Aida

~ Release by Giuseppe Verdi; Maria Callas, Kurt Baum, Giulietta Simionato, Robert Weede, Nicola Moscona, Orquesta del Palacio de Las Bellas Artes, Guido Picco (see all versions of this release, 1 available)

Tracklist

1▶CD
2▼CD
#TitleArtistRatingLength
1Aida: Atto II. “Ma tu, o Re, tu signore possente”
baritone vocals [Amonasro]:
Robert Weede (baritone) (on 1950-05-30)
bass vocals [Il Re]:
Ignacio Ruffino (operatic bass) (on 1950-05-30)
bass vocals [Ramfis]:
Nicola Moscona (operatic bass) (on 1950-05-30)
choir vocals:
Coro del Palacio de las Bellas Artes (on 1950-05-30)
mezzo-soprano vocals [Amneris]:
Giulietta Simionato (mezzo-soprano) (on 1950-05-30)
soprano vocals [Aida]:
Maria Callas (soprano) (on 1950-05-30)
orchestra:
Orquesta del Palacio de Las Bellas Artes (on 1950-05-30)
conductor:
Guido Picco (conductor) (on 1950-05-30)
recorded at:
Palacio de Bellas Artes in Ciudad de México (Mexico City), Mexico (on 1950-05-30)
recording of:
Aida: Atto II, scena 2. “Che veggo! Egli? Mio padre” / “Anch’io pugnai” / “Quest'assisa ch'io vesto” / “Ma tu, Re, tu signore possente” (Aida, Amneris, Amonasro, Il Re, Schiave, Prigionieri, Ramfis, Sacerdoti, Popolo) (on 1950-05-30)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Antonio Ghislanzoni
part of:
Aida: Atto II
Giuseppe Verdi3:55
2Aida: Atto II. “O Re… pei sacri Numi”
baritone vocals [Amonasro]:
Robert Weede (baritone) (on 1950-05-30)
bass vocals [Il Re]:
Ignacio Ruffino (operatic bass) (on 1950-05-30)
bass vocals [Ramfis]:
Nicola Moscona (operatic bass) (on 1950-05-30)
choir vocals:
Coro del Palacio de las Bellas Artes (on 1950-05-30)
mezzo-soprano vocals [Amneris]:
Giulietta Simionato (mezzo-soprano) (on 1950-05-30)
soprano vocals [Aida]:
Maria Callas (soprano) (on 1950-05-30)
orchestra:
Orquesta del Palacio de Las Bellas Artes (on 1950-05-30)
conductor:
Guido Picco (conductor) (on 1950-05-30)
recorded at:
Palacio de Bellas Artes in Ciudad de México (Mexico City), Mexico (on 1950-05-30)
partial recording of:
Aida: Atto II, scena 2. “O Re, pei sacri Numi” / “Gloria all’Egitto” (Tutti) (on 1950-05-30)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Antonio Ghislanzoni
part of:
Aida: Atto II
Giuseppe Verdi2:06
3Aida: Atto II. “Gloria all’Egitto”
choir vocals:
Coro del Palacio de las Bellas Artes (on 1950-05-30)
orchestra:
Orquesta del Palacio de Las Bellas Artes (on 1950-05-30)
conductor:
Guido Picco (conductor) (on 1950-05-30)
recorded at:
Palacio de Bellas Artes in Ciudad de México (Mexico City), Mexico (on 1950-05-30)
recording of:
Aida: Atto II, scena 2. Gran Finale II “Gloria all’Egitto, ad Iside” (Popolo, Sacerdoti) (on 1950-05-30)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Antonio Ghislanzoni
part of:
Aida: Atto II
Giuseppe Verdi4:05
4Aida: Atto III. “O tu che sei d’Osiride”
bass vocals [Ramfis]:
Nicola Moscona (operatic bass) (on 1950-05-30)
choir vocals:
Coro del Palacio de las Bellas Artes (on 1950-05-30)
mezzo-soprano vocals [Amneris]:
Giulietta Simionato (mezzo-soprano) (on 1950-05-30)
orchestra:
Orquesta del Palacio de Las Bellas Artes (on 1950-05-30)
conductor:
Guido Picco (conductor) (on 1950-05-30)
recorded at:
Palacio de Bellas Artes in Ciudad de México (Mexico City), Mexico (on 1950-05-30)
recording of:
Aida: Atto III: Introduzione; Preghiera “O tu che sei d’Osiride” (Sancerdotesse, Sacerdoti, Ramfis, Amneris) (on 1950-05-30)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Antonio Ghislanzoni
part of:
Aida: Atto III
Giuseppe Verdi1:40
5Aida: Atto III. “Qui Radamès verrà”
soprano vocals [Aida]:
Maria Callas (soprano) (on 1950-05-30)
orchestra:
Orquesta del Palacio de Las Bellas Artes (on 1950-05-30)
conductor:
Guido Picco (conductor) (on 1950-05-30)
recorded at:
Palacio de Bellas Artes in Ciudad de México (Mexico City), Mexico (on 1950-05-30)
recording of:
Aida: Atto III: Romanza: “Qui Radamès verrá!” … “O patria mia” (Aida) (on 1950-05-30)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Antonio Ghislanzoni
part of:
Aida: Atto III
Giuseppe Verdi6:54
6Aida: Atto III. “Cielo! Mio padre!”
