| # | Title | Artist | Rating | Length |
|---|
| 1 | Fast Car- engineer and mixer:
- Kevin Smith
- producer:
- David Kershenbaum
- acoustic guitar, electric guitar and percussion:
- Tracy Chapman
- bass guitar:
- Larry Klein
- drums (drum set):
- Denny Fongheiser
- steel guitar:
- Ed Black
- vocals:
- Tracy Chapman
- phonographic copyright (℗) by:
- Elektra/Asylum Records (in 1988) and Elektra Entertainment (in 2015)
- recorded at and mixed at:
- Powertrax Studio in Hollywood, Los Angeles, California, United States
- part of:
- Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 71), BILLIONS CLUB, Rolling Stone: The 200 Greatest Country Songs of All Time (number: 113), Rolling Stone: 500 Greatest Songs of All Time (number: 165) and Billboard: The 500 Best Pop Songs (number: 275)
- recording of:
- Fast Car
- lyricist and composer:
- Tracy Chapman
- publisher:
- April Music Inc., EMI April Music Inc., Kobalt Music Publishing Ltd. , Purple Rabbit Music, Sony Music Publishing (Japan) Inc. and ヤマハミュージックエンタテインメントホールディングス
- sub-publisher:
- Kobalt Music Publishing France, Kobalt Music Publishing Italia Ltd and Kobalt Music Publishing Ltd.
| Tracy Chapman | 4.45 | 4:56 |
| 2 | Summer Breeze | Seals & Crofts | 4.35 | 3:25 |
| 3 | Listen to the Music | The Doobie Brothers | 4 | 3:47 |
| 4 | Hymn to Her (2007 remaster) | Pretenders | | 4:58 |
| 5 | Grenade (acoustic)- phonographic copyright (℗) by:
- Elektra Entertainment Group Inc. (in 2011) and WEA International Inc. (in 2011)
- recording of:
- Grenade
- writer:
- Brody Brown, Claude Kelly, Philip Lawrence , Ari Levine, Bruno Mars and Andrew Wyatt
- publisher:
- Art for Art's Sake Music, Bughouse, Concord Road , Downtown DMP Songs, Late 80’s Music, Mars Force Music, Roc Nation Music, Studio Beast Music , Toy Plane Music, Warner–Tamerlane Publishing Corp. and Westside Independent Music Publishing
| Bruno Mars | | 4:06 |
| 6 | Running on Empty | Jackson Browne | | 4:58 |
| 7 | Bad Day (acoustic version) | Daniel Powter | | 3:33 |
| 8 | Don’t Go | Rae Morris | | 3:58 |
| 9 | Songbird | Fleetwood Mac | 3.7 | 3:18 |
| 10 | Both Sides Now | Joni Mitchell | 3.85 | 4:33 |
| 11 | Army Dreamers | Kate Bush | 4.05 | 2:54 |
| 12 | Mexico | The Staves | | 4:06 |
| 13 | Lost & Found | Lianne La Havas | 5 | 4:27 |
| 14 | The Scientist | Coldplay | 4.2 | 5:09 |
| 15 | Skinny Love | Birdy | 3.65 | 3:21 |
| 16 | Into the Mystic (1999 remaster) | Van Morrison | 3.2 | 3:29 |
| 17 | Nothing Stays the Same | Luke Sital‐Singh | | 4:01 |
| 18 | I Will Follow You Into the Dark | Death Cab for Cutie | 3.3 | 3:09 |
| 19 | Twist in My Sobriety | Tanita Tikaram | 4.7 | 4:50 |
| 20 | Drive (symphonic version)- recording engineer and mixer:
- Gavin Goldberg
- producer:
- Andy Wright
- arranger and orchestrator:
- Sam Swallow
- phonographic copyright (℗) by:
- Rhino Entertainment (in 2018)
- recorded at:
- Abbey Road Studios in St John's Wood, Westminster, London , England, United Kingdom
- recording of:
- Drive
- publisher:
- Ric Ocasek
- lyricist and composer:
- Ric Ocasek
- publisher:
- Carlin Music Corp., Gallo Music Publishing, Lido Music, Inc., Universal Music Corp. , Universal Music Publishing, Inc., Universal‐MCA Music Publishing and Warner/Chappell Music Ltd.
| The Cars | | 3:57 |
| 21 | Song to the Siren (2017 remaster) | Tim Buckley | 5 | 3:28 |
| 22 | Chuck E’s in Love (45 version)- additional engineer:
- Tom Knox and Roger Nichols
- engineer:
- Loyd Clifft and Lee Herschberg
- producer:
- Russ Titelman and Lenny Waronker
- mixer:
- Lee Herschberg
- vocals:
- Rickie Lee Jones
- phonographic copyright (℗) by:
- Warner Bros. Records Inc. (in 1979) and WEA International Inc. (in 1979)
- recorded at:
- The Burbank Studios in Burbank, California, United States and Warner Bros. Recording Studios in North Hollywood, Los Angeles, California, United States
- mixed at:
- Warner Bros. Recording Studios in North Hollywood, Los Angeles, California, United States
- recording of:
- Chuck E.’s in Love
- lyricist and composer:
- Rickie Lee Jones
- publisher:
- Blue Raincoat Songs Ltd., Easy Money Music, Reservoir Media Music, Rondor Music (Australia) Pty Ltd, Sony Music Publishing (Japan) Inc. , ソニー・ミュージックパブリッシング A事業部 , ヤマハミュージックEH(CM) and ヤマハミュージックエンタテインメントホールディングス
| Rickie Lee Jones | 4.25 | 3:29 |
| 23 | Pure Shores | All Saints | 3.65 | 4:28 |
| 24 | Resolution | Matt Corby | | 4:16 |
| 25 | Respect- recording engineer:
- Tom Dowd (on 1967-02-14)
- producer:
- Jerry Wexler
- baritone saxophone:
- Willie Bridges (on 1967-02-14)
- bass guitar:
- Tommy Cogbill (on 1967-02-14)
- cornet:
- Melvin Lastie (on 1967-02-14)
- drums (drum set):
- Roger Hawkins (on 1967-02-14)
- guitar:
- Jimmy Johnson (on 1967-02-14)
- organ:
- Spooner Oldham (on 1967-02-14)
- piano:
- Aretha Franklin (on 1967-02-14)
- tenor saxophone:
- Charles Chalmers (on 1967-02-14) and King Curtis (on 1967-02-14)
- background vocals:
- Carolyn Franklin (on 1967-02-14) and Erma Franklin (on 1967-02-14)
- vocals:
- Aretha Franklin (on 1967-02-14)
- conductor:
- Tom Dowd (on 1967-02-14)
- arranger:
- Tom Dowd and Arif Mardin
- phonographic copyright (℗) by:
- Atlantic Recording Corporation (in 1967) and WEA International Inc. (in 1967)
- recorded at:
- Atlantic Studios in Midtown Manhattan, New York, New York, United States (on 1967-02-14)
- part of:
- Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 1), Rolling Stone: 500 Greatest Songs of All Time (number: 5), CBC Music: 10 Songs That Have Changed the World, Billboard: The 500 Best Pop Songs (number: 21), New York Post: 100 Greatest Covers (2007) (number: 52) and Rock and Roll Hall of Fame – 500 Songs That Shaped Rock
- cover recording of:
- Respect (on 1967-02-14)
- lyricist and composer:
- Otis Redding
- publisher:
- Cotillion Music Inc. , East-Time-Walco, Irving Music, Inc., Rondor Music (London) Ltd., Warner Chappell and Warner/Chappell North America
| Aretha Franklin | 3.9 | 2:27 |
| 26 | Stand by Me- recorded in:
- New York, New York, United States (on 1960-10-27)
- producer:
- Leiber and Stoller
- vocals:
- Ben E. King (on 1960-10-27)
- conductor:
- Stan Applebaum (on 1960-10-27)
- arranger:
- Stan Applebaum
- phonographic copyright (℗) by:
- HHO Ltd. , WEA International Inc. (in 1960, in 1961) and Atlantic Recording Corporation (in 1986)
- part of:
- Dave Marsh: The Best of the Top 40 Singles: 1961 (number: 1), Billboard: The 500 Best Pop Songs (number: 62), Rock and Roll Hall of Fame – 500 Songs That Shaped Rock, Rolling Stone: 500 Greatest Songs of All Time (number: 121), Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 131) and BILLIONS CLUB
- recording of:
- Stand by Me (on 1960-10-27)
- publisher:
- Mike Stoller
- writer:
- Ben E. King, Jerry Leiber and Mike Stoller
- publisher:
- A.D.T. Enterprises, Hornall Brothers Music , Jerry Leiber Music, Leiber Stoller Songs Ltd., Melodie der Welt , Melodie der Welt GmbH & Co. KG , Progressive Music Publishing Company Inc., Rightsong Music, Sony/ATV Music Publishing Ltd., Sony/ATV Songs LLC, Trio Music , Trio Music Co., Inc., Unichappell Music and Universal Music Publishing
| Ben E. King | 4.65 | 3:00 |
| 27 | Say a Little Prayer (live) | Lianne La Havas | | 3:23 |
| 28 | Fading Into Grey | Billy Lockett | | 3:38 |
| 29 | The Blower’s Daughter | Damien Rice | 4.6 | 4:46 |
| 30 | Panic | L Devine | | 3:21 |
| 31 | Middle Names | Devendra Banhart | | 3:28 |
| 32 | Lost in the Middle (acoustic) | Catherine McGrath | | 3:27 |
| 33 | You’ve Got a Friend | James Taylor | 4.4 | 4:28 |
| 34 | Riptide | Vance Joy | 3.95 | 3:21 |
| 35 | The First Time Ever I Saw Your Face | Roberta Flack | | 4:20 |
| 36 | Iris | The Goo Goo Dolls | 4.25 | 4:49 |
| 37 | What’s Love Got to Do With It (symphonic version)- recording engineer and mixer:
- Gavin Goldberg
- producer:
- Andy Wright
- arranger and orchestrator:
- Sam Swallow
- recorded at:
- Abbey Road Studios in St John's Wood, Westminster, London , England, United Kingdom
- recording of:
- What’s Love Got to Do With It
- writer:
- Graham Lyle and Terence Ernest Britten
- publisher:
- Hornall Brothers Music Ltd. , Kobalt Music Publishing America, Inc., Mushroom Music Pty. Ltd., Warner/Chappell Music Australia Pty. Ltd., Warner/Chappell Music Ltd. , Goodsingle Limited (in 1984), Irving Music, Inc. (in 1984), Rondor Music (London) Ltd. (in 1984), WB Music Corp. (from 1984 until 2019-05-28) and WC Music Corp. (from 2019-05-28 to present)
| Tina Turner | | 4:16 |
| 38 | Details | Maisie Peters | 3.5 | 3:08 |
| 39 | Cool With It (acoustic) | Josie Dunne | | 3:07 |
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