Le nozze di Figaro: Highlights

~ Release by Wolfgang Amadeus Mozart; Thomas Hampson, Kiri Te Kanawa, Dawn Upshaw, Ferruccio Furlanetto, Anne Sofie von Otter, Tatiana Troyanos, Paul Plishka, Anthony Laciura, Michael Forest, Renato Capecchi, Metropolitan Opera Chorus, John Keenan, Metropolitan Opera Orchestra, James Levine (see all versions of this release, 3 available)

Annotation

Copyright: © 1999 Deutsche Grammophon GmbH, Berlin
℗ 1991 Deutsche Grammophon GmbH, Berlin

Annotation last modified on 2024-10-05 14:43 UTC.

Tracklist

1▼Digital Media
#TitleArtistRatingLength
1Le nozze di Figaro, K. 492: Overture
recording engineer:
Jobst Eberhardt (sound engineer, mainly for Deutsche Grammophon) (in 1990-05) and Wolf‐Dieter Karwatky (in 1990-05)
producer:
Cord Garben (pianist and conductor)
orchestra:
Metropolitan Opera Orchestra (in 1990-05)
conductor:
James Levine (US conductor and pianist) (in 1990-05, in 1991)
balance engineer:
Wolfgang Mitlehner (in 1990-05)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1991)
recorded at:
Manhattan Center in Midtown Manhattan, New York, New York, United States (in 1990-05)
recording of:
Le nozze di Figaro, K. 492: Sinfonia (in 1990-05)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1786)
part of:
Die Hochzeit des Figaro (German translation)
part of:
Le nozze di Figaro, K. 492 (The Marriage of Figaro, K 492)
recording of:
Le nozze di Figaro, K. 492: Sinfonia (in 1991)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1786)
part of:
Die Hochzeit des Figaro (German translation)
part of:
Le nozze di Figaro, K. 492 (The Marriage of Figaro, K 492)
Wolfgang Amadeus Mozart4:21
2Le nozze di Figaro, K. 492: Atto I. “Se a caso Madama la notte ti chiama”
recording engineer:
Jobst Eberhardt (sound engineer, mainly for Deutsche Grammophon) (in 1990-05) and Wolf‐Dieter Karwatky (in 1990-05)
producer:
Cord Garben (pianist and conductor)
bass-baritone vocals [Figaro]:
Ferruccio Furlanetto (bass-baritone) (in 1990-05)
soprano vocals [Susanna]:
Dawn Upshaw (soprano) (in 1990-05)
orchestra:
Metropolitan Opera Orchestra (in 1990-05)
conductor:
James Levine (US conductor and pianist) (in 1990-05)
balance engineer:
Wolfgang Mitlehner (in 1990-05)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1991)
recorded at:
Manhattan Center in Midtown Manhattan, New York, New York, United States (in 1990-05)
recording of:
Le nozze di Figaro, K. 492: Atto I, Scena I. (no. 2) Duettino “Se a caso madama la notte ti chiama” (Figaro, Susanna) (in 1990-05)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Le nozze di Figaro, K. 492: Atto I (The Marriage of Figaro, K. 492: Act I)
Wolfgang Amadeus Mozart2:32
3Le nozze di Figaro, K. 492: Atto I. “Se vuol ballare, signor Contino”
recording engineer:
Jobst Eberhardt (sound engineer, mainly for Deutsche Grammophon) (in 1990-05) and Wolf‐Dieter Karwatky (in 1990-05)
producer:
Cord Garben (pianist and conductor)
bass-baritone vocals [Figaro]:
Ferruccio Furlanetto (bass-baritone) (in 1990-05)
orchestra:
Metropolitan Opera Orchestra (in 1990-05)
conductor:
James Levine (US conductor and pianist) (in 1990-05)
balance engineer:
Wolfgang Mitlehner (in 1990-05)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1991)
recorded at:
Manhattan Center in Midtown Manhattan, New York, New York, United States (in 1990-05)
recording of:
Le nozze di Figaro, K. 492: Atto I, Scena II. (no. 3) Cavatina “Se vuol ballare, signor Contino” (Figaro) (in 1990-05)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Le nozze di Figaro, K. 492: Atto I (The Marriage of Figaro, K. 492: Act I)
Wolfgang Amadeus Mozart2:25
