L.A. Is My Lady

~ Release by Frank Sinatra with Quincy Jones and Orchestra (see all versions of this release, 7 available)

Tracklist

1▼CD
#TitleArtistRatingLength
1L.A. Is My Lady
recorded in:
New York, New York, United States (on 1984-04-13)
recording engineer:
Phil Ramone (on 1984-04-13)
assistant engineer:
Elliot Scheiner and Allen Sides
producer:
Quincy Jones
mixer:
Phil Ramone
percussion:
Ralph MacDonald (on 1984-04-13)
solo electric piano:
Bob James (US jazz keyboardist, arranger and producer) (on 1984-04-13)
solo guitar:
George Benson (jazz guitarist/singer) (on 1984-04-13)
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (on 1984-04-13)
orchestra:
Quincy Jones and His Orchestra (on 1984-04-13)
conductor:
Quincy Jones (on 1984-04-13)
arranger:
Jerry Hey, Quincy Jones, Dave Matthews (of Dave Matthews Band) and Torrie Zito
recording of:
L.A. Is My Lady (on 1984-04-13)
lyricist:
Alan Bergman (American lyricist) and Marilyn Bergman
composer:
Quincy Jones and Peggy Lipton
publisher:
Rashida Music, Threesome Music Company and Yellowbrick Road Music
Frank Sinatra53:16
2The Best of Everything
recorded in:
New York, New York, United States (on 1984-04-16)
recording engineer:
Phil Ramone (on 1984-04-16)
assistant engineer:
Elliot Scheiner and Allen Sides
producer:
Quincy Jones
mixer:
Phil Ramone
solo alto saxophone:
Frank Wess (on 1984-04-16)
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (on 1984-04-16)
orchestra:
Quincy Jones and His Orchestra (on 1984-04-16)
conductor:
Quincy Jones (on 1984-04-16)
arranger:
Joe Parnello (American pianist, conductor and arranger)
recording of:
The Best of Everything (on 1984-04-16)
lyricist:
Fred Ebb (lyricist)
composer:
John Kander (composer)
publisher:
Fiddleback Music Publishing Co., Inc. and Kander & Ebb, Inc.
Frank Sinatra2:49
3How Do You Keep the Music Playing
recorded in:
New York, New York, United States (on 1984-04-17)
recording engineer:
Phil Ramone (on 1984-04-17)
assistant engineer:
Elliot Scheiner and Allen Sides
producer:
Quincy Jones
mixer:
Phil Ramone
piano:
Joe Parnello (American pianist, conductor and arranger) (on 1984-04-17)
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (on 1984-04-17)
orchestra:
Quincy Jones and His Orchestra (on 1984-04-17)
conductor:
Quincy Jones (on 1984-04-17)
arranger:
Joe Parnello (American pianist, conductor and arranger)
cover recording of:
How Do You Keep the Music Playing? (on 1984-04-17)
lyricist:
Alan Bergman (American lyricist) and Marilyn Bergman
composer:
Michel Legrand
publisher:
Warner Olive Music LLC and WB Music Corp. (1929–2019) (in 1982)
part of:
The 55th Academy Award for Best Original Song (number: 2) and Academy Award for Best Original Song (number: 1982 nominee)
Frank Sinatra3:56
4Teach Me Tonight
recorded in:
New York, New York, United States (on 1984-04-17)
recording engineer:
Phil Ramone (on 1984-04-17)
assistant engineer:
Elliot Scheiner and Allen Sides
producer:
Quincy Jones
mixer:
Phil Ramone
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (on 1984-04-17)
orchestra:
Quincy Jones and His Orchestra (on 1984-04-17)
conductor:
Quincy Jones (on 1984-04-17)
arranger:
Torrie Zito
cover recording of:
Teach Me Tonight (on 1984-04-17)
lyricist:
Sammy Cahn
composer:
Gene de Paul
publisher:
MCA Music (not for release label use! this is a music publisher, ASCAP-affiliated) (ended), Cahn Music Co., Hub Music Co., WB Music Corp. (1929–2019) (until 2019-05-28) and WC Music Corp. (from 2019-05-28 to present)
sub-publisher:
ティー・アール・オー・エセックス・ジャパン A事業部 (TRO Essex Japan, A-Division) and 日音 Synch事業部 (NICHION, INC. Synch Division)
Frank Sinatra3:49
5It’s All Right With Me
recorded in:
New York, New York, United States (on 1984-04-16)
