Katy Lied / The Royal Scam

~ Release by Steely Dan (see all versions of this release, 3 available)

Tracklist

1▼CD
#TitleRatingLength
1Black Friday
engineer:
Roger Nichols (US mastering, recording engineer and producer)
producer:
Gary Katz
bass:
Chuck Rainey (American bassist) (from 1974-11 until 1975-01)
bass and guitar and solo guitar:
Walter Becker (from 1974-11 until 1975-01)
drums (drum set):
Jeff Porcaro (from 1974-11 until 1975-01)
keyboard:
Donald Fagen (from 1974-11 until 1975-01), Michael Omartian (from 1974-11 until 1975-01) and David Paich (from 1974-11 until 1975-01)
percussion and vibraphone:
Victor Feldman (jazz musician) (from 1974-11 until 1975-01)
piano and lead vocals:
Donald Fagen (from 1974-11 until 1975-01)
arranger:
Walter Becker and Donald Fagen
phonographic copyright (℗) by:
ABC Records, Inc (in 1975), MCA Records, Inc. (do not use as a release label! a division of UMG Recordings, Inc.) (in 1975) and UMG Recordings, Inc. (operational headquarters of Universal Music Group, based in Santa Monica, USA; read annotations) (in 1975)
recorded at:
ABC Recording Studios (recording studio associated with ABC Records, active circa 1970s) in Los Angeles, California, United States (from 1974-11 until 1975-01)
recording of:
Black Friday (from 1974-11 until 1975-01)
lyricist and composer:
Walter Becker and Donald Fagen
publisher:
Anchor Music Ltd., MCA Music Ltd., Universal‐MCA Music Publishing (US), Universal/MCA Music Ltd. (not for release label use!), MCA Music Publishing (renamed since c. 1996 as Universal Music Publishing Group) (in 1974), American Broadcasting Music, Inc. (in 1975), Francis, Day & Hunter Ltd. (in 1977) and Rudolf Slezak Musikverlag GmbH (publisher) (in 1977)
4.53:42
2Bad Sneakers
engineer:
Roger Nichols (US mastering, recording engineer and producer)
producer:
Gary Katz
bass:
Walter Becker (from 1974-11 until 1975-01), Wilton Felder (from 1974-11 until 1975-01) and Chuck Rainey (American bassist) (from 1974-11 until 1975-01)
drums (drum set):
Jeff Porcaro (from 1974-11 until 1975-01)
guitar:
Walter Becker (from 1974-11 until 1975-01) and Hugh McCracken (from 1974-11 until 1975-01)
keyboard and background vocals and lead vocals:
Donald Fagen (from 1974-11 until 1975-01)
percussion and vibraphone:
Victor Feldman (jazz musician) (from 1974-11 until 1975-01)
piano:
Donald Fagen (from 1974-11 until 1975-01) and Michael Omartian (from 1974-11 until 1975-01)
solo guitar:
Walter Becker (from 1974-11 until 1975-01)
background vocals:
Michael McDonald (R&B & soul singer) (from 1974-11 until 1975-01)
arranger:
Walter Becker and Donald Fagen
phonographic copyright (℗) by:
ABC Records, Inc (in 1975), MCA Records, Inc. (do not use as a release label! a division of UMG Recordings, Inc.) (in 1975) and UMG Recordings, Inc. (operational headquarters of Universal Music Group, based in Santa Monica, USA; read annotations) (in 1975)
recorded at:
ABC Recording Studios (recording studio associated with ABC Records, active circa 1970s) in Los Angeles, California, United States (from 1974-11 until 1975-01)
recording of:
Bad Sneakers (from 1974-11 until 1975-01)
lyricist and composer:
Walter Becker and Donald Fagen
publisher:
Anchor Music Ltd., MCA Music Ltd., Universal/MCA Music Ltd. (not for release label use!), MCA Music Publishing (renamed since c. 1996 as Universal Music Publishing Group) (in 1974) and American Broadcasting Music, Inc. (in 1975)
33:21
3Rose Darling
engineer:
Roger Nichols (US mastering, recording engineer and producer)
producer:
Gary Katz
bass:
Walter Becker (from 1974-11 until 1975-01), Wilton Felder (from 1974-11 until 1975-01) and Chuck Rainey (American bassist) (from 1974-11 until 1975-01)
drums (drum set):
Jeff Porcaro (from 1974-11 until 1975-01)
guitar:
Walter Becker (from 1974-11 until 1975-01)
keyboard and piano:
Donald Fagen (from 1974-11 until 1975-01)
percussion and vibraphone:
Victor Feldman (jazz musician) (from 1974-11 until 1975-01)
solo guitar:
Dean Parks (American session guitarist) (from 1974-11 until 1975-01)
arranger:
Walter Becker and Donald Fagen
phonographic copyright (℗) by:
MCA Records, Inc. (do not use as a release label! a division of UMG Recordings, Inc.)