4Le nozze di Figaro, K. 492: Atto I. “Ed aspettaste il giorno fissato a le sue nozze”
recording engineer:
Jobst Eberhardt (sound engineer, mainly for Deutsche Grammophon) (in 1990-05) and Wolf‐Dieter Karwatky (in 1990-05)
producer:
Cord Garben (pianist and conductor)
bass vocals [Bartolo]:
Paul Plishka (operatic bass) (in 1990-05)
soprano vocals [Marcellina]:
Tatiana Troyanos (mezzo-soprano) (in 1990-05)
orchestra:
Metropolitan Opera Orchestra (in 1990-05)
conductor:
James Levine (US conductor and pianist) (in 1990-05)
balance engineer:
Wolfgang Mitlehner (in 1990-05)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1991)
recorded at:
Manhattan Center in Midtown Manhattan, New York, New York, United States (in 1990-05)
recording of:
Le nozze di Figaro, K. 492: Atto I, Scena III. Recitativo “Ed aspettaste il giorno fissato a le sue nozze” (Bartolo, Marcellina) (in 1990-05)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Le nozze di Figaro, K. 492: Atto I (The Marriage of Figaro, K. 492: Act I)
Wolfgang Amadeus Mozart1:13
5Le nozze di Figaro, K. 492: Atto I. “La vendetta, oh, la vendetta”
recording engineer:
Jobst Eberhardt (sound engineer, mainly for Deutsche Grammophon) (in 1990-05) and Wolf‐Dieter Karwatky (in 1990-05)
producer:
Cord Garben (pianist and conductor)
bass [Bartolo] and bass vocals [Bartolo]:
Paul Plishka (operatic bass) (in 1990-05)
orchestra:
Metropolitan Opera Orchestra (in 1990-05)
conductor:
James Levine (US conductor and pianist) (in 1990-05)
balance engineer:
Wolfgang Mitlehner (in 1990-05)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1991)
recorded at:
Manhattan Center in Midtown Manhattan, New York, New York, United States (in 1990-05)
recording of:
Le nozze di Figaro, K. 492: Atto I, Scena III. (no. 4) Aria “La vendetta, oh, la vendetta” (Bartolo) (in 1990-05)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Le nozze di Figaro, K. 492: Atto I (The Marriage of Figaro, K. 492: Act I)
Wolfgang Amadeus Mozart3:01
6Le nozze di Figaro, K. 492: Atto I. “Non so più cosa son, cosa faccio”
recording engineer:
Jobst Eberhardt (sound engineer, mainly for Deutsche Grammophon) (in 1990-05) and Wolf‐Dieter Karwatky (in 1990-05)
producer:
Cord Garben (pianist and conductor)
mezzo-soprano vocals and mezzo-soprano vocals [Cherubino]:
Anne Sofie von Otter (mezzo-soprano) (in 1990-05)
orchestra:
Metropolitan Opera Orchestra (in 1990-05)
conductor:
James Levine (US conductor and pianist) (in 1990-05)
balance engineer:
Wolfgang Mitlehner (in 1990-05)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1991)
recorded at:
Manhattan Center in Midtown Manhattan, New York, New York, United States (in 1990-05)
recording of:
Le nozze di Figaro, K. 492: Atto I, Scena V. (no. 6) Aria “Non so più cosa son, cosa faccio” (Cherubino) (in 1990-05)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Le nozze di Figaro, K. 492: Atto I (The Marriage of Figaro, K. 492: Act I)
Wolfgang Amadeus Mozart3:05
7Le nozze di Figaro, K. 492: Atto I. “Giovani liete, fiori spargete”
recording engineer:
Jobst Eberhardt (sound engineer, mainly for Deutsche Grammophon) (in 1990-05) and Wolf‐Dieter Karwatky (in 1990-05)
producer:
Cord Garben (pianist and conductor)
choir vocals:
Metropolitan Opera Chorus (in 1990-05)
orchestra:
Metropolitan Opera Orchestra (in 1990-05)
conductor:
James Levine (US conductor and pianist) (in 1990-05)
balance engineer:
Wolfgang Mitlehner (in 1990-05)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1991)
recorded at:
Manhattan Center in Midtown Manhattan, New York, New York, United States (in 1990-05)
recording of:
Le nozze di Figaro, K. 492: Atto I, Scena VIII. (no. 8) Coro “Giovani liete, fiori spargete” (Coro) (in 1990-05)
