| # | Title | Rating | Length |
|---|
| 1 | "Ich hab in Gottes Herz und Sinn", BWV 92: 1. [Chorale:] "Ich hab in Gottes Herz und Sinn" | | 6:45 |
| 2 | "Ich hab in Gottes Herz und Sinn", BWV 92: 2. Recitative [& Chorale:] "Es kann mir fehlen nimmermehr!" | | 4:16 |
| 3 | "Ich hab in Gottes Herz und Sinn", BWV 92: 3. Aria: "Seht, seht, wie reißt, wie bricht, wie fällt" | | 3:16 |
| 4 | "Ich hab in Gottes Herz und Sinn", BWV 92: 4. Chorale: "Zudem ist Weisheit Verstand" | | 2:57 |
| 5 | "Ich hab in Gottes Herz und Sinn", BWV 92: 5. Recitative: "Wir wollen nun nicht länger zagen" | | 1:27 |
| 6 | "Ich hab in Gottes Herz und Sinn", BWV 92: 6. Aria: "Das Stürmen von den rauhen Winden" | | 4:37 |
| 7 | "Ich hab in Gottes Herz und Sinn", BWV 92: 7. [Chorale &] Recitative: "Ein nun, mein Gott, so fall ich dir" | | 2:47 |
| 8 | "Ich hab in Gottes Herz und Sinn", BWV 92: 8:. Aria: "Meinen Hirten bleibt ich treu" | | 3:21 |
| 9 | "Ich hab in Gottes Herz und Sinn", BWV 92: 9: Chorale: "Soll ich denn auch des Todes Weg" | | 1:27 |
| 10 | "Erhalt uns, Herr, bei deinem Wort", BWV 126: 1. [Chorale:] "Erhalt uns, Herr, bei deinem Wort"- recording engineer:
- Hans‐Peter Schweigmann
- co-executive producer:
- Helen Kuzaj
- producer:
- Dr Gerd Ploebsch
- bassoon:
- Karl Kolbinger (in 1973-05, in 1974-02)
- cello:
- Fritz Kiskalt (in 1973-05, in 1974-02)
- double bass:
- Herbert Duft (in 1973-05, in 1974-02)
- oboe [oboe I]:
- Manfred Clement (in 1973-05, in 1974-02)
- oboe [oboe II]:
- Robert Eliscu (in 1973-05, in 1974-02)
- organ:
- Hedwig Bilgram (in 1973-05, in 1974-02) and Elmar Schloter (in 1973-05, in 1974-02)
- trumpet:
- Pierre Thibaud (in 1974-02)
- choir vocals:
- Münchener Bach‐Chor (in 1973-05, in 1974-02)
- orchestra:
- Münchener Bach‐Orchester (in 1973-05, in 1974-02)
- conductor:
- Karl Richter (in 1973-05, in 1974-02)
- phonographic copyright (℗) by:
- Polydor International GmbH (in 1976)
- recorded at:
- Herkulessaal in München , Bayern , Germany (in 1973-05, in 1974-02)
- recording of:
- Kantate, BWV 126 "Erhalt uns Herr bei deinem Wort": I. Coro "Erhalt uns Herr bei deinem Wort" (in 1974-02)
- composer:
- Johann Sebastian Bach (in 1725)
- part of:
- Kantate, BWV 126 "Erhalt uns Herr bei deinem Wort"
| | 2:45 |
| 11 | "Erhalt uns, Herr, bei deinem Wort", BWV 126: 2. Aria: "Sende deine Macht von oben"- recording engineer:
- Hans‐Peter Schweigmann
- co-executive producer:
- Helen Kuzaj
- producer:
- Dr Gerd Ploebsch
- bassoon:
- Karl Kolbinger (in 1973-05, in 1974-02)
- cello:
- Fritz Kiskalt (in 1973-05, in 1974-02)
- double bass:
- Herbert Duft (in 1973-05, in 1974-02)
- oboe [oboe I]:
- Manfred Clement (in 1973-05, in 1974-02)
- oboe [oboe II]:
- Robert Eliscu (in 1973-05, in 1974-02)
- organ:
- Hedwig Bilgram (in 1973-05, in 1974-02) and Elmar Schloter (in 1973-05, in 1974-02)