recorded at:
ABC Recording Studios (recording studio associated with ABC Records, active circa 1970s) in Los Angeles, California, United States (from 1974-11 until 1975-01)
recording of:
Rose Darling (from 1974-11 until 1975-01)
writer:
Walter Becker and Donald Fagen
publisher:
Anchor Music Ltd., MCA Music Publishing (renamed since c. 1996 as Universal Music Publishing Group) (in 1974) and American Broadcasting Music, Inc. (in 1975)
3:07
4Daddy Don’t Live in That New York City No More
engineer:
Roger Nichols (US mastering, recording engineer and producer)
producer:
Gary Katz
bass:
Walter Becker (from 1974-11 until 1975-01), Wilton Felder (from 1974-11 until 1975-01) and Chuck Rainey (American bassist) (from 1974-11 until 1975-01)
drums (drum set):
Jeff Porcaro (from 1974-11 until 1975-01)
guitar:
Walter Becker (from 1974-11 until 1975-01) and Larry Carlton (from 1974-11 until 1975-01)
keyboard and piano:
Donald Fagen (from 1974-11 until 1975-01)
percussion and vibraphone:
Victor Feldman (jazz musician) (from 1974-11 until 1975-01)
arranger:
Walter Becker and Donald Fagen
phonographic copyright (℗) by:
MCA Records, Inc. (do not use as a release label! a division of UMG Recordings, Inc.)
recorded at:
ABC Recording Studios (recording studio associated with ABC Records, active circa 1970s) in Los Angeles, California, United States (from 1974-11 until 1975-01)
recording of:
Daddy Don’t Live in That New York City No More (from 1974-11 until 1975-01)
writer:
Walter Becker and Donald Fagen
publisher:
Anchor Music Ltd., MCA Music Publishing (renamed since c. 1996 as Universal Music Publishing Group) (in 1974) and American Broadcasting Music, Inc. (in 1975)
23:17
5Doctor Wu
engineer:
Roger Nichols (US mastering, recording engineer and producer)
producer:
Gary Katz
alto saxophone:
Phil Woods (US jazz woodwind player) (from 1974-11 until 1975-01)
bass:
Walter Becker (from 1974-11 until 1975-01), Wilton Felder (from 1974-11 until 1975-01) and Chuck Rainey (American bassist) (from 1974-11 until 1975-01)
drums (drum set):
Jeff Porcaro (from 1974-11 until 1975-01)
guitar:
Walter Becker (from 1974-11 until 1975-01)
keyboard and piano:
Donald Fagen (from 1974-11 until 1975-01)
percussion:
Victor Feldman (jazz musician) (from 1974-11 until 1975-01) and Jeff Porcaro (from 1974-11 until 1975-01)
vibraphone:
Victor Feldman (jazz musician) (from 1974-11 until 1975-01)
arranger:
Walter Becker and Donald Fagen
phonographic copyright (℗) by:
MCA Records, Inc. (do not use as a release label! a division of UMG Recordings, Inc.) (in 1975) and UMG Recordings, Inc. (operational headquarters of Universal Music Group, based in Santa Monica, USA; read annotations) (in 1975)