baritone vocals [Amonasro]:
Robert Weede (baritone) (on 1950-05-30)
soprano vocals [Aida]:
Maria Callas (soprano) (on 1950-05-30)
orchestra:
Orquesta del Palacio de Las Bellas Artes (on 1950-05-30)
conductor:
Guido Picco (conductor) (on 1950-05-30)
recorded at:
Palacio de Bellas Artes in Ciudad de México (Mexico City), Mexico (on 1950-05-30)
recording of:
Aida: Atto III. Duetto “Ciel! mio padre!” … “A te grave cagion m’adduce” (Aida, Amonasro) (on 1950-05-30)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Antonio Ghislanzoni
part of:
Aida: Atto III
Giuseppe Verdi3:54
7Aida: Atto III. “Su, dunque! Sorgete”
baritone vocals [Amonasro]:
Robert Weede (baritone) (on 1950-05-30)
soprano vocals [Aida]:
Maria Callas (soprano) (on 1950-05-30)
orchestra:
Orquesta del Palacio de Las Bellas Artes (on 1950-05-30)
conductor:
Guido Picco (conductor) (on 1950-05-30)
recorded at:
Palacio de Bellas Artes in Ciudad de México (Mexico City), Mexico (on 1950-05-30)
recording of:
Aida: Atto III: Duetto: “Rivedrai le foreste imbalsamate” – “In armi ora si desta il popol nostro” – “Padre, a costoro schiava non sono” (Aida, Amonasro) (on 1950-05-30)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Antonio Ghislanzoni
part of:
Aida: Atto III
Giuseppe Verdi4:14
8Aida: Atto III. “Pur ti riveggo, mia dolce Aida”
soprano vocals [Aida]:
Maria Callas (soprano) (on 1950-05-30)
tenor vocals [Radamès]:
Kurt Baum (tenor) (on 1950-05-30)
orchestra:
Orquesta del Palacio de Las Bellas Artes (on 1950-05-30)
conductor:
Guido Picco (conductor) (on 1950-05-30)
recorded at:
Palacio de Bellas Artes in Ciudad de México (Mexico City), Mexico (on 1950-05-30)
recording of:
Aida: Atto III. Duetto “Pur ti riveggo, mia dolce Aida…” (Radamès, Aida) (on 1950-05-30)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Antonio Ghislanzoni
part of:
Aida: Atto III
Giuseppe Verdi2:48
9Aida: Atto III. “Fuggiam gli ardori inospiti”
soprano vocals [Aida]:
Maria Callas (soprano) (on 1950-05-30)
tenor vocals [Radamès]:
Kurt Baum (tenor) (on 1950-05-30)
orchestra:
Orquesta del Palacio de Las Bellas Artes (on 1950-05-30)
conductor:
Guido Picco (conductor) (on 1950-05-30)
recorded at:
Palacio de Bellas Artes in Ciudad de México (Mexico City), Mexico (on 1950-05-30)
recording of:
Aida: Atto III: Duetto: “Fuggiam gli ardori inospiti” / “Là, tra foreste vergini” (Aida, Radamès) (on 1950-05-30)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Antonio Ghislanzoni
part of:
Aida: Atto III
Giuseppe Verdi6:43
10Aida: Atto III. “Di Nàpata le gole!”