- tenor vocals:
- Peter Schreier (in 1973-05, in 1974-02)
- orchestra:
- Münchener Bach‐Orchester (in 1973-05, in 1974-02)
- conductor:
- Karl Richter (in 1973-05, in 1974-02)
- phonographic copyright (℗) by:
- Polydor International GmbH (in 1976)
- recorded at:
- Herkulessaal in München , Bayern , Germany (in 1973-05, in 1974-02)
- recording of:
- Kantate, BWV 126 "Erhalt uns Herr bei deinem Wort": II. Aria (Tenor) "Sende deine Macht von oben" (in 1974-02)
- composer:
- Johann Sebastian Bach (in 1725)
- part of:
- Kantate, BWV 126 "Erhalt uns Herr bei deinem Wort"
| | 3:44 |
| 12 | "Erhalt uns, Herr, bei deinem Wort", BWV 126: 3. Recitative [& Chorale]: "Der Menschen Gunst und Macht"- recording engineer:
- Hans‐Peter Schweigmann
- co-executive producer:
- Helen Kuzaj
- producer:
- Dr Gerd Ploebsch
- bassoon:
- Karl Kolbinger (in 1973-05, in 1974-02)
- cello:
- Fritz Kiskalt (in 1973-05, in 1974-02)
- double bass:
- Herbert Duft (in 1973-05, in 1974-02)
- oboe [oboe I]:
- Manfred Clement (in 1973-05, in 1974-02)
- oboe [oboe II]:
- Robert Eliscu (in 1973-05, in 1974-02)
- organ:
- Hedwig Bilgram (in 1973-05, in 1974-02) and Elmar Schloter (in 1973-05, in 1974-02)
- alto vocals:
- Anna Reynolds (in 1973-05, in 1974-02)
- tenor vocals:
- Peter Schreier (in 1973-05, in 1974-02)
- orchestra:
- Münchener Bach‐Orchester (in 1973-05, in 1974-02)
- conductor:
- Karl Richter (in 1973-05, in 1974-02)
- phonographic copyright (℗) by:
- Polydor International GmbH (in 1976)
- recorded at:
- Herkulessaal in München , Bayern , Germany (in 1973-05, in 1974-02)
- recording of:
- Kantate, BWV 126 "Erhalt uns Herr bei deinem Wort": III. Recitativo e Choral (Alt, Tenor) "Der Menschen Gunst und Macht" (in 1974-02)
- composer:
- Johann Sebastian Bach (in 1725)
- part of:
- Kantate, BWV 126 "Erhalt uns Herr bei deinem Wort"
| | 2:28 |
| 13 | "Erhalt uns, Herr, bei deinem Wort", BWV 126: 4. Aria: "Stürze zu Boden, schwülstige Stolze!"- recording engineer:
- Hans‐Peter Schweigmann
- co-executive producer:
- Helen Kuzaj
- producer:
- Dr Gerd Ploebsch
- bassoon:
- Karl Kolbinger (in 1973-05, in 1974-02)
- cello:
- Fritz Kiskalt (in 1973-05, in 1974-02)
- double bass:
- Herbert Duft (in 1973-05, in 1974-02)
- oboe [oboe I]:
- Manfred Clement (in 1973-05, in 1974-02)
- oboe [oboe II]:
- Robert Eliscu (in 1973-05, in 1974-02)
- organ:
- Hedwig Bilgram (in 1973-05, in 1974-02) and Elmar Schloter (in 1973-05, in 1974-02)
- bass vocals:
- Theo Adam (in 1973-05, in 1974-02)
- orchestra:
- Münchener Bach‐Orchester (in 1973-05, in 1974-02)
- conductor:
- Karl Richter (in 1973-05, in 1974-02)
- phonographic copyright (℗) by:
- Polydor International GmbH (in 1976)
- recorded at:
- Herkulessaal in München , Bayern , Germany (in 1973-05, in 1974-02)
- recording of:
- Kantate, BWV 126 "Erhalt uns Herr bei deinem Wort": IV. Aria (Bass) "Stürze zu Boden schwülstige Stolze!" (in 1974-02)
- composer:
- Johann Sebastian Bach (in 1725)
- part of:
- Kantate, BWV 126 "Erhalt uns Herr bei deinem Wort"
| | 5:13 |
| 14 | "Erhalt uns, Herr, bei deinem Wort", BWV 126: 5. Recitative: "So wird dein Wort und Wahrheit offenbar"- recording engineer:
- Hans‐Peter Schweigmann
- co-executive producer:
- Helen Kuzaj
- producer:
- Dr Gerd Ploebsch
- bassoon:
- Karl Kolbinger (in 1973-05, in 1974-02)
- cello:
- Fritz Kiskalt (in 1973-05, in 1974-02)
- double bass:
- Herbert Duft (in 1973-05, in 1974-02)
- oboe [oboe I]:
- Manfred Clement (in 1973-05, in 1974-02)
- oboe [oboe II]:
- Robert Eliscu (in 1973-05, in 1974-02)
- organ:
- Hedwig Bilgram (in 1973-05, in 1974-02) and Elmar Schloter (in 1973-05, in 1974-02)
- tenor vocals:
- Peter Schreier (in 1973-05, in 1974-02)
- orchestra:
- Münchener Bach‐Orchester (in 1973-05, in 1974-02)
- conductor:
- Karl Richter (in 1973-05, in 1974-02)
- phonographic copyright (℗) by:
- Polydor International GmbH (in 1976)
- recorded at:
- Herkulessaal in München , Bayern , Germany (in 1973-05, in 1974-02)
- recording of:
- Kantate, BWV 126 "Erhalt uns Herr bei deinem Wort": V. Recitativo (Tenor) "So wird dein Wort und Wahrheit offenbar" (in 1974-02)
- composer:
- Johann Sebastian Bach (in 1725)
- part of:
- Kantate, BWV 126 "Erhalt uns Herr bei deinem Wort"
| | 0:58 |
| 15 | "Erhalt uns, Herr, bei deinem Wort", BWV 126: 6. Chorale: "Verleih uns Frieden gnädiglich"- recording engineer:
- Hans‐Peter Schweigmann
- co-executive producer:
- Helen Kuzaj
- producer:
- Dr Gerd Ploebsch
- bassoon:
- Karl Kolbinger (in 1973-05, in 1974-02)
- cello:
- Fritz Kiskalt (in 1973-05, in 1974-02)
- double bass:
- Herbert Duft (in 1973-05, in 1974-02)
- oboe [oboe I]:
- Manfred Clement (in 1973-05, in 1974-02)
- oboe [oboe II]:
- Robert Eliscu (in 1973-05, in 1974-02)
- organ:
- Hedwig Bilgram (in 1973-05, in 1974-02) and Elmar Schloter (in 1973-05, in 1974-02)
- trumpet:
- Pierre Thibaud (in 1974-02)
- choir vocals:
- Münchener Bach‐Chor (in 1973-05, in 1974-02)
- orchestra:
- Münchener Bach‐Orchester (in 1973-05, in 1974-02)
- conductor:
- Karl Richter (in 1973-05, in 1974-02)
- phonographic copyright (℗) by:
- Polydor International GmbH (in 1976)
- recorded at:
- Herkulessaal in München , Bayern , Germany (in 1973-05, in 1974-02)
- recording of:
- Kantate, BWV 126 "Erhalt uns Herr bei deinem Wort": VI. Choral "Verleih uns Frieden gnädiglich" (in 1974-02)
- lyricist:
- Martin Luther
- composer:
- Johann Sebastian Bach (in 1725)
- part of:
- Breitkopf 389 Choralgesänge (number: 321)
- part of:
- Kantate, BWV 126 "Erhalt uns Herr bei deinem Wort"
| | 1:51 |
| 16 | "Himmelskönig, sei willkommen", BWV 182: 1. Sonata- recording engineer:
- Hans‐Peter Schweigmann
- co-executive producer:
- Helen Kuzaj
