Rückblick Moderne: Orchestermusik im 20. Jahrhundert

~ Release by Various Artists (see all versions of this release, 1 available)

Tracklist

1CD: Ameriques oder Die wiedergefundene Zeit
2CD: Explosion / Implosion
#TitleArtistRatingLength
1Ionisation
recorded in:
Stuttgart, Baden-Württemberg, Germany (from 1998-11-21 until 1998-11-28)
instruments:
Zementwerk (German ensemble) (from 1998-11-21 until 1998-11-28)
orchestra:
Orchester der Musikhochschule Stuttgart (from 1998-11-21 until 1998-11-28)
conductor:
Thomas Ungar (Austrian conductor) (from 1998-11-21 until 1998-11-28)
live recording of:
Ionisation (from 1998-11-21 until 1998-11-28)
composer:
Edgard Varèse (composer) (from 1929 until 1931)
Edgard Varèse6:06
2Fünf Orchesterstücke, op. 10: 1. Sehr ruhig und zart / 2. Lebhaft und zart bewegt / 3. Sehr langsam und äußerst ruhig / 4. Fließend, äußerst zart / 5. Sehr fließend
recorded in:
Stuttgart, Baden-Württemberg, Germany (from 1998-11-21 until 1998-11-28)
instruments:
Zementwerk (German ensemble) (from 1998-11-21 until 1998-11-28)
orchestra:
Orchester der Musikhochschule Stuttgart (from 1998-11-21 until 1998-11-28)
conductor:
Thomas Ungar (Austrian conductor) (from 1998-11-21 until 1998-11-28)
live recording of:
5 Pieces for Orchestra, op. 10 (Five Pieces for Orchestra, op. 10) (from 1998-11-21 until 1998-11-28)
composer:
Anton Webern (composer) (in 1913)
part of:
Works of Anton Webern by opus number (number: op. 10)
Anton Webern4:07
3Ionisation - Repetition
recorded in:
Stuttgart, Baden-Württemberg, Germany (from 1998-11-21 until 1998-11-28)
instruments:
Zementwerk (German ensemble) (from 1998-11-21 until 1998-11-28)
orchestra:
Orchester der Musikhochschule Stuttgart (from 1998-11-21 until 1998-11-28)
conductor:
Thomas Ungar (Austrian conductor) (from 1998-11-21 until 1998-11-28)
live recording of:
Ionisation (from 1998-11-21 until 1998-11-28)
composer:
Edgard Varèse (composer) (from 1929 until 1931)
Edgard Varèse5:36
4Totenfeier
recorded in:
Stuttgart, Baden-Württemberg, Germany (from 1998-11-21 until 1998-11-28)
instruments:
Zementwerk (German ensemble) (from 1998-11-21 until 1998-11-28)
orchestra:
Orchester der Musikhochschule Stuttgart (from 1998-11-21 until 1998-11-28)
conductor:
Thomas Ungar (Austrian conductor) (from 1998-11-21 until 1998-11-28)
live recording of:
Totenfeier (Funeral Rites) (from 1998-11-21 until 1998-11-28)
composer:
Gustav Mahler (composer) (in 1888)
Gustav Mahler24:08
5... Quasi una fantasia..., op. 27/1: 1. Introduzione. Largo / 2. Presto minaccioso e lamentoso (Wie ein Traumeswirren) / 3. Recitativo. Grave, disperato / 4. Aria. Adagio molto. Lontano, calmo, appena sentito
recorded in:
Stuttgart, Baden-Württemberg, Germany (from 1998-11-21 until 1998-11-28)
instruments:
Zementwerk (German ensemble) (from 1998-11-21 until 1998-11-28)
piano:
Friederike Haug (German pianist) (from 1998-11-21 until 1998-11-28)
orchestra:
Orchester der Musikhochschule Stuttgart (from 1998-11-21 until 1998-11-28)
conductor:
Thomas Ungar (Austrian conductor) (from 1998-11-21 until 1998-11-28)
live recording of:
... quasi una fantasia..., op. 27 no. 1 (from 1998-11-21 until 1998-11-28)
composer:
György Kurtág (composer) (from 1987 until 1988)
György Kurtág8:27
6Der wunderbare Mandarin, op. 19
recorded in:
Stuttgart, Baden-Württemberg, Germany (from 1998-11-21 until 1998-11-28)
instruments:
Zementwerk (German ensemble) (from 1998-11-21 until 1998-11-28)
orchestra:
Orchester der Musikhochschule Stuttgart (from 1998-11-21 until 1998-11-28)
conductor:
Thomas Ungar (Austrian conductor) (from 1998-11-21 until 1998-11-28)
live recording of:
The Miraculous Mandarin, BB 82, Sz. 73, op. 19 (from 1998-11-21 until 1998-11-28)
composer:
Bartók Béla (Béla Bartók, composer) (from 1918 until 1924)
premiered at:
[stage performance] (1926-11-27)
publisher:
Universal Edition (publisher; do NOT use as release label) (in 1927)
part of:
Bartók Béla válogatott zenei írásai (number: Sz. 73) and Béla Bartók's Works (BB) (number: BB 82)
Béla Bartók20:02
3CD: Images
4CD: Couleur du temps
5CD: Konzept
6CD: Più cantabile
7CD: In Chiffren
8CD: Minimal Postludien