)
Hybrid-Piano und Orgel und Hintergrundgesang:
Gregg Allman (von 1971-09 bis 1971-12)
Schlagzeug:
Jai Johanny Johanson (von 1971-09 bis 1971-12)
Schlagzeug und Tamburin:
Butch Trucks (von 1971-09 bis 1971-12)
arranger:
The Allman Brothers Band
phonographisches Urheberrecht (℗) von:
PolyGram Records, Inc. (not for release label use! US division of PolyGram) (in 1972)
aufgenommen bei:
Criteria Studios in Miami, Florida, Vereinigte Staaten (von 1971-09 bis 1971-12)
recording of:
Blue Sky (von 1971-09 bis 1971-12)
Texter und Komponist(in):
Dickey Betts
publisher:
F.R. Betts Music Co., No Exit Music Co., Inc., Unichappell Music, Inc. und Warner Chappell Music, Inc.
The Allman Brothers Band45:10
95Hello It’s Me
recording of:
Hello, It’s Me
Texter und Komponist(in):
Todd Rundgren
publisher:
Screen Gems–EMI Music, Inc. (USA, affiliated with BMI)
Todd Rundgren4:38
96Suavecito
recording of:
Suavecito
Verfasser(in):
Richard Bean (US singer and timbal percussionist), Pablo Tellez und Abel Zarate
Malo6:34
97Waiting for the Rain
Wendy Waldman2:29
98Andalucia
Produzent(in):
Chris Thomas (UK record producer / remixer)
recording of:
Andalucia
Texter und Komponist(in):
John Cale (The Velvet Underground founder)
publisher:
John Cale Music, Inc.
John Cale3:52
99In My Hour of Darkness
recording of:
In My Hour of Darkness
Komponist(in):
Emmylou Harris und Gram Parsons
Gram Parsons3:43
100Morning Sun
Jesse Colin Young4:02
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