recording engineer:
Phil Ramone (on 1984-04-16)
assistant engineer:
Elliot Scheiner and Allen Sides
producer:
Quincy Jones
mixer:
Phil Ramone
solo guitar:
George Benson (jazz guitarist/singer) (on 1984-04-16)
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (on 1984-04-16)
orchestra:
Quincy Jones and His Orchestra (on 1984-04-16)
conductor:
Quincy Jones (on 1984-04-16)
arranger:
Sammy Nestico
cover recording of:
It’s All Right with Me (Can‐Can musical) (on 1984-04-16)
lyricist and composer:
Cole Porter (composer) (in 1953)
publisher:
Chappell & Co., Inc. (USA)
part of:
Can‐Can (1960 musical film)
part of:
High Society (stage musical)
Frank Sinatra2:43
6Mack the Knife
recorded in:
Los Angeles, California, United States (on 1986-10-30)
recording engineer and mixer:
Phil Ramone
assistant engineer:
Elliot Scheiner and Allen Sides
producer:
Quincy Jones
solo guitar:
George Benson (jazz guitarist/singer) (on 1986-10-30)
solo trombone:
Urbie Green (on 1986-10-30)
solo trumpet [Muted Trumpet]:
Joe Newman (US jazz trumpeter) (on 1986-10-30)
vibraphone [vibes]:
Lionel Hampton (on 1986-10-30)
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (on 1986-10-30)
orchestra and performer:
Quincy Jones and His Orchestra (on 1986-10-30)
conductor:
Quincy Jones (on 1986-10-30)
arranger:
Frank Foster (saxophonist)
cover recording of:
Mack the Knife (1954 Blitzstein translation) (on 1986-10-30)
lyricist:
Bertolt Brecht
composer:
Kurt Weill (composer)
translator:
Marc Blitzstein (American composer) (in 1954)
publisher:
Universal Edition (publisher; do NOT use as release label)
translated version of:
Die Dreigroschenoper: Vorspiel. Die Moritat von Mackie Messer
recording of:
Mack the Knife (1954 Blitzstein translation)
lyricist:
Bertolt Brecht
composer:
Kurt Weill (composer)
translator:
Marc Blitzstein (American composer) (in 1954)
publisher:
Universal Edition (publisher; do NOT use as release label)
translated version of:
Die Dreigroschenoper: Vorspiel. Die Moritat von Mackie Messer
Frank Sinatra4:55
7Until the Real Thing Comes Along
recorded in:
New York, New York, United States (on 1984-04-13)
recording engineer:
Phil Ramone (on 1984-04-13)
assistant engineer:
Elliot Scheiner and Allen Sides
producer:
Quincy Jones
mixer:
Phil Ramone
solo trumpet [Muted Trumpet]:
Joe Newman (US jazz trumpeter) (on 1984-04-13)
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (on 1984-04-13)
orchestra:
Quincy Jones and His Orchestra (on 1984-04-13)
conductor:
Quincy Jones (on 1984-04-13)
arranger:
Sammy Nestico
cover recording of:
Until the Real Thing Comes Along (on 1984-04-13)
lyricist and composer:
Sammy Cahn, Saul Chaplin, L.E. Freeman, Mann Holiner and Alberta Nichols
publisher:
Anne-Rachel Music Corp., Cahn Music Company, Chappell & Co., Inc. (USA) and WB Music Corp. (1929–2019)
Frank Sinatra3:07
8Stormy Weather
recorded in:
Los Angeles, California, United States (on 1984-05-17)
recording engineer:
Steve Crimmel (US recording engineer) (on 1984-05-17), Mark Ettel (on 1984-05-17) and Phil Ramone (on 1984-05-17)
assistant engineer:
Elliot Scheiner and Allen Sides
producer:
Quincy Jones
mixer:
Phil Ramone
solo guitar:
Lee Ritenour (on 1984-05-17)
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (on 1984-05-17)
orchestra:
Quincy Jones and His Orchestra (on 1984-05-17)
conductor:
Quincy Jones (on 1984-05-17)
arranger:
Sammy Nestico
cover recording of:
Stormy Weather (on 1984-05-17)
lyricist:
Ted Koehler (in 1933)
composer:
Harold Arlen (in 1933)
publisher:
Arko Music Corp., EMI Music Publishing (do not use as a release label!), Fred Ahlert Mus. Corp., Mills Music, Inc., S.A. Music Co., Ted Koehler Music Co. and The Songwriters Guild