- producer:
- Dr. Gerd Ploebsch
- bassoon:
- Karl Kolbinger (from 1974-02 until 1974-03, in 1975-01)
- cello:
- Fritz Kiskalt (from 1974-02 until 1974-03, in 1975-01)
- double bass:
- Herbert Duft (from 1974-02 until 1974-03, in 1975-01)
- organ:
- Hedwig Bilgram (from 1974-02 until 1974-03, in 1975-01) and Elmar Schloter (from 1974-02 until 1974-03, in 1975-01)
- recorder:
- Hans-Martin Linde (from 1974-02 until 1974-03, in 1975-01)
- violin:
- Ingo Sinnhoffer (from 1974-02 until 1974-03, in 1975-01)
- orchestra:
- Münchener Bach‐Orchester (from 1974-02 until 1974-03, in 1975-01)
- conductor:
- Karl Richter (from 1974-02 until 1974-03, in 1975-01)
- phonographic copyright (℗) by:
- Polydor International GmbH (in 1975)
- recorded at:
- Herkulessaal in München , Bayern , Germany (from 1974-02 until 1974-03, in 1975-01)
- recording of:
- Kantate, BWV 182 „Himmelskönig, sei willkommen“: I. Sonata (from 1974-02 until 1974-03)
- premiered in:
- Weimar, Thüringen , Germany (on 1714-03-25)
- composer:
- Johann Sebastian Bach (in 1714)
- librettist:
- [anonymous]
- version of:
- Kantate, BWV 182 "Himmelskönig, sei willkommen" Appendix: I. Sonata
- part of:
- Kantate, BWV 182 „Himmelskönig, sei willkommen“
| | 2:36 |
| 17 | "Himmelskönig, sei willkommen", BWV 182: 2. Chorus: "Himmelskönig, sei willkommen"- recording engineer:
- Hans‐Peter Schweigmann
- co-executive producer:
- Helen Kuzaj
- producer:
- Dr. Gerd Ploebsch
- bassoon:
- Karl Kolbinger (from 1974-02 until 1974-03, in 1975-01)
- cello:
- Fritz Kiskalt (from 1974-02 until 1974-03, in 1975-01)
- double bass:
- Herbert Duft (from 1974-02 until 1974-03, in 1975-01)
- organ:
- Hedwig Bilgram (from 1974-02 until 1974-03, in 1975-01) and Elmar Schloter (from 1974-02 until 1974-03, in 1975-01)
- recorder:
- Peter Jenne (from 1974-02 until 1974-03, in 1975-01) and Conrad Steinmann (from 1974-02 until 1974-03, in 1975-01)
- violin:
- Ingo Sinnhoffer (from 1974-02 until 1974-03, in 1975-01)
- choir vocals:
- Münchener Bach‐Chor (from 1974-02 until 1974-03, in 1975-01)
- orchestra:
- Münchener Bach‐Orchester (from 1974-02 until 1974-03, in 1975-01)
- conductor:
- Karl Richter (from 1974-02 until 1974-03, in 1975-01)
- phonographic copyright (℗) by:
- Polydor International GmbH (in 1975)
- recorded at:
- Herkulessaal in München , Bayern , Germany (from 1974-02 until 1974-03, in 1975-01)
- recording of:
- Kantate, BWV 182 „Himmelskönig, sei willkommen“: II. Chor „Himmelskönig, sei willkommen“ (from 1974-02 until 1974-03)
- premiered in:
- Weimar, Thüringen , Germany (on 1714-03-25)
- composer:
- Johann Sebastian Bach (in 1714)
- librettist:
- [anonymous]
- part of:
- Kantate, BWV 182 „Himmelskönig, sei willkommen“
| | 4:15 |
| 18 | "Himmelskönig, sei willkommen", BWV 182: 3. Recitative: "Siehe, ich komme"- recording engineer:
- Hans‐Peter Schweigmann
- co-executive producer:
- Helen Kuzaj
- producer:
- Dr. Gerd Ploebsch
- bassoon:
- Karl Kolbinger (from 1974-02 until 1974-03, in 1975-01)
- cello:
- Fritz Kiskalt (from 1974-02 until 1974-03, in 1975-01)
- double bass:
- Herbert Duft (from 1974-02 until 1974-03, in 1975-01)
- organ:
- Hedwig Bilgram (from 1974-02 until 1974-03, in 1975-01) and Elmar Schloter (from 1974-02 until 1974-03, in 1975-01)
- violin:
- Ingo Sinnhoffer (from 1974-02 until 1974-03, in 1975-01)
- bass vocals:
- Theo Adam (from 1974-02 until 1974-03, in 1975-01)
- orchestra:
- Münchener Bach‐Orchester (from 1974-02 until 1974-03, in 1975-01)
- conductor:
- Karl Richter (from 1974-02 until 1974-03, in 1975-01)
- phonographic copyright (℗) by:
- Polydor International GmbH (in 1975)
- recorded at:
- Herkulessaal in München , Bayern , Germany (from 1974-02 until 1974-03, in 1975-01)
- recording of:
- Kantate, BWV 182 „Himmelskönig, sei willkommen“: III. Rezitativ (Bass) „Siehe, ich komme“ (from 1974-02 until 1974-03)
- premiered in:
- Weimar, Thüringen , Germany (on 1714-03-25)
- composer:
- Johann Sebastian Bach (in 1714)
- part of:
- Kantate, BWV 182 „Himmelskönig, sei willkommen“
| | 0:38 |
| 19 | "Himmelskönig, sei willkommen", BWV 182: 4. Aria: "Starkes Lieben"- recording engineer:
- Hans‐Peter Schweigmann
- co-executive producer:
- Helen Kuzaj
- producer:
- Dr. Gerd Ploebsch
- bassoon:
- Karl Kolbinger (from 1974-02 until 1974-03, in 1975-01)
- cello:
- Fritz Kiskalt (from 1974-02 until 1974-03, in 1975-01)
- double bass:
- Herbert Duft (from 1974-02 until 1974-03, in 1975-01)
- organ:
- Hedwig Bilgram (from 1974-02 until 1974-03, in 1975-01) and Elmar Schloter (from 1974-02 until 1974-03, in 1975-01)
- violin:
- Ingo Sinnhoffer (from 1974-02 until 1974-03, in 1975-01)
- bass vocals:
- Theo Adam (from 1974-02 until 1974-03, in 1975-01)
- orchestra:
- Münchener Bach‐Orchester (from 1974-02 until 1974-03, in 1975-01)
- conductor:
- Karl Richter (from 1974-02 until 1974-03, in 1975-01)
- phonographic copyright (℗) by:
- Polydor International GmbH (in 1975)
- recorded at:
- Herkulessaal in München , Bayern , Germany (from 1974-02 until 1974-03, in 1975-01)
- recording of:
- Kantate, BWV 182 „Himmelskönig, sei willkommen“: IV. Arie (Bass) „Starkes Lieben“ (from 1974-02 until 1974-03)
- premiered in:
- Weimar, Thüringen , Germany (on 1714-03-25)
- composer:
- Johann Sebastian Bach (in 1714)
- librettist:
- [anonymous]
- part of:
- Kantate, BWV 182 „Himmelskönig, sei willkommen“
| | 2:49 |
| 20 | "Himmelskönig, sei willkommen", BWV 182: 5. Aria: "Leget euch dem Heiland unter"- recording engineer:
- Hans‐Peter Schweigmann
- co-executive producer:
- Helen Kuzaj
- producer:
- Dr. Gerd Ploebsch
- bassoon:
- Karl Kolbinger (from 1974-02 until 1974-03, in 1975-01)
- cello:
- Fritz Kiskalt (from 1974-02 until 1974-03, in 1975-01)
- double bass:
- Herbert Duft (from 1974-02 until 1974-03, in 1975-01)
- organ:
- Hedwig Bilgram (from 1974-02 until 1974-03, in 1975-01) and Elmar Schloter (from 1974-02 until 1974-03, in 1975-01)
- recorder:
- Hans-Martin Linde (from 1974-02 until 1974-03, in 1975-01)
- violin:
- Ingo Sinnhoffer (from 1974-02 until 1974-03, in 1975-01)
- alto vocals:
- Anna Reynolds (from 1974-02 until 1974-03, in 1975-01)
- orchestra:
- Münchener Bach‐Orchester (from 1974-02 until 1974-03, in 1975-01)
- conductor:
- Karl Richter (from 1974-02 until 1974-03, in 1975-01)
- phonographic copyright (℗) by:
- Polydor International GmbH (in 1975)
- recorded at:
- Herkulessaal in München , Bayern , Germany (from 1974-02 until 1974-03, in 1975-01)
- recording of:
- Kantate, BWV 182 „Himmelskönig, sei willkommen“: V. Arie (Alt) „Leget euch dem Heiland unter“ (from 1974-02 until 1974-03)
- premiered in:
- Weimar, Thüringen , Germany (on 1714-03-25)
- composer:
- Johann Sebastian Bach (in 1714)
- librettist:
- [anonymous]
- part of:
- Kantate, BWV 182 „Himmelskönig, sei willkommen“
| | 10:19 |
| 21 | "Himmelskönig, sei willkommen", BWV 182: 6. Aria: "Jesu, lass durch Wohl und Weh"- recording engineer:
- Hans‐Peter Schweigmann
- co-executive producer:
- Helen Kuzaj
- producer:
- Dr. Gerd Ploebsch
- bassoon:
- Karl Kolbinger (from 1974-02 until 1974-03, in 1975-01)
- cello:
- Fritz Kiskalt (from 1974-02 until 1974-03, in 1975-01)
- double bass:
- Herbert Duft (from 1974-02 until 1974-03, in 1975-01)
- organ:
- Hedwig Bilgram (from 1974-02 until 1974-03, in 1975-01) and Elmar Schloter (from 1974-02 until 1974-03, in 1975-01)
- violin:
- Ingo Sinnhoffer (from 1974-02 until 1974-03, in 1975-01)
- tenor vocals:
- Peter Schreier (from 1974-02 until 1974-03, in 1975-01)
- orchestra:
- Münchener Bach‐Orchester (from 1974-02 until 1974-03, in 1975-01)
- conductor:
- Karl Richter (from 1974-02 until 1974-03, in 1975-01)
- phonographic copyright (℗) by:
- Polydor International GmbH (in 1975)
- recorded at:
- Herkulessaal in München , Bayern , Germany (from 1974-02 until 1974-03, in 1975-01)
- recording of:
- Kantate, BWV 182 „Himmelskönig, sei willkommen“: VI. Arie (Tenor) „Jesu, laß durch Wohl und Weh“ (from 1974-02 until 1974-03)
- premiered in:
- Weimar, Thüringen , Germany (on 1714-03-25)
- composer:
- Johann Sebastian Bach (in 1714)
- librettist:
- [anonymous]
- part of:
- Kantate, BWV 182 „Himmelskönig, sei willkommen“
| | 4:14 |
| 22 | "Himmelskönig, sei willkommen", BWV 182: 7. Chorale: "Jesu, deine Passion ist mir lauter Freude"- recording engineer:
- Hans‐Peter Schweigmann
- co-executive producer:
- Helen Kuzaj
- producer:
- Dr. Gerd Ploebsch
- bassoon:
- Karl Kolbinger (from 1974-02 until 1974-03, in 1975-01)
- cello:
- Fritz Kiskalt (from 1974-02 until 1974-03, in 1975-01)