recorded at:
ABC Recording Studios (recording studio associated with ABC Records, active circa 1970s) in Los Angeles, California, United States (from 1974-11 until 1975-01)
recording of:
Doctor Wu (from 1974-11 until 1975-01)
writer:
Walter Becker and Donald Fagen
publisher:
Anchor Music Ltd., MCA Music Ltd., MCA Music Publishing (renamed since c. 1996 as Universal Music Publishing Group) (, in 1974) and American Broadcasting Music, Inc. (in 1975)
3:57
6Everyone’s Gone to the Movies
engineer:
Roger Nichols (US mastering, recording engineer and producer)
producer:
Gary Katz
bass:
Walter Becker (from 1974-11 until 1975-01), Wilton Felder (from 1974-11 until 1975-01) and Chuck Rainey (American bassist) (from 1974-11 until 1975-01)
drums (drum set):
Jeff Porcaro (from 1974-11 until 1975-01)
guitar:
Walter Becker (from 1974-11 until 1975-01)
keyboard and piano:
Donald Fagen (from 1974-11 until 1975-01)
percussion and vibraphone:
Victor Feldman (jazz musician) (from 1974-11 until 1975-01)
background vocals:
Carolyn Willis (from 1974-11 until 1975-01)
arranger:
Walter Becker and Donald Fagen
phonographic copyright (℗) by:
MCA Records, Inc. (do not use as a release label! a division of UMG Recordings, Inc.)
recorded at:
ABC Recording Studios (recording studio associated with ABC Records, active circa 1970s) in Los Angeles, California, United States (from 1974-11 until 1975-01)
recording of:
Everyone’s Gone to the Movies (from 1974-11 until 1975-01)
writer:
Walter Becker and Donald Fagen
publisher:
Anchor Music Ltd., American Broadcasting Music, Inc. (in 1972), MCA Music Publishing (renamed since c. 1996 as Universal Music Publishing Group) (in 1972), Red Giant Inc. (in 1972) and Red Giant Music, Inc. (in 1972)
3:47
7Your Gold Teeth II
engineer:
Roger Nichols (US mastering, recording engineer and producer)
producer:
Gary Katz
bass:
Walter Becker (from 1974-11 until 1975-01), Wilton Felder (from 1974-11 until 1975-01) and Chuck Rainey (American bassist) (from 1974-11 until 1975-01)
drums (drum set):
Jeff Porcaro (from 1974-11 until 1975-01)
guitar:
Walter Becker (from 1974-11 until 1975-01)
keyboard and piano:
Donald Fagen (from 1974-11 until 1975-01)
percussion and vibraphone:
Victor Feldman (jazz musician) (from 1974-11 until 1975-01)
solo guitar:
Denny Dias (from 1974-11 until 1975-01)
arranger:
Walter Becker and Donald Fagen
phonographic copyright (℗) by:
MCA Records, Inc. (do not use as a release label! a division of UMG Recordings, Inc.)
