The Complete Albums Collection: 1945-1957

~ Release by Coleman Hawkins (see all versions of this release, 1 available)

Tracklist

1▶CD: Coleman Hawkins on Asch Records (1945) / Classics in Jazz (1952) / Tenor Sax Stylings, Vol. 1 (1952 Comp)
2▶CD: King of the Tenor Sax (1952 Comp) / The Hawk Returns (1955)
3▶CD: The "Hawk" Talks (1955) / The Gilded Hawk (1957)
4▼CD: The Hawk in Hi Fi (1956) / The Hawk Flies High (1957)
#TitleRatingLength
1Body and Soul
bass:
Jack Lesberg (on 1956-01-20)
bell:
Phil Kraus (on 1956-01-20)
celesta and piano:
Hank Jones (piano) (on 1956-01-20)
cello:
Eduardo Sodero (on 1956-01-20), Bernie Greenhouse (on 1956-01-20) and George Ricci (on 1956-01-20)
clarinet:
Sid Jekowsky (on 1956-01-20)
drums (drum set):
Osie Johnson (on 1956-01-20)
French horn:
Jimmy Buffington (US jazz, studio and classical hornist) (on 1956-01-20)
glockenspiel and xylophone:
Marty Wilson (on 1956-01-20)
tenor saxophone:
Coleman Hawkins (on 1956-01-20)
viola:
Bert Fisch (on 1956-01-20)
violin:
Cy Miroff (on 1956-01-20), Arnold Eidus (on 1956-01-20), Stan Kraft (on 1956-01-20), Dave Newman (violin) (on 1956-01-20), Alvin Rudnitsky (on 1956-01-20) and Dave Sarser (on 1956-01-20)
arranger:
Billy Byers
phonographic copyright (℗) by:
BMG Entertainment
recorded at:
Webster Hall in East Village, New York, New York, United States (on 1956-01-20)
instrumental recording of:
Body and Soul (on 1956-01-20)
lyricist:
Frank Eyton (in 1930), Edward Heyman (in 1930) and Robert Sour (in 1930)
composer:
Edward Heyman, Robert Sour and John Green (composer and conductor, often credited as John Green) (in 1930)
publisher:
Bug Music, Inc., Chappell & Co Ltd., Druropetal Music, Quartet Music Inc., Range Road Music Inc., Warner Bros., Inc. (not for release label use!), WB Music Corp. (1929–2019) (until 2019-05-28) and WC Music Corp. (from 2019-05-28 to present)
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
5:00
2Little Girl Blue
bass:
Milt Hinton (on 1956-01-17)
cello:
Alan Shulman (cellist and composer) (on 1956-01-17)
drums (drum set):
Osie Johnson (on 1956-01-17)
flute:
Sid Jekowsky (on 1956-01-17)
guitar:
Barry Galbraith (on 1956-01-17)
piano:
Hank Jones (piano) (on 1956-01-17)
tenor saxophone:
Coleman Hawkins (on 1956-01-17)
trombone:
Urbie Green (on 1956-01-17), Fred Ohms (American jazz trombonist) (on 1956-01-17), Jack Satterfield (on 1956-01-17) and Thommy Mitchell (US jazz trombonist) (on 1956-01-17)
trumpet:
Jimmy Nottingham (on 1956-01-17)
tuba:
Don Butterfield (on 1956-01-17)
vibraphone:
Marty Wilson (on 1956-01-17)
viola:
Izzy Zir (aka Isadore Zit viola player) (on 1956-01-17)
violin:
Leo Kruczek (on 1956-01-17) and Harry Lookofsky (on 1956-01-17)
arranger:
Billy Byers
phonographic copyright (℗) by:
BMG Entertainment
recorded at:
Webster Hall in East Village, New York, New York, United States (on 1956-01-17)
instrumental recording of:
Little Girl Blue (on 1956-01-17)
lyricist:
Lorenz Hart (in 1935)
composer:
Richard Rodgers (composer) (in 1935)
arranger:
Sarah Latto
publisher:
Chappell Music Ltd., Lorenz Hart Publishing Co., T.B. Harms Co., Universal PolyGram International Publishing, Inc. (existed only since ca. 1998), Warner Chappell North America, WC Music Corp., Williamson Music Company, シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label), ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division) and ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
part of:
Jumbo
3:04
3I Never Knew
bass:
Milt Hinton (on 1956-01-17)
cello:
Alan Shulman (cellist and composer) (on 1956-01-17)
drums (drum set):
Osie Johnson (on 1956-01-17)
flute:
Sid Jekowsky (on 1956-01-17)
guitar:
Barry Galbraith (on 1956-01-17)
piano:
Hank Jones (piano) (on 1956-01-17)
tenor saxophone:
Coleman Hawkins (on 1956-01-17)
trombone:
Urbie Green (on 1956-01-17), Fred Ohms (American jazz trombonist) (on 1956-01-17), Jack Satterfield (on 1956-01-17) and Thommy Mitchell (US jazz trombonist) (on 1956-01-17)
trumpet:
Jimmy Nottingham (on 1956-01-17)
tuba:
Don Butterfield (on 1956-01-17)
vibraphone:
Marty Wilson (on 1956-01-17)
viola:
Izzy Zir (aka Isadore Zit viola player) (on 1956-01-17)
violin:
Leo Kruczek (on 1956-01-17) and Harry Lookofsky (on 1956-01-17)
arranger:
Billy Byers
phonographic copyright (℗) by:
BMG Entertainment
recorded at:
Webster Hall in East Village, New York, New York, United States (on 1956-01-17)
instrumental recording of:
I Never Knew (on 1956-01-17)
lyricist:
Gus Kahn
composer:
Ted Fio Rito
publisher:
Bourne Co. (not for release label use, this is a music publisher) and Gilbert Keyes Music Company
3:07
4Dinner for One Please, James
bass:
Milt Hinton (on 1956-01-17)
cello:
Alan Shulman (cellist and composer) (on 1956-01-17)
drums (drum set):
Osie Johnson (on 1956-01-17)
flute:
Sid Jekowsky (on 1956-01-17)
guitar:
Barry Galbraith (on 1956-01-17)
piano:
Hank Jones (piano) (on 1956-01-17)
tenor saxophone:
Coleman Hawkins (on 1956-01-17)
trombone:
Urbie Green (on 1956-01-17), Fred Ohms (American jazz trombonist) (on 1956-01-17), Jack Satterfield (on 1956-01-17) and Thommy Mitchell (US jazz trombonist) (on 1956-01-17)
trumpet:
Jimmy Nottingham (on 1956-01-17)
tuba:
Don Butterfield (on 1956-01-17)
vibraphone:
Marty Wilson (on 1956-01-17)
viola:
Izzy Zir (aka Isadore Zit viola player) (on 1956-01-17)
violin:
Leo Kruczek (on 1956-01-17) and Harry Lookofsky (on 1956-01-17)
arranger:
Billy Byers
phonographic copyright (℗) by:
BMG Entertainment
recorded at:
Webster Hall in East Village, New York, New York, United States (on 1956-01-17)
instrumental recording of:
Dinner for One Please, James (on 1956-01-17)
lyricist and composer:
Michael Carr (songwriter)
3:12
5The Bean Stalks Again
alto saxophone:
Sam Marowitz (saxophonist and clarinetist) (on 1956-01-18) and Hal McKusick (on 1956-01-18)
baritone saxophone:
Sol Schlinger (saxophone, jazz) (on 1956-01-18)
bass:
Milt Hinton (on 1956-01-18)
drums (drum set):
Osie Johnson (on 1956-01-18)
guitar:
Barry Galbraith (on 1956-01-18)
piano:
Hank Jones (piano) (on 1956-01-18)
tenor saxophone:
Al Cohn (on 1956-01-18), Coleman Hawkins (on 1956-01-18) and Zoot Sims (US jazz saxophonist) (on 1956-01-18)