composer:
Wolfgang Amadeus Mozart (classical composer)
part of:
Le nozze di Figaro, K. 492: Atto I (The Marriage of Figaro, K. 492: Act I)
Wolfgang Amadeus Mozart1:11
8Le nozze di Figaro, K. 492: Atto I. “Non più andrai”
recording engineer:
Jobst Eberhardt (sound engineer, mainly for Deutsche Grammophon) (in 1990-05) and Wolf‐Dieter Karwatky (in 1990-05)
producer:
Cord Garben (pianist and conductor)
bass-baritone vocals [Figaro]:
Ferruccio Furlanetto (bass-baritone) (in 1990-05)
orchestra:
Metropolitan Opera Orchestra (in 1990-05)
conductor:
James Levine (US conductor and pianist) (in 1990-05)
balance engineer:
Wolfgang Mitlehner (in 1990-05)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1991)
recorded at:
Manhattan Center in Midtown Manhattan, New York, New York, United States (in 1990-05)
recording of:
Le nozze di Figaro, K. 492: Atto I, Scena VIII. (no. 10) Aria “Non più andrai, farfallone amoroso” (Figaro) (in 1990-05)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Le nozze di Figaro, K. 492: Atto I (The Marriage of Figaro, K. 492: Act I)
Wolfgang Amadeus Mozart3:38
9Le nozze di Figaro, K. 492: Atto II. “Porgi amor”
recording engineer:
Jobst Eberhardt (sound engineer, mainly for Deutsche Grammophon) (in 1990-05) and Wolf‐Dieter Karwatky (in 1990-05)
producer:
Cord Garben (pianist and conductor)
soprano vocals [La Contessa]:
Kiri Te Kanawa (soprano) (in 1990-05)
orchestra:
Metropolitan Opera Orchestra (in 1990-05)
conductor:
James Levine (US conductor and pianist) (in 1990-05)
balance engineer:
Wolfgang Mitlehner (in 1990-05)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1991)
recorded at:
Manhattan Center in Midtown Manhattan, New York, New York, United States (in 1990-05)
recording of:
Le nozze di Figaro, K. 492: Atto II, Scena I. (no. 11) Cavatina “Porgi, amor qualche ristoro” (La Contessa) (in 1990-05)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Le nozze di Figaro, K. 492: Atto II (The Marriage of Figaro, K. 492: Act II)
Wolfgang Amadeus Mozart4:20
10Le nozze di Figaro, K. 492: Atto II. “Voi che sapete”
recording engineer:
Jobst Eberhardt (sound engineer, mainly for Deutsche Grammophon) (in 1990-05) and Wolf‐Dieter Karwatky (in 1990-05)
producer:
Cord Garben (pianist and conductor)
mezzo-soprano vocals and mezzo-soprano vocals [Cherubino]:
Anne Sofie von Otter (mezzo-soprano) (in 1990-05)
soprano vocals [Cherubino]:
Anne Sofie von Otter (mezzo-soprano)
orchestra:
Metropolitan Opera Orchestra (in 1990-05)
conductor:
James Levine (US conductor and pianist) (in 1990-05)
balance engineer:
Wolfgang Mitlehner (in 1990-05)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1991)
recorded at:
Manhattan Center in Midtown Manhattan, New York, New York, United States (in 1990-05)
recording of:
Le nozze di Figaro, K. 492: Atto II, Scena II. (no. 12) Canzona “Voi che sapete che cosa è amor” (Cherubino) (in 1990-05)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1786)
librettist:
Lorenzo Da Ponte
part of:
Le nozze di Figaro, K. 492: Atto II (The Marriage of Figaro, K. 492: Act II)
Wolfgang Amadeus Mozart3:03
11Le nozze di Figaro, K. 492: Atto II. “Voi signor, che giusto siete”
recording engineer:
Jobst Eberhardt (sound engineer, mainly for Deutsche Grammophon) (in 1990-05) and Wolf‐Dieter Karwatky (in 1990-05)
producer:
Cord Garben (pianist and conductor)
baritone vocals [Il Conte]:
Thomas Hampson (baritone) (in 1990-05)
bass vocals [Bartolo]:
Paul Plishka (operatic bass) (in 1990-05)
bass-baritone vocals [Figaro]:
Ferruccio Furlanetto (bass-baritone) (in 1990-05)
soprano vocals [La Contessa]:
Kiri Te Kanawa (soprano) (in 1990-05)
soprano vocals [Marcellina]:
Tatiana Troyanos (mezzo-soprano) (in 1990-05)
soprano vocals [Susanna]:
Dawn Upshaw (soprano) (in 1990-05)
tenor vocals [Basilio]:
Anthony Laciura (tenor) (in 1990-05)
orchestra:
Metropolitan Opera Orchestra (in 1990-05)
conductor:
James Levine (US conductor and pianist) (in 1990-05)
balance engineer:
Wolfgang Mitlehner (in 1990-05)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1991)
recorded at:
Manhattan Center in Midtown Manhattan, New York, New York, United States (in 1990-05)
recording of:
Le nozze di Figaro, K. 492: Atto II, Scena XI. (no. 16) Finale “Voi signor che giusto siete” (Marcellina, Basilio, Bartolo, Il Conte, Susanna, La Contessa, Figaro) (in 1990-05)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Le nozze di Figaro, K. 492: Atto II (The Marriage of Figaro, K. 492: Act II)
Wolfgang Amadeus Mozart3:48
12Le nozze di Figaro, K. 492: Atto III. “E perchè fosti meco”
recording engineer:
Jobst Eberhardt (sound engineer, mainly for Deutsche Grammophon) (in 1990-05) and Wolf‐Dieter Karwatky (in 1990-05)
producer:
Cord Garben (pianist and conductor)
baritone vocals [Il Conte]:
Thomas Hampson (baritone) (in 1990-05)
bass-baritone vocals [Figaro]:
Ferruccio Furlanetto (bass-baritone) (in 1990-05)
soprano vocals [Susanna]:
Dawn Upshaw (soprano) (in 1990-05)
orchestra:
Metropolitan Opera Orchestra (in 1990-05)
conductor:
James Levine (US conductor and pianist) (in 1990-05)
balance engineer:
Wolfgang Mitlehner (in 1990-05)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1991)
recorded at:
Manhattan Center in Midtown Manhattan, New York, New York, United States (in 1990-05)
recording of:
Le nozze di Figaro, K. 492: Atto III, Scena III. Recitativo “E perchè fosti meco” (Il Conte, Susanna, Figaro) (in 1990-05)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Le nozze di Figaro, K. 492: Atto III (The Marriage of Figaro, K. 492: Act III)
Wolfgang Amadeus Mozart0:52
13Le nozze di Figaro, K. 492: Atto III. “Hai già vinta la causa” … “Vedrò mentr’io sospiro”
baritone vocals [Count]:
Thomas Hampson (baritone)
orchestra:
Metropolitan Opera Orchestra
conductor:
James Levine (US conductor and pianist)
recording of:
Le nozze di Figaro, K. 492: Atto III, Scena IV. (no. 18) Aria “Vedrò, mentre io sospiro” (Il Conte)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Le nozze di Figaro, K. 492: Atto III (The Marriage of Figaro, K. 492: Act III)
recording of:
Le nozze di Figaro, K. 492: Atto III, Scena IV. (no. 18) Recitativo “Hai già vinta la causa” (Il Conte)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Le nozze di Figaro, K. 492: Atto III (The Marriage of Figaro, K. 492: Act III)
recording of:
Le nozze di Figaro, K. 492: Atto III, Scena IV. (no. 18) Recitativo “Hai già vinta la causa” (Il Conte)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Le nozze di Figaro, K. 492: Atto III (The Marriage of Figaro, K. 492: Act III)
Wolfgang Amadeus Mozart4:32
14Le nozze di Figaro, K. 492: Atto III. “È decisa la lite”
recording engineer:
Jobst Eberhardt (sound engineer, mainly for Deutsche Grammophon) (in 1990-05) and Wolf‐Dieter Karwatky (in 1990-05)
producer:
Cord Garben (pianist and conductor)
baritone vocals [Il Conte]:
Thomas Hampson (baritone) (in 1990-05)
bass vocals [Bartolo]:
Paul Plishka (operatic bass) (in 1990-05)
bass-baritone vocals [Figaro]:
Ferruccio Furlanetto (bass-baritone) (in 1990-05)
soprano vocals [Marcellina]:
Tatiana Troyanos (mezzo-soprano) (in 1990-05)
tenor vocals [Don Curzio]:
Michael Forest (tenor) (in 1990-05)
orchestra:
Metropolitan Opera Orchestra (in 1990-05)
conductor:
James Levine (US conductor and pianist) (in 1990-05)
balance engineer:
Wolfgang Mitlehner (in 1990-05)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1991)
recorded at:
Manhattan Center in Midtown Manhattan, New York, New York, United States (in 1990-05)
recording of:
Le nozze di Figaro, K. 492: Atto III, Scena VII. Recitativo “È decisa la lite” (Don Curzio, Marcellina, Figaro, Il Conte, Bartolo) (in 1990-05)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Le nozze di Figaro, K. 492: Atto III (The Marriage of Figaro, K. 492: Act III)
Wolfgang Amadeus Mozart1:59
15Le nozze di Figaro, K. 492: Atto III. “Riconosci in questo amplesso”
recording engineer:
Jobst Eberhardt (sound engineer, mainly for Deutsche Grammophon) (in 1990-05) and Wolf‐Dieter Karwatky (in 1990-05)
producer:
Cord Garben (pianist and conductor)
baritone vocals [Il Conte]:
Thomas Hampson (baritone) (in 1990-05)
bass vocals [Bartolo]:
Paul Plishka (operatic bass) (in 1990-05)
bass-baritone vocals [Figaro]:
Ferruccio Furlanetto (bass-baritone) (in 1990-05)
soprano vocals [Marcellina]:
Tatiana Troyanos (mezzo-soprano) (in 1990-05)
soprano vocals [Susanna]:
Dawn Upshaw (soprano) (in 1990-05)
tenor vocals [Don Curzio]:
Michael Forest (tenor) (in 1990-05)
orchestra:
Metropolitan Opera Orchestra (in 1990-05)
conductor:
James Levine (US conductor and pianist) (in 1990-05)
balance engineer:
Wolfgang Mitlehner (in 1990-05)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1991)
recorded at:
Manhattan Center in Midtown Manhattan, New York, New York, United States (in 1990-05)
recording of:
Le nozze di Figaro, K. 492: Atto III, Scena V. (no. 19) Sestetto “Riconosci in questo amplesso” (Susanna, Marcellina, Don Curzio, Il Conte, Bartolo, Figaro) (in 1990-05)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Le nozze di Figaro, K. 492: Atto III (The Marriage of Figaro, K. 492: Act III)
Wolfgang Amadeus Mozart4:52
16Le nozze di Figaro, K. 492: Atto III. “E Susanna non vien!” … “Dove sono i bei momenti”
soprano vocals:
Kiri Te Kanawa (soprano) (in 1991)
orchestra:
Metropolitan Opera Orchestra
conductor:
James Levine (US conductor and pianist) (in 1991)
recording of:
Le nozze di Figaro, K. 492: Atto III, Scena VI. (no. 20) Aria “Dove sono i bei momenti” (La Contessa) (in 1991)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Le nozze di Figaro, K. 492: Atto III (The Marriage of Figaro, K. 492: Act III)
recording of:
Le nozze di Figaro, K. 492: Atto III, Scena VI. (no. 20) Recitativo “E Susanna non vien!” (La Contessa) (in 1991)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Le nozze di Figaro, K. 492: Atto III (The Marriage of Figaro, K. 492: Act III)
Wolfgang Amadeus Mozart6:54
17Le nozze di Figaro, K. 492: Atto IV. “Tutto è disposto”
recording engineer:
Jobst Eberhardt (sound engineer, mainly for Deutsche Grammophon) (in 1990-05) and Wolf‐Dieter Karwatky (in 1990-05)
producer:
Cord Garben (pianist and conductor)
bass-baritone vocals [Figaro]:
Ferruccio Furlanetto (bass-baritone) (in 1990-05)
orchestra:
Metropolitan Opera Orchestra (in 1990-05)
conductor:
James Levine (US conductor and pianist) (in 1990-05)
balance engineer:
Wolfgang Mitlehner (in 1990-05)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1991)
recorded at:
Manhattan Center in Midtown Manhattan, New York, New York, United States (in 1990-05)
recording of:
Le nozze di Figaro, K. 492: Atto IV, Scena VIII. (no. 27) Recitativo “Tutto è disposto” (Figaro) (in 1990-05)
composer:
Wolfgang Amadeus Mozart (classical composer)
part of:
Le nozze di Figaro, K. 492: Atto IV (The Marriage of Figaro, K. 492: Act IV)
Wolfgang Amadeus Mozart1:26