baritone vocals [Amonasro]:
Robert Weede (baritone) (on 1950-05-30)
bass vocals [Ramfis]:
Nicola Moscona (operatic bass) (on 1950-05-30)
mezzo-soprano vocals [Amneris]:
Giulietta Simionato (mezzo-soprano) (on 1950-05-30)
soprano vocals [Aida]:
Maria Callas (soprano) (on 1950-05-30)
tenor vocals [Radamès]:
Kurt Baum (tenor) (on 1950-05-30)
orchestra:
Orquesta del Palacio de Las Bellas Artes (on 1950-05-30)
conductor:
Guido Picco (conductor) (on 1950-05-30)
recorded at:
Palacio de Bellas Artes in Ciudad de México (Mexico City), Mexico (on 1950-05-30)
recording of:
Aida: Atto III: Finale III: “Ma dimmi; per qual via” – “Ah no! ti calma, ascoltami” –“Traditor! … Muori! … Arresta, insano” (Aida, Radamès, Amonasro, Amneris, Ramfis) (on 1950-05-30)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Antonio Ghislanzoni
part of:
Aida: Atto III
Giuseppe Verdi3:37
11Aida: Atto IV. “L’abborita rivale a me sfuggia”
mezzo-soprano vocals [Amneris]:
Giulietta Simionato (mezzo-soprano) (on 1950-05-30)
orchestra:
Orquesta del Palacio de Las Bellas Artes (on 1950-05-30)
conductor:
Guido Picco (conductor) (on 1950-05-30)
recorded at:
Palacio de Bellas Artes in Ciudad de México (Mexico City), Mexico (on 1950-05-30)
recording of:
Aida: Atto IV, scena 1: Scena: “L’abborrita rivale a me sfuggia” … “Io l'amo, io l'amo sempre” (Amneris) (on 1950-05-30)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Antonio Ghislanzoni
part of:
Aida: Atto IV
Giuseppe Verdi2:41
12Aida: Atto IV. “Già i sacerdoti adunansi”
mezzo-soprano vocals [Amneris]:
Giulietta Simionato (mezzo-soprano) (on 1950-05-30)
tenor vocals [Radamès]:
Kurt Baum (tenor) (on 1950-05-30)
orchestra:
Orquesta del Palacio de Las Bellas Artes (on 1950-05-30)
conductor:
Guido Picco (conductor) (on 1950-05-30)
recorded at:
Palacio de Bellas Artes in Ciudad de México (Mexico City), Mexico (on 1950-05-30)
recording of:
Aida: Atto IV, scena 1: Duetto: “Già i sacerdoti adunansi” – “Ah! Tu deî vivere” – “Misero appien mi festi” – ”Chi ti salva, sciagurato” (Amneris, Radamès) (on 1950-05-30)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Antonio Ghislanzoni
part of:
Aida: Atto IV
Giuseppe Verdi6:29
13Aida: Atto IV. “Ohimè! Morir mi sento”
mezzo-soprano vocals [Amneris]:
Giulietta Simionato (mezzo-soprano) (on 1950-05-30)
orchestra:
Orquesta del Palacio de Las Bellas Artes (on 1950-05-30)
conductor:
Guido Picco (conductor) (on 1950-05-30)
recorded at:
Palacio de Bellas Artes in Ciudad de México (Mexico City), Mexico (on 1950-05-30)
recording of:
Aida: Atto IV, scena 1: Scena del giudizio: “Ohimè! morir mi sento!” (Amneris) (on 1950-05-30)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Antonio Ghislanzoni
part of:
Aida: Atto IV
Giuseppe Verdi3:38
14Aida: Atto IV. “Radamès: Tu disertasti”
bass vocals [Ramfis]:
Nicola Moscona (operatic bass) (on 1950-05-30)
choir vocals:
Coro del Palacio de las Bellas Artes (on 1950-05-30)
mezzo-soprano vocals [Amneris]:
Giulietta Simionato (mezzo-soprano) (on 1950-05-30)
orchestra:
Orquesta del Palacio de Las Bellas Artes (on 1950-05-30)
conductor:
Guido Picco (conductor) (on 1950-05-30)
recorded at:
Palacio de Bellas Artes in Ciudad de México (Mexico City), Mexico (on 1950-05-30)
