The 80s Summer Album

~ Pubblicazione di Various Artists (visualizza tutte le versioni di questa pubblicazione: 2 disponibili)

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1Club Tropicana
tecnico:
Tony Taverner
produttore:
Steve Brown (engineer/music producer) e George Michael
batteria :
Trevor Morell (drummer)
chitarra :
Andrew Ridgeley
corno :
Roddy Lorimer e Ian Ritchie
percussione :
Andy Duncan (UK drummer and producer)
diritti fonografici (℗) detenuti da:
Sony Music Entertainment (UK) Ltd. (not for release label use! pre-Aug 2004 subsidiary of Sony Music Entertainment Inc.) (nel 1983)
video musicali:
Club Tropicana (music video) di Wham! (British pop-duo)
parte di:
TV Cream: Real 100 Best Singles Ever (numero: 63)
registrazione di:
Club Tropicana
paroliere e compositore:
George Michael e Andrew Ridgeley
editore:
Morrison Leahy Music Ltd.
Wham!3.84:30
2Can You Feel It (single version)
produttore:
The Jacksons (formerly “The Jackson 5”)
basso :
Nathan Watts
batteria :
Ollie E. Brown (US drummer, session musician & record producer)
chitarra :
Tito Jackson e David Williams (session guitarist and songwriter)
tastiera :
Ronnie Foster, Greg Phillinganes e Bill Wolfer (record producer, songwriter, musician and synthesizer programmer from USA)
vibrafono [vibes] :
Gary L. Coleman (US percussionist)
cori:
Lita Aubrey, Paulette Brown, Brigette Bush, Soloman Daniels, Rock Deadrick, Carolyn Dennis (American singer), Venetta Fields, Roy Galloway (soul singer), Gerry Garrett, Rhonda Gentry, Jim Gilstrap, Gerry Gruberth, Bunny Hull, Roger Kenerly II, Josie James, Roger Kenerly-Saint, Yolanda Kenerly, Bob Mack, Arnold McCuller, Paulette McWilliams, Louis Price, Lisa Roberts, Stephanie Spruill (American soul/disco singer, songwriter, and percussionist), Phyllis St. James, Brian Stilwell, Audra Tillman, Carmen Twillie, Ronald Vann, Peter Wade e Gregory Wright
voce principale:
Michael Jackson (“King of Pop”) e Randy Jackson (brother of Michael and Janet)
arrangiatore archi :
Tom Tom 84
arrangiatore:
Jackie Jackson (member of the Jackson 5) e Michael Jackson (“King of Pop”)
diritti fonografici (℗) detenuti da:
Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (nel 1980)
registrazione di:
Can You Feel It
autore:
Jackie Jackson (member of the Jackson 5) e Michael Jackson (“King of Pop”)
editore:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Warner Chappell Music (publisher as Warner/Chappell Music) e Warner Chappell Music Ltd. (no slash; used 1988–1996)
parte di:
MJ: The Musical
The Jacksons4.353:51
3Never Too Much
diritti fonografici (℗) detenuti da:
Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (nel 1981)
registrazione di:
Never Too Much
paroliere e compositore:
Luther Vandross
editore:
April Music Ltd., Barry Platnick, CBS Songs Ltd., EMI April Music Inc., EMI Songs Ltd., MCA Music Ltd., SBK Songs (publisher), SBK Songs Ltd. e Uncle Ronnie’s Music Company Inc.
Luther Vandross3:50
4I’m So Excited
produttore:
Richard Perry (producer)
batteria :
John “JR” Robinson (session drummer)
chitarra :
George Doering e Lee Ritenour
chitarra basso :
Nathan East
pianoforte :
William D. “Smitty” Smith (organist/keyboardist)
sintetizzatore e tastiera [keyboards] :
Michael Boddicker e Greg Phillinganes
voce di accompagnamento:
June Pointer e Ruth Pointer
voce principale:
Anita Pointer
diritti fonografici (℗) detenuti da:
BMG Music (nel 1982)
parte di:
RuPaul’s Drag Race Lip Sync Performances (season 5) (numero: 6) e Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 258)
registrazione di:
I’m So Excited
autore:
Anita Pointer, June Pointer, Ruth Pointer e Trevor Lawrence (70s–90s saxophonist & producer, father of Trevor Lawrence Jr.)
editore:
’Til Dawn Music, Braintree Music, Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI Blackwood Music Inc., EMI Music Publishing (do not use as a release label!), EMI Songs, EMI Songs Ltd. e SBK Blackwood Music Inc. (1987-12-30–1989-07-14)
sub-editore:
Fujipacific Music Inc. SBK Division (fino al 2014-12-31), EMI Music Publishing Japan Ltd., Sony Division (fino al 2021-06-30), Fuji Pacific Music SBK Department (Fujipacific Music SBK Department) (dal 2015-01-01 a oggi) e ソニー・ミュージックパブリッシング EMI外国事業部 (Sony Music Publishing (Japan) Inc., EMI Overseas Division, sub‐publisher for non‐Japanese works) (dal 2021-07-01 a oggi)
The Pointer Sisters4.83:54
5Give It Up
diritti fonografici (℗) detenuti da:
Epic Records (a division of Sony Music Entertainment; holding company, not a release label) (nel 1982) e Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (nel 1982, nel 1983)
registrazione di:
Give It Up
autore:
Deborah Carter (writer, backing vocalist) e Harry Wayne Casey
editore:
EMI Songs Australia Pty. Ltd., EMI Songs Ltd. e Harrick Music, Inc. (BMI)
KC and the Sunshine Band4.34:06
6You Spin Me Round (Like a Record)
produttore:
Pete Waterman
esecutore:
Dead or Alive (UK new wave band) (nel 1984)
diritti fonografici (℗) detenuti da:
Sony Music Entertainment UK Limited (not for release label use! post-2008 subsidiary of Sony Music Entertainment) (nel 1985)
video musicali:
You Spin Me Round (Like a Record) (On 'Blue Peter') (TX 10/01/2003) di Dead or Alive (UK new wave band)
parte di:
VH1: 100 Greatest Songs of the 80’s (compiled in 2006) (numero: 52)
registrazione di:
You Spin Me Round (Like a Record)
autore:
Pete Burns, Steve Coy, Tim Lever e Mike Percy
editore:
Burning Music Ltd., Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Métisse Music, Warner Chappell Music France, Warner Chappell Music Ltd. (no slash; used 1988–1996) e Westbury Music Ltd.