18Le nozze di Figaro, K. 492: Atto IV. “Aprite un po’ quegli occhi”
recording engineer:
Jobst Eberhardt (sound engineer, mainly for Deutsche Grammophon) (in 1990-05) and Wolf‐Dieter Karwatky (in 1990-05)
producer:
Cord Garben (pianist and conductor)
bass-baritone vocals [Figaro]:
Ferruccio Furlanetto (bass-baritone) (in 1990-05)
orchestra:
Metropolitan Opera Orchestra (in 1990-05)
conductor:
James Levine (US conductor and pianist) (in 1990-05)
balance engineer:
Wolfgang Mitlehner (in 1990-05)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1991)
recorded at:
Manhattan Center in Midtown Manhattan, New York, New York, United States (in 1990-05)
recording of:
Le nozze di Figaro, K. 492: Atto IV, Scena VIII. (no. 27) Aria “Aprite un po’ quegl’occhi” (Figaro) (in 1990-05)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Le nozze di Figaro, K. 492: Atto IV (The Marriage of Figaro, K. 492: Act IV)
Wolfgang Amadeus Mozart2:43
19Le nozze di Figaro, K. 492: Atto IV. “Giunse alfin il momento” … “Deh vieni non tardar”
soprano vocals:
Dawn Upshaw (soprano) (in 1990-05)
orchestra:
Metropolitan Opera Orchestra (in 1990-05)
conductor:
James Levine (US conductor and pianist) (in 1990-05)
recording of:
Le nozze di Figaro, K. 492: Atto IV, Scena X. (no. 28) Recitativo “Giunse alfin il momento” (Susanna) (in 1990-05)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Le nozze di Figaro, K. 492: Atto IV (The Marriage of Figaro, K. 492: Act IV)
recording of:
Le nozze di Figaro, K. 492: Atto IV, Scena X. (no. 28) Aria “Deh vieni non tardar” (Susanna)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
arrangement of:
Le nozze di Figaro, K. 492: Atto IV, Scena X. (no. 28) Aria “Deh vieni non tardar” (Susanna) (catch-all for arrangements)
part of:
Le nozze di Figaro, K. 492: Atto IV (The Marriage of Figaro, K. 492: Act IV)
Wolfgang Amadeus Mozart5:16
20Le nozze di Figaro, K. 492: Atto IV. “Gente, gente, all’armi”
recording engineer:
Jobst Eberhardt (sound engineer, mainly for Deutsche Grammophon) (in 1990-05) and Wolf‐Dieter Karwatky (in 1990-05)
producer:
Cord Garben (pianist and conductor)
baritone vocals [Il Conte]:
Thomas Hampson (baritone) (in 1990-05)
bass vocals [Antonio]:
Renato Capecchi (baritone) (in 1990-05)
bass-baritone vocals [Figaro]:
Ferruccio Furlanetto (bass-baritone) (in 1990-05)
mezzo-soprano vocals [Cherubino]:
Anne Sofie von Otter (mezzo-soprano) (in 1990-05)
soprano vocals [Barbarina]:
Heidi Grant Murphy (soprano / teacher) (in 1990-05)
soprano vocals [La Contessa]:
Kiri Te Kanawa (soprano) (in 1990-05)
soprano vocals [Marcellina]:
Tatiana Troyanos (mezzo-soprano) (in 1990-05)
soprano vocals [Susanna]:
Dawn Upshaw (soprano) (in 1990-05)
tenor vocals [Basilio]:
Anthony Laciura (tenor) (in 1990-05)
orchestra:
Metropolitan Opera Orchestra (in 1990-05)
conductor:
James Levine (US conductor and pianist) (in 1990-05)
balance engineer:
Wolfgang Mitlehner (in 1990-05)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1991)
recorded at:
Manhattan Center in Midtown Manhattan, New York, New York, United States (in 1990-05)
recording of:
Le nozze di Figaro, K. 492: Atto IV, Scena Ultima. (no. 29) Finale “Gente gente, all’armi all’armi!” (Il Conte, Figaro, Don Curzio, Basilio, Antonio, Bartolo, Susanna) (in 1990-05)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Le nozze di Figaro, K. 492: Atto IV (The Marriage of Figaro, K. 492: Act IV)
Wolfgang Amadeus Mozart5:29

Credits

Release group

excerpt from:Le nozze di Figaro by Mozart (Wolfgang Amadeus Mozart, classical composer); Ferruccio Furlanetto (bass-baritone), Kiri Te Kanawa (soprano), Dawn Upshaw (soprano), James Levine (US conductor and pianist)