| # | Title | Artist | Rating | Length |
|---|
| 1 | Every Time We Say Goodbye | Ella Fitzgerald | | 3:33 |
| 2 | Fly Me to the Moon | Julie London | 4 | 2:33 |
| 3 | Call Me Irresponsible | Dinah Washington | | 2:19 |
| 4 | In Love in Vain | Lena Horne, Ray Ellis & Orchestra | | 2:30 |
| 5 | Night Time Is the Right Time | Tina Turner | | 3:29 |
| 6 | I Can’t Make You Love Me- recording engineer and mixer:
- Ed Cherney
- assistant engineer:
- Bryant Arnett, Ray Blair, Dan Bosworth and Christina Paakkari
- producer:
- Bonnie Raitt and Don Was
- additional keyboard and piano:
- Bruce Hornsby (in 1991)
- bass guitar:
- James "Hutch" Hutchinson (in 1991)
- drums (drum set):
- Tony Braunagel (in 1991)
- Hammond organ [C3]:
- Benmont Tench (in 1991)
- percussion:
- Paulinho da Costa (in 1991)
- background vocals:
- Bonnie (in 1991), David Lasley (in 1991) and Arnold McCuller (in 1991)
- vocals:
- Bonnie (in 1991)
- phonographic copyright (℗) by:
- Capitol Records, Inc. (in 1991, in 2005)
- mixed at:
- Conway Recording Studios in Hollywood, Los Angeles, California, United States (in 1991)
- part of:
- Rolling Stone: 500 Greatest Songs of All Time (number: 331) and Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 372)
- recording of:
- I Can’t Make You Love Me (in 1991)
- writer:
- Mike Reid and Allen Shamblin
- publisher:
- Universal Music–MGB Songs, Almo Music Corp. (in 1991), Brio Blues Music (in 1991) and Hayes Street Music, Inc. (in 1991)
- sub-publisher:
- 環球音樂出版股份有限公司
| Bonnie Raitt | 5 | 5:32 |
| 7 | Light My Fire | Erma Franklin | 5 | 2:43 |
| 8 | Today I Sing the Blues | Aretha Franklin | | 2:44 |
| 9 | Me and Bobby McGee- engineer:
- Phil Macy
- producer:
- Paul Rothchild
- acoustic guitar and lead vocals:
- Janis Joplin (on 1970-09-25)
- bass guitar:
- Brad Campbell (on 1970-09-25)
- drums (drum set):
- Clark Pierson (on 1970-09-25)
- guest bongos and guest congas:
- Bobbye Hall
- guest bongos and congas:
- Bobbye Hall (on 1970-09-25)
- guest tambourine:
- Sandra Crouch (on 1970-09-25)
- guitar:
- John Till (on 1970-09-25)
- organ:
- Ken Pearson (on 1970-09-25)
- piano:
- Richard Bell (on 1970-09-25)
- background vocals:
- Phil Badella (on 1970-09-25), Richard Bell (on 1970-09-25), Brad Campbell (on 1970-09-25), John Cooke (on 1970-09-25), Janis Joplin (on 1970-09-25), Vince Mitchell (on 1970-09-25), Ken Pearson (on 1970-09-25), Clark Pierson (on 1970-09-25) and John Till (on 1970-09-25)
- performer:
- Full Tilt Boogie (on 1970-09-25)
- recorded at:
- Sunset Sound in Hollywood, Los Angeles, California, United States (on 1970-09-25)
- part of:
- New York Post: 100 Greatest Covers (2007) (number: 31) and Rolling Stone: 500 Greatest Songs of All Time (number: 148)
- cover recording of:
- Me and Bobby McGee (on 1970-09-25)
- lyricist and composer:
- Fred Foster and Kris Kristofferson
- publisher:
- Combine Music Corp., Copyright Control and Keith Prowse Music Publishing Co. Ltd.
| Janis Joplin | 4.3 | 4:31 |
| 10 | In a Sentimental Mood | Dianne Reeves | | 5:18 |
| 11 | Wives and Lovers | Nancy Wilson | 4 | 1:59 |
| 12 | Wild Is the Wind- producer:
- Bob Blake and Jack Gold
- bass:
- Jimmy Bond (in 1959-10)
- drums (drum set):
- Albert “Tootie” Heath (in 1959-10)
- piano:
- Nina Simone (on 1959-09-12)
- lead vocals:
- Nina Simone (in 1959-10)
- phonographic copyright (℗) by:
- EMI Records Ltd. (in 1959)
- recorded at:
- The Town Hall in Theater District, New York, New York, United States (on 1959-09-12)
- live cover recording of:
- Wild Is the Wind (on 1959-09-12)
- lyricist:
- Ned Washington
- composer:
- Dimitri Tiomkin
- publisher:
- BMG Music Publishing Ltd., Carlin Music Corporation, Shapiro, Bernstein & Co., Inc., Universal Music Publishing MGB Ltd., Anne-Rachel Music Corp. (in 1957, in 1985), Catharine Hinen Music (in 1957, in 1985), Chappell & Co., Inc. (in 1957), Largo Music Inc. (in 1957, in 1985) and Patti Washington Music (in 1957, in 1985)
- part of:
- The 30th Academy Award for Best Original Song (number: 2)
| Nina Simone | | 3:27 |
| 13 | Baby Won’t You Please Come Home | Kay Starr | | 2:21 |
| 14 | When Your Lover Has Gone | Sue Raney | | 3:00 |
| 15 | The Man I Love | Peggy Lee | | 3:45 |
| 16 | Stormy Weather | Sarah Vaughan, Jimmy Jones & Orchestra | | 3:29 |
| 17 | Let Me Down Easy | Betty LaVette | | 3:07 |
| 18 | Wish Someone Would Care | Irma Thomas | | 2:19 |
| 19 | Tell It Like It Is | Betty Swann | | 2:53 |
| 20 | Trav’lin Light | Billie Holiday with the Paul Whiteman Orchestra | | 3:09 |
| 21 | Time After Time- recording engineer:
- Danny Kopelson (from 1998-05 until 1998-09)
- acoustic guitar:
- Marvin Sewell (from 1998-05 until 1998-09)
- bouzouki and electric guitar:
- Kevin Breit (from 1998-05 until 1998-09)
- double bass:
- Lonnie Plaxico (from 1998-05 until 1998-09)
- percussion:
- Jeffrey Haynes (from 1998-05 until 1998-09)
- vocals:
- Cassandra Wilson (from 1998-05 until 1998-09)
- recorded at:
- Bearsville Studios in Bearsville, New York, United States (from 1998-05 until 1998-09)
- cover recording of:
- Time After Time (from 1998-05 until 1998-09)
- writer:
- Rob Hyman and Cyndi Lauper
- publisher:
- Sony Songs Inc. (ended, ), CBS Songs Ltd., Copyright Control , Dub Notes Music (, in 1984), Gray Matter Music, Human Boy Music, Reilla Music Company, Rella Music Co. (, in 1984), Rellla Music Corp., Sony Music Publishing , Sony/ATV Music Publishing Ltd., Warner Chappell Music , Warner Chappell Music Ltd. , Warner/Chappell North America, WB Music Corp. (until 2019-05-28) and WC Music Corp. (from 2019-05-28 to present)
- sub-publisher:
- Sony Music Publishing (Japan), Inc., A Division , Warner Brothers Music Ltd. , Warner/Chappell Music Japan, Synch division and Yamaha Music Entertainment Holdings, Inc.
| Cassandra Wilson | | 4:08 |
| 22 | Daybreak | Lisa Ekdahl | | 3:15 |
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