Frank Sinatra3:42
9If I Should Lose You
recorded in:
New York, New York, United States (on 1984-04-17)
recording engineer:
Phil Ramone (on 1984-04-17)
assistant engineer:
Elliot Scheiner and Allen Sides
producer:
Quincy Jones
mixer:
Phil Ramone
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (on 1984-04-17)
orchestra:
Quincy Jones and His Orchestra (on 1984-04-17)
conductor:
Quincy Jones (on 1984-04-17)
arranger:
Sammy Nestico
cover recording of:
If I Should Lose You (on 1984-04-17)
lyricist:
Leo Robin (US composer, lyricist & songwriter)
composer:
Ralph Rainger
publisher:
Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody)
Frank Sinatra2:41
10A Hundred Years From Today
recorded in:
New York, New York, United States (on 1984-04-16)
recording engineer:
Phil Ramone (on 1984-04-16)
assistant engineer:
Elliot Scheiner and Allen Sides
producer:
Quincy Jones
mixer:
Phil Ramone
solo trombone:
Urbie Green (on 1984-04-16)
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (on 1984-04-16)
orchestra:
Quincy Jones and His Orchestra (on 1984-04-16)
conductor:
Quincy Jones (on 1984-04-16)
arranger:
Sammy Nestico
cover recording of:
A Hundred Years From Today (on 1984-04-16)
lyricist:
Ned Washington and Joe Young (US lyricist)
composer:
Victor Young (American composer, arranger, violinist & conductor)
publisher:
EMI Robbins Catalog Inc. (ASCAP), Robbins Music Corp. and Warock Corp.
Frank Sinatra3:10
11After You’ve Gone
recorded in:
New York, New York, United States (on 1984-04-13)
recording engineer:
Phil Ramone (on 1984-04-13)
assistant engineer:
Elliot Scheiner and Allen Sides
producer:
Quincy Jones
mixer:
Phil Ramone
guitar:
George Benson (jazz guitarist/singer) (on 1984-04-13)
solo vibraphone [Vibes]:
Lionel Hampton (on 1984-04-13)
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (on 1984-04-13)
orchestra:
Quincy Jones and His Orchestra (on 1984-04-13)
conductor:
Quincy Jones (on 1984-04-13)
arranger:
Frank Foster (saxophonist)
cover recording of:
After You’ve Gone (on 1984-04-13)
lyricist:
Henry Creamer (Lyricist) (in 1918)
composer:
Turner Layton (in 1918)
publisher:
Francis, Day & Hunter Ltd. and Morley Music Corp.
part of:
For Me and My Gal (1942 movie)
Frank Sinatra3:18

Credits

Release

manufactured in:Japan
printed in:Japan
photography:Bill Ross (photographer)
Ed Thrasher (US art director & photographer)
liner notes:Stan Cornyn
associate engineer:Ollie Cotton
Bradshaw Leigh
Roger Nichols (US mastering, recording engineer and producer)
associate recording engineer:Elliot Scheiner
recording engineer:Jimmy Santis
Gus Skinas (audio engineer)
David Smith (Recording engineer)
Stanley Wallace
mastering:Bernie Grundman
bass:Ray Brown (jazz bassist) (from 1984-04-13 until 1984-05-17)
Gene Cherico (from 1984-04-13 until 1984-05-17)
Bob Cranshaw (from 1984-04-13 until 1984-05-17)
Major Holley (from 1984-04-13 until 1984-05-17)
Neil Stubenhaus (from 1984-04-13 until 1984-05-17)
drums (drum set):Leon Ndugu Chancler (from 1984-04-13 until 1984-05-17)
Irv Cottler (from 1984-04-13 until 1984-05-17)
Steve Gadd (drummer) (from 1984-04-13 until 1984-05-17)
John “JR” Robinson (session drummer) (from 1984-04-13 until 1984-05-17)
French horn:John Clark (flute & horn player) (from 1984-04-13 until 1984-05-17)
David Duke (horn) (from 1984-04-13 until 1984-05-17)
Peter Gordon (French hornist) (from 1984-04-13 until 1984-05-17)
Sidney Muldrow (horn) (from 1984-04-13 until 1984-05-17)
Jerry Peel (from 1984-04-13 until 1984-05-17)
Henry Sigismonti (from 1984-04-13 until 1984-05-17)
guitar:George Benson (jazz guitarist/singer) (from 1984-04-13 until 1984-05-17)
Tony Mottola (from 1984-04-13 until 1984-05-17)