recorded at:
ABC Recording Studios (recording studio associated with ABC Records, active circa 1970s) in Los Angeles, California, United States (from 1974-11 until 1975-01)
recording of:
Your Gold Teeth II (from 1974-11 until 1975-01)
writer:
Walter Becker and Donald Fagen
publisher:
Anchor Music Ltd., American Broadcasting Music, Inc. (in 1975) and MCA Music Publishing (renamed since c. 1996 as Universal Music Publishing Group) (in 1975)
34:15
8Chain Lightning
engineer:
Roger Nichols (US mastering, recording engineer and producer)
producer:
Gary Katz
bass:
Walter Becker (from 1974-11 until 1975-01), Wilton Felder (from 1974-11 until 1975-01) and Chuck Rainey (American bassist) (from 1974-11 until 1975-01)
drums (drum set):
Jeff Porcaro (from 1974-11 until 1975-01)
guitar:
Walter Becker (from 1974-11 until 1975-01)
keyboard, piano and lead vocals:
Donald Fagen (from 1974-11 until 1975-01)
percussion and vibraphone:
Victor Feldman (jazz musician) (from 1974-11 until 1975-01)
solo guitar:
Rick Derringer (from 1974-11 until 1975-01)
arranger:
Walter Becker and Donald Fagen
phonographic copyright (℗) by:
MCA Records, Inc. (do not use as a release label! a division of UMG Recordings, Inc.), ABC Records, Inc (in 1975) and UMG Recordings, Inc. (operational headquarters of Universal Music Group, based in Santa Monica, USA; read annotations) (in 1975)
recorded at:
ABC Recording Studios (recording studio associated with ABC Records, active circa 1970s) in Los Angeles, California, United States (from 1974-11 until 1975-01)
recording of:
Chain Lightning (from 1974-11 until 1975-01)
writer:
Walter Becker and Donald Fagen
publisher:
Anchor Music Ltd., MCA Music Publishing (renamed since c. 1996 as Universal Music Publishing Group) (, in 1974), Universal‐MCA Music Publishing (US) and American Broadcasting Music, Inc. (in 1975)
3:02
9Any World (That I’m Welcome To)
engineer:
Roger Nichols (US mastering, recording engineer and producer)
producer:
Gary Katz
bass:
Walter Becker (from 1974-11 until 1975-01), Wilton Felder (from 1974-11 until 1975-01) and Chuck Rainey (American bassist) (from 1974-11 until 1975-01)
drums (drum set):
Hal Blaine (U.S. studio drummer and percussionist) (from 1974-11 until 1975-01)
guitar:
Walter Becker (from 1974-11 until 1975-01)
keyboard and piano:
Donald Fagen (from 1974-11 until 1975-01)
percussion and vibraphone:
Victor Feldman (jazz musician) (from 1974-11 until 1975-01)
background vocals:
Michael McDonald (R&B & soul singer) (from 1974-11 until 1975-01)
arranger:
Walter Becker and Donald Fagen
phonographic copyright (℗) by:
MCA Records, Inc. (do not use as a release label! a division of UMG Recordings, Inc.) and UMG Recordings, Inc. (operational headquarters of Universal Music Group, based in Santa Monica, USA; read annotations) (in 1975)
recorded at:
ABC Recording Studios (recording studio associated with ABC Records, active circa 1970s) in Los Angeles, California, United States (from 1974-11 until 1975-01)
recording of:
Any World (That I’m Welcome To) (from 1974-11 until 1975-01)
writer:
Walter Becker and Donald Fagen
publisher:
Anchor Music Ltd., MCA Inc. (US record company and parent company for MCA publishing companies, affiliated to ASCAP), MCA Music Publishing (renamed since c. 1996 as Universal Music Publishing Group) (, in 1973), American Broadcasting Music, Inc. (in 1973), Red Giant Inc. (in 1973) and Red Giant Music, Inc. (in 1973)
3:55
10Throw Back the Little Ones
engineer:
Roger Nichols (US mastering, recording engineer and producer)
producer:
Gary Katz
bass:
Walter Becker (from 1974-11 until 1975-01), Wilton Felder (from 1974-11 until 1975-01) and Chuck Rainey (American bassist) (from 1974-11 until 1975-01)
drums (drum set):
Jeff Porcaro (from 1974-11 until 1975-01)
guitar:
Walter Becker (from 1974-11 until 1975-01)
horn:
Bill Perkins (jazz saxophonist) (from 1974-11 until 1975-01)
keyboard and piano:
Donald Fagen (from 1974-11 until 1975-01)
percussion and vibraphone:
Victor Feldman (jazz musician) (from 1974-11 until 1975-01)
solo guitar:
Elliott Randall (from 1974-11 until 1975-01)
horn arranger:
Jimmie Haskell
arranger:
Walter Becker and Donald Fagen
phonographic copyright (℗) by:
MCA Records, Inc. (do not use as a release label! a division of UMG Recordings, Inc.) and ABC Records, Inc (in 1975)
recorded at:
ABC Recording Studios (recording studio associated with ABC Records, active circa 1970s) in Los Angeles, California, United States (from 1974-11 until 1975-01)
recording of:
Throw Back the Little Ones (from 1974-11 until 1975-01)
writer:
Walter Becker and Donald Fagen
publisher:
Anchor Music Ltd., MCA Music Publishing (renamed since c. 1996 as Universal Music Publishing Group) (in 1974) and American Broadcasting Music, Inc. (in 1975)
23:14
11Kid Charlemagne
engineer:
Roger Nichols (US mastering, recording engineer and producer) and Elliot Scheiner
producer:
Gary Katz
mixer:
Roger Nichols (US mastering, recording engineer and producer) and Barney Perkins
bass:
Walter Becker and Chuck Rainey (American bassist)
drums (drum set):
Bernard “Pretty” Purdie
guitar:
Walter Becker and Larry Carlton
horn:
Bob Findley and Dick Hyde
keyboard:
Donald Fagen, Paul Griffin (American pianist, session musician) and Don Grolnick
percussion:
Gary Coleman (US percussionist)
saxophone:
Jim Horn (saxophonist, hornist, flutist and oboist), Plas Johnson and John Klemmer
solo guitar:
Larry Carlton
trombone:
Dick Hyde
trumpet:
Chuck Findley (trumpet, trombone, horn player)
background vocals:
Venetta Fields, Clydie King, Sherlie Matthews (US vocalist) and Michael McDonald (R&B & soul singer)
background vocals and lead vocals:
Donald Fagen
vocals:
Donald Fagen
horn arranger:
Walter Becker, Donald Fagen and Chuck Findley (trumpet, trombone, horn player)
phonographic copyright (℗) by:
MCA Records, Inc. (do not use as a release label! a division of UMG Recordings, Inc.) (in 1976) and UMG Recordings, Inc. (operational headquarters of Universal Music Group, based in Santa Monica, USA; read annotations) (in 1976)
engineered at:
A&R Studios (third studio, 322 West 48th Street, closed in 1989) in New York, New York, United States and ABC Studios (recording studio associated with ABC Records, active circa 1970s) in Los Angeles, California, United States
recording of:
Kid Charlemagne
lyricist and composer:
Walter Becker and Donald Fagen
publisher:
MCA Music Ltd., Universal/MCA Music Ltd. (not for release label use!), ABC/Dunhill Music, Inc. (in 1976) and Anchor Music Ltd. (in 1976)
4.354:40
12The Caves of Altamira
engineer:
Roger Nichols (US mastering, recording engineer and producer) and Elliot Scheiner
mixer:
Roger Nichols (US mastering, recording engineer and producer) and Barney Perkins
bass:
Walter Becker and Chuck Rainey (American bassist)
drums (drum set):
Bernard “Pretty” Purdie
guitar:
Walter Becker, Larry Carlton, Denny Dias and Elliott Randall
horn:
Bob Findley and Dick Hyde
keyboard:
Donald Fagen and Paul Griffin (American pianist, session musician)
percussion:
Gary Coleman (US percussionist)
saxophone:
Jim Horn (saxophonist, hornist, flutist and oboist) and Plas Johnson
solo tenor saxophone:
John Klemmer
trombone:
Dick Hyde
trumpet:
Chuck Findley (trumpet, trombone, horn player)
background vocals and lead vocals:
Donald Fagen
horn arranger:
Walter Becker, Donald Fagen and Chuck Findley (trumpet, trombone, horn player)
engineered at:
A&R Studios (third studio, 322 West 48th Street, closed in 1989) in New York, New York, United States and ABC Studios (recording studio associated with ABC Records, active circa 1970s) in Los Angeles, California, United States
recording of:
The Caves of Altamira
writer:
Walter Becker and Donald Fagen
publisher:
American Broadcasting Music, Inc. (in 1976), Anchor Music Ltd. (in 1976) and Red Giant Inc. (in 1976)
3:33
13Don’t Take Me Alive
engineer:
Roger Nichols (US mastering, recording engineer and producer) and Elliot Scheiner
producer:
Gary Katz
mixer:
Roger Nichols (US mastering, recording engineer and producer) and Barney Perkins
bass:
Walter Becker and Chuck Rainey (American bassist)
drums (drum set):
Rick Marotta (US drummer/percussionist)
guitar:
Walter Becker and Larry Carlton
horn:
Bob Findley and Dick Hyde
keyboard:
Donald Fagen and Paul Griffin (American pianist, session musician)
percussion:
Gary Coleman (US percussionist)
saxophone:
Jim Horn (saxophonist, hornist, flutist and oboist), Plas Johnson and John Klemmer
solo guitar:
Larry Carlton
trombone:
Dick Hyde
trumpet:
Chuck Findley (trumpet, trombone, horn player)
background vocals and lead vocals:
Donald Fagen
horn arranger:
Walter Becker, Donald Fagen and Chuck Findley (trumpet, trombone, horn player)
phonographic copyright (℗) by:
UMG Recordings, Inc. (operational headquarters of Universal Music Group, based in Santa Monica, USA; read annotations) (in 1976)
engineered at:
A&R Studios (third studio, 322 West 48th Street, closed in 1989) in New York, New York, United States and ABC Studios (recording studio associated with ABC Records, active circa 1970s) in Los Angeles, California, United States
recording of:
Don’t Take Me Alive
writer:
Walter Becker and Donald Fagen
publisher:
MCA Music Publishing (renamed since c. 1996 as Universal Music Publishing Group), ABC/Dunhill Music, Inc. (in 1976) and Anchor Music Ltd. (in 1976)
44:15
14Sign In Stranger
engineer:
Roger Nichols (US mastering, recording engineer and producer) and Elliot Scheiner
mixer:
Roger Nichols (US mastering, recording engineer and producer) and Barney Perkins
bass:
Walter Becker and Chuck Rainey (American bassist)
drums (drum set):
Bernard “Pretty” Purdie
guitar:
Walter Becker and Elliott Randall
horn:
Bob Findley and Dick Hyde
keyboard, background vocals and lead vocals:
Donald Fagen
percussion:
Gary Coleman (US percussionist)
piano:
Paul Griffin (American pianist, session musician)
saxophone:
Jim Horn (saxophonist, hornist, flutist and oboist), Plas Johnson and John Klemmer
trombone:
Dick Hyde
trumpet:
Chuck Findley (trumpet, trombone, horn player)
horn arranger:
Walter Becker, Donald Fagen and Chuck Findley (trumpet, trombone, horn player)
phonographic copyright (℗) by:
ABC Records, Inc (in 1976)
engineered at:
A&R Studios (third studio, 322 West 48th Street, closed in 1989) in New York, New York, United States and ABC Studios (recording studio associated with ABC Records, active circa 1970s) in Los Angeles, California, United States
recording of:
Sign In Stranger
lyricist and composer:
Walter Becker and Donald Fagen
publisher:
ABC/Dunhill Music, Inc. (in 1976) and Anchor Music Ltd. (in 1976)
4:22
15The Fez
engineer:
Roger Nichols (US mastering, recording engineer and producer) and Elliot Scheiner
producer:
Gary Katz
mixer:
Roger Nichols (US mastering, recording engineer and producer) and Barney Perkins
bass:
Walter Becker and Chuck Rainey (American bassist)
drums (drum set):
Bernard “Pretty” Purdie
guitar and solo guitar:
Walter Becker
horn:
Bob Findley and Dick Hyde
keyboard:
Donald Fagen and Paul Griffin (American pianist, session musician)
percussion:
Gary Coleman (US percussionist)
saxophone:
Jim Horn (saxophonist, hornist, flutist and oboist), Plas Johnson and John Klemmer
trombone:
Dick Hyde
trumpet:
Chuck Findley (trumpet, trombone, horn player)
background vocals and lead vocals:
Donald Fagen
horn arranger:
Walter Becker, Donald Fagen and Chuck Findley (trumpet, trombone, horn player)
phonographic copyright (℗) by:
MCA Records (1967–2003; name as in imprint during 1972–1990), ABC Records, Inc (in 1976), MCA Records, Inc. (do not use as a release label! a division of UMG Recordings, Inc.) (in 1976) and UMG Recordings, Inc. (operational headquarters of Universal Music Group, based in Santa Monica, USA; read annotations) (in 1976)
engineered at:
A&R Studios (third studio, 322 West 48th Street, closed in 1989) in New York, New York, United States and ABC Studios (recording studio associated with ABC Records, active circa 1970s) in Los Angeles, California, United States
recording of:
The Fez
writer:
Walter Becker, Donald Fagen and Paul Griffin (American pianist, session musician)
publisher:
MCA Music Ltd., MCA Music Publishing (renamed since c. 1996 as Universal Music Publishing Group), MCA–Duchess Music Corp, ABC/Dunhill Music, Inc. (in 1976), Anchor Music Ltd. (in 1976) and ELDG Music, Inc. (in 1976)
3:59
16Green Earrings
engineer:
Roger Nichols (US mastering, recording engineer and producer) and Elliot Scheiner
producer:
Gary Katz
mixer:
Roger Nichols (US mastering, recording engineer and producer) and Barney Perkins
bass:
Walter Becker and Chuck Rainey (American bassist)
drums (drum set):
Bernard “Pretty” Purdie
guitar:
Walter Becker, Denny Dias and Elliott Randall
horn:
Bob Findley and Dick Hyde
keyboard:
Donald Fagen and Paul Griffin (American pianist, session musician)
percussion:
Gary Coleman (US percussionist)
saxophone:
Jim Horn (saxophonist, hornist, flutist and oboist), Plas Johnson and John Klemmer
solo guitar:
Denny Dias and Elliott Randall
trombone:
Dick Hyde
trumpet:
Chuck Findley (trumpet, trombone, horn player)
background vocals and lead vocals:
Donald Fagen
horn arranger:
Walter Becker, Donald Fagen and Chuck Findley (trumpet, trombone, horn player)
phonographic copyright (℗) by:
ABC Records, Inc (in 1976)
engineered at:
A&R Studios (third studio, 322 West 48th Street, closed in 1989) in New York, New York, United States and ABC Studios (recording studio associated with ABC Records, active circa 1970s) in Los Angeles, California, United States
recording of:
Green Earrings
lyricist and composer:
Walter Becker and Donald Fagen
publisher:
Music Corporation of America, Inc. (BMI‐affiliated music publisher of MCA Records, Inc.?), ABC/Dunhill Music, Inc. (in 1976) and Anchor Music Ltd. (in 1976)
24:10
17Haitian Divorce
engineer:
Roger Nichols (US mastering, recording engineer and producer) and Elliot Scheiner
producer:
Gary Katz
mixer:
Roger Nichols (US mastering, recording engineer and producer) and Barney Perkins
bass:
Walter Becker and Chuck Rainey (American bassist)
drums (drum set):
Bernard “Pretty” Purdie
guitar:
Walter Becker and Dean Parks (American session guitarist)
horn:
Bob Findley and Dick Hyde
keyboard:
Donald Fagen and Paul Griffin (American pianist, session musician)
percussion:
Gary Coleman (US percussionist)
saxophone:
Jim Horn (saxophonist, hornist, flutist and oboist), Plas Johnson and John Klemmer
