| # | Title | Artist | Rating | Length |
|---|
| 1 | Gold | Spandau Ballet | 3.5 | 3:53 |
| 2 | Eye of the Tiger- assistant engineer:
- Hill Swimmer
- engineer:
- Phil Bonnano and Mike Clink
- producer:
- Jim Peterik and Frankie Sullivan
- phonographic copyright (℗) by:
- Scotti Bros. Industries Inc (in 1982), Volcano Entertainment III, L.L.C. (in 1982, in 1985) and Sony Music Entertainment UK Limited (in 2016)
- recorded at:
- Rumbo Recorders in Canoga Park, Los Angeles, California, United States
- part of:
- Billboard: Greatest of All Time Hot 100 Songs (number: 28) and VH1: 100 Greatest Hard Rock Songs (number: 63)
- recording of:
- Eye of the Tiger
- writer:
- Jim Peterik and Frankie Sullivan
- publisher:
- Copyright Control , Easy Action Music, Ensign Music Corporation, Holy Moley Music, Rude Music , Rude Music Inc, Sony/ATV Harmony UK, Sony/ATV Melody, Three Wise Boys Music LLC, Warner Chappell North America Limited , Warner/Chappell North America Limited , WB Music Corp. (, until 2019-05-28) and WC Music Corp. (from 2019-05-28 to present)
- sub-publisher:
- Productions et Éditions Cinématographiques Françaises, Sony Music Publishing (Japan), Inc., A Division , Sony/ATV Music Publishing France, Warner/Chappell Music Japan, Synch division , Yamaha Music Publishing (until 2017-03-31) and Yamaha Music Entertainment Holdings, Inc. (from 2017-04-01 to present)
- part of:
- The 55th Academy Award for Best Original Song (number: 2) and Academy Award for Best Original Song (number: 1982 nominee)
| Survivor | 4.45 | 4:04 |
| 3 | The Best (edit) | Tina Turner | 3.9 | 4:11 |
| 4 | Heart of Glass (original single version)- assistant engineer:
- Grey Russell
- engineer:
- Peter Coleman
- assistant producer:
- Peter Coleman
- producer:
- Mike Chapman
- bass guitar:
- Nigel Harrison
- drums (drum set):
- Clem Burke
- guitar:
- Frank Infante and Chris Stein
- keyboard:
- Jimmy Destri
- lead vocals:
- Deborah Harry
- phonographic copyright (℗) by:
- Capitol Records, LLC , Capitol Records (in 1978), Capitol Records, Inc. (in 1978), Chrysalis Records (in 1978) and Chrysalis Records, Inc. (in 1978)
- recorded at:
- The Record Plant in Midtown Manhattan, New York, New York, United States (in 1978-06)
- mixed at:
- Forum Studio in Covington, Kentucky, United States
- recording of:
- Heart of Glass
- writer:
- Deborah Harry and Chris Stein
- publisher:
- BMG Monarch, Chrysalis Music , Chrysalis Music Ltd. , EMI Music Publishing Ltd. , Monster Island Music Publishing Corporation and Rare Blue Music Inc (in 1978)
- sub-publisher:
- フジパシフィックミュージック
- version of:
- Once I Had a Love
| Blondie | 4.3 | 4:11 |
| 5 | I Will Survive (single version)- associate producer:
- Freddie Perren
- producer:
- Dino Fekaris
- phonographic copyright (℗) by:
- PolyGram Records, Inc. (in 1978), Universal Records (in 1978) and Polydor Incorporated (in 1979)
- edit of:
- I Will Survive by Gloria Gaynor
- part of:
- Billboard: The 500 Best Pop Songs (number: 35), Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 251) and Rolling Stone: 500 Greatest Songs of All Time (number: 489)
- recording of:
- I Will Survive
- writer:
- Dino Fekaris and Freddie Perren
- publisher:
- ATV Music, Perren‐Vibes Music, Inc., PolyGram International Publishing, Inc. , Universal Music Publishing , Universal Music Publishing Ltd. , Universal Music Publishing Pty Ltd. and Universal PolyGram International Publishing, Inc.