trombone:
Urbie Green (on 1956-01-18), Fred Ohms (American jazz trombonist) (on 1956-01-18), Jack Satterfield (on 1956-01-18) and Chauncey Welsch (on 1956-01-18)
trumpet:
Bernie Glow (on 1956-01-18), Lou Oles (American jazz trumpeter) (on 1956-01-18), Ernie Royal (on 1956-01-18), Charlie Shavers (on 1956-01-18) and Nick Travis (on 1956-01-18)
vibraphone:
Marty Wilson (on 1956-01-18)
arranger:
Billy Byers
phonographic copyright (℗) by:
BMG Entertainment
recorded at:
Webster Hall in East Village, New York, New York, United States (on 1956-01-18)
3:25
6His Very Own Blues
alto saxophone:
Sam Marowitz (saxophonist and clarinetist) (on 1956-01-18) and Hal McKusick (on 1956-01-18)
baritone saxophone:
Sol Schlinger (saxophone, jazz) (on 1956-01-18)
double bass:
Milt Hinton (on 1956-01-18)
drums (drum set):
Osie Johnson (on 1956-01-18)
guitar:
Barry Galbraith (on 1956-01-18)
piano:
Hank Jones (piano) (on 1956-01-18)
tenor saxophone:
Al Cohn (on 1956-01-18), Coleman Hawkins (on 1956-01-18) and Zoot Sims (US jazz saxophonist) (on 1956-01-18)
trombone:
Urbie Green (on 1956-01-18), Fred Ohms (American jazz trombonist) (on 1956-01-18), Jack Satterfield (on 1956-01-18) and Chauncey Welsch (on 1956-01-18)
trumpet:
Bernie Glow (on 1956-01-18), Lou Oles (American jazz trumpeter) (on 1956-01-18), Ernie Royal (on 1956-01-18), Charlie Shavers (on 1956-01-18) and Nick Travis (on 1956-01-18)
vibraphone:
Marty Wilson (on 1956-01-18)
arranger:
Billy Byers
phonographic copyright (℗) by:
BMG Entertainment
recorded at:
Webster Hall in East Village, New York, New York, United States (on 1956-01-18)
3:02
7The Day You Came Along
bass:
Jack Lesberg (on 1956-01-20)
bell:
Phil Kraus (on 1956-01-20)
celesta and piano:
Hank Jones (piano) (on 1956-01-20)
cello:
Eduardo Sodero (on 1956-01-20), Bernie Greenhouse (on 1956-01-20) and George Ricci (on 1956-01-20)
clarinet:
Sid Jekowsky (on 1956-01-20)
drums (drum set):
Osie Johnson (on 1956-01-20)
French horn:
Jimmy Buffington (US jazz, studio and classical hornist) (on 1956-01-20)
glockenspiel and xylophone:
Marty Wilson (on 1956-01-20)
tenor saxophone:
Coleman Hawkins (on 1956-01-20)
viola:
Bert Fisch (on 1956-01-20)
violin:
Cy Miroff (on 1956-01-20), Arnold Eidus (on 1956-01-20), Stan Kraft (on 1956-01-20), Dave Newman (violin) (on 1956-01-20), Alvin Rudnitsky (on 1956-01-20) and Dave Sarser (on 1956-01-20)
arranger:
Billy Byers
phonographic copyright (℗) by:
BMG Entertainment
recorded at:
Webster Hall in East Village, New York, New York, United States (on 1956-01-20)
4:10
8Have You Met Miss Jones
bass:
Jack Lesberg (on 1956-01-20)
bell:
Phil Kraus (on 1956-01-20)
celesta and piano:
Hank Jones (piano) (on 1956-01-20)
cello:
Eduardo Sodero (on 1956-01-20), Bernie Greenhouse (on 1956-01-20) and George Ricci (on 1956-01-20)
clarinet:
Sid Jekowsky (on 1956-01-20)
drums (drum set):
Osie Johnson (on 1956-01-20)
French horn:
Jimmy Buffington (US jazz, studio and classical hornist) (on 1956-01-20)
glockenspiel and xylophone:
Marty Wilson (on 1956-01-20)
tenor saxophone:
Coleman Hawkins (on 1956-01-20)
viola:
Bert Fisch (on 1956-01-20)
violin:
Cy Miroff (on 1956-01-20), Arnold Eidus (on 1956-01-20), Stan Kraft (on 1956-01-20), Dave Newman (violin) (on 1956-01-20), Alvin Rudnitsky (on 1956-01-20) and Dave Sarser (on 1956-01-20)
arranger:
Billy Byers
phonographic copyright (℗) by:
BMG Entertainment
recorded at:
Webster Hall in East Village, New York, New York, United States (on 1956-01-20)
instrumental recording of:
Have You Met Miss Jones? (I’d Rather Be Right) (on 1956-01-20)
lyricist:
Lorenz Hart (in 1937)
composer:
Richard Rodgers (composer) (in 1937)
publisher:
Chappell & Co., Inc. (USA) and Williamson Music Company
part of:
I’d Rather Be Right
3:06
9The Essence of You
bell and tubular bells [bells]:
Phil Kraus (on 1956-01-20)
celesta and piano:
Hank Jones (piano) (on 1956-01-20)
cello:
Eduardo Sodero (on 1956-01-20), Bernie Greenhouse (on 1956-01-20), George Ricci (on 1956-01-20) and Edgardo Sodero (on 1956-01-20)
clarinet:
Sid Jekowsky (on 1956-01-20)
double bass:
Jack Lesberg (on 1956-01-20)
drums (drum set):
Osie Johnson (on 1956-01-20)
flute:
Julius Baker (flautist) (on 1956-01-20)
French horn:
Jimmy Buffington (US jazz, studio and classical hornist) (on 1956-01-20)
glockenspiel and vibraphone:
Marty Wilson (on 1956-01-20)
oboe:
Phil Bodner (Woodwind player) (on 1956-01-20)
tenor saxophone:
Coleman Hawkins (on 1956-01-20)
viola:
Bert Fisch (on 1956-01-20)
violin:
Max Cahn (on 1956-01-20), Cy Miroff (on 1956-01-20), Arnold Eidus (on 1956-01-20), Max Hollander (on 1956-01-20), Stan Kraft (on 1956-01-20), Dave Newman (violin) (on 1956-01-20), Alvin Rudnitsky (on 1956-01-20) and Dave Sarser (on 1956-01-20)
orchestra:
Billy Byers & His Orchestra (on 1956-01-20)
arranger:
Billy Byers
phonographic copyright (℗) by:
BMG Entertainment
recorded at:
Webster Hall in East Village, New York, New York, United States (on 1956-01-20)
3:31
10There Will Never Be Another You
bass:
Milt Hinton (on 1956-01-17)
cello:
Alan Shulman (cellist and composer) (on 1956-01-17)
drums (drum set):
Osie Johnson (on 1956-01-17)
flute:
Sid Jekowsky (on 1956-01-17)
guitar:
Barry Galbraith (on 1956-01-17)
piano:
Hank Jones (piano) (on 1956-01-17)
tenor saxophone:
Coleman Hawkins (on 1956-01-17)
trombone:
Urbie Green (on 1956-01-17), Fred Ohms (American jazz trombonist) (on 1956-01-17), Jack Satterfield (on 1956-01-17) and Thommy Mitchell (US jazz trombonist) (on 1956-01-17)
trumpet:
Jimmy Nottingham (on 1956-01-17)
tuba:
Don Butterfield (on 1956-01-17)
vibraphone:
Marty Wilson (on 1956-01-17)
viola:
Izzy Zir (aka Isadore Zit viola player) (on 1956-01-17)
violin:
Leo Kruczek (on 1956-01-17) and Harry Lookofsky (on 1956-01-17)
arranger:
Billy Byers
phonographic copyright (℗) by:
BMG Entertainment
recorded at:
Webster Hall in East Village, New York, New York, United States (on 1956-01-17)
recording of:
There Will Never Be Another You (on 1956-01-17)
lyricist:
Mack Gordon
composer:
Harry Warren (US composer and lyricist)
publisher:
Morley Music Corp.
part of:
The Real Book (compilation of jazz standards, volume I)
3:01
11I'm Shooting High
alto saxophone:
Sam Marowitz (saxophonist and clarinetist) (on 1956-01-18) and Hal McKusick (on 1956-01-18)
baritone saxophone:
Sol Schlinger (saxophone, jazz) (on 1956-01-18)
bass:
Milt Hinton (on 1956-01-18)
drums (drum set):
Osie Johnson (on 1956-01-18)
guitar:
Barry Galbraith (on 1956-01-18)
piano:
Hank Jones (piano) (on 1956-01-18)
tenor saxophone:
Al Cohn (on 1956-01-18), Coleman Hawkins (on 1956-01-18) and Zoot Sims (US jazz saxophonist) (on 1956-01-18)
trombone:
Urbie Green (on 1956-01-18), Fred Ohms (American jazz trombonist) (on 1956-01-18), Jack Satterfield (on 1956-01-18) and Chauncey Welsch (on 1956-01-18)
trumpet:
Bernie Glow (on 1956-01-18), Lou Oles (American jazz trumpeter) (on 1956-01-18), Ernie Royal (on 1956-01-18), Charlie Shavers (on 1956-01-18) and Nick Travis (on 1956-01-18)
vibraphone:
Marty Wilson (on 1956-01-18)
arranger:
Billy Byers
phonographic copyright (℗) by:
BMG Entertainment
recorded at:
Webster Hall in East Village, New York, New York, United States (on 1956-01-18)
instrumental recording of:
I’m Shooting High (on 1956-01-18)
writer:
Ted Koehler and Jimmy McHugh (songwriter)
2:36
1239"-25"-39" (aka "Bean and the Boys")
alto saxophone:
Sam Marowitz (saxophonist and clarinetist) (on 1956-01-18) and Hal McKusick (on 1956-01-18)
baritone saxophone:
Sol Schlinger (saxophone, jazz) (on 1956-01-18)
bass:
Milt Hinton (on 1956-01-18)
drums (drum set):
Osie Johnson (on 1956-01-18)
guitar:
Barry Galbraith (on 1956-01-18)
piano:
Hank Jones (piano) (on 1956-01-18)
tenor saxophone:
Al Cohn (on 1956-01-18), Coleman Hawkins (on 1956-01-18) and Zoot Sims (US jazz saxophonist) (on 1956-01-18)
trombone:
Urbie Green (on 1956-01-18), Fred Ohms (American jazz trombonist) (on 1956-01-18), Jack Satterfield (on 1956-01-18) and Chauncey Welsch (on 1956-01-18)
trumpet:
Bernie Glow (on 1956-01-18), Lou Oles (American jazz trumpeter) (on 1956-01-18), Ernie Royal (on 1956-01-18), Charlie Shavers (on 1956-01-18) and Nick Travis (on 1956-01-18)
vibraphone:
Marty Wilson (on 1956-01-18)
arranger:
Billy Byers
phonographic copyright (℗) by:
BMG Entertainment
recorded at:
Webster Hall in East Village, New York, New York, United States (on 1956-01-18)
recording of:
Bean and the Boys (on 1956-01-18)
composer:
Coleman Hawkins
2:43
13Chant
engineer:
Jack Higgins (recording engineer)
producer:
Bill Grauer, Jr. and Orrin Keepnews
double bass:
Oscar Pettiford (from 1957-03-12 until 1957-03-15)
drums (drum set):
Jo Jones (US jazz drummer) (from 1957-03-12 until 1957-03-15)
guitar:
Barry Galbraith (from 1957-03-12 until 1957-03-15)
piano:
Hank Jones (piano) (from 1957-03-12 until 1957-03-15)
tenor saxophone:
Coleman Hawkins (from 1957-03-12 until 1957-03-15)
trombone:
J.J. Johnson (jazz/bop trombonist/session leader) (from 1957-03-12 until 1957-03-15)
trumpet:
Idrees Sulieman (from 1957-03-12 until 1957-03-15)
recorded at:
Reeves Sound Studios in New York, New York, United States (from 1957-03-12 until 1957-03-15)
5:07
14Juicy Fruit
engineer:
Jack Higgins (recording engineer)
producer:
Bill Grauer, Jr. and Orrin Keepnews
double bass:
Oscar Pettiford (from 1957-03-12 until 1957-03-15)
drums (drum set):
Jo Jones (US jazz drummer) (from 1957-03-12 until 1957-03-15)
guitar:
Barry Galbraith (from 1957-03-12 until 1957-03-15)
piano:
Hank Jones (piano) (from 1957-03-12 until 1957-03-15)
tenor saxophone:
Coleman Hawkins (from 1957-03-12 until 1957-03-15)
trombone:
J.J. Johnson (jazz/bop trombonist/session leader) (from 1957-03-12 until 1957-03-15)
trumpet:
Idrees Sulieman (from 1957-03-12 until 1957-03-15)
recorded at:
Reeves Sound Studios in New York, New York, United States (from 1957-03-12 until 1957-03-15)
11:19
15Think Deep
engineer:
Jack Higgins (recording engineer)
producer:
Bill Grauer, Jr. and Orrin Keepnews
double bass:
Oscar Pettiford (from 1957-03-12 until 1957-03-15)
drums (drum set):
Jo Jones (US jazz drummer) (from 1957-03-12 until 1957-03-15)
guitar:
Barry Galbraith (from 1957-03-12 until 1957-03-15)
piano:
Hank Jones (piano) (from 1957-03-12 until 1957-03-15)
tenor saxophone:
Coleman Hawkins (from 1957-03-12 until 1957-03-15)
trombone:
J.J. Johnson (jazz/bop trombonist/session leader) (from 1957-03-12 until 1957-03-15)
trumpet:
Idrees Sulieman (from 1957-03-12 until 1957-03-15)
recorded at:
Reeves Sound Studios in New York, New York, United States (from 1957-03-12 until 1957-03-15)
3:25
16Laura
engineer:
Jack Higgins (recording engineer)
producer:
Bill Grauer, Jr. and Orrin Keepnews
double bass:
Oscar Pettiford (from 1957-03-12 until 1957-03-15)
drums (drum set):
Jo Jones (US jazz drummer) (from 1957-03-12 until 1957-03-15)
guitar:
Barry Galbraith (from 1957-03-12 until 1957-03-15)
piano:
Hank Jones (piano) (from 1957-03-12 until 1957-03-15)
tenor saxophone:
Coleman Hawkins (from 1957-03-12 until 1957-03-15)
trombone:
J.J. Johnson (jazz/bop trombonist/session leader) (from 1957-03-12 until 1957-03-15)
trumpet:
Idrees Sulieman (from 1957-03-12 until 1957-03-15)
recorded at:
Reeves Sound Studios in New York, New York, United States (from 1957-03-12 until 1957-03-15)
instrumental recording of:
Laura (1945 song)
lyricist:
Johnny Mercer (in 1945)
composer:
David Raksin (in 1944)
publisher:
EMI Robbins Catalog Inc. (ASCAP), EMI United Partnership Ltd., Robbins Music Corp., Twentieth Century Music Corp. and United Partnership Ltd.
version of:
Laura (original 1944 film theme)
4:35
17Blue Lights
engineer:
Jack Higgins (recording engineer)
producer:
Bill Grauer, Jr. and Orrin Keepnews
double bass:
Oscar Pettiford (from 1957-03-12 until 1957-03-15)
drums (drum set):
Jo Jones (US jazz drummer) (from 1957-03-12 until 1957-03-15)
guitar:
Barry Galbraith (from 1957-03-12 until 1957-03-15)
piano:
Hank Jones (piano) (from 1957-03-12 until 1957-03-15)
tenor saxophone:
Coleman Hawkins (from 1957-03-12 until 1957-03-15)
trombone:
J.J. Johnson (jazz/bop trombonist/session leader) (from 1957-03-12 until 1957-03-15)
trumpet:
Idrees Sulieman (from 1957-03-12 until 1957-03-15)
recorded at:
Reeves Sound Studios in New York, New York, United States (from 1957-03-12 until 1957-03-15)
recording of:
Blue Lights (from 1957-03-12 until 1957-03-15)
writer:
Gigi Gryce
5:45
18Sancticity
engineer:
Jack Higgins (recording engineer)
producer:
Bill Grauer, Jr. and Orrin Keepnews
double bass:
Oscar Pettiford (from 1957-03-12 until 1957-03-15)
drums (drum set):
Jo Jones (US jazz drummer) (from 1957-03-12 until 1957-03-15)
guitar:
Barry Galbraith (from 1957-03-12 until 1957-03-15)
piano:
Hank Jones (piano) (from 1957-03-12 until 1957-03-15)
tenor saxophone:
Coleman Hawkins (from 1957-03-12 until 1957-03-15)
trombone:
J.J. Johnson (jazz/bop trombonist/session leader) (from 1957-03-12 until 1957-03-15)
trumpet:
Idrees Sulieman (from 1957-03-12 until 1957-03-15)
recorded at:
Reeves Sound Studios in New York, New York, United States (from 1957-03-12 until 1957-03-15)
recording of:
Sancticity (in 1957-03)
composer:
Coleman Hawkins
9:11