harp:Margaret Ross (harp) (from 1984-04-13 until 1984-05-17)
percussion:Ralph MacDonald (from 1984-04-13 until 1984-05-17)
piano:Bob James (US jazz keyboardist, arranger and producer) (from 1984-04-13 until 1984-05-17)
Joe Parnello (American pianist, conductor and arranger) (from 1984-04-13 until 1984-05-17)
Sy Johnson (from 1984-04-13 until 1984-05-17)
Randy Kerber (from 1984-04-13 until 1984-05-17)
saxophone:Michael Brecker (American jazz saxophonist, multi‐instrumentalist and composer) (from 1984-04-13 until 1984-05-17)
Buddy Collette (from 1984-04-13 until 1984-05-17)
Ronnie Cuber (from 1984-04-13 until 1984-05-17)
Frank Foster (saxophonist) (from 1984-04-13 until 1984-05-17)
Kim Hutchcroft (from 1984-04-13 until 1984-05-17)
Jerome Richardson (from 1984-04-13 until 1984-05-17)
Frank Wess (from 1984-04-13 until 1984-05-17)
Larry Williams (jazz keyboard, sax, flute & clarinet; producer, composer, arranger, and multi‐instrumentalist) (from 1984-04-13 until 1984-05-17)
George Young (saxophonist) (from 1984-04-13 until 1984-05-17)
synthesizer:Craig Huxley (from 1984-04-13 until 1984-05-17)
Bob James (US jazz keyboardist, arranger and producer) (from 1984-04-13 until 1984-05-17)
Randy Kerber (from 1984-04-13 until 1984-05-17)
Ed Walsh (US synthesizer player & programmer) (from 1984-04-13 until 1984-05-17)
trombone:Wayne Andre (from 1984-04-13 until 1984-05-17)
George Bohanon (from 1984-04-13 until 1984-05-17)
Urbie Green (from 1984-04-13 until 1984-05-17)
Lew McCreary (from 1984-04-13 until 1984-05-17)
Benny Powell (jazz trombonist) (from 1984-04-13 until 1984-05-17)
Bill Reichenbach, Jr. (jazz trombonist) (from 1984-04-13 until 1984-05-17)
Dave Taylor (US jazz bass trombonist) (from 1984-04-13 until 1984-05-17)
Bill Watrous (from 1984-04-13 until 1984-05-17)
trumpet:Oscar Brashear (from 1984-04-13 until 1984-05-17)
Randy Brecker (from 1984-04-13 until 1984-05-17)
Jon Faddis (from 1984-04-13 until 1984-05-17)
Gary Grant (brass) (from 1984-04-13 until 1984-05-17)
Jerry Hey (from 1984-04-13 until 1984-05-17)
Joe Newman (US jazz trumpeter) (from 1984-04-13 until 1984-05-17)
Al Rubin (from 1984-04-13 until 1984-05-17)
Lew Soloff (from 1984-04-13 until 1984-05-17)
Snookie Young (from 1984-04-13 until 1984-05-17)
tuba:Tony Price (tuba player) (from 1984-04-13 until 1984-05-17)
James Self (Session Musician/Tuba) (from 1984-04-13 until 1984-05-17)
vibraphone:Lionel Hampton (from 1984-04-13 until 1984-05-17)
concertmaster:Harry Lookofsky
manufactured by:Warner Music Japan Inc. (holding company - file no releases here!)
WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US)
distributed by:WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US)
copyrighted (©) by:Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (in 1981)
Bristol Productions (in 1984)
Qwest Records (in 1984)
phonographic copyright (℗) by:Qwest Records (in 1984)
WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1990)
licensed from:Warner Bros. Records (Japan) Inc.
recorded at:The Village (Village Studios, aka The Village Recorder) in Los Angeles, California, United States
A&R Recording Studio (third studio, 322 West 48th Street, closed in 1989) in New York, New York, United States (on 1984-04-13, from 1984-04-16 until 1984-04-17)
Ocean Way Recording in Hollywood, Los Angeles, California, United States (on 1984-05-17)
mastered at:Bernie Grundman Mastering (Los Angeles) in Hollywood, Los Angeles, California, United States
ASIN:JP: B000002L6L [info]
purchase for mail-order:https://www.hmv.co.jp/en/artist_Frank-Sinatra_000000000001009/item_L-A-Is-My-Lady_142239 [info]
discography entry:https://sinatrafamily.com/album/la-is-my-lady-first-japan-cd-edition-with-obi-4147/ [info]