| Gloria Gaynor | 3.95 | 3:12 |
| 6 | Unwritten | Natasha Bedingfield | 3.7 | 4:16 |
| 7 | You & I (radio edit) | One Direction | | 3:50 |
| 8 | Rule the World (radio edit) | Take That | 3.5 | 3:58 |
| 9 | I Have a Dream- vocals:
- Westlife
- performer:
- Brian, Kian, Mark , Nicky and Shane
- phonographic copyright (℗) by:
- Sony BMG Music Entertainment (UK) Ltd. (in 1999)
- cover recording of:
- I Have a Dream
- writer:
- Benny Andersson and Björn Ulvaeus
- publisher:
- Bocu Music Ltd., EMI Music Publishing , Union Songs AB , Union Songs Music, Universal Music Publishing Group, Artwork Music Co., Inc. (from 1979 to ????), EMI Waterford Music (from 1979 to present), Universal PolyGram International Publishing, Inc. (from 1979 to present) and Universal/Union Songs Musikförlag AB (from 1979 to present)
- part of:
- Mamma Mia!
| Westlife | 4 | 4:14 |
| 10 | I Didn’t Know My Own Strength | Whitney Houston | 5 | 3:40 |
| 11 | What Was I Made For? (from the motion picture “Barbie”)- engineer:
- Billie Eilish and FINNEAS
- additional producer:
- Mark Ronson and Andrew Wyatt
- producer:
- Billie Eilish (lead vocals [vocal production]) and FINNEAS
- assistant mixer:
- Eli Heisler
- mixer:
- Rob Kinelski
- electric bass guitar [electric bass], percussion and piano:
- FINNEAS
- synthesizer [synth]:
- Billie Eilish and FINNEAS
- vocals:
- Billie Eilish
- vocals arranger:
- FINNEAS
- orchestrator:
- Mark Ronson and Andrew Wyatt
- phonographic copyright (℗) by:
- Darkroom (in 2023) and Interscope Records (in 2023)
- mixed at:
- The Fortress of Amplitude in Los Angeles, California, United States
- music videos:
- What Was I Made For? by Billie Eilish, What Was I Made For? by Billie Eilish and What Was I Made For? by Billie Eilish
- part of:
- Grammy Award: Best Pop Solo Performance nominees (number: 2024), Grammy Award: Record of the Year nominees (number: 2024), Billboard Year-End Hot 100 singles of 2024 (number: 46) and BILLIONS CLUB
- recording of:
- What Was I Made For?
- writer:
- Billie Eilish O'Connell and Finneas O'Connell
- publisher:
- DRUP, Last Frontier, Universal Music Corp. and Warner GrandView Music
- part of:
- The 96th Academy Award for Best Original Song (number: 1), Grammy Award: Best Song Written for Visual Media nominees (number: 2024 winner), Grammy Award: Song of the Year nominees (number: 2024 winner) and Academy Award for Best Original Song (number: 2023 winner)
- part of:
- Barbie
| Billie Eilish | 3.45 | 3:42 |
| 12 | Shallow (radio edit)- assistant recording engineer:
- Bo Bodnar and Alex Williams
- recording engineer:
- Benjamin Rice
- producer:
- Lady Gaga and Benjamin Rice
- assistant mixer:
- Brandon Bost
- mixer:
- Tom Elmhirst
- acoustic guitar:
- Lukas Nelson
- bass guitar [bass]:
- Corey McCormick
- drums (drum set) [drums]:
- Anthony LoGerfo
- keyboard [keyboards]:
- Alberto Bof
- lap steel guitar [lapsteel guitar]:
- Jesse Siebenberg
- percussion:
- Eduardo "Tato" Melgar
- phonographic copyright (℗) by:
- Interscope Records (in 2018)
- additionally recorded at:
- Eastwest Studios in Hollywood, Los Angeles, California, United States and The Village in Los Angeles, California, United States
- recorded at:
- Greek Theater in Los Feliz, Los Angeles, California, United States
- mixed at:
- Electric Lady Studios in Greenwich Village, New York, New York, United States
- edit of:
- Shallow by Lady Gaga & Bradley Cooper
