The Rock ’n’ Roll Era: 1964 (1991 remaster)

~ Pubblicazione di Various Artists (visualizza tutte le versioni di questa pubblicazione: 3 disponibili)

Annotazione

Remastered to switch "California Sun" out in favor of "Rag Doll."
http://www.bsnpubs.com/warner/time-life/17rnrera/17rnrera.html

Annotazione modificata l'ultima volta il 2019-02-13 17:42 UTC.

Elenco tracce

1▼CD
#TitoloArtistaValutazioneDurata
1Where Did Our Love Go
produttore:
Lamont Dozier e Brian Holland (Motown producer & songwriter)
basso :
James Jamerson (il 1964-04-08)
batteria :
Richard "Pistol" Allen (il 1964-04-08)
calpestio di piedi [footstomps] :
Michael Valvano (il 1964-04-08)
chitarra :
Robert White (US funk/soul guitarist) (il 1964-04-08) e Eddie Willis (il 1964-04-08)
pianoforte :
Earl Van Dyke (il 1964-04-08)
sassofono baritono :
Mike Terry (60s US soul arranger/conductor) (il 1964-04-08)
strumenti:
The Funk Brothers (il 1964-04-08)
vibrafono :
Jack Ashford (American Label owner, producer, singer-songwriter, multi-instrumentalist, and arranger) (il 1964-04-08)
voce di accompagnamento:
Florence Ballard (il 1964-04-08) e Mary Wilson (il 1964-04-08)
voce principale:
Diana Ross (il 1964-04-08)
registrata presso:
Hitsville (Motown recording and mastering studios in Detroit, Michigan) in Detroit, Michigan, Stati Uniti (il 1964-04-08)
parte di:
Dave Marsh: The Best of the Top 40 Singles: 1964 (recordings) (numero: 9), Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 29) e Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 472)
registrazione di:
Where Did Our Love Go (il 1964-04-08)
paroliere:
Eddie Holland (Motown songwriter, lyricist of Holland–Dozier–Holland songwriting team)
compositore:
Lamont Dozier e Brian Holland (Motown producer & songwriter)
editore:
Jobete Music (UK) Ltd. e Jobete Music Co., Inc.
The Supremes52:34
2Rag Doll
registrazione di:
Rag Doll
autore:
Bob Crewe e Bob Gaudio
editore:
Gavadima Music Inc. e Saturday Music, Inc.
Frankie Valli & The Four Seasons42:26
3Under the Boardwalk
registrata a:
New York, New York, Stati Uniti (il 1964-05-21)
produttore:
Bert Berns e Mike Leander
archi [nine strings] :
[unknown] ([sconosciuto], Special Purpose Artist – Do not add releases here, if possible.) (il 1964-05-21)
batteria [drums] :
Gary Chester (studio drummer and educator) (il 1964-05-21)
chitarra :
Everett Barksdale (il 1964-05-21), Bill Suyker (il 1964-05-21), Billy Davis (US guitarist & songwriter; member/manager of The Drifters) (il 1964-05-21) e Bob Bushnell (il 1964-05-21)
contrabbasso [bass] :
Milt Hinton (il 1964-05-21)
pianoforte :
Ernie Hayes (American pianist, organist and arranger) (il 1964-05-21)
vibrafono [vibes] :
George Devens (il 1964-05-21)
voce di baritono:
Gene Pearson (vocals, Drifters) (il 1964-05-21)
voce di basso:
Winifred Terry (il 1964-05-21)
voce di tenore:
Charlie Thomas (The Drifters) (il 1964-05-21)
voce principale:
Johnny Moore (soul/rnb vocalist for The Drifters) (il 1964-05-21)
direttore d'orchestra:
Gary Sherman (mid-20th century composer, arranger & conductor) (il 1964-05-21)
arrangiatore:
Gary Sherman (mid-20th century composer, arranger & conductor) e Teacho Wiltshire
diritti fonografici (℗) detenuti da:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (nel 1988) e WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (nel 1998)
parte di:
Dave Marsh: The Best of the Top 40 Singles: 1964 (recordings) (numero: 6), Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 304) e Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 487)
registrazione di:
Under the Boardwalk (il 1964-05-21)
autore:
Arthur Resnick (songwriter, producer) e Kenny Young
editore:
Alley Music Corp., Intersong (publisher), TM Music Ltd. e Trio Music Company
The Drifters4.352:42
4It Hurts to Be in Love
diritti fonografici (℗) detenuti da:
Nestshare Ltd. (nel 1964)
registrazione di:
It Hurts to Be in Love