recording of:
Aida: Atto IV, scena 1. “Radamès! Radamès! Radamès! Tu rivelasti” (Amneris, Ramfis, Sacerdoti) (on 1950-05-30)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Antonio Ghislanzoni
part of:
Aida: Atto IV
Giuseppe Verdi3:47
15Aida: Atto IV. “Sacerdoti: Compiste un delitto”
bass vocals [Ramfis]:
Nicola Moscona (operatic bass) (on 1950-05-30)
choir vocals:
Coro del Palacio de las Bellas Artes (on 1950-05-30)
mezzo-soprano vocals [Amneris]:
Giulietta Simionato (mezzo-soprano) (on 1950-05-30)
orchestra:
Orquesta del Palacio de Las Bellas Artes (on 1950-05-30)
conductor:
Guido Picco (conductor) (on 1950-05-30)
recorded at:
Palacio de Bellas Artes in Ciudad de México (Mexico City), Mexico (on 1950-05-30)
recording of:
Aida: Atto IV, scena 1: Scena del giudizio: “A lui vivo, la tomba” / “Sacerdoti: compiste un delitto!” (Amneris, Ramfis, Sacerdoti) (on 1950-05-30)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Antonio Ghislanzoni
part of:
Aida: Atto IV
Giuseppe Verdi3:04
16Aida: Atto IV. “La fatal pietra sovra me si chiuse”
soprano vocals [Aida]:
Maria Callas (soprano) (on 1950-05-30)
tenor vocals [Radamès]:
Kurt Baum (tenor) (on 1950-05-30)
orchestra:
Orquesta del Palacio de Las Bellas Artes (on 1950-05-30)
conductor:
Guido Picco (conductor) (on 1950-05-30)
recorded at:
Palacio de Bellas Artes in Ciudad de México (Mexico City), Mexico (on 1950-05-30)
recording of:
Aida: Atto IV, scena 2: Scena e duetto: “La fatal pietra sovra me si chiuse” – “Presago il core della tua condanna” – “Morir si pura e bella” – “Vedi?... di morte l'angelo” (Radamès, Aida) (on 1950-05-30)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Antonio Ghislanzoni
part of:
Aida: Atto IV
Giuseppe Verdi3:09
17Aida: Atto IV. “Morir! Si pura e bella!”
soprano vocals [Aida]:
Maria Callas (soprano) (on 1950-05-30)
tenor vocals [Radamès]:
Kurt Baum (tenor) (on 1950-05-30)
orchestra:
Orquesta del Palacio de Las Bellas Artes (on 1950-05-30)
conductor:
Guido Picco (conductor) (on 1950-05-30)
recorded at:
Palacio de Bellas Artes in Ciudad de México (Mexico City), Mexico (on 1950-05-30)
recording of:
Aida: Atto IV, scena 2: Scena e duetto: “La fatal pietra sovra me si chiuse” – “Presago il core della tua condanna” – “Morir si pura e bella” – “Vedi?... di morte l'angelo” (Radamès, Aida) (on 1950-05-30)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Antonio Ghislanzoni
part of:
Aida: Atto IV
Giuseppe Verdi3:01
18Aida: Atto IV. “O terra, addio; addio valle di pianti”
choir vocals:
Coro del Palacio de las Bellas Artes (on 1950-05-30)
mezzo-soprano vocals [Amneris]:
Giulietta Simionato (mezzo-soprano) (on 1950-05-30)
soprano vocals [Aida]:
Maria Callas (soprano) (on 1950-05-30)
tenor vocals [Radamès]:
Kurt Baum (tenor) (on 1950-05-30)
orchestra:
Orquesta del Palacio de Las Bellas Artes (on 1950-05-30)
conductor:
Guido Picco (conductor) (on 1950-05-30)
recorded at:
Palacio de Bellas Artes in Ciudad de México (Mexico City), Mexico (on 1950-05-30)
live recording of:
Aida: Atto IV, scena 2: Finale Ultimo: “O terra addio” (Aida, Radamès, coro, Amneris) (on 1950-05-30)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Antonio Ghislanzoni
part of:
Aida: Atto IV
Giuseppe Verdi5:24