- a cappella versions:
- Shallow by Forte A Cappella
- part of:
- Rolling Stone: The 50 Best Tunes by Made-Up Musicians (number: 3), World Soundtrack Awards: Best Original Song (number: 2019), Rolling Stone: The 100 Best Songs of the 2010s (number: 14), Billboard Year-End Hot 100 singles of 2019 (number: 19), Billboard Decade End Chart: Adult Contemporary Songs (number: 23), Helsingin Sanomat: 100 maailman parasta laulua (number: 24), Grammy Award: Best Pop Duo/Group Performance nominees (number: 2019 winner) and Stereogum: The 200 Best Songs of the 2010s (number: 46)
- recording of:
- Shallow
- writer:
- Mark Ronson , Anthony Rossomando, Stefani Germanotta and Andrew Wyatt
- publisher:
- Stephaniesays Music
- part of:
- The 91st Academy Award for Best Original Song (number: 1), Prix de l’œuvre internationale de l’année (number: 2019) and Academy Award for Best Original Song (number: 2018 winner)
| Lady Gaga & Bradley Cooper | 3.45 | 3:38 |
| 13 | Video Games | Lana Del Rey | 3.75 | 4:43 |
| 14 | Woman in Chains (7″ version) | Tears for Fears & Oleta Adams | 4 | 5:29 |
| 15 | Fragile | Sting | 4.4 | 3:53 |
| 16 | I Go to Sleep | Pretenders | | 2:57 |
| 17 | It Must Be Love (2009 remaster) | Madness | 4 | 3:21 |
| 18 | I Ain’t Worried | OneRepublic | 3.6 | 2:29 |
| 19 | I Heard It Through the Grapevine- producer:
- Norman Whitfield
- bass [1962 Fender Precision Bass]:
- James Jamerson (from 1967-02-03 until 1967-04-10)
- congas and tambourine:
- Jack Ashford (from 1967-02-03 until 1967-04-10)
- drums (drum set):
- Uriel Jones (from 1967-02-03 until 1967-04-10)
- French horn:
- Don Ozga (from 1967-02-03 until 1967-04-10) and Edwin Jones (from 1967-02-03 until 1967-04-10)
- guitar [1964 Gibson Firebird III]:
- Eddie Willis (from 1967-02-03 until 1967-04-10)
- guitar [Fender Telecaster with Jazzmaster Neck]:
- Joe Messina (from 1967-02-03 until 1967-04-10)
- Hammond organ [B-3]:
- Earl Van Dyke (from 1967-02-03 until 1967-04-10)
- instruments:
- The Funk Brothers (from 1967-02-03 until 1967-04-10)
- tom-tom:
- Richard "Pistol" Allen (from 1967-02-03 until 1967-04-10)
- Wurlitzer electric piano:
- Johnny Griffith (from 1967-02-03 until 1967-04-10)
- background vocals:
- The Andantes (from 1967-02-03 until 1967-04-10), Marlene Barrow (from 1967-02-03 until 1967-04-10), Louvain Demps (from 1967-02-03 until 1967-04-10) and Jackie Hicks (from 1967-02-03 until 1967-04-10)
- lead vocals:
- Marvin Gaye (from 1967-02-03 until 1967-04-10)
- orchestra:
- Detroit Symphony Orchestra (from 1967-02-03 until 1967-04-10)
- strings arranger:
- Paul Riser (from 1967-02-03 until 1967-04-10)
- orchestrator:
- Paul Riser (from 1967-02-03 until 1967-04-10)
- phonographic copyright (℗) by:
- Motown Record Company (in 1968)
- recorded at and mixed at:
- Hitsville in Detroit, Michigan, United States (from 1967-02-03 until 1967-04-10)
- part of:
- Rock and Roll Hall of Fame – 500 Songs That Shaped Rock, Rolling Stone: 500 Greatest Songs of All Time (number: 80), Billboard: Greatest of All Time Hot 100 Songs (number: 93), Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 119) and Billboard: The 500 Best Pop Songs (number: 307)
- cover recording of:
- I Heard It Through the Grapevine (from 1967-02-03 until 1967-04-10)
- writer:
- Barrett Strong and Norman Whitfield
- publisher:
- EMI Music Publishing Ltd. , EMI Songs Australia, EMI Songs Scandinavia AB, Jobete Music , Jobete Music (UK) Ltd., Jobette-Carlin Music Ltd., Stone Agate Music, Stone Agate Music Division and ソニー・ミュージックパブリッシング フジパシフィック事業部
| Marvin Gaye | 4.05 | 3:15 |
| 20 | Stand by Me- recorded in:
- New York, New York, United States (on 1960-10-27)
- producer:
- Leiber and Stoller
- vocals:
- Ben E. King (on 1960-10-27)
- conductor:
- Stan Applebaum (on 1960-10-27)
- arranger:
- Stan Applebaum
- phonographic copyright (℗) by:
- HHO Ltd. , WEA International Inc. (in 1960, in 1961) and Atlantic Recording Corporation (in 1986)
- part of:
- Dave Marsh: The Best of the Top 40 Singles: 1961 (number: 1), Billboard: The 500 Best Pop Songs (number: 62), Rock and Roll Hall of Fame – 500 Songs That Shaped Rock, Rolling Stone: 500 Greatest Songs of All Time (number: 121), Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 131) and BILLIONS CLUB
- recording of:
- Stand by Me (on 1960-10-27)
- publisher:
- Mike Stoller
- writer:
- Ben E. King, Jerry Leiber and Mike Stoller
- publisher:
- A.D.T. Enterprises, Hornall Brothers Music , Jerry Leiber Music, Leiber Stoller Songs Ltd., Melodie der Welt , Melodie der Welt GmbH & Co. KG , Progressive Music Publishing Company Inc., Rightsong Music, Sony/ATV Music Publishing Ltd., Sony/ATV Songs LLC, Trio Music , Trio Music Co., Inc., Unichappell Music and Universal Music Publishing
| Ben E. King | 4.65 | 3:00 |
| 21 | What a Wonderful World- recorded in:
- New York, United States (on 1967-08-16)
- engineer:
- Eddie Brackett and Bob Simpson
- producer:
- Bob Thiele
- alto saxophone:
- Sam Marowitz (on 1967-08-16) and Daniel Trimboli (on 1967-08-16)
- baritone saxophone:
- Raymond Stanfield (on 1967-08-16)
- clarinet:
- Sam Marowitz (on 1967-08-16) and Jerome Richardson (on 1967-08-16)
- double bass:
- Russ Savakus (on 1967-08-16)
- drums (drum set):
- Grady Tate (on 1967-08-16)
- flute:
- Sam Marowitz (on 1967-08-16), Jerome Richardson (on 1967-08-16) and Daniel Trimboli (on 1967-08-16)
- guitar:
- Allen Hanlon (on 1967-08-16), Art Ryerson (on 1967-08-16) and Willard Suyker (on 1967-08-16)
- percussion:
- Warren Hard (on 1967-08-16)
- piano:
- Hank Jones (on 1967-08-16)
- tenor saxophone:
- Jerome Richardson (on 1967-08-16) and Daniel Trimboli (on 1967-08-16)
- trombone:
- Urbie Green (on 1967-08-16) and J.J. Johnson (on 1967-08-16)
- trumpet:
- Louis Armstrong (on 1967-08-16), Clark Terry (on 1967-08-16) and Joe Wilder (on 1967-08-16)
- lead vocals:
- Louis Armstrong (on 1967-08-16)
- orchestra:
- Louis Armstrong’s Orchestra and Chorus (on 1967-08-16)
- conductor and chorus master:
- Tommy Goodman (on 1967-08-16)
- phonographic copyright (℗) by:
- MCA Records, Inc. (in 1968)
- part of:
- Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 171) and Billboard: The 500 Best Pop Songs (number: 283)
- recording of:
- What a Wonderful World (on 1967-08-16)
- writer:
- George Douglas and George David Weiss
- publisher:
- Abilene Music Inc., Carlin Music Corp., Copyright Control , Memory Lane Music , Quartet Music Inc., Range Road Music Inc. and Valando Music, Inc.
- sub-publisher:
- BMC Publishing NV, Sony Music Publishing (Japan) Inc. , ヤマハミュージックエンタテインメントホールディングス , ワーナー・チャペル音楽出版 Synch事業部 , フジパシフィック音楽出版 (until 2014-12-31) and フジパシフィックミュージック (from 2015-01-01 to present)
- part of:
- 12 Monkeys Soundtrack
- part of:
- Freaky Friday
| Louis Armstrong | 4 | 2:17 |
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