paroliere:
Howard Greenfield
compositore:
Helen Miller (US songwriter)
editore:
EMI Music Publishing Australia Pty. Limited (not for release label use!)
Gene Pitney4.52:35
5The Little Old Lady (From Pasadena)
registrazione di:
The Little Old Lady From Pasadena
autore:
Don Altfeld, Jan Berry e Roger Christian (US radio personality and lyricist)
editore:
Screen Gems–EMI Music, Inc. (USA, affiliated with BMI) e Universal Music Careers
Jan & Dean2:45
6You Don’t Own Me
produttore:
Quincy Jones
arrangiatore:
Claus Ogerman
parte di:
Dave Marsh: The Best of the Top 40 Singles: 1963 (numero: 28)
registrazione di:
You Don’t Own Me (nel 1963)
autore:
John Madara (nel 1963) e David White (rock ’n’ roll pianist & songwriter, member of Danny & the Juniors) (nel 1963)
editore:
Merjoda Music Inc. e Unichappell Music, Inc. (nel 1963)
Lesley Gore3.852:32
7Oh, Pretty Woman
registrata a:
Nashville, Tennessee, Stati Uniti (il 1964-08-01)
produttore:
Fred Foster
armonica (a bocca) :
Charlie McCoy (white blues harmonica player, 1960s-present) (il 1964-08-01)
batteria :
Buddy Harman (Session drummer and songwriter) (il 1964-08-01)
chitarra :
Jerry Kennedy (il 1964-08-01), Wayne Moss (il 1964-08-01) e Billy Sanford (guitar) (il 1964-08-01)
chitarra a 12 corde [12 string guitar Epiphone] e voce principale:
Roy Orbison (il 1964-08-01)
contrabbasso [upright bass] :
Bob Moore (U.S. bassist and bandleader) (il 1964-08-01)
percussione :
Paul Garrison (il 1964-08-01)
pianoforte :
Floyd Cramer (il 1964-08-01)
sassofono :
Boots Randolph (il 1964-08-01)
voce:
Roy Orbison
diritti fonografici (℗) detenuti da:
Orbison Records, Orbison Records, Inc. e Monument Record Corp. (not for release label use!) (nel 1964)
parte di:
Dave Marsh: The Best of the Top 40 Singles: 1964 (recordings) (numero: 20), Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 59), Rock and Roll Hall of Fame – 500 Songs That Shaped Rock e Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 222)
registrazione di:
Oh, Pretty Woman (Roy Orbison song) (il 1964-08-01)
paroliere e compositore:
Bill Dees (songwriter, singer, guitarist) e Roy Orbison
editore:
Acuff-Rose Music Limited (UK), Barbara Orbison Music Company, Roy Orbison Music Company, Universal/MCA Music Ltd. (not for release label use!), Acuff-Rose Publications, Inc. (BMI) (il 1964-08-26) e Acuff-Rose (BMI) (nel 1972)
Roy Orbison4.22:58
8My Guy
basso :
James Jamerson (nel 1964)
batteria :
Benny Benjamin (US drummer) (nel 1964)
chitarra :
Robert White (US funk/soul guitarist) (nel 1964) e Eddie Willis (nel 1964)
organo :
Earl Van Dyke (nel 1964)
pianoforte :
Johnny Griffith (nel 1964)
strumenti:
The Funk Brothers (nel 1964)
tromba :
Russell Conway (trumpet player) (nel 1964) e Herbert Williams (trumpet player) (nel 1964)
trombone :
George Bohanon (nel 1964) e Paul Riser (nel 1964)
vibrafono :
Dave Hamilton (US guitar/vibraphone player) (nel 1964)
voce di accompagnamento:
The Andantes (nel 1964), Marlene Barrow (nel 1964), Louvain Demps (nel 1964) e Jackie Hicks (nel 1964)
voce principale:
Mary Wells (Motown singer) (nel 1964)
diritti fonografici (℗) detenuti da:
Motown Record Corporation (company credits only; do NOT use as release label) (nel 1964)
registrata presso:
Hitsville (Motown recording and mastering studios in Detroit, Michigan) in Detroit, Michigan, Stati Uniti (nel 1964)
registrazione di:
My Guy (nel 1964)
paroliere e compositore:
Smokey Robinson
editore:
Jobette Music (UK) Ltd.
Mary Wells4.22:52
9Keep Searchin’ (We’ll Follow the Sun)
registrazione di:
Keep Searching (We’ll Follow the Sun)
paroliere e compositore:
Del Shannon
Del Shannon2:14
10C’mon and Swim
registrazione di:
C'mon and Swim
autore:
Thomas Coman e Sylvester Stewart
editore:
Clears Music e Taracrest Music
Bobby Freeman32:46
11Last Kiss
registrazione cover di:
Last Kiss
paroliere e compositore:
Wayne Cochran
editore:
Boblo Music, Fort Knox Music Inc. e Trio Music Co., Inc.
J. Frank Wilson & the Cavaliers2:28
12Dancing in the Street
produttore:
William Stevenson (Motown songwriter)
altri strumenti [tire iron] :
Ivy Jo Hunter (il 1964-06-29)
batteria :
Marvin Gaye (il 1964-06-29)
chitarra :
Joe Messina (il 1964-06-29), Robert White (US funk/soul guitarist) (il 1964-06-29) e Eddie Willis (il 1964-06-29)
chitarra basso :
James Jamerson (il 1964-06-29)
percussione , tamburello e vibrafono [vibes] :
Jack Ashford (American Label owner, producer, singer-songwriter, multi-instrumentalist, and arranger) (il 1964-06-29)
sassofono baritono :
Thomas Bowles (il 1964-06-29)
sassofono tenore :
Henry Cosby (il 1964-06-29)
tromba :
Russell Conway (trumpet player) (il 1964-06-29) e Herbert Williams (trumpet player) (il 1964-06-29)
trombone :
George Bohanon (il 1964-06-29) e Paul Riser (il 1964-06-29)
voce di accompagnamento:
Rosalind Ashford (il 1964-06-29), Ivy Jo Hunter (il 1964-06-29), Betty Kelly (il 1964-06-29) e William Stevenson (Motown songwriter) (il 1964-06-29)
voce principale:
Martha Reeves (il 1964-06-29)
editore:
EMI Music Publishing (do not use as a release label!)
diritti fonografici (℗) detenuti da:
Motown Record Corporation (company credits only; do NOT use as release label) (nel 1964) e UMG Recordings, Inc. (operational headquarters of Universal Music Group, based in Santa Monica, USA; read annotations) (nel 1964)
parte di:
Dave Marsh: The Best of the Top 40 Singles: 1964 (recordings) (numero: 7), Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 40), Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (numero: 130) e Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 403)
registrazione di:
Dancing in the Street (il 1964-06-29)
autore:
I. Hunter, M. Gaye e W. Stevenson (Motown songwriter)
editore:
EMI Music (do not use as release label! this is a music publisher), EMI Music Publishing (do not use as a release label!), FCG Music, Jobete Music (appears also as: Jobete Msc.), Jobete Music (UK) Ltd., Jobete Music Co., Inc., MG III Music, NMG Music, Stone Agate Music, Stone Agate Music Division, イーエムアイ音楽出版 フジパシフィック事業部 (EMI Music Publishing Japan, Fujipacific Division) (fino al 2021-06-30) e ソニー・ミュージックパブリッシング フジパシフィック事業部 (Sony Music Publishing (Japan) Inc., Fujipacific Division) (dal 2021-07-01 a oggi)
Martha and the Vandellas3.552:44
13G.T.O.
registrazione di:
G.T.O.
paroliere e compositore:
John Buck Wilkin (Ronny of Ronny & the Daytonas)
editore:
Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label)
Ronny & the Daytonas2:30
14Suspicion
registrazione di:
Suspicion
autore:
Doc Pomus e Mort Shuman (US singer, pianist & songwriter)
editore:
Carlin Music Corporation, Elvis Presley Music, Elvis Presley Music Inc. e R&H Music
Terry Stafford4.52:32
15No Particular Place to Go
produttore:
Chuck Berry, Leonard & Phil Chess (legendary US production duo) e Willie Dixon
basso elettrico :
Louis Satterfield (il 1964-03-26)
batteria :
Odie Payne (American Chicago blues drummer) (il 1964-03-26)
chitarra :
Chuck Berry (il 1964-03-26)
pianoforte :
Paul Williams (US blues/jazz saxophonist) (il 1964-03-26)
voce:
Chuck Berry (il 1964-03-26)
registrata presso:
Ter-Mar Recording Studios (1950s–1970s recording & mastering studio) in Chicago, Illinois, Stati Uniti (il 1964-03-26)
registrazione di:
No Particular Place to Go (il 1964-03-26)
paroliere e compositore:
Chuck Berry
editore:
Arc Music Corp. (U.S. rock & blues publisher) e Jewel Music Publishing Co. Ltd. (publisher; do NOT use as release label)
Chuck Berry52:45
16Leader of the Pack
diritti fonografici (℗) detenuti da:
Red Bird (nel 1964)
parte di:
Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (numero: 316) e Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 447)
registrazione di:
Leader of the Pack (nel 1964)
autore:
Jeff Barry, Ellie Greenwich e George “Shadow” Morton
editore:
Robert Mellin Music Publishing Corp., Screen Gems–EMI Music, Inc. (USA, affiliated with BMI), Tender Tunes Inc., Trio Music Company, Universal–Songs of PolyGram International, Inc., Warner/Chappell Music Ltd. (1996–2019) e ミュージカル・ライツ・東京 (Musical Lights Tokyo)
The Shangri‐Las4.52:55
17Hi‐Heel Sneakers
registrata a:
Chicago, Illinois, Stati Uniti (nel 1963)
produttore:
Herb Abramson
chitarra :
Dean "Cousin Sugar" Young (nel 1963)
chitarra basso [bass] :
Brenda Lee Jones (nel 1963)
organo e pianoforte :
Tommy Tucker (blues) (nel 1963)
voce:
Tommy Tucker (blues) (nel 1963)
registrazione di:
Hi‐Heel Sneakers (nel 1963)
paroliere e compositore:
Robert Higginbotham (blues)
editore:
Lily Pond Music e Robert Higginbotham Publisher
Tommy Tucker42:52
18Chapel of Love
parte di:
Dave Marsh: The Best of the Top 40 Singles: 1964 (recordings) (numero: 18) e Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 279)
registrazione di:
Chapel of Love
autore:
Jeff Barry, Ellie Greenwich e Phil Spector
editore:
ABKCO Music, Inc. (this is a music publisher; for release labels, please use “ABKCO”), Mother Bertha Music Inc., Trio Music Company, Universal–Songs of PolyGram International, Inc., シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.), フジパシフィックミュージック BMG事業部 (Fujipacific Music Inc., BMG Division), ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division), 日本アブコ音楽出版 (ABKCO Japan Publishing), イーエムアイ音楽出版 ソニー事業部 (EMI Music Publishing Japan Ltd., Sony Division) (fino al 2021-06-30) e ソニー・ミュージックパブリッシング EMI外国事業部 (Sony Music Publishing (Japan) Inc., EMI Overseas Division, sub‐publisher for non‐Japanese works) (dal 2021-07-01 a oggi)
The Dixie Cups42:50
19Louie Louie
parte di:
Dave Marsh: The Best of the Top 40 Singles: 1963 (numero: 3), New York Post: 100 Greatest Covers (2007) (numero: 26), Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 55), Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (numero: 156) e Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 169)
registrazione cover di:
Louie Louie (nel 1963)
paroliere e compositore:
Richard Berry (US singer/songwriter, composed “Louie Louie”)
editore:
EMI Music Ltd., EMI Music Publishing Australia Pty Ltd (not for release label use!), EMI Music Publishing Ltd. (PRS‐affiliated), Windswept Pacific Music Ltd. e World Wide Music
parte di:
Baby It’s You! (jukebox musical, book by Floyd Mutrux and Colin Escott)
The Kingsmen3.82:46
20Goin’ Out of My Head
tecnico:
Kevin Reeves (engineer)
produttore:
Teddy Randazzo
tecnico di missaggio:
Ron Furmanek e Kevin Reeves (engineer)
arrangiatore:
Teddy Randazzo
parte di:
Dave Marsh: The Best of the Top 40 Singles: 1964 (recordings) (numero: 12)
registrazione di:
Goin’ Out of My Head
paroliere:
Bobby Weinstein (US songwriter)
compositore:
Teddy Randazzo
editore:
E. H. Morris & Co. Ltd., EMI Catalogue Partnership Australia Pty Ltd, EMI Partnership Musikverlag GmbH, Universal–Songs of PolyGram International, Inc., Vogue Music e Songs of PolyGram International, Inc. (nel 1964)
Little Anthony & the Imperials52:31
21The Shoop Shoop Song (It’s in His Kiss)
registrazione cover di:
It’s in His Kiss (The Shoop Shoop Song) (nel 1964)
paroliere e compositore:
Rudy Clark (US songwriter)
editore:
By the Bay Music, Pathe Publications (F.E.) Ltd., TM Music Ltd. e Trio Music Company
Betty Everett42:17
22Surfin’ Bird
parte di:
Dave Marsh: The Best of the Top 40 Singles: 1963 (numero: 7)
registrazione di:
Surfin’ Bird
autore:
Al Frazier, Sonny Harris (US baritone singer and songwriter John Harris), Carl White (60s soul vocalist, member of the Rivingtons) e Turner Wilson (1960s doo wop)
editore:
Beechwood Music Corp.
medley di:
Papa‐Oom‐Mow‐Mow
medley di:
The Bird’s the Word
The Trashmen4.32:20

Accreditamenti

Gruppo di pubblicazioni

parte di:The Rock 'n' Roll Era (Time-Life Music) (numero: 10) (ordine: 10)
Discogs:https://www.discogs.com/master/404004 [info]