Kantaten: Christ lag in Todesbanden / O ewiges Feuer

~ Pubblicazione di J. S. Bach; Claudia Hellmann, Helmut Krebs, Jakob Stämpfli, Chœur Schütz et Orchestre de chambre, Fritz Werner (visualizza tutte le versioni di questa pubblicazione: 1 disponibile)

Elenco tracce

1▼Vinile 12" (30 cm)
#TitoloArtistaValutazioneDurata
1Kantate zum Osterfest, BWV 4 "Christ lag in Todesbanden": I. Sinfonia
orchestra:
Südwestdeutsches Kammerorchester Pforzheim
direttore d'orchestra:
Fritz Werner (German conductor and organist)
registrazione di:
Kantate, BWV 4 „Christ lag in Todesbanden“: I. Sinfonia
ha composto a:
Mühlhausen, Thüringen (Thuringia), Germania (dal 1707 al 1708)
rivista a:
Leipzig, Sachsen (Saxony), Germania (dal 1724 al 1725)
compositore:
Johann Sebastian Bach (German Baroque period composer & musician) (nel 1707)
parte di:
Kantate, BWV 4 „Christ lag in Todesbanden“ (Leipzig version, commonly recorded)
Johann Sebastian Bach?:??
2Kantate zum Osterfest, BWV 4 "Christ lag in Todesbanden": II. Vers 1 (Chor)
cori:
Heinrich-Schütz-Chor Heilbronn
orchestra:
Südwestdeutsches Kammerorchester Pforzheim
direttore d'orchestra:
Fritz Werner (German conductor and organist)
registrazione di:
Kantate, BWV 4 „Christ lag in Todesbanden“: II. Chor Versus I „Christ lag in Todes Banden“
ha composto a:
Mühlhausen, Thüringen (Thuringia), Germania (dal 1707 al 1708)
rivista a:
Leipzig, Sachsen (Saxony), Germania (dal 1724 al 1725)
compositore:
Johann Sebastian Bach (German Baroque period composer & musician) (nel 1707)
librettista:
Martin Luther (German theologian of the Reformation) (nel 1524)
parte di:
Kantate, BWV 4 „Christ lag in Todesbanden“ (Leipzig version, commonly recorded)
Johann Sebastian Bach?:??
3Kantate zum Osterfest, BWV 4 "Christ lag in Todesbanden": III. Vers 2 (Sopran, Alt)
voce d’alto:
Claudia Hellmann (contralto)
orchestra:
Südwestdeutsches Kammerorchester Pforzheim
direttore d'orchestra:
Fritz Werner (German conductor and organist)
registrazione di:
Kantate, BWV 4 „Christ lag in Todesbanden“: III. Duett (Sopran, Alt) Versus II „Den Tod niemand zwingen kunnt“
ha composto a:
Mühlhausen, Thüringen (Thuringia), Germania (dal 1707 al 1708)
rivista a:
Leipzig, Sachsen (Saxony), Germania (dal 1724 al 1725)
compositore:
Johann Sebastian Bach (German Baroque period composer & musician) (nel 1707)
librettista:
Martin Luther (German theologian of the Reformation) (nel 1524)
parte di:
Kantate, BWV 4 „Christ lag in Todesbanden“ (Leipzig version, commonly recorded)
Johann Sebastian Bach?:??
4Kantate zum Osterfest, BWV 4 "Christ lag in Todesbanden": IV. Vers 3 (Tenor)
voce di tenore:
Helmut Krebs (tenor)
orchestra:
Südwestdeutsches Kammerorchester Pforzheim
direttore d'orchestra:
Fritz Werner (German conductor and organist)
registrazione di:
Kantate, BWV 4 „Christ lag in Todesbanden“: IV. Arie (Tenor) Versus III „Jesus Christus, Gottes Sohn“
ha composto a:
Mühlhausen, Thüringen (Thuringia), Germania (dal 1707 al 1708)
rivista a:
Leipzig, Sachsen (Saxony), Germania (dal 1724 al 1725)
compositore:
Johann Sebastian Bach (German Baroque period composer & musician) (nel 1707)
librettista:
Martin Luther (German theologian of the Reformation) (nel 1524)
parte di:
Kantate, BWV 4 „Christ lag in Todesbanden“ (Leipzig version, commonly recorded)
Johann Sebastian Bach?:??