- double bass:
- Herbert Duft (from 1974-02 until 1974-03, in 1975-01)
- organ:
- Hedwig Bilgram (from 1974-02 until 1974-03, in 1975-01) and Elmar Schloter (from 1974-02 until 1974-03, in 1975-01)
- recorder:
- Peter Jenne (from 1974-02 until 1974-03, in 1975-01) and Conrad Steinmann (from 1974-02 until 1974-03, in 1975-01)
- violin:
- Ingo Sinnhoffer (from 1974-02 until 1974-03, in 1975-01)
- choir vocals:
- Münchener Bach‐Chor (from 1974-02 until 1974-03, in 1975-01)
- orchestra:
- Münchener Bach‐Orchester (from 1974-02 until 1974-03, in 1975-01)
- conductor:
- Karl Richter (from 1974-02 until 1974-03, in 1975-01)
- phonographic copyright (℗) by:
- Polydor International GmbH (in 1975)
- recorded at:
- Herkulessaal in München , Bayern , Germany (from 1974-02 until 1974-03, in 1975-01)
- recording of:
- Kantate, BWV 182 „Himmelskönig, sei willkommen“: VII. Choral „Jesu, deine Passion“ (from 1974-02 until 1974-03)
- premiered in:
- Weimar, Thüringen , Germany (on 1714-03-25)
- composer:
- Johann Sebastian Bach (in 1714)
- librettist:
- Paul Stockmann (in 1633)
- version of:
- Kantate, BWV 182 "Himmelskönig, sei willkommen" Appendix: VII. Choral "Jesu, deine Passion"
- part of:
- Kantate, BWV 182 „Himmelskönig, sei willkommen“
| | 2:56 |
| 23 | "Himmelskönig, sei willkommen", BWV 182: 8. Chorus: "So lasset uns gehen in Salem der Freuden"- recording engineer:
- Hans‐Peter Schweigmann
- co-executive producer:
- Helen Kuzaj
- producer:
- Dr. Gerd Ploebsch
- bassoon:
- Karl Kolbinger (from 1974-02 until 1974-03, in 1975-01)
- cello:
- Fritz Kiskalt (from 1974-02 until 1974-03, in 1975-01)
- double bass:
- Herbert Duft (from 1974-02 until 1974-03, in 1975-01)
- organ:
- Hedwig Bilgram (from 1974-02 until 1974-03, in 1975-01) and Elmar Schloter (from 1974-02 until 1974-03, in 1975-01)
- recorder:
- Peter Jenne (from 1974-02 until 1974-03, in 1975-01) and Conrad Steinmann (from 1974-02 until 1974-03, in 1975-01)
- violin:
- Ingo Sinnhoffer (from 1974-02 until 1974-03, in 1975-01)
- choir vocals:
- Münchener Bach‐Chor (from 1974-02 until 1974-03, in 1975-01)
- orchestra:
- Münchener Bach‐Orchester (from 1974-02 until 1974-03, in 1975-01)
- conductor:
- Karl Richter (from 1974-02 until 1974-03, in 1975-01)
- phonographic copyright (℗) by:
- Polydor International GmbH (in 1975)
- recorded at:
- Herkulessaal in München , Bayern , Germany (from 1974-02 until 1974-03, in 1975-01)
- recording of:
- Kantate, BWV 182 „Himmelskönig, sei willkommen“: VIII. Chor „So lasset uns gehen in Salem der Freuden“ (from 1974-02 until 1974-03)
- premiered in:
- Weimar, Thüringen , Germany (on 1714-03-25)
- composer:
- Johann Sebastian Bach (in 1714)
- librettist:
- [anonymous]
- part of:
- Kantate, BWV 182 „Himmelskönig, sei willkommen“
| | 5:44 |
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