parte di:
American Psycho
Dead or Alive4.153:17
799 Red Balloons
produttore:
Jay Faires, Tricia Holloway, Reinhold Heil (dal 1982 al 1983) e Manne Praeker (dal 1982 al 1983)
voce principale:
Nena (the person, performing solo since 1987) (nel 1983)
diritti fonografici (℗) detenuti da:
CBS Schallplatten GmbH (nel 1983), Sony BMG Music Entertainment (Germany) GmbH (use as © & ℗ holders or as distributors only, between 2005/03/24–2009/01/14) (nel 1983) e Sony Music Entertainment (Germany) GmbH (not for release label use! for © & ℗ or distributor only, defunct since 2005/03/09) (nel 1983)
registrata presso:
Spliff Studio in Berlin, Germania (dal 1982 al 1983)
parte di:
TV Cream: Real 100 Best Singles Ever (numero: 64)
registrazione di:
99 Red Balloons (dal 1982 al 1983)
paroliere:
Carlo Karges (nel 1982)
compositore:
Jörn‐Uwe Fahrenkrog‐Petersen (nel 1982)
traduttore:
Kevin McAlea (nel 1983)
editore:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships) e EMI Songs Ltd.
versione tradotta di:
99 Luftballons
Nena3.83:51
8Live It Up
tecnico:
Thom Panunzio
produttore:
Richard Gottehrer (American songwriter and music executive)
diritti fonografici (℗) detenuti da:
Syray Pty. Limited (Australian record company copyright holder and distributor) (nel 1984), Sony Music Productions Pty. Ltd. (for copyrights use only) (nel 1986) e Festival Records (Australian) (nel 1999)
registrata presso:
Rhinoceros Studios in Sydney, New South Wales, Australia
registrazione di:
Live It Up
paroliere e compositore:
Greedy Smith (Australian musician and songwriter with Mental As Anything)
editore:
Syray Music e Universal Music Publishing (use ONLY if no country‐specific information is available)
Mental as Anything3.253:49
9Dr. Beat
voce principale:
Gloria Estefan
diritti fonografici (℗) detenuti da:
Epic Records (a division of Sony Music Entertainment; holding company, not a release label) (nel 1984) e Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (nel 1984)
registrazione di:
Dr. Beat
paroliere e compositore:
Enrique Garcia (Miami Sound Machine)
editore:
EMI Songs Ltd. e Foreign Imported Productions & Publishing, Inc.
Miami Sound Machine3.854:23
10Girls Just Want to Have Fun
assistente tecnico:
John Agnello (engineer & producer)
tecnico:
William Wittman
tecnico aggiunto:
John Jansen (US recording engineer and producer) e Rod O’Brien
produttore:
Rick Chertoff
produttore associato:
William Wittman
basso :
Eric Bazilian
batteria elettronica :
Anton Fig
chitarra elettrica :
Rick DiFonzo
sintetizzatore [synthesizers] e tastiera [keyboards] :
Rob Hyman
voce di accompagnamento:
Krystal Davis, Ellie Greenwich, Cyndi Lauper, Jules Shear, Maretha Stewart e Diane Wilson (vocals)
voce principale:
Cyndi Lauper
diritti fonografici (℗) detenuti da:
CBS, Inc. (US broadcasting company; file no releases here!) (nel 1983) e Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (nel 1983, nel 1994)
è stato produttore per:
Red Sox Music Productions, Inc.
registrata presso:
The Record Plant (New York) in Midtown Manhattan, New York, New York, Stati Uniti
video musicali:
Girls Just Want to Have Fun di Cyndi Lauper
parte di:
VH1: 100 Greatest Songs of the 80’s (compiled in 2006) (numero: 23), Rock and Roll Hall of Fame – 500 Songs That Shaped Rock e Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 63)
registrazione di:
Girls Just Want to Have Fun
paroliere e compositore:
Robert Hazard
editore:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI Blackwood Music Inc., Novelene Music, Sony Tunes, Inc., Sony/ATV Music Publishing Ltd., Sony/ATV Tunes LLC (ASCAP) e Heroic Music (publisher) (nel 1983)
sub-editore:
ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division)
Cyndi Lauper4.13:54
11Down Under
tecnico:
Jim Barbour e Peter McIan
tecnico aggiunto:
Paul Ray (70s/80s US engineer)
produttore:
Peter McIan
basso :
John Rees
batteria :
Jerry Speiser (drummer for Men at Work)
chitarra :
Ron Strykert
legni e tastiera :
Greg Ham (member of Men at Work)
voce:
Colin Hay
diritti fonografici (℗) detenuti da:
CBS Records Australia Limited (do not use as a release label! for copyrights use only) (nel 1981), Columbia Records (EMI‐owned 1931–1990, worldwide except US, CA, MX, ES, & JP; largely defunct since Jan 1973) (nel 1981), Sony BMG Music Entertainment (Australia) Pty Limited (not for release label use! AU subsidiary of SBME 2004–2009) (nel 1981), Sony Music Entertainment (Australia) Pty. Ltd. (not for release label use! AU subsidiary of SME since 2009) (nel 1981), Sony Music Productions Pty. Ltd. (for copyrights use only) (nel 1981, nel 1982), CBS, Inc. (US broadcasting company; file no releases here!) (nel 1982), Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (nel 1982) e Diski CBS AEBE (Greek CBS affiliate, preceded by CBS Records of Greece S.A.) (nel 1986)
registrata presso:
Richmond Recorders in Melbourne, Victoria, Australia
parte di:
triple j’s Hottest 100 of Australian Songs (numero: 21) e VH1: 100 Greatest Songs of the 80’s (compiled in 2006) (numero: 96)
registrazione di:
Down Under (Men at Work song, “Do you come from a land down under?”)