5Kantate zum Osterfest, BWV 4 "Christ lag in Todesbanden": V. Vers 4 (Chor)
cori:
Heinrich-Schütz-Chor Heilbronn
orchestra:
Südwestdeutsches Kammerorchester Pforzheim
direttore d'orchestra:
Fritz Werner (German conductor and organist)
registrazione di:
Kantate, BWV 4 „Christ lag in Todesbanden“: V. Chor Versus IV „Es war ein wunderlicher Krieg“
ha composto a:
Mühlhausen, Thüringen (Thuringia), Germania (dal 1707 al 1708)
rivista a:
Leipzig, Sachsen (Saxony), Germania (dal 1724 al 1725)
compositore:
Johann Sebastian Bach (German Baroque period composer & musician) (nel 1707)
librettista:
Martin Luther (German theologian of the Reformation) (nel 1524)
parte di:
Kantate, BWV 4 „Christ lag in Todesbanden“ (Leipzig version, commonly recorded)
Johann Sebastian Bach?:??
6Kantate zum Osterfest, BWV 4 "Christ lag in Todesbanden": VI. Vers 5 (Bass)
voce di basso:
Jakob Stämpfli (operatic bass / recording engineer)
orchestra:
Südwestdeutsches Kammerorchester Pforzheim
direttore d'orchestra:
Fritz Werner (German conductor and organist)
registrazione di:
Kantate, BWV 4 „Christ lag in Todesbanden“: VI. Arie (Bass) Versus V „Hier ist das rechte Osterlamm“
ha composto a:
Mühlhausen, Thüringen (Thuringia), Germania (dal 1707 al 1708)
rivista a:
Leipzig, Sachsen (Saxony), Germania (dal 1724 al 1725)
compositore:
Johann Sebastian Bach (German Baroque period composer & musician) (nel 1707)
librettista:
Martin Luther (German theologian of the Reformation) (nel 1524)
parte di:
Kantate, BWV 4 „Christ lag in Todesbanden“ (Leipzig version, commonly recorded)
Johann Sebastian Bach?:??
7Kantate zum Osterfest, BWV 4 "Christ lag in Todesbanden": VII. Vers 6 (Sopran, Tenor)
voce d’alto:
Claudia Hellmann (contralto)
voce di tenore:
Helmut Krebs (tenor)
orchestra:
Südwestdeutsches Kammerorchester Pforzheim
direttore d'orchestra:
Fritz Werner (German conductor and organist)
registrazione di:
Kantate, BWV 4 „Christ lag in Todesbanden“: VII. Duett (Sopran, Tenor) Versus VI „So feiern wir das hohe Fest“
ha composto a:
Mühlhausen, Thüringen (Thuringia), Germania (dal 1707 al 1708)
rivista a:
Leipzig, Sachsen (Saxony), Germania (dal 1724 al 1725)
compositore:
Johann Sebastian Bach (German Baroque period composer & musician) (nel 1707)
librettista:
Martin Luther (German theologian of the Reformation) (nel 1524)
parte di:
Kantate, BWV 4 „Christ lag in Todesbanden“ (Leipzig version, commonly recorded)
Johann Sebastian Bach?:??
8Kantate zum Osterfest, BWV 4 "Christ lag in Todesbanden": VIII. Vers 7 (Chor)
cori:
Heinrich-Schütz-Chor Heilbronn
orchestra:
Südwestdeutsches Kammerorchester Pforzheim
direttore d'orchestra:
Fritz Werner (German conductor and organist)
registrazione di:
Kantate, BWV 4 „Christ lag in Todesbanden“: VIII. Choral Versus VII „Wir essen und leben wohl“
ha composto a:
Mühlhausen, Thüringen (Thuringia), Germania (dal 1707 al 1708)
rivista a:
Leipzig, Sachsen (Saxony), Germania (dal 1724 al 1725)
compositore:
Johann Sebastian Bach (German Baroque period composer & musician) (nel 1707)
librettista:
Martin Luther (German theologian of the Reformation) (nel 1524)
parte di:
Breitkopf 389 Choralgesänge (numero: 41)
parte di:
Kantate, BWV 4 „Christ lag in Todesbanden“ (Leipzig version, commonly recorded)
Johann Sebastian Bach?:??
9Kantate zum Pfingstfest, BWV 34 "O ewiges Feuer, o Ursprung der Liebe": I. Chor