solo guitar:
Dean Parks (American session guitarist)
trombone:
Dick Hyde
trumpet:
Chuck Findley (trumpet, trombone, horn player)
background vocals and lead vocals:
Donald Fagen
horn arranger:
Walter Becker, Donald Fagen and Chuck Findley (trumpet, trombone, horn player)
phonographic copyright (℗) by:
ABC Records, Inc (in 1976), MCA Records, Inc. (do not use as a release label! a division of UMG Recordings, Inc.) (in 1976) and UMG Recordings, Inc. (operational headquarters of Universal Music Group, based in Santa Monica, USA; read annotations) (in 1976)
engineered at:
A&R Studios (third studio, 322 West 48th Street, closed in 1989) in New York, New York, United States and ABC Studios (recording studio associated with ABC Records, active circa 1970s) in Los Angeles, California, United States
recording of:
Haitian Divorce
writer:
Walter Becker and Donald Fagen
publisher:
MCA Music Ltd., MCA Music Publishing (renamed since c. 1996 as Universal Music Publishing Group), ABC/Dunhill Music, Inc. (in 1976) and Anchor Music Ltd. (in 1976)
3.655:50
18Everything You Did
engineer:
Roger Nichols (US mastering, recording engineer and producer) and Elliot Scheiner
mixer:
Roger Nichols (US mastering, recording engineer and producer) and Barney Perkins
bass:
Walter Becker and Chuck Rainey (American bassist)
drums (drum set):
Rick Marotta (US drummer/percussionist)
guitar:
Walter Becker and Larry Carlton
horn:
Bob Findley and Dick Hyde
keyboard:
Donald Fagen and Paul Griffin (American pianist, session musician)
percussion:
Gary Coleman (US percussionist)
saxophone:
Jim Horn (saxophonist, hornist, flutist and oboist), Plas Johnson and John Klemmer
solo guitar:
Larry Carlton
trombone:
Dick Hyde
trumpet:
Chuck Findley (trumpet, trombone, horn player)
background vocals and lead vocals:
Donald Fagen
horn arranger:
Walter Becker, Donald Fagen and Chuck Findley (trumpet, trombone, horn player)
engineered at:
A&R Studios (third studio, 322 West 48th Street, closed in 1989) in New York, New York, United States and ABC Studios (recording studio associated with ABC Records, active circa 1970s) in Los Angeles, California, United States
recording of:
Everything You Did
writer:
Walter Becker and Donald Fagen
publisher:
ABC/Dunhill Music, Inc. (in 1976) and Anchor Music Ltd. (in 1976)
23:58
19The Royal Scam
engineer:
Roger Nichols (US mastering, recording engineer and producer) and Elliot Scheiner
mixer:
Roger Nichols (US mastering, recording engineer and producer) and Barney Perkins
bass:
Walter Becker and Chuck Rainey (American bassist)
drums (drum set):
Bernard “Pretty” Purdie
guitar:
Walter Becker and Larry Carlton
horn:
Bob Findley and Dick Hyde
keyboard:
Donald Fagen and Paul Griffin (American pianist, session musician)
percussion:
Gary Coleman (US percussionist)
saxophone:
Jim Horn (saxophonist, hornist, flutist and oboist), Plas Johnson and John Klemmer
solo guitar:
Larry Carlton
trombone:
Dick Hyde
trumpet:
Chuck Findley (trumpet, trombone, horn player)
background vocals and lead vocals:
Donald Fagen
horn arranger:
Walter Becker, Donald Fagen and Chuck Findley (trumpet, trombone, horn player)
engineered at:
A&R Studios (third studio, 322 West 48th Street, closed in 1989) in New York, New York, United States and ABC Studios (recording studio associated with ABC Records, active circa 1970s) in Los Angeles, California, United States
recording of:
The Royal Scam
writer:
Walter Becker and Donald Fagen
publisher:
Universal Duchess Music Corp., Universal Music Corp. (USA, affiliated with ASCAP), ABC/Dunhill Music, Inc. (in 1976) and Anchor Music Ltd. (in 1976)
3.56:33