The World of Vaughan Williams

~ Release by Vaughan Williams (see all versions of this release, 1 available)

Tracklist

1▼CD
#TitleArtistRatingLength
1Fantasia on Greensleeves
producer:
Chris Hazell
flute:
William Bennett (flautist) (from 1980-02-12 until 1980-02-13)
orchestra:
Academy of St Martin in the Fields (from 1980-02-12 until 1980-02-13)
conductor:
Neville Marriner (conductor) (from 1980-02-12 until 1980-02-13)
balance engineer:
Stanley Goodall (engineer) (in 1980-02)
phonographic copyright (℗) by:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1981)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1980-02-12 until 1980-02-13)
recording of:
Fantasia on “Greensleeves” (from 1980-02-12 until 1980-02-13)
composer:
Ralph Vaughan Williams (English composer) (from 1924 until 1928)
arranger:
Ralph Greaves (in 1934)
publisher:
Oxford University Press (in 1936)
is based on:
Greensleeves (generic entry for traditional and unknown arrangements)
is based on:
Lovely Joan (traditional English folk song)
is based on:
Sir John in Love
Ralph Vaughan Williams4:35
2Linden Lea
piano:
Philip Ledger
tenor vocals:
Robert Tear (tenor)
recording of:
Linden Lea
lyricist:
William Barnes (English writer)
composer:
Ralph Vaughan Williams (English composer) (in 1901)
Ralph Vaughan Williams2:57
3Silent Noon
piano:
Philip Ledger
tenor vocals:
Robert Tear (tenor)
recording of:
The House of Life, No. 2: Silent Noon
lyricist:
Dante Gabriel Rossetti
composer:
Ralph Vaughan Williams (English composer) (in 1903)
part of:
The House of Life
Ralph Vaughan Williams3:45
4Songs Of Travel: The Vagabond
piano:
Philip Ledger
tenor vocals:
Robert Tear (tenor)
recording of:
Songs of Travel: I. The Vagabond
lyricist:
Robert Louis Stevenson (Scottish writer)
composer:
Ralph Vaughan Williams (English composer) (from 1901 until 1904)
part of:
Songs of Travel
Ralph Vaughan Williams3:23
5The Lark Ascending
producer:
Michael Bremner (producer/engineer)
violin:
Iona Brown (violinist and director of the Academy of St Martin in the Fields) (from 1971-05-12 until 1971-05-14)
orchestra:
Academy of St Martin in the Fields (from 1971-05-12 until 1971-05-14)
conductor:
Neville Marriner (conductor) (from 1971-05-12 until 1971-05-14)
balance engineer:
Stanley Goodall (engineer) (in 1971-05)
phonographic copyright (℗) by:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1972)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1971-05-12 until 1971-05-14)
recording of:
The Lark Ascending (for violin and orchestra) (from 1971-05-12 until 1971-05-14)
composer:
Ralph Vaughan Williams (English composer) (in 1914)
premiered at:
[concert] (1921-06-14)
premiered at:
Queen’s Hall in London (Greater London), England, United Kingdom (on 1921-06-14)
arrangement of:
The Lark Ascending (for violin and piano)
Ralph Vaughan Williams16:16
6Three Shakespeare Songs: Full Fathom Five
choir vocals:
Choir of King’s College, Cambridge
conductor:
Sir David Willcocks (UK composer, organist, choral conductor)
recording of:
Three Shakespeare Songs: Full fathom five
lyricist:
William Shakespeare (English poet and playwright)
composer:
Ralph Vaughan Williams (English composer) (in 1951)
part of:
Three Shakespeare Songs
Ralph Vaughan Williams3:29
7Three Shakespeare Songs: The Cloud-Capp'd Towers
choir vocals:
Choir of King’s College, Cambridge
conductor:
Sir David Willcocks (UK composer, organist, choral conductor)
recording of:
Three Shakespeare Songs: The cloud-capp’d towers
lyricist:
William Shakespeare (English poet and playwright)
composer:
Ralph Vaughan Williams (English composer) (in 1951)
part of:
Three Shakespeare Songs
Ralph Vaughan Williams2:13
8Three Shakespeare Songs: Over Hill, Over Dale
choir vocals:
Choir of King’s College, Cambridge
conductor:
Sir David Willcocks (UK composer, organist, choral conductor)
recording of:
Three Shakespeare Songs: Over hill, over dale
lyricist:
William Shakespeare (English poet and playwright)
composer:
Ralph Vaughan Williams (English composer) (in 1951)
part of:
Three Shakespeare Songs
Ralph Vaughan Williams1:13
9English Folk Song Suite: 1. March: Seventeen Come Sunday
producer:
Raymond Few (Ray Few, producer)
orchestra:
Boston Pops Orchestra (in 1977-06)
conductor:
Arthur Fiedler (conductor) (in 1977-06)
phonographic copyright (℗) by:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1978)
recorded at:
Symphony Hall (Boston) in Boston, Massachusetts, United States (in 1977-06)
recording of:
English Folk Song Suite: I. March “Seventeen Come Sunday” (orchestrated by Jacob) (in 1977-06)
orchestrator:
Gordon Jacob (composer) (in 1924)
composer:
Ralph Vaughan Williams (English composer) (in 1923)
publisher:
Boosey & Hawkes Music Publishers, Ltd
arrangement of:
English Folk Song Suite: I. March “Seventeen Come Sunday” (for military band)
part of:
English Folk Song Suite (orch. Jacob)
Ralph Vaughan Williams3:38
10English Folk Song Suite: 2. Intermezzo: My Bonny Boy
producer:
Raymond Few (Ray Few, producer)
orchestra:
Boston Pops Orchestra (in 1977-06)
conductor:
Arthur Fiedler (conductor) (in 1977-06)
phonographic copyright (℗) by:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1978)
recorded at:
Symphony Hall (Boston) in Boston, Massachusetts, United States (in 1977-06)
recording of:
English Folk Song Suite: II. Intermezzo “My Bonny Boy” (orchestrated by Jacob) (in 1977-06)
orchestrator:
Gordon Jacob (composer) (in 1924)
composer:
Ralph Vaughan Williams (English composer) (in 1923)
publisher:
Boosey & Hawkes Music Publishers, Ltd
arrangement of:
English Folk Song Suite: II. Intermezzo “My Bonny Boy” (for military band)
part of:
English Folk Song Suite (orch. Jacob)
Ralph Vaughan Williams3:44
11English Folk Song Suite: 3. March: Folk Songs From Somerset
producer:
Raymond Few (Ray Few, producer)
orchestra:
Boston Pops Orchestra (in 1977-06)
conductor:
Arthur Fiedler (conductor) (in 1977-06)
phonographic copyright (℗) by:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1978)
recorded at:
Symphony Hall (Boston) in Boston, Massachusetts, United States (in 1977-06)
recording of:
English Folk Song Suite: III. March “Folk Songs From Somerset” (orchestrated by Jacob) (in 1977-06)
orchestrator:
Gordon Jacob (composer) (in 1924)
composer:
Ralph Vaughan Williams (English composer) (in 1923)
publisher:
Boosey & Hawkes Music Publishers, Ltd
part of:
English Folk Song Suite (orch. Jacob)
Ralph Vaughan Williams3:56
12O Clap Your Hands
choir vocals:
The Choir of Canterbury Cathedral
conductor:
Allan Wicks
recording of:
O clap your hands (Psalm 47)
composer:
Ralph Vaughan Williams (English composer) (in 1920)
Ralph Vaughan Williams3:14
13O Taste & See
choir vocals:
The Choir of Canterbury Cathedral
conductor:
Allan Wicks
recording of:
O taste and see
composer:
Ralph Vaughan Williams (English composer) (in 1952)
Ralph Vaughan Williams1:50
14Fantasia on Christmas Carols
producer:
Andrew Raeburn
bass-baritone vocals:
Hervey Alan (operatic bass) (on 1962-08-01)
choir vocals:
Choir of King’s College, Cambridge (on 1962-08-01)
orchestra:
London Symphony Orchestra (on 1962-08-01)
conductor:
Sir David Willcocks (UK composer, organist, choral conductor) (on 1962-08-01)
balance engineer:
Kenneth Wilkinson (engineer) (on 1962-08-01)
phonographic copyright (℗) by:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1962)
recorded at:
King’s College, Cambridge in Cambridge, Cambridgeshire, England, United Kingdom (on 1962-08-01)
recording of:
Fantasia on Christmas Carols (on 1962-08-01)
composer:
Ralph Vaughan Williams (English composer) (in 1912)
Ralph Vaughan Williams11:45