cori:
Heinrich-Schütz-Chor Heilbronn
orchestra:
Südwestdeutsches Kammerorchester Pforzheim
direttore d'orchestra:
Fritz Werner (German conductor and organist)
registrazione di:
Kantate, BWV 34.2 "O ewiges Feuer, o Ursprung der Liebe": I. Coro "O ewiges Feuer, o Ursprung der Liebe"
compositore:
Johann Sebastian Bach (German Baroque period composer & musician) (nel 1726)
librettista:
[anonymous] (special purpose artist)
parte di:
Kantate, BWV 34.2 "O ewiges Feuer, o Ursprung der Liebe" (former BWV 34)
Johann Sebastian Bach?:??
10Kantate zum Pfingstfest, BWV 34 "O ewiges Feuer, o Ursprung der Liebe": II. Rezitativ (Tenor)
voce di tenore:
Helmut Krebs (tenor)
orchestra:
Südwestdeutsches Kammerorchester Pforzheim
direttore d'orchestra:
Fritz Werner (German conductor and organist)
registrazione di:
Kantate, BWV 34.2 "O ewiges Feuer, o Ursprung der Liebe": II. Recitativo (Tenore) "Herr, unsre Herzen halten dir"
compositore:
Johann Sebastian Bach (German Baroque period composer & musician) (nel 1726)
librettista:
[anonymous] (special purpose artist)
parte di:
Kantate, BWV 34.2 "O ewiges Feuer, o Ursprung der Liebe" (former BWV 34)
Johann Sebastian Bach?:??
11Kantate zum Pfingstfest, BWV 34 "O ewiges Feuer, o Ursprung der Liebe": III. Arie (Alt)
voce d’alto:
Claudia Hellmann (contralto)
orchestra:
Südwestdeutsches Kammerorchester Pforzheim
direttore d'orchestra:
Fritz Werner (German conductor and organist)
registrazione di:
Kantate, BWV 34.2 "O ewiges Feuer, o Ursprung der Liebe": III. Aria (Alto) "Wohl euch, ihr auserwählten Seelen"
compositore:
Johann Sebastian Bach (German Baroque period composer & musician) (nel 1726)
librettista:
[anonymous] (special purpose artist)
parte di:
Kantate, BWV 34.2 "O ewiges Feuer, o Ursprung der Liebe" (former BWV 34)
Johann Sebastian Bach?:??
12Kantate zum Pfingstfest, BWV 34 "O ewiges Feuer, o Ursprung der Liebe": IV. Rezitativ (Bass)
voce di basso:
Jakob Stämpfli (operatic bass / recording engineer)
orchestra:
Südwestdeutsches Kammerorchester Pforzheim
direttore d'orchestra:
Fritz Werner (German conductor and organist)
registrazione di:
Kantate, BWV 34.2 "O ewiges Feuer, o Ursprung der Liebe": IV. Recitativo (Basso) "Erwählt sich Gott die heilgen Hütten"
compositore:
Johann Sebastian Bach (German Baroque period composer & musician) (nel 1726)
librettista:
[anonymous] (special purpose artist)
parte di:
Kantate, BWV 34.2 "O ewiges Feuer, o Ursprung der Liebe" (former BWV 34)
Johann Sebastian Bach?:??
13Kantate zum Pfingstfest, BWV 34 "O ewiges Feuer, o Ursprung der Liebe": V. Chor
cori:
Heinrich-Schütz-Chor Heilbronn
orchestra:
Südwestdeutsches Kammerorchester Pforzheim
direttore d'orchestra:
Fritz Werner (German conductor and organist)
registrazione di:
Kantate, BWV 34.2 "O ewiges Feuer, o Ursprung der Liebe": V. Coro "Friede über Israel"
compositore:
Johann Sebastian Bach (German Baroque period composer & musician) (nel 1726)
librettista:
[anonymous] (special purpose artist)
parte di:
Kantate, BWV 34.2 "O ewiges Feuer, o Ursprung der Liebe" (former BWV 34)
Johann Sebastian Bach?:??

Accreditamenti

Pubblicazione

flauto :Maxence Larrieu (flautist)
Hartmut Strebel
organo :Eva Hölderlin (organist)
violoncello [Violoncello continuo] :Jakoba Muckel (cellist)
licenziata da:Erato