paroliere:
Colin Hay
compositore:
Colin Hay e Ron Strykert
editore:
April Music Pty. Ltd., EMI Blackwood Music Inc., EMI Music (do not use as release label! this is a music publisher), EMI Music Australia Pty. Limited (not for release label use!), EMI Songs, EMI Songs Australia, EMI Songs Australia Pty. Ltd., EMI Songs Ltd., フジパシフィック音楽出版 SBK事業部 (Fujipacific Music Inc. SBK Division) (fino al 2014-12-31) e フジパシフィックミュージック SBK事業部 (Fujipacific Music SBK Department) (dal 2015-01-01 a oggi)
Men at Work3.953:43
12Abracadabra
tecnico e tecnico di missaggio:
David Cole (American recording engineer and producer)
tecnico aggiunto:
Gary Mallaber
produttore:
Gary Mallaber e Steve Miller (leader of Steve Miller Band)
basso :
Gerald Johnson
batteria e tastiera :
Gary Mallaber
chitarra [guitars] e voce principale [vocals]:
Steve Miller (leader of Steve Miller Band)
sintetizzatore e tastiera [keyboards] :
Byron Allred
diritti fonografici (℗) detenuti da:
Sailor Records (Steve Miller label)
registrazione di:
Abracadabra
paroliere e compositore:
Steve Miller (leader of Steve Miller Band)
editore:
Sailor Music
Steve Miller Band4.85:08
13Making Your Mind Up
produttore:
Andy Hill (English producer & songwriter)
diritti fonografici (℗) detenuti da:
BMG Records (UK) Ltd. (1987–1996) (nel 1981)
parte di:
United Kingdom in the Eurovision Song Contest (Regno Unito all'Eurovision Song Contest) (numero: 1981) e Winners of the Eurovision Song Contest (Vincitori dell'Eurovision Song Contest) (numero: 1981)
registrazione di:
Making Your Mind Up
paroliere e compositore:
John Danter e Andy Hill (English producer & songwriter)
editore:
BMG Music Publishers Ltd., Intersong (publisher), Intersong Music Ltd., Paper Music, Paper Music Ltd., RAK Publishing Ltd., Stave and Nickelodeon Ltd., Stave and Nickelodeon Music, Universal Music Publishing MGB Ltd. e Warner Chappell Music Ltd. (no slash; used 1988–1996)
Bucks Fizz4.652:39
14Japanese Boy
produttore:
Neil Ross (UK based Music Engineer)
diritti fonografici (℗) detenuti da:
Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (nel 1981)
parte di:
TV Cream: Real 100 Best Singles Ever (numero: 26)
registrazione di:
Japanese Boy
paroliere e compositore:
Bobby Heatlie (songwriter)
editore:
EMI Music Publishing Ltd. (PRS‐affiliated) e EMI (EMI Records, or EMI Music only if there is no other imprint) (nel 1981)
Aneka33:55
15You Got It (The Right Stuff)
produttore:
Maurice Starr
diritti fonografici (℗) detenuti da:
Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (nel 1988)
parte di:
VH1: 100 Greatest Songs of the 80’s (compiled in 2006) (numero: 92) e Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 499)
registrazione di:
You Got It (The Right Stuff)
paroliere e compositore:
Maurice Starr
editore:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI Songs e Maurice Starr Music
New Kids on the Block34:10
16Rain or Shine
registrazione di:
Rain or Shine
autore:
Billy Livsey e Peter Sinfield
Five Star53:58
17Use It Up & Wear It Out
diritti fonografici (℗) detenuti da:
RCA Records (not for release label use! for the imprint, please use “RCA” instead) (nel 1980)
edit di:
Use It Up and Wear It Out di Odyssey (originally US family act Lopez Sisters, now UK fronted by Steven Collazo)
registrazione di:
Use It Up and Wear It Out
autore:
Lawrence Russell Brown (lyricist) e Sandy Linzer
editore:
ATV Music Ltd., Chappell & Co Ltd., Featherbed, Larball Music (publisher), Peermusic (UK) Limited, Unichappell (publisher) e Warner Chappell Music Ltd. (no slash; used 1988–1996)
Odyssey4.54:52
18Just Be Good to Me
registrazione di:
Just Be Good to Me
compositore:
James Harris III (James Harris of Jam & Lewis) e Terry Lewis (US hip-hop/soul songwriter, producer & label owner)
The S.O.S. Band44:10
19All Around the World
registrazione di:
All Around the World
autore:
Ian Devaney, Andy Morris (former member of Blue Zone (UK), worked with Lisa Stansfield) e Lisa Stansfield
editore:
Block & Gilbert, Block & Gilbert Music Ltd. (UK based music publishing company, now dissolved) e BMG Music Publishing Ltd.
Lisa Stansfield4:24
20The Safety Dance
produttore:
Marc Durand (Canadian producer)
diritti fonografici (℗) detenuti da:
Statik Records (nel 1982) e Marc Durand Production (nel 1983)
edit di:
The Safety Dance di Men Without Hats (Canadian new wave/synthpop group)
video musicali:
The Safety Dance di Men Without Hats (Canadian new wave/synthpop group)
parte di:
Paste: The 50 Greatest NON One-Hit Wonders of All Time (numero: 39) e Huffington Post: 100 Best Canadian Songs Ever (numero: 48)
registrazione di:
The Safety Dance (dal 1982-01 al 1982-03)
paroliere e compositore:
Ivan Doroschuk (Men Without Hats)
editore:
Betty Songs, Ivan Ltd., Polygram Music, Universal Music Publishing Pty Ltd. (Australian subsidiary of Universal Music Publishing Group), Universal Texas City Music Inc., Universal–Songs of PolyGram International, Inc., シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.), ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division), Tactik Music (publisher) (nel 1982) e Wintrup Musik (nel 1982)
Men Without Hats3.82:44
21Never Gonna Give You Up
programmazione degli strumenti:
Ian Curnow (nel 1986-10)
assistente tecnico:
Boky, Peter Day, Gordon Dennis (engineer at PWL Studios), Jonathan King e Yoyo (UK producer/engineer/mixer Yoyo Olugbo)
tecnico:
Mark McGuire (UK producer/engineer)
tecnico aggiunto:
Jamie Bromfield (member of SNJ Works, The Extra Beat Boys, Recall), Mike Duffy (mixing for Nitzer Ebb), Phil Harding (engineer, producer and remixer) e Karen Hewitt
produttore:
Aitken, Stock (of Stock Aitken Waterman), Stock Aitken Waterman e Waterman
tecnico di missaggio:
Mixmasters Pete Hammond (UK producer aka “Mixmaster”) (il 1987-01-01)
batteria [drums] :
A Linn (Linn 9000) (nel 1986-10)
chitarra [guitars] :
Matt Aitken (nel 1986-10)
tastiera [keyboards] :
Matt Aitken (nel 1986-10) e Mike Stock (of Stock Aitken Waterman) (nel 1986-10)
voce di accompagnamento [backing vocals]:
Dee Lewis (nel 1986-10), Shirley Lewis (nel 1986-10), Mae McKenna (vocalist) (nel 1986-10) e Suzanne Rhatigan (nel 1986-10)
voce principale:
Rick (English singer, songwriter and radio personality) (nel 1986-10)
arrangiatore:
Gordon Jenkins
diritti fonografici (℗) detenuti da:
BMG Records (UK) Ltd. (1987–1996) (dal 1987 a oggi), BMG Rights Management (UK) Ltd. (not for release label use! see annotation) (nel 1987), Pete Waterman Ltd. (copyrights holder) (nel 1987) e PWL (nel 1987)
supporto a vario titolo:
PWL (incarico: original sound recordings made by)
registrata presso:
PWL Studio 1 (nel 1986-10), PWL Studio 2 (nel 1986-10) e PWL Studios (London) in London (Greater London), England, Regno Unito (nel 1986-10)
mixata presso:
PWL Studio 1 (il 1987-01-01) e PWL Studio 2 (il 1987-01-01)
video musicali:
Never Gonna Give You Up di Rick Astley (English singer, songwriter and radio personality)
parte di:
Cachitos Nochevieja 2022 (numero: 48) e Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 244)
registrazione di:
Never Gonna Give You Up (nel 1986-10)
autore:
Matt Aitken, Mike Stock (of Stock Aitken Waterman) e Pete Waterman
editore:
All Boys Music Ltd., BMG Music, Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Hammer Music (German publisher), Mike Stock Publishing Limited, Sid’s Songs Limited, Songs of Kobalt Music Publishing, Sony Music Publishing (Japan) Inc. (song publisher, never a release label), Universal Music Careers, Universal Music Publishers MGB Australia Pty Ltd, Universal–Songs of PolyGram International, Inc., シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.), ヤマハミュージックEH(CM) (Yamaha Music EH(CM)), ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division) e Terrace Music (nel 1987)
Rick Astley4.43:33
22Footloose
produttore:
Lee DeCarlo e Kenny Loggins
batteria :
Tris Imboden
chitarra :
Buzz Feiten
chitarra basso :
Nathan East
percussione :
Michael Boddicker e Paulinho da Costa (Brazilian percussionist)
sintetizzatore basso :
Michael Boddicker
strumenti:
Michael Boddicker
tastiera :
Neil Larsen e Steven Wood (US soundtrack composer, member of Honk)
voce di accompagnamento:
Marilyn Dorman, Richey Washington e Steven Wood (US soundtrack composer, member of Honk)
voce principale:
Kenny Loggins
remixer:
Humberto Gatica
diritti fonografici (℗) detenuti da:
CBS, Inc. (US broadcasting company; file no releases here!) (nel 1984), Columbia Records (EMI‐owned 1931–1990, worldwide except US, CA, MX, ES, & JP; largely defunct since Jan 1973) (nel 1984), Sony BMG Music Entertainment Inc. (nel 1984) e Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (nel 1984)
registrazione di:
Footloose
paroliere:
Dean Pitchford
compositore:
Kenny Loggins
editore:
BMG Music Ltd., BMG Music Publishing Ltd., Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Ensign Music Corporation, Ensign Music LLC, Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody), Island Music (Island Music Ltd.), Milk Money Music, Sony Music Publishing (worldwide except Japan, ended 1995), Sony/ATV Harmony, Sony/ATV Melody, Sony/ATV Music Publishing Ltd. e Universal Music Publishers MGB Australia Pty Ltd
parte di:
The 57th Academy Award for Best Original Song (numero: 2) e Academy Award for Best Original Song (numero: 1984 nominee)
Kenny Loggins4.13:47
23My Favourite Waste of Time
diritti fonografici (℗) detenuti da:
Sony Music Entertainment (UK) Ltd. (not for release label use! pre-Aug 2004 subsidiary of Sony Music Entertainment Inc.) (nel 1986) e Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (nel 1986)
video musicali:
My Favourite Waste of Time di Owen Paul
registrazione cover di:
My Favourite Waste of Time
paroliere e compositore:
Marshall Crenshaw
editore:
BMG Rights Management (UK) Ltd. (not for release label use! see annotation), Bug Music Ltd., Warner Brothers (publisher, not an imprint) e Warner Brothers Music Ltd. (UK subsidiary, so named between 1970/01/23–1971/04/26 and 1972/04/25–1988/08/23)
registrazione di:
My Favourite Waste of Time
paroliere e compositore:
Marshall Crenshaw
editore:
BMG Rights Management (UK) Ltd. (not for release label use! see annotation), Bug Music Ltd., Warner Brothers (publisher, not an imprint) e Warner Brothers Music Ltd. (UK subsidiary, so named between 1970/01/23–1971/04/26 and 1972/04/25–1988/08/23)
Owen Paul3.353:25
24Walk Like an Egyptian
produttore:
David Kahne
tecnico di missaggio:
David Leonard (US producer and engineer)
batteria :
Debbi Peterson (drummer for The Bangles)
chitarra :
Susanna Hoffs e Vicki Peterson
chitarra basso :
Michael Steele (American bassist, guitarist, songwriter, and singer)
voce principale:
Susanna Hoffs, Vicki Peterson e Michael Steele (American bassist, guitarist, songwriter, and singer)
diritti fonografici (℗) detenuti da:
Columbia Records (not for release label use! company owned by Sony Music Entertainment, only use for manufacturing/distribution and copyright holding) (nel 1985) e Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (nel 1985)
parte di:
VH1: 100 Greatest Songs of the 80’s (compiled in 2006) (numero: 14)
registrazione di:
Walk Like an Egyptian
paroliere e compositore:
Liam Sternberg (fino al 1984-01)
editore:
Peer International Corporation (BMI)
parte di:
ジョジョの奇妙な冒険 Part3 スターダストクルセイダース (JoJo’s Bizarre Adventure Part 3: Stardust Crusaders, 2014 anime soundtrack)
The Bangles4.23:24
25Tell It to My Heart
produttore:
Ric Wake
diritti fonografici (℗) detenuti da:
Arista Records, Inc. (manufacturing and distribution company, do not add releases here) (nel 1987) e Arista Records, LLC (holding company - file NO releases here!) (nel 1987)
registrazione di:
Tell It to My Heart
autore:
Ernie Gold e Seth Swirsky
editore:
Chappell Music, Inc. (publisher), Goldpoint e Intersong Music
Taylor Dayne3.753:40
26When Will I Be Famous
tecnico di registrazione:
John Brand (engineer), Simon Humphrey e Robin Sellers
assistente tecnico:
Richard Edwards (sound engineer) e Alex Osman
tecnico:
Christopher Marc Potter (UK producer/mixer, Z Management, worked with The Verve and Richard Ashcroft)
produttore e tecnico di missaggio:
Nicky Graham
diritti fonografici (℗) detenuti da:
Sony Music Entertainment UK Limited (not for release label use! post-2008 subsidiary of Sony Music Entertainment)
registrata presso:
Hot Nights Studio in London (Greater London), England, Regno Unito
mixata presso:
Sarm East Studios (1973–2013, fka Sarm Studios from 1973–1982) in Aldgate, Tower Hamlets, London (Greater London), England, Regno Unito
registrazione di:
When Will I Be Famous?
autore:
Nicky Graham e Thomas Watkins
editore:
Alderzone Ltd., BMG Platinum Songs US, BMG VM Music Ltd., EMI Virgin Music Australia Pty Ltd, Maximum Music Limited e Warner Chappell Music (publisher as Warner/Chappell Music)
Bros33:59
27Prince Charming
produttore:
Chris Hughes (producer, aka “Merrick”)
armonica (a bocca) e voce principale:
Adam Ant (English new wave singer and actor)
batteria :
Chris Hughes (producer, aka “Merrick”), Merrick (ex Adam & The Ants) e Terry Lee Miall
chitarra :
Merrick (ex Adam & The Ants) e Marco Pirroni (British musician and producer)
chitarra basso :
Adam Ant (English new wave singer and actor) e Gary Tibbs
voce:
Adam Ant (English new wave singer and actor)
diritti fonografici (℗) detenuti da:
Sony Music Entertainment (UK) Ltd. (not for release label use! pre-Aug 2004 subsidiary of Sony Music Entertainment Inc.) (nel 1981)
video musicali:
Prince Charming di Adam and the Ants (English new wave band) e Prince Charming (alt) di Adam and the Ants (English new wave band)
parte di:
The Downloader’s Music Source Book (numero: 144)
registrazione di:
Prince Charming
autore:
Adam Ant (English new wave singer and actor) e Marco Pirroni (British musician and producer)
editore:
EMI Music Publishing Ltd. (PRS‐affiliated) e Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group)
Adam and the Ants43:17
28The First Picture of You
diritti fonografici (℗) detenuti da:
Arista Records, LLC (holding company - file NO releases here!) (nel 1983)
registrazione di:
The First Picture of You
autore:
Jeremy Kelly, Peter Coyle e Ged Quinn (Keyboardist)
editore:
Warner/Chappell Music Ltd. (1996–2019) e Zomba Music Publishers Ltd. (UK subsidiary of Zomba Music Publishing)
The Lotus Eaters33:40
29Love My Way
registrazione di:
Love My Way
paroliere e compositore:
John Ashton, Richard Butler (singer), Tim Butler (co‐founder of The Psychedelic Furs) e Vince Ely
editore:
Blackwood Music Inc. (1953-02-07–1987-12-30), EMI Blackwood Music Inc., EMI Songs Ltd. e EMI Songs Musikverlag GmbH
The Psychedelic Furs3:29
30Hold Me Now
tecnico di registrazione, tecnico e tecnico di missaggio:
Phil Thornalley
programmazione degli strumenti:
Tom Bailey (Thompson Twins)
produttore:
Tom Bailey (Thompson Twins) e Alex Sadkin
armonica (a bocca) , chitarra , contrabbasso [contrabass] , pianoforte e sintetizzatore :
Tom Bailey (Thompson Twins)
batteria , marimba , percussione e xilofono :
Alannah Currie
congas e sintetizzatore [Prophet V] :
Joe Leeway
voce:
Tom Bailey (Thompson Twins)
voce di accompagnamento:
Alannah Currie e Joe Leeway
diritti fonografici (℗) detenuti da:
Arista Records Ltd. (not for release label use!) (nel 1983), BMG Arista Records Ltd. (nel 1983), BMG Eurodisc Ltd. (nel 1983), Sony Music Entertainment (UK) Ltd. (not for release label use! pre-Aug 2004 subsidiary of Sony Music Entertainment Inc.) (nel 1983), Arista Records Ltd. (not for release label use!) (nel 1984) e Arista Records, Inc. (manufacturing and distribution company, do not add releases here) (nel 1984)
video musicali:
Hold Me Now di Thompson Twins
registrazione di:
Hold Me Now (Thompson Twins song)
autore:
Alannah Joy Currie, Joseph Martin Leeway e Thomas Alexander Bailey (Thompson Twins)
arrangiatore voci:
Tom Bailey (Thompson Twins), Alannah Currie e Joe Leeway
editore:
BMG Music Publishing Ltd., BMG Songs, Inc., Point Music (publisher) e Point Music Ltd.
Thompson Twins4.54:45
31Wherever I Lay My Hat (That’s My Home)
produttore:
Laurie Latham
diritti fonografici (℗) detenuti da:
Sony Music Entertainment (UK) Ltd. (not for release label use! pre-Aug 2004 subsidiary of Sony Music Entertainment Inc.) (nel 1983) e Sony Music Entertainment (Germany) GmbH & Co. KG (not for release label use! for copyrights use only, existed from 2001/06/08–2004/09/23) (nel 2002)
registrazione cover di:
Wherever I Lay My Hat (That’s My Home)
autore:
Marvin Gaye, Barrett Strong e Norman Whitfield
editore:
Jobete Music (UK) Ltd.
versione parodia di:
Wherever I Lay
Paul Young54:11
32E=mc²
diritti fonografici (℗) detenuti da:
Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (nel 1985) e Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (nel 1985)
registrazione di:
E=mc²
autore:
Dan Donovan (keyboards (Big Audio Dynamite/Dreadzone)), Mick Jones (The Clash/Big Audio Dynamite) e Don Letts
editore:
B.A.D. Songs, Big Audio Dynamics Music, Inc., BMG Songs, Inc., Universal Music Publishers MGB Australia Pty Ltd, Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group), Universal Music Publishing MGB Ltd. e Universal Music Publishing Pty Ltd. (Australian subsidiary of Universal Music Publishing Group)
Big Audio Dynamite34:28
33Don’t Talk to Me About Love
diritti fonografici (℗) detenuti da:
Sony Music Entertainment (UK) Ltd. (not for release label use! pre-Aug 2004 subsidiary of Sony Music Entertainment Inc.) (nel 1983)
registrazione di:
Don’t Talk to Me About Love
autore:
Clare Grogan, Stephen Lironi, Tony McDaid e Johnny McElhone
editore:
Chrysalis Music Ltd. (music publisher, affiliated with PRS), Slotorest Ltd., Warner Bros. Music Ltd. (UK subsidiary, so named between 1970/01/23–1971/04/26 and 1972/04/25–1988/08/23), Warner Chappell Music Ltd. (no slash; used 1988–1996) e WB Music Corp. (1929–2019)
Altered Images3:48
34I Want Candy
produttore:
Kenny Laguna
diritti fonografici (℗) detenuti da:
Sony Music Entertainment UK Limited (not for release label use! post-2008 subsidiary of Sony Music Entertainment) (nel 1982)
parte di:
VH1’s 100 Greatest One‐Hit Wonders of the ’80s (numero: 8) e VH1: 100 Greatest Songs of the 80’s (compiled in 2006) (numero: 86)
registrazione cover di:
I Want Candy (nel 1982)
autore:
Bert Russell Berns, Bob Feldman (of The Strangeloves), Jerry Goldstein (producer, record label owner and publisher) e Richard Gottehrer (American songwriter and music executive)
editore:
Downtown Music Publishing LLC (PRS-affiliated), Sloopy II Music, Sony/ATV Songs LLC e Wren Music Co.
Bow Wow Wow42:45
35(Feels Like) Heaven
produttore:
Peter Wilson (UK Producer)
arrangiatore:
Chic Medley e Kevin Patterson (songwriter)
diritti fonografici (℗) detenuti da:
Sony BMG Music Entertainment (UK) Ltd. (not for release label use! UK subsidiary of Sony BMG Music Entertainment) (nel 1983), Sony Music Entertainment (UK) Ltd. (not for release label use! pre-Aug 2004 subsidiary of Sony Music Entertainment Inc.) (nel 1983) e Sony Music Entertainment UK Limited (not for release label use! post-2008 subsidiary of Sony Music Entertainment) (nel 1983)
registrazione di:
(Feels Like) Heaven
paroliere e compositore:
Eddie Jordan (songwriter) e Kevin Patterson (songwriter)
editore:
Carlin Music Corp.
Fiction Factory43:31
36Fantastic Day
produttore:
Bob Sargeant
registrazione di:
Fantastic Day
paroliere e compositore:
Nick Heyward
Haircut One Hundred2.53:14
37Real Gone Kid
tecnico di registrazione:
Felix Kendall (UK recording engineer)
produttore:
Warne Livesey
tecnico di missaggio:
Bob Clearmountain
diritti fonografici (℗) detenuti da:
Sony Music Entertainment (UK) Ltd. (not for release label use! pre-Aug 2004 subsidiary of Sony Music Entertainment Inc.) (nel 1988)
registrazione di:
Real Gone Kid
paroliere e compositore:
Ricky Ross (Scottish singer-songwriter)
editore:
ATV Music, Sony/ATV Music Publishing e Sony/ATV Music Publishing Ltd.
Deacon Blue4.354:05
38(Si Si) Je Suis Un Rock Star
registrazione di:
(Si Si) Je Suis un Rock Star
compositore:
Bill Wyman
editore:
Hornall Brothers Music Ltd. (limited company)
Bill Wyman5:59
39Star
registrazione di:
Star
paroliere e compositore:
Doreen Chanter
editore:
Eaton Music Limited
Kiki Dee53:15
40Perfect
produttore:
Fairground Attraction e Kevin Moloney
assistente tecnico di missaggio:
Alistair Johnson (engineering)
tecnico di missaggio:
Kevin Moloney
voce principale:
Eddi Reader
diritti fonografici (℗) detenuti da:
BMG Records (UK) Limited (1987–1996) (nel 1988), BMG UK & Ireland Limited (holding company, do not add releases here) (nel 1988) e Sony Music Entertainment UK Limited (not for release label use! post-2008 subsidiary of Sony Music Entertainment) (nel 1988)
registrata presso:
Chipping Norton Studios in Chipping Norton, Oxfordshire, England, Regno Unito
video musicali:
Perfect di Fairground Attraction
registrazione di:
Perfect
paroliere e compositore:
Mark Nevin
editore:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), MCA Music Ltd., Universal Music Limited (UK sound recording / publishing company) e Universal/MCA Music Ltd. (not for release label use!)
Fairground Attraction4.353:35
41The Final Countdown
produttore:
Kevin Elson
diritti fonografici (℗) detenuti da:
CBS Records AB (SE subsidiary of CBS Records, renamed Sony Music Entertainment (Sweden) AB in 1991) (nel 1986), CBS, Inc. (US broadcasting company; file no releases here!) (nel 1986), Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (nel 1986), Epic Records (a division of Sony Music Entertainment; holding company, not a release label) (nel 1987) e Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (nel 1987)
registrazione di:
The Final Countdown
paroliere e compositore:
Joey Tempest (Swedish singer)
editore:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI (EMI Records, or EMI Music only if there is no other imprint), EMI Music Publishing Australia Pty Ltd (not for release label use!), EMI Music Publishing Ltd. (PRS‐affiliated), EMI Music Sweden AB (not for release label use! SE subsidiary of EMI), Screen Gems–EMI Music, Inc. (USA, affiliated with BMI) e Seven Doors Music
Europe4.23:58
42Africa
tecnico di registrazione:
Al Schmitt
produttore:
Toto (US rock group)
tecnico di missaggio:
Greg Ladanyi
diritti fonografici (℗) detenuti da:
Columbia Records (not for release label use! company owned by Sony Music Entertainment, only use for manufacturing/distribution and copyright holding) (nel 1982), Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (nel 1982) e Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (nel 1982)
video musicali:
Africa di Toto (US rock group)
registrazione di:
Africa (Toto)
autore:
Jeffrey Porcaro e David Paich
editore:
Hudmar Publishing Co. Inc., Kobalt Music Publishing Ltd. (UK), Rising Storm Music, Sony Music Publishing (worldwide except Japan, ended 1995), Sony/ATV Music Publishing, Sony/ATV Music Publishing (UK) Ltd., Sony/ATV Music Publishing LLC (1995–2020) e Spirit Two Music
sub-editore:
ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division)
Toto54:22
43Dead Ringer for Love
produttore:
Jimmy Iovine e Jim Steinman
batteria :
Liberty DeVitto (US drummer)
chitarra [guitars] :
Davey Johnstone
chitarra basso :
Steve Buslowe
corno :
Alan Rubin, Lou Delgatto, Lou Marani e Tom Malone (US trombonist)
percussione :
Jimmy Maelen (percussion)
pianoforte :
Roy Bittan
tamburo a fessura [African logs] :
Neleam Ymmij
voce:
Cher e Meat Loaf
voce di accompagnamento:
Allan Nicholls (Canadian musician), Rhonda Coullet, Rory Dodd, Ted Neeley e Eric Troyer
esecutore:
Cher
diritti fonografici (℗) detenuti da:
Epic Records (a division of Sony Music Entertainment; holding company, not a release label) (nel 1981) e Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (nel 1981)
registrazione di:
Dead Ringer for Love
paroliere e compositore:
Jim Steinman
editore:
Carlin Music Corporation, Edward B. Marks Music Co. (founded originally as J. Stern & Co. in 1894, renamed in 1919) (nel 1981), Neverland Music Publishing Company (nel 1981) e Peg Music Company (nel 1981)
Meat Loaf3.84:21
44Nothing’s Gonna Stop Us Now
esecutore:
Starship (continuation of Jefferson Starship) (nel 1987)
diritti fonografici (℗) detenuti da:
BMG Music (nel 1985, nel 1987), BMG Entertainment (nel 1987) e Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (nel 1987)
registrazione di:
Nothing’s Gonna Stop Us Now (nel 1987)
autore:
Albert Hammond e Diane Warren (US songwriter)
arrangiatore:
Narada Michael Walden
editore:
BMG Music Publishing Ltd., BMG Songs, Inc., Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI Music Publishing Ltd. (PRS‐affiliated), Empire Music Ltd., Realsongs, Warner Bros. Music Ltd. (UK subsidiary, so named between 1970/01/23–1971/04/26 and 1972/04/25–1988/08/23), WB Music Corp. (1929–2019) e Windswept Pacific Music Ltd. (publishing company)
parte di:
The 60th Academy Award for Best Original Song (numero: 2) e Academy Award for Best Original Song (numero: 1987 nominee)
Starship3.754:28
45You’re the Voice
registrazione di:
You’re the Voice
autore:
Andy Qunta, Keith Reid, Maggie Ryder e Chris Thompson (vocalist with Manfred Mann’s Earth Band)
editore:
A&G Songs Ltd., Almo Music Corp. (USA, affiliated with ASCAP), Bluebeard Music Ltd., BMG Music, Bucks Music Group Ltd. (Bucks Music Group), Concord Songs Ltd., Copyright Control (not for release label use! this is only for copyrights and publishing relationships), CT Music (publisher), CT Music Ltd., David Platz Music Scandinavia AB, Fable Music Pty. Ltd., Imagem Songs Ltd., Polygram Music, PolyGram Music Publishing Ltd., Rondor, Rondor Music, Rondor Music (Australia) P/L, Rondor Music (Australia) Pty Ltd, Rondor Music (London) Ltd., Rondor Music Ltd. (publisher), Universal Music (plain logo: “Universal Music”), Universal Music Publishing (use ONLY if no country‐specific information is available) e Universal Music Publishing AB (Sweden)
John Farnham3:57
46Circle in the Sand
produttore:
Rick Nowels
diritti fonografici (℗) detenuti da:
Demon Music Group Ltd. (for release labels, use “Demon Music Group”; subsidiary of BBC Studios Distribution) (nel 2019)
registrazione di:
Circle in the Sand
autore:
Rick Nowels e Ellen Shipley
editore:
Bug Music Ltd., Screen Gems–EMI Music Ltd., Virgin Music (Publishers) Ltd., Future Furniture Music (nel 1987) e Shipwreck Music (publisher) (nel 1987)
Belinda Carlisle3.653:41
47Broken Wings
diritti fonografici (℗) detenuti da:
Sony BMG Music Entertainment Inc. (nel 1985) e Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (nel 1985)
edit di:
Broken Wings di Mr. Mister (American pop rock band)
registrazione di:
Broken Wings
autore:
Steve George (US keyboardist for Mr. Mister & Pages), John Lang (US songwriter for Mr. Mister & Pages) e Richard Page (singer-songwriter; former lead singer & bassist of Mr. Mister)
editore:
Ali‐Aja Music, Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Entente Music (publisher; do NOT use as release label), Indolent Sloth Music, Panola Park Music, Poppy‐Due Music (publisher; do NOT use as release label), Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label), Warner/Chappell Music Ltd. (1996–2019), Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09), WB Music Corp. (1929–2019) (fino al 2019-05-28) e WC Music Corp. (dal 2019-05-28 a oggi)
sub-editore:
Warner/Chappell Music Japan, Synch division (Warner/Chappell Music Japan K.K., Synch Division) e Yamaha Music Entertainment Holdings, Inc. (holding company – do not use as release label)
Mr. Mister44:24
48Holding Out for a Hero
diritti fonografici (℗) detenuti da:
Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (nel 1984), Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (nel 1984), Sony Music Entertainment UK Limited (not for release label use! post-2008 subsidiary of Sony Music Entertainment) (nel 1984) e Sony Music Entertainment (UK) Ltd. (not for release label use! pre-Aug 2004 subsidiary of Sony Music Entertainment Inc.) (nel 1985)
registrazione di:
Holding Out for a Hero
paroliere:
Dean Pitchford
compositore:
Jim Steinman
editore:
BMG Music Publishing Ltd., Ensign Music Corp., Famous Chappell, Famous Chappell Ltd. (UK-based music publishing company.), Sony Music Publishing (Japan), Inc., A Division (Sony Music Publishing (Japan) Inc., A Division), Sony/ATV Harmony UK, Sony/ATV Melody e Sony/ATV Music Publishing LLC (1995–2020)
si basa su:
Stark Raving Love
Bonnie Tyler4.154:21
49The Way It Is
diritti fonografici (℗) detenuti da:
RCA Records (not for release label use! for the imprint, please use “RCA” instead) (nel 1986)
registrazione di:
The Way It Is
paroliere e compositore:
B.R. Hornsby
editore:
BMG Music Ltd., Bob‐a‐Lew Songs (ASCAP), Sony/ATV Music Publishing (UK) Ltd., Universal Music Publishing (use ONLY if no country‐specific information is available), Warner Chappell Music Ltd. (no slash; used 1988–1996), WB Music Corp. (1929–2019) e Zappo Music (dal 1986 a oggi)
sub-editore:
ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division)
Bruce Hornsby & the Range4.353:58
50Cuddly Toy
diritti fonografici (℗) detenuti da:
Sony Music Entertainment UK Limited (not for release label use! post-2008 subsidiary of Sony Music Entertainment) (nel 1988)
registrazione di:
Cuddly Toy
paroliere e compositore:
Andrew Roachford
editore:
Kassner Associated Publishers, PolyGram Music Publishing Ltd. e Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group)
Roachford3.63:49
51Criticize
registrazione di:
Criticize
autore:
Jellybean Johnson e Alexander O’Neal
Alexander O’Neal44:02
52Wishing Well
tecnico di registrazione e tecnico di missaggio:
Phil Legg
produttore:
Terence Trent D’Arby (now known as Sananda Maitreya) e Martyn Ware
basso :
Phil Spalding
batteria :
Preston Heyman
charleston [Wicked Hi-Hat] :
Clive Mngaza
chitarra :
Pete Glenister
sassofono baritono, tastiera e percussione e voce di accompagnamento e voce principale:
Terence Trent D’Arby (now known as Sananda Maitreya)
arrangiatore:
Terence Trent D’Arby (now known as Sananda Maitreya)
diritti fonografici (℗) detenuti da:
Sony BMG Music Entertainment (UK) Ltd. (not for release label use! UK subsidiary of Sony BMG Music Entertainment), CBS Records (2006–2021) (nel 1987) e Sony Music Entertainment (UK) Ltd. (not for release label use! pre-Aug 2004 subsidiary of Sony Music Entertainment Inc.) (nel 1987)
registrazione di:
Wishing Well
paroliere:
Terence Trent D’Arby (now known as Sananda Maitreya)
compositore:
Terence Trent D’Arby (now known as Sananda Maitreya) e Sean Oliver
editore:
Chrysalis Music (music publisher, ASCAP-affiliated), Chrysalis Music Ltd. (music publisher, affiliated with PRS), EMI Virgin Music Australia Pty Ltd, EMI Virgin Music Ltd. (do not use this as a release label!), Virgin Music Publishers Ltd. e Young Terence Music (Publisher)
Terence Trent D’Arby3.153:31
53Dinner With Gershwin
diritti fonografici (℗) detenuti da:
Crimson (UK budget comps; imprint of Crimson Productions Ltd.) (dal 2014 a oggi)
registrazione di:
Dinner With Gershwin
autore:
Brenda Russell (US singer-songwriter & keyboardist)
editore:
PW Arrangements, Rutland Road Music, Universal Geffen Music (work publisher - do NOT file releases here) e Universal Music Corp. (USA, affiliated with ASCAP)
Donna Summer4:39
54Come Into My Life
registrazione di:
Come Into My Life
paroliere e compositore:
Joyce Sims
editore:
Beach House Music, Chelsea Music Publishing, Chelsea Music Publishing Co., Ltd., Smokin' Amigos e Tawanne Lamont Music
Joyce Sims33:47
55Love Come Down
registrazione di:
Love Come Down
paroliere e compositore:
Kashif (Michael Jones, B.T. Express)
editore:
MCA Music Ltd.
Evelyn “Champagne” King4.53:18
56Let’s Hear It for the Boy
produttore:
George Duke
tecnico di missaggio:
Tom Perry (engineer), Tommy Vicari e Erik Zobler
batteria elettronica [Linn Drums] , minimoog [Mini-Moog] , moog [Memory Moog] e sintetizzatore analogico [Prophet V] :
George Duke
chitarra :
Paul Jackson, Jr. (fusion/urban jazz composer, arranger, producer and guitarist)
percussione :
Paulinho da Costa (Brazilian percussionist)
voce di accompagnamento:
George Merrill, Shannon Rubicam e Deniece Williams (US soul/funk vocalist/songwriter)
diritti fonografici (℗) detenuti da:
Columbia Records (not for release label use! company owned by Sony Music Entertainment, only use for manufacturing/distribution and copyright holding), CBS, Inc. (US broadcasting company; file no releases here!) (nel 1984), Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (nel 1984) e Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (nel 1984)
registrazione di:
Let’s Hear It for the Boy
paroliere:
Dean Pitchford
compositore:
Thomas Snow (US keyboardist/songwriter)
editore:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Ensign Music Corporation e Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody)
parte di:
The 57th Academy Award for Best Original Song (numero: 2) e Academy Award for Best Original Song (numero: 1984 nominee)
Deniece Williams3.64:22
57So Macho
registrazione di:
So Macho
paroliere e compositore:
James George Hargreaves
Sinitta3:25
58Let’s Groove
registrazione di:
Let’s Groove
autore:
Wayne Vaughn e Maurice White (Earth, Wind & Fire)
editore:
Campbell Connelly, EMI Songs, EMI Songs Australia Pty. Ltd. e EMI Songs Ltd.
Earth, Wind & Fire4:03
59Let’s Go Round Again
registrazione di:
Let’s Go Round Again
autore:
Alan Gorrie
editore:
Hit & Run Music (Publishing) Ltd
Average White Band3:24
60Funkin’ for Jamaica (single)
registrazione di:
Funkin’ for Jamaica (N.Y.)
paroliere:
Toni Smith
compositore:
Tom Browne (US jazz trumpeter)
editore:
Roaring Fork Music, Sony/ATV Melody, Thomas Browne Publishing, Inc. e ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division)
Tom Browne3:52

Accreditamenti

Pubblicazione

ASIN:UK: B01HJZTI06 [info]