80s Movie Hits

~ Veröffentlichung von Various Artists (alle Versionen dieser Veröffentlichung ansehen, eine vorhanden)

Anmerkung

℗ & © «2020 Warner Music Group - X5 Music Group»

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(As of 2020-03-24).

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Anmerkung zuletzt geändert am 2020-03-25 03:55 UTC.

Titelliste

1▼Digitales Medium
Nr.TitelKünstlerBewertungLänge
1St. Elmo’s Fire (Man in Motion)
Produzent(in):
David Foster (Canadian music producer, arranger and composer)
Blechblasinstrumente [horns] arranger:
David Foster (Canadian music producer, arranger and composer) und Jerry Hey
phonographisches Urheberrecht (℗) von:
Columbia Pictures Industries, Inc. (in 1985) und John Parr Music Ltd. (in 2016)
Teil von:
VH1’s 100 Greatest One‐Hit Wonders of the ’80s (Nummer: 28) und TV Cream: Real 100 Best Singles Ever (Nummer: 85)
recording of:
St. Elmo’s Fire
Verfasser(in):
David Foster (Canadian music producer, arranger and composer) und John Parr
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Foster Frees Music, Gold Horizon Music Corp., SBK Songs (publisher) und Warner Bros. Music (publisher; do NOT use as release label)
John Parr3.84:12
2We Don’t Need Another Hero (from “Thunderdome”)
assistierende(r) Techniker(in):
Mike Ging
Techniker(in) und Mix:
John Hudson (producer, recording and mixing engineer)
Produzent(in):
Terry Britten
Saxophon:
Tim Cappello
Sologesang:
Tina Turner
phonographisches Urheberrecht (℗) von:
Parlophone Records Ltd. (not for release label use! a Warner Music Group company) (in 1985), Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1986) und EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 2004)
Musikvideos:
We Don’t Need Another Hero von Tina Turner
recording of:
We Don’t Need Another Hero
Texter und Komponist(in):
Terry Britten und Graham Lyle
publisher:
Goodsingle Ltd. (publisher), Hornall Brothers Music Ltd. (limited company), Myaxe Music Ltd., Warner Chappell Music (publisher as Warner/Chappell Music) und Warner/Chappell Music Ltd. (1996–2019)
Tina Turner3.554:13
3The Living Daylights
Produzent(in):
a‐ha (Norwegian synth‐pop band), John Barry (English score composer), Jason Corsaro (U.S. music engineer, and record producer), Magne Furuholmen und Paul Waaktaar-Savoy (guitarist, songwriter and singer)
vocals:
a‐ha (Norwegian synth‐pop band)
conductor:
John Barry (English score composer)
arranger:
John Barry (English score composer)
recording of:
The Living Daylights
Verfasser(in):
Pal Waaktaar (guitarist, songwriter and singer)
zusätzliche(r) Komponist(in):
John Barry (English score composer)
publisher:
ATV Music und BMG Music
Teil von:
James Bond themes
a‐ha44:14
4Never Ending Story
Produzent(in):
Giorgio Moroder
Hintergrundgesang:
Beth Andersen (US pop vocalist)
Sologesang:
Limahl
Interpret(in):
Limahl
phonographisches Urheberrecht (℗) von:
Neue Constantin Film Productions GmbH
recording of:
Never Ending Story (theme from the 1984 film “The NeverEnding Story”)
Texter:
Keith Forsey (drummer, producer and songwriter)
Komponist(in):
Giorgio Moroder
publisher:
Warner Chappell, Warner/Chappell Music Ltd. (1996–2019), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label), ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division), WB Music Corp. (1929–2019) (bis 2019-05-28) und WC Music Corp. (vom 2019-05-28 bis heute)
Limahl3.353:30
5Glory of Love
Techniker(in) und Mix:
Terry Christian (US recording and mixing engineer) und John Guess
Produzent(in):
Michael Omartian
Gast Hintergrundgesang:
Kenny Cetera
Sologesang:
Peter Cetera
phonographisches Urheberrecht (℗) von:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (in 1986) und Warner Music International (trademark of Warner Music International the company) (in 1986)
aufgenommen bei und mixed at:
Lion Share Studios in Los Angeles, California (Kalifornien), Vereinigte Staaten
recording of:
Glory of Love
Verfasser(in):
Peter Cetera, David Foster (Canadian music producer, arranger and composer) und Diane Nini
publisher:
EMI Gold Horizon Music Corp., EMI Golden Torch Music Corp., Rondor Music Publishing, Universal Music–MGB Songs, Warner Chappell Music Ltd. (no slash; used 1988–1996), シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.), ピアーミュージック (Peer Music Japan, Japan, subsidiary of Nichion), ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division), コンソーシアム音楽出版 C・F事業部 (Consortium Music Publishing, CF Division) (bis 2021-06-30), Air Bear Music (in 1986), Fall Line Orange Music (in 1986), Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label) (in 1986), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) (vom 2017-04-01 bis heute) und ソニー・ミュージックパブリッシング CMP外国事業部 (sub‐publisher for foreign (non‐Japanese) works) (vom 2021-07-01 bis heute)
Teil von:
The 59th Academy Award for Best Original Song (Nummer: 2) und Academy Award for Best Original Song (Nummer: 1986 nominee)
Peter Cetera4.24:18
6Hot Night
Produzent(in):
Robbie Buchanan (Canadian producer) und Jack White (German producer Horst Nußbaum)
recording of:
Hot Night
Verfasser(in):
Steven Angelica (US songwriter, aka The Doctor) und Diane Warren (US songwriter)
Laura Branigan43:21
7Lost in the Shadows (from “The Lost Boys”)
Produzent(in):
Lou Gramm (American rock singer-songwriter; Black Sheep, Foreigner & Shadow King) und Pat Moran (UK male singer, keyboardist sound engineer and producer)
Sologesang:
Lou Gramm (American rock singer-songwriter; Black Sheep, Foreigner & Shadow King)
phonographisches Urheberrecht (℗) von:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1987) und WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1987)
recording of:
Lost in the Shadows (The Lost Boys)
Texter und Komponist(in):
Lou Gramm (American rock singer-songwriter; Black Sheep, Foreigner & Shadow King)
Lou Gramm36:37
8Arthur’s Theme (Best That You Can Do)
assistierende(r) Techniker(in):
Stuart Gitlin und Margaret Gwynne (engineer)
zusätzliche(r) Techniker(in):
John Guess, Lee Herschberg, Mark Linett und Richard Mullen
Produzent(in):
Michael Omartian
Mix:
Chet Himes
Sologesang:
Christopher Cross (US singer‐songwriter)
conductor:
Michael Omartian
Saiteninstrumente arranger:
Michael Omartian
arranger:
Christopher Cross (US singer‐songwriter), Rob Meurer und Michael Omartian
concertmaster:
Assa Drori
phonographisches Urheberrecht (℗) von:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (in 1981, in 1983)
aufgenommen bei und mixed at:
Warner Bros. Recording Studios (North Hollywood, a/k/a Amigo Studios) in North Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten
Teil von:
Paste: The 25 Greatest Yacht Rock Songs of All Time (Nummer: 19)
recording of:
Arthur’s Theme (Best That You Can Do)
Verfasser(in):
Peter Allen (Australian singer‐songwriter), Burt Bacharach, Carole Bayer Sager und Christopher Cross (US singer‐songwriter)
publisher:
Begonia Melodies Inc., New Hidden Valley Music Co., Universal Music–MGB Songs, Warner Chappell Music Publishing (Warner/Chappell Music, Inc.), Warner Olive Music LLC, Warner-Barham Music LLC, Warner/Chappell North America, Woolnough Music, ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) und ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
Teil von:
The 54th Academy Award for Best Original Song (Nummer: 1) und Academy Award for Best Original Song (Nummer: 1981 winner)
Christopher Cross53:54
9Nothing’s Gonna Stop Us Now
Interpret(in):
Starship (continuation of Jefferson Starship) (in 1987)
phonographisches Urheberrecht (℗) von:
BMG Music (in 1985, in 1987), BMG Entertainment (in 1987) und Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (in 1987)
recording of:
Nothing’s Gonna Stop Us Now (in 1987)
Verfasser(in):
Albert Hammond und Diane Warren (US songwriter)
arranger:
Narada Michael Walden
publisher:
BMG Music Publishing Ltd., BMG Songs, Inc., Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI Music Publishing Ltd. (PRS‐affiliated), Empire Music Ltd., Realsongs, Warner Bros. Music Ltd. (UK subsidiary, so named between 1970/01/23–1971/04/26 and 1972/04/25–1988/08/23), WB Music Corp. (1929–2019) und Windswept Pacific Music Ltd. (publishing company)
Teil von:
The 60th Academy Award for Best Original Song (Nummer: 2) und Academy Award for Best Original Song (Nummer: 1987 nominee)
Starship3.754:30
10Slaughterhouse
Produzent(in):
Tim Bomba
recording of:
Slaughter House
Verfasser(in):
Joel DuBay, Adrian Liberty und Jeff Litke
Powermad5:23
11Love Theme (from “Blade Runner”)
Techniker(in):
Philippe Colonna, Frédérick Rousseau und Raine Shine
Produzent(in):
Vangelis (Greek composer of electronic, new age and classical)
Saxophon:
Dick Morrissey
Synthesizer:
Vangelis (Greek composer of electronic, new age and classical)
arranger:
Vangelis (Greek composer of electronic, new age and classical)
phonographisches Urheberrecht (℗) von:
Polydor Ltd. (UK) (not for release label use; fka Polydor Records Ltd.) (in 1989) und Warner Music UK Ltd. (not for release label use!) (in 1994)
aufgenommen bei:
Nemo Studios (Vangelis’ Studio) in London (Greater London), England, Vereinigtes Königreich (in 1982)
recording of:
Love Theme (Blade Runner)
Komponist(in):
Vangelis (Greek composer of electronic, new age and classical)
publisher:
Warner-Barham Music LLC
sub-publisher:
Universal Music Publishing France (not for release label use!)
Teil von:
Blade Runner
Vangelis3.64:56
12Stand by Me
recorded in:
New York, New York, Vereinigte Staaten (am 1960-10-27)
Produzent(in):
Leiber and Stoller (songwriting team)
vocals:
Ben E. King (am 1960-10-27)
conductor:
Stan Applebaum (US composer, arranger and conductor) (am 1960-10-27)
arranger:
Stan Applebaum (US composer, arranger and conductor)
phonographisches Urheberrecht (℗) von:
HHO Ltd. (The Henry Hadaway Organisation Ltd., music licensing), WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1960, in 1961) und Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1986)
Teil von:
Dave Marsh: The Best of the Top 40 Singles: 1961 (Nummer: 1), Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 62), Rock and Roll Hall of Fame – 500 Songs That Shaped Rock, Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 121), Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (Nummer: 131) und BILLIONS CLUB
recording of:
Stand by Me (am 1960-10-27)
publisher:
Mike Stoller
Verfasser(in):
Ben E. King, Jerry Leiber und Mike Stoller
publisher:
A.D.T. Enterprises, Hornall Brothers Music (limited company), Jerry Leiber Music, Leiber Stoller Songs Ltd., Melodie der Welt (publisher), Melodie der Welt GmbH & Co. KG (fka Melodie der Welt J. Michel GmbH & Co. KG; this name since 2011-04-07), Progressive Music Publishing Company Inc., Rightsong Music, Sony/ATV Music Publishing Ltd., Sony/ATV Songs LLC, Trio Music (publisher), Trio Music Co., Inc., Unichappell Music und Universal Music Publishing (use ONLY if no country‐specific information is available)
Ben E. King4.652:58
13La Bamba
Produzent(in):
Mitchell Froom
Interpret(in):
Los Lobos (Chicano rock band)
arranger:
Ritchie Valens
phonographisches Urheberrecht (℗) von:
FFRR Records Ltd. (company name, NOT a label!) (in 1987) und Slash Records (company, do not use as release label!) (in 1987)
cover recording of:
La bamba (additional lyrics by Ritchie Valens)
Texter und Komponist(in):
[traditional] (special purpose artist)
zusätzlicher Texter:
Ritchie Valens
arranger:
Ritchie Valens
publisher:
Carlin Music Corporation, EMI Longitude Music und M.P.A. (M.P.A.)
Version von:
La bamba
Los Lobos4.152:55
14Mysteries of Love
recording engineer:
Art Polhemus
Produzent(in):
Angelo Badalamenti (American score composer) und David Lynch (filmmaker)
Mix:
Art Pohlemus (in 1989)
Sologesang:
Julee Cruise (US singer and actress) (in 1989)
aufgenommen bei:
Excalibur Sound in New York, New York, Vereinigte Staaten (in 1989)
mixed at:
Excalibur Sound in New York, New York, Vereinigte Staaten
recording of:
Mysteries of Love (in 1989)
Texter:
David Lynch (filmmaker)
Komponist(in):
Angelo Badalamenti (American score composer)
publisher:
De Laurentiis Music (in 1989), Productions et Éditions Cinématographiques Françaises (in 1989) und Universal Music Publishing (use ONLY if no country‐specific information is available) (in 1989)
Julee Cruise4.34:29
15Werewolves of London
Produzent(in):
Greg Ladanyi und Warren Zevon
aufgenommen bei:
The Roxy Theatre in West Hollywood, California (Kalifornien), Vereinigte Staaten (in 1980-08)
live recording of:
Werewolves of London (in 1980-08)
Verfasser(in):
LeRoy P. Marinell, Waddy Wachtel und Warren Zevon
publisher:
Leadsheet Land Music, Polite Music, Tiny Tunes und Zevon Music Inc. (BMI)
Warren Zevon4:59
16Body Talk
assistierende(r) Techniker(in):
Jimmy Hoyson
Techniker(in):
Jim Faraci, Beau Hill, Michael O’Reilly (engineer) und Dan Wallin
Produzent(in):
Beau Hill
Mix:
Michael Matessino und Dan Wallin
Editing:
Stephen Benben und Mike Matessino
Bassgitarre:
Juan Croucier
E-Gitarre:
Robbin Crosby und Warren DeMartini
Perkussion und Schlagzeug:
Bobby Blotzer
Hintergrundgesang:
Robbin Crosby, Juan Croucier und Warren DeMartini
Sologesang:
Stephen Pearcy
aufgenommen bei:
The Village Recorders (Village Studios, aka The Village Recorder) in Los Angeles, California (Kalifornien), Vereinigte Staaten
recording of:
Body Talk
Verfasser(in):
Juan Croucier, Warren DeMartini und Stephen Pearcy
publisher:
Ratt Music
Ratt43:49
17All She Wants Is (45 version)
recording engineer und Mix:
Daniel Abraham (French engineer)
Produzent(in):
Daniel Abraham (French engineer), Duran Duran (English rock band), Jonathan Elias und Steve Peck (producer and engineer)
phonographisches Urheberrecht (℗) von:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1998)
recording of:
All She Wants Is
Texter und Komponist(in):
Simon Le Bon (singer for Duran Duran), Nick Rhodes und John Taylor (UK bassist for Duran Duran)
publisher:
Skintrade Music Ltd.
Duran Duran34:28
18The Other Side of the World
recording of:
The Other Side of the World
Verfasser(in):
B.A. Robertson und Mike Rutherford
Chaka Khan3:41
19Love Is the Reason
Techniker(in):
Steve Gursky und Stanley Johnston
Produzent(in):
Steve Gursky, Stanley Johnston und Graham Nash
Instrumente:
Joel Bunsteen, Craig Doerge, Tim Drummond, Michael Finnigan (keyboardist), Graham Nash, Michael Perry (studio vocalist), Michael Stergis und Ian Walker (US double bassist)
vocals:
Cleopatra Kennedy (American singer), Brenda Lee Eager, Gloria Ann Coleman und Graham Nash
aufgenommen bei:
Devonshire in North Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten
recording of:
Love Is the Reason
Texter und Komponist(in):
Graham Nash
Graham Nash3:32
20Breaker’s Revenge
Produzent(in):
Arthur Baker (American record producer and DJ)
recording of:
Breaker’s Revenge
Texter und Komponist(in):
Arthur Baker (American record producer and DJ)
publisher:
DTCM Blvd., Hargreen Music Inc., Shakin’ Baker Music und Shakin’ Baker Music Inc.
Arthur Baker24:53
21She’s Gone
recorded in:
New York, New York, Vereinigte Staaten (in 1973)
Produzent(in):
Arif Mardin
Bass:
Steve Gelfand (bassist a/k/a Steve “Fontz” Gelfand) (in 1973)
E-Gitarre, mellotron und Synthesizer:
Chris Bond (producer, active circa 1970s) (in 1973)
Gitarre:
John Oates (in 1973)
Hybrid-Piano:
Daryl Hall (in 1973)
Perkussion:
Ralph MacDonald (in 1973)
Schlagzeug:
Bernard “Pretty” Purdie (in 1973)
Tenorsaxophon:
Joe Farrell (in 1973)
Sologesang:
Daryl Hall (in 1973) und John Oates (in 1973)
phonographisches Urheberrecht (℗) von:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1973)
Teil von:
Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (Nummer: 336)
recording of:
She’s Gone (in 1973)
Texter und Komponist(in):
Daryl Hall und John Oates
publisher:
Unichappell Music, Inc., ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) und ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
Daryl Hall & John Oates3.655:15
22She Caught the Katy
assistierende(r) Techniker(in):
Eddie Garcia, Steve Marcantonio und Tom Miller (engineer)
Techniker(in) und Produzent(in):
Bob Tischler
zusätzliche(r) Techniker(in):
Jay Krugman und Jim Scheffler
Bassgitarre:
Donald “Duck” Dunn (US bass guitarist, session musician, record producer & songwriter)
Gitarre:
Steve Cropper und Matt Murphy (US blues guitarist)
Keyboard:
Murphy Dunne
Mundharmonika:
Elwood J. Blues (Saturday Night Live character portrayed by Dan Aykroyd)
Posaune:
Tom “Bones” Malone (US trombonist)
Saxophon:
Tom “Bones” Malone (US trombonist) und Lou Marini
Schlagzeug:
Willie "Too Big" Hall
Trompete:
Al Rubin
vocals:
Jake E. “Joliet” Blues (Saturday Night Live character portrayed by John Belushi)
Horn arranger:
Tom Scott (saxophonist, Blues Brothers, LA Express, Starsky & Hutch)
aufgenommen bei:
Soundmixers in Midtown Manhattan, New York, New York, Vereinigte Staaten, The Record Plant (aka “Record Plant” Los Angeles) in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten, The Record Plant (New York) in Midtown Manhattan, New York, New York, Vereinigte Staaten und Universal Recording (Chicago, IL, USA) in Chicago, Illinois, Vereinigte Staaten
mixed at:
The Record Plant (New York) in Midtown Manhattan, New York, New York, Vereinigte Staaten
cover recording of:
She Caught the Katy (and Left Me a Mule to Ride)
Verfasser(in):
James Rachell und Taj Mahal (US blues musician)
Blues Brothers44:09
23Nothin’ for You
recording of:
Nothin’ for You
Verfasser(in):
T.S.O.L.
publisher:
Teeth of the Wind Music (publisher for T.S.O.L.)
T.S.O.L.2:31
24Sleeping Angel
Produzent(in):
Jimmy Iovine
phonographisches Urheberrecht (℗) von:
Rhino Entertainment Company (not for release label use!) (in 2016)
recording of:
Sleeping Angel
Texter und Komponist(in):
Stevie Nicks
Stevie Nicks4:41
25I Got You Babe
vocals:
Sonny Bono (in 1965) und Cher (in 1965)
phonographisches Urheberrecht (℗) von:
WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1965)
Teil von:
Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 331) und Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 444)
recording of:
I Got You Babe (in 1965)
Texter und Komponist(in):
Sonny Bono
publisher:
Carlin Music, Chris Marc Music, Cotillion Music (BMI) und Warner/Chappell Music Ltd. (1996–2019)
Sonny & Cher43:10
26Here I Go Again (US version)
recording of:
Here I Go Again
Verfasser(in):
David Coverdale und Bernie Marsden
publisher:
Warner Chappell Music Ltd. (no slash; used 1988–1996) (beendet), EMI Music Publishing (WP) Ltd., EMI Music Publishing Scandinavia AB, Seabreeze Music Ltd., Songs of Windswept Pacific, Warner/Chappell Music Scandinavia AB, Windswept Pacific Music Ltd., Windswept Pacific Music Ltd. (publishing company), WB Music Corp. (1929–2019) (bis 2019-05-28) und WC Music Corp. (vom 2019-05-28 bis heute)
sub-publisher:
渡辺音楽出版 (Watanabe Music Publishing Co., Ltd., Japanese publisher, 1962–present), イーエムアイ音楽出版 ソニー事業部 (EMI Music Publishing Japan Ltd., Sony Division) (bis 2021-06-30) und ソニー・ミュージックパブリッシング EMI外国事業部 (Sony Music Publishing (Japan) Inc., EMI Overseas Division, sub‐publisher for non‐Japanese works) (vom 2021-07-01 bis heute)
Whitesnake3.53:53
27Wind Beneath My Wings
Produzent(in):
Arif Mardin
Sologesang:
Bette Midler
Teil von:
The Co-Op: Top 10 British Funeral Songs (Nummer: 1) und Alan Cross: Hurricane Songs (Nummer: 10)
cover recording of:
Wind Beneath My Wings
Verfasser(in):
Larry Henley (singer songwriter) und Jeff Silbar
publisher:
Silbar’Songs und Warner Chappell Music Ltd. (no slash; used 1988–1996)
Bette Midler54:54
28Moonlighting
recording of:
Moonlighting (theme for the TV show)
Texter:
Al Jarreau
Komponist(in):
Lee Holdridge
Al Jarreau33:04
29Casanova
recording of:
Casanova
Texter und Komponist(in):
Reggie Calloway
publisher:
Calloco Music und Hip Trip Music (publisher